Buku Baru ENL 1202
Buku Baru ENL 1202
2018
TOPIC 1
INTRODUCTION TO
COMMUNICATION
AND
BUSINESS COMMUNICATION
o What is communication?
o What is business communication?
o Written and oral communication in business
o Distinguishing clear communication
o Importance of clear communication
o Good communication skills
o The communication process
o How to Prevent Misunderstandings
WHAT IS COMMUNICATION?
Many theories have been proposed to describe, predict, and understand the behaviours
and phenomena of which communication consists. When it comes to communicating in
business, we are often less interested in theory than in making sure our communications
generate the desired results. But in order to achieve results, it can be valuable to
understand what communication is and how it works.
Defining Communication
• The root of word “communication” in Latin is Communicare, which means to
share, or to make common. Communication is defined as the process of
understanding and sharing meaning.
• Communication is the relationship that involves interaction between participants.
• Communication is a dynamic activity that is hard to describe because it changes.
Imagine you are alone in your kitchen thinking. Someone you know (say, your
mother) enters the kitchen and you talk briefly. What has changed? Now,
imagine your mother is joined by someone else, someone you haven’t met
before – and this stranger listens intently as you speak, almost as if you are
saying. When we interact, all these factors – and many more – influence the
process of communication.
WRITTEN COMMUNICATION
ORAL COMMUNICATION
Whenever you are participating in a discussion with clients or colleagues, craft a clear
message. A clear message:
i) Is short
ii) Uses simple language
iii) Focuses on the needs of the audience
KEEP IT SHORT
Limit your key message to one sentence, preferably fewer than 10 words long. Because
so many complex business documents are written in long, complex sentences, we have
trained ourselves to think in large chunks of information. While that is arguably
necessary in written documents, it is not helpful or effective when conveying messages
orally. Consider breaking the content into smaller sentences to help your listeners.
Consider this!
Everyone’s active participation in the bank’s event is crucial to helping up
develop a conscious and a cohesive firm culture that we can all be proud of
and that will help us attract high-quality associates.
Now, turn your head away from the paper and repeat the statement you just read. Can
you it? The answer is perhaps NO. It is too long, and you have to translate what it
means to you.
Sophisticated professionals fall Into two traps. First, we try to show how smart we are.
Second, we fail to recognize our industry jargon.
Big words do not impress anyone. Big ideas do. In a professional setting, you are
not graded on smarts. People assume you are smart. You are graded on having an
impact. That means getting people to take action based on your ideas.
Get to your point. Your goal when communicating is not to be cute or clever.
Your goal is to be clear.
Avoid jargon
We spend most of our time interacting with other people who do what we do. As a result,
we start to think that our internal dialogue, understood intuitively by our colleagues, is
understood by everyone. We forget how much jargon has crept into our vocabulary.
Jargon promotes efficiency when used with our colleagues, but it becomes problematic
when we fail to recognize it as jargon and use it in inappropriate settings.
Every industry and every discrete function within a company develop its unique
jargon. Accountants, lawyers, IT professionals, and HR generalists all use phrases hat
mean something specific to them and their colleagues. Jargon allows is to be efficient
when speaking with others in our field. However, jargon is misconstrued by, or
completely unintelligible to, the general population.
Your message is never about you, and it is rarely about your content. It is always about
how your audience – your listener or reader – needs to use your content. To craft your
audience-focused message, ask yourself: “what does this audience need to learn by
attending this meeting?”
In the first two sentences, focus on the key message of the communication and
not on the content. Try to focus on how your audience needs to use your content. You
will not know how quickly certain members of your audience will form an opinion. Give
your audience the bottom-line information so if they make a snap decision, that decision
is based on the proper content. Your audience will rarely take appropriate time to
consider fundamental issues about their situation. Therefore, for your sake, and for the
sake of your audience, keep your key message short, easy to understand, and focused
on the audience’s needs. You will improve your ability to have an impact.
Building Rapport
It is important to establish good communication skills. Below are some tips for you to
follow:
• Acknowledge others who are communicating with you verbally and non verbally.
• Rephrase thoughts. It is often good to rephrase and repeat what is being said to
you, back to those who are speaking. This ensures not only that you understood
what they said, but more importantly what they meant.
• Give examples. Using examples or personal experiences is a helpful way to
communicate your ideas.
• Use good diction. Speaking clearly and distinctly is extremely important. People
may miss your point if you are hard to understand.
• Maintain a positive attitude. You can communicate with a positive attitude
whenever you speak. People will be more interested in what you say if you are using
a positive sentence structure too.
Sender – sender imagines, creates and sends the message. In a public speaking, the
sender is the person giving the speech. He or she conveys the message by sharing new
information to the audience.
Message – the message is the stimulus or meaning produced by the sender to the
receiver or audience. When you plan to give a speech or write a message, your
message may seem to be only the words you choose that will convey your meaning.
