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xtavk\anil

Contemporar] Classical Guitar Solos \ilth

instructions for inlennediar and advanced
guikrists.
 CONTENTS

-,/Nottlngt c*u cn-g" ao,. no, vou I

"y 3
lI Neva tive rnis way Aeain 6
How Dep Is Your Love 9
lt Mighi Be Yor (Thene iioh "T@tsie ) t2

-7' You r My EveryhinA 20

25
NOTHING'S GONNA CHANGE MY LOVE FOR YOII

Conposer/Lync : M, Massrc. coffin

Aranser: Ma* Yong

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trf
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Therh}lhmdhr6mihcllil]cld
(ba6 r9.20.22.2r rM t4),rhey shou

odre $!a bne (NiL .dro).

hold oi ("nc lalne) r Lons a\ rpptupi e.

Tni5 soro vas p€domed in rhe !936 Guirar ,re.he',s caied 4 thc sinsapor coircrcn c H. .
 AUBREY
comporrllyr.hr Dr (;d:i
Anrngel r\irrt
'or:
ia

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id,d iih 1{o pxnj: Pin E 5

rlL. {h e p Bdr.^mo€d sseblrrpbr(byreLi;s
no|'1,j',|i''T'i.j,
! iiro on lBrrxe,(roo.

r!.rrn.L Lr. hc rnpo ru F Ei

ii! tJ-; ;id. Lho s;,j:rl rtr.r
I'T,I, NEVER LOVE THIS WAY AGAIN

Composer/Lyirisr: R. Kcrlw Jcnnj,,es

Anlnser M3rk Yon.
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n., h../Ronio \h,i. hieE b^i, hc
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F ?-T i=

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rri*:
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 rtuyng trys
Again. as in .Arbcy- pafr E ha b.ci rimpufi.d in borh yrhn md hmdy
. oi pd El wirh $Eml qciriic r.hiiqua ard morc otoulftrt

sd ror rh. "re"

(hms 6ro 12) b.
HowsEr. rbe "cho t (bm 1r b21) nd pan Enun b. phyed in ni.i rift. rhc rnrodudion (bm r
md 2) should be lrayed gcndy lirh ! b. .nnqinr drel

T..hnicrLy, rh. muln.noG dm (biB 20 md 211shoutd oity hrve the fn$ nol. pluck.d lid rhc
ond pxniig ed hmEqins. $rummiu in pan ts(b* 26) should

-fi6rbe (i... .hc, chord). The rorb*iis br (bff 27) ho the nEt chord nrnmmcd $d $nainrd whitc
dc rishr hrnd knocks on thc f8c. bddlnn lhM sd brow $md hol..
'he

E $e o sdtrg (down N*e).

J o$nsOpsmko.
'o
hord d (imc vrrue) lotrs *
IiYe nors 6 b€ pl,y.d h cffh.r'pPmPriaE.
ime ( I )

Thn ob % pErohod in rhc ,1982 Clhd Tc..hcrs Conen, d rhc singrpole c.niod.e HdL
 HOW DEEP IS YOUR LOVE
Conposcs: Bx.!-', Robrn and Mruic. Gibb
Aran3.r. \hrk Y.n3

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 \11

f
 Tn rG ruy loo,. de ingly sinpr. but ir is rbe lhyrhh sd bining i\{ m&. n 6lhs difficuh l
h k pr d'o lhyrhm a .r6c 6 possibr. b nE onsi.'t lum &ordcd by th. E . aEs. sirplifuiry
c
ir voDld loe rhc.s.icc or d'is dyrr'mi. pi@.

sF.oprxon .an b€ sh rhbughour

@ing e,i.i Ndcnh.Ls, c@ mud b. er.rcis.d *h.i i.vis{ing $ntrsh rh. Fiee. srdd rif. muer

rledlitrs virh a fttunc n hisbty E.mm.nd.d.

Thc r..hdc,r sdin vil be m buiDg $. choin!.

$rcht Nodin!:
,}1Gr1r) - dE mmat "&
seond n@ aodquickly -dua, o the $cond ior 6 it . finr nor n
.rimL$ in vrtuc.

ljj p.zrl r*.r,",0' dd (l ).

6(b&tr) -
pr"y.d in minim
bold ob (ritu v.tu.) a tms d
l-lGrr6) -- Lfi hfd tinscr I 'pFanaE. ng(i...1h.seond
mD i. ro b. d&r.d).

Ttn do % portor@d ar lio cde Fln in 19?9,

 IT MIGHT BE YOU
conpo*r/Ly cnt, D. Grusin,/A- BeBmrn/M. Bergmsn
Arrnger: Ma Yong

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rorhMi nmror(q! bu P dJE i4

$i. (sLxrporc)h! Ld '
pubilhd: EHr MrrPubh!\Lu'./cord
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ic-. v

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ul

V"tr
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.Dl .D'-J

rrI I

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)+f-l =
r f
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VY

I
t-1^
^D)-J r

i rj I
I
 Paa tr has b..n rimplilied tbl rhe inEmed r plrrl whil. pM E is a orisinrry aruc.!.

kTiness. c\pcchlly rh.'chorur'O s 2l ro 24). Ihe mon.ohuni, s.!nh

nsnemd (i,) {nd brishrcniig wh.n rh.y gd sharD.n.d (r). The hamoii

-r" on 6 wh,le rhe econd a" q@ hbr5i.,hcrhrGha\b& rds. inodsro

26 hf,5 rhe fi6t
f $6rs.dmhmrEr11

l,*.0, or oie p€c.niiE ior, *. hamd

Ne *nh pB.irii8 nob. Oi
rwo
should be on rhe b?d olfi. lnnd no@, Tlre lid No noEs e consid.Ed

Tb',.^r.uap romld n ft.l0rl sinssp.E cJi,r l6nklii.c31

 THE PINK PANTHER

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 Pla|iry Tigs

sgaiolNda,ionl

bb.plaFdm.@uthighd.i!'usmtrnlhimo6,
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TN5 lolo @ ,.rrdm.d ar th. lorh sins.pd. GurE I 6rivd d I93r

 YOU'RE MY EVERYTHING

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 Plali s Tips

) Fotrr b 3, lroEror
'h.
eiq lho
16 Mrny oi,h. nningnots Gs
6 Gs bss 6. 15 dc) shou d bc fby.d

n.rc e rhe srad lo lan $o bm. r6c

'he

rrtlhc iore above. c piirpaliorq rbt iocbeo\ and the o.inriPa iot

rlrc fcond iol! inftrd ol hamo.nig

it*1) -pll}.d6amor&'otrlyllrefir\

This sro wB pdro6.d ar rhe 4rh soulh E.n Asia cun6 F4iival io Baqkok in 1930.
 ALL AT ONCE
Co.,ros.r L!r.sr V. Vrk.l. on.r,-
'\i usrr \fu.k \o.!

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olilrrPd,Liu. !u i . M!,rM{d r vs.tpua sr i,unr

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P
t-a tenpo ?7 ,p
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Eo'n rbe msicil poinr of vi.r, e ptusiis in fte ohdo fdoi (bm 3 1o

chorus (bffi 20 !,24) shotrrd b pLry

m ins melody itr tms ol rone (i.c Ly) The $m. g06 for ih{

rjd ky o ,h. . majf kcy

'IXisslopap€do@.ddtbcsineapor.cLsielcnit socidy3 Pleasur4ofGuira/cone in1 3.