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Can dea UC IENEY IN RECITA Duets Book 3 ¢ Late Elementary L’ Volume One TABLE OF CONTENTS Primo parts played by Helen Marlais; Secondo parts played by Christine Kim. Composer Arranger | Page [Performance [Primo Secondo Category oy ee Track About Duet Helen 45 Playing Marlnis Simple Gifts Equal Pare | Shaker Elder Kevin Olson | 6.9 1 9 10 Duet | Joseph Brackett J | | When Irish Byes Unequal | M: EmestR. Ball | Melody Bober | 10-13, 2 u a are Smiling Part Duet W: Chauncey Olcott & George Graff Jn | Roundup Equal Pare | David Karp 14.19 3 3 4 | Duct | | Chopsticks Equal Part | Traditional Kevin Olson 20-23 4 15 16 | Duet | Sleeping Beauty | Equal Part | Pyotr Ilyich Timothy Brown | 24-27 5 7 1 | Waltz Duet | Tehaikovsky (Opus 66, No. 6) Beautiful Unequal Stephen Collins Edwin McLean | 28-31 6 19 20 Dreamer Part Duet | Foster Cielito Lindo Unequal, Carlos Fernandez Melody Bober 32-37 7 2 22 | (Beausfl Sky) | Part Duct | Fire Dance Equal Pare | Timothy Brown | 38-41 8 2B u Duet | About the 42-43 ‘Composers/ | Arrangers wtheCD | Helen 4 to be simple, ‘tis a gift to be free. Secondo Shaker Elder Joseph Brackert, Jr arr. Kevin Olson Gently flowing (J= ea, 120) 1 a a nn Gently flowing (J= ca. 120) Play both hands one octave higher throughout SIMPLE GIFTS Primo Shaker Elder Joseph Brackett, Jr arr. Kevin Olson “Tis the mf 9 2 = — = a s ae — 4 = $ = i SS Se SG — gift to be sim-ple, ‘tis the gift to be free, ‘tis the gift to come down @ 2 2 2 e yr == we : LH. legato where we ought to be, and when we find our-selves in the just right, “twill 3 4 # = — $ ; 6 ose oe e: = =| S ——t 4 be in the val - ley of | love and de-light. — [ 2 2 lee 2 e e as = = — Secondo sim ty is gained to — | bow is shan't be a-shamed. _A__ ped. simile Primo be our de-light till by | turn-ing, turn-ing we @ WHEN IRISH EYES ARE SMILING Secondo Words: Chauncey Olcott & George Graff, Jr. Music: Ernest R. Ball art, Melody Bober laugh - ter, WHEN IRISH EYES ARE SMILING Primo Lilting (J = ca. 144) Play both hands one octave higher throughout 5 Secondo world seems bright and ROUNDUP Secondo David Karp Lively (J =a. 88) : 3 B lightly ROUNDUP Primo David Karp 36 Secondo “eh ° “al i ey ; eal Ss s ell Hal as +] ‘ta (ti. A uy A “oO I 7 7 3 | BAe es CHOPSTICKS Secondo Traditional art. Kevin Olson [Qs | Cuopsticks Primo Traditional arr. Kevin Olson Lively (4 = 176 or faster) 3 Secondo * Plav the elissando with the tin of the second or third fincemail. & \ .\\ SLEEPING BEAUTY WALTZ (Opus 66, No. 6) Secondo Pyotr Ilyich Tchaikovsky art. Timothy Brown ‘Waltz tempo (J = ca. 63) 3 GE E ES = = ¢ ¢ | $ | $ ¢ ¢ ¢ lll] y | SLEEPING BEAUTY WALTZ f ral (Opus 66, No. 6) i. \ Primo Pyotr Ilyich Tchaikovsky 1 arr. Timothy Brown ‘Waltz tempo (J = ca. 63) Play both hands one octave higher throughout Secondo a =F 2 3 oe 3 8 ¢ ¢ lat ? | 5 ———— z: 4 a mf A = rs fi] == Se 6 s¢ - - ee a8 mp ae * : = : 4 : t - E ae eee Frimo Stephen Collins Foster arr. Edwin McLean i Se he i a ara et ee ee ee teen BEAUTIFUL DREAMER Primo Stephen Collins Foster arr. Edwin McLean 5 ‘This arrancement © 2006 Frank J. Hackinson Publishing Company (BMD). ree Primo CIELITO LINDO (Beautiful Sky) " Secondo Carlos Fernandez art. Melody Bober Gracefully (J = 132) ‘4 3 i - ped. simile CIELITO LINDO (Beautiful Sky) Primo Carlos Fernandez art. Melody Bober Gracefully (J = 132) Play both hands one octave higher throughout 5 mf Secondo o e e oe = ia 4 Primo Secondo FIRE DANCE Secondo Timothy Brown | Sempre staccato ae eee FIRE DANCE Primo Timothy Brown foe ee Se —__ —_—— ———— re 3 aadtaddds 44444444 LH Secondo sempre staccato 3 Fi 2 8 both hands— ~ ~~ ~~ ~~ = == 77 7 === paee i]

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