Encode – encode is when a sender chooses a code (shared language) and the delivery
methods to deliver/transmit the information. He or she must choose a code that both
parties (sender and receiver) understood. The code can be either verbal or non-verbal
piece of information.
The same process will once again repeated as long as the communication does not
stop.
Communication problems in the workplace can occur simply because people have
different ways of relaying and hearing information. This often results in personal
conflicts, project failures, a plunge in staff morale, and high turnover. The worst-case
scenario? Misunderstandings can lead to costly lawsuits.
In business, you can avoid many problems simply by improving communication in your
office. By clarifying everyone’s expectations and roles, you’ll help build greater trust and
increased productivity among employees. Here are a few tips for doing so.
Practice active listening. The art of active listening includes paying close attention to
what another person is saying, and then paraphrasing what you’ve heard and repeating
it back. Concentrate on the conversation at hand and avoid unwanted interruptions (cell
phone calls, others walking into your office, etc.). Take note of how your own experience
and values may colour your perception.
Take responsibility. Miscommunication always has at least two participants, the person
talking and the person listening. To avoid misunderstandings, take responsibility for
making sure that the other person clearly grasps what’s being asked of him. If you do
this in a trusting, non-confrontational way, the other person is encouraged to take
responsibility for his part, and ask for clarity if it’s needed.
Pay attention to non-verbal cues. We don’t communicate with words alone. Every
conversation comes with a host of non-verbal cues — facial expressions, body
language, etc. — that may unintentionally contradict what we’re saying. Before
addressing a staff member or leading a project conference, think carefully about your
tone of voice, how you make eye contact, and what your body is “saying.” Be consistent
throughout.
Be clear and to the point. Don’t cloud instructions or requests with irrelevant details,
such as problems with past projects or issues with long-departed personnel. State what
you need and what you expect. Ask, “Does anyone have any questions?” Demonstrate
that you prefer questions up-front as opposed to misinterpretation later on.
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workplace/
TOPIC 2
THE ART OF READING
Reading skills
You are expected to do much more reading at university than at school or college; it's
not called ‘reading for a degree' for nothing. When you read, do you read each and every
word? Do you skim over the document and try to identify key terms and themes? Do you
focus on numbers and statistics, or ignore the text and go straight to the pictures or
embedded video? Because people read in many diverse ways, you as a writer will want
to consider how your audience may read and analyze your document.
May times, a document will be skimmed rather than read in details. This is true whether
the communication is a one-paragraph e-mail or a twenty-page proposal. If you
anticipate that your document will be skimmed, it is necessary for you to make your
points stand our for the reader.
1. Reading Techniques
2. Active reading
3. A tip for speeding up your active reading
4. Spotting authors' navigation aids
5. Words and vocabulary
2. Active reading
When you're reading for your course, you need to make sure you're actively involved
with the text. It's a waste of your time to just passively read, the way you'd read a thriller
on holiday.
Always make notes to keep up your concentration and understanding.
Here are four tips for active reading.
iii. Questions
Before you start reading something like an article, a chapter or a whole book, prepare for
your reading by noting down questions you want the material to answer. While you're
reading, note down questions which the author raises.
iv. Summary
Pause after you've read a section of text. Then:
1. put what you've read into your own words;
2. skim through the text and check how accurate your summary is and
3. fill in any gaps.
i. Survey
Gather the information you need to focus on the work and set goals:
• Read the title to help prepare for the subject
• Read the introduction or summary to see what the author thinks are the key
points
• Notice the boldface headings to see what the structure is
• Notice any maps, graphs or charts. They are there for a purpose
• Notice the reading aids, italics, bold face, questions at the end of the chapter.
They are all there to help you understand and remember.
ii. Question
Help your mind to engage and concentrate. Your mind is engaged in learning when it is
actively looking for answers to questions.
Try turning the boldface headings into questions you think the section should answer.
iii. Read
Read the first section with your questions in mind. Look for the answers, and make up
new questions if necessary.
iv. Recall
After each section, stop and think back to your questions. See if you can answer them
from memory. If not, take a look back at the text. Do this as often as you need to.
v. Review
Once you have finished the whole chapter, go back over all the questions from all the
headings. See you if can still answer them. If not, look back and refresh your memory.
"Three advantages of..." or "A number of methods are available..." leads you to expect
several points to follow.
ii. The first sentence of a paragraph will often indicate a sequence: "One important cause
of..." followed by "Another important factor..." and so on, until "The final cause of..."
iii. General points are often illustrated by particular examples, for example:
i. Read
You will often find yourself using the same word over
and over again. It would serve you well if you find its
synonym. It may either fit into your sentence
seamlessly, or require you to change your sentence,
which would help you further with the language.
TOPIC 3
o Basic Communication
Telephone
o Presentation Skills and Strategy
1. Eye contact
We all have a natural human instinct to make eye contact with those around us.
It’s how we establish a connection. A baby cannot see clearly at birth. Eyes are
literally the first things we focus on in life, and in most cultures, they remain the
first things we try to focus on when we meet someone.
We all know the importance of looking at your audience when you speak to a
group. Unfortunately, too often that concept as interpreted as “Scan your
audience. Make eye contact with as many people as possible.” That does not
work well. When you scan the audience, your brain takes in too much
information. You notice that one person is doodling, someone else is yawning,
someone’s checking his email on his phone, and someone else is coming in late.
Your brain tries to process all of that information. Your brain is like a computer.
When a computer takes in too much data, it freezes. The same if true for your
brain.
So if you shouldn’t scan, what should you do with your eyes?
Look at one person at a time for a complete sentence. If you stay with someone
for a full thought, five to seven seconds, you’ll experience a number of benefits.
First, you have to stay relaxed. Most of us are not afraid of speaking to one
person. If you only talk to one person, regardless of how many are in the room,
you’ll automatically calm yourself. However, you are not only speaking to one
person. Focus one audience at one time.
Second, if you stay with someone for a full thought, you’ll avoid distraction. If I’m
talking to the man with the beard in the back row, he’s the only person I’m
looking at the and the only one I care about at the moment. When someone
comes in the side door late, I’m not thrown away. I’m still talking to goatee guy.
Third, and most important, benefit of staying with someone for a full thought is
that you build rapport with your audience. If you are scanning and talking to
someone for a full thought, you look more composed, you sound more confident
and comfortable with yourself, and you establish a connection.
2. VOICE
Your voice is a powerful delivery tool. Most professionals interact far more on
the phone than face-to-face, so leveraging the power of your voice is crucial to
connecting effectively. By varying your speed, volume, tone, and inflection, your
voice helps bolster your impact. The key is variety.
i) Slow down. You move too fast
Most people, when they get nervous, speak too quickly. If you speak too
quickly in front of an audience, you will sound as if you are apologizing for
taking up their time. You will diminish your presence and your appearance of
confidence, the speed of your voice is tied to how you use your eye contact. If
you move your eyes too quickly between people, you will automatically start
speaking faster. If you stay with one person for a full thought, you will
automatically slow down your rate of speech.
There are times when increasing the speed of your voice can help suggest
urgency. In that case, the speed is helpful, as long as you are not going so
fast, people cannot stay with you. Again, it is about variety. Occasionally
speeding up or slowing down can draw people in and make them pay
attention. Two factors can cause an audience to become overwhelmed by a
speaker’s pace: (1) the speed of the speaker’s voice and (2) the absence of
pauses between sentences. Pause between sentences is essential for an
effective delivery. When you pause at the end of a sentence, you are giving
your audience a chance to process what you have just shared. If you keep
talking without pausing, your audience quickly becomes overwhelmed and
cannot take in any further information. At that point, people either stop
listening entirely, out of exhaustion, or they stop listening momentarily, so
they can reflect on what you just said. In either case, they stop listening to
you.
ii) Speak up. I can’t hear you.
Volume is the most basic component of your vocal quality. If you cannot be
heard, you will not have any impact. Most venues are designed to absorb
sound. The carpeting, the ceiling tiles, and the cloth panels on the walls are
all designed to muffle the sound so that you are not heard out in the hall, in
the room next door, or on the other side of the movable wall. If you don’t
project, your voice is lost.
In addition, you are competing with all sorts of distractions. The air conditioner
is blowing, the projector is humming, and someone’s laptop or phone is
beeping. Your goal is to be loud enough to be heard. For many people that
means projecting louder than they think is necessary. At the very least,
always speak at the volume needed to reach the person farthest from you,
even when you are looking at the person closest to you. In order to be louder,
you need more air to pass over your vocal cords.
Again, as with your pace, it is the variety in your volume that helps you remain
interesting. Being loud enough to be heard is the absolute minimum. Beyond
that, raising your voice louder will add urgency to a key point. Lowering your
volume will draw people in and convey “This is important.”
iii) Your tone.
Much of our work is done on the phone. Uniformly, teams of people who
spend their days on the phone with customers have in front of them one of
two things: a mirror or a sign that read “Smile.” Your facial expression impacts
your tone of voice. When you smile genuinely, you voice automatically
sounds more positive and has more energy. Your tone will sound more
optimistic. Obviously, the sign reminds people to smile. The mirror sends a
subtler image. It makes people think “Look at the look on your face/ right now,
would you want to talk to you?”
iv) Your inflection
The goal with inflection is variety. It is easy, especially on the phone or when
reading from notes or a prepared text, to allow our voices to go flat. Very few
people are truly monotone. Your voice should punctuate the important ideas
you want to convey. On a conference call, our voices are somewhat muted.
That means that whatever range of inflection we have when speaking face-to-
face with someone is diminished on the phone. Therefore, we have to be that
much more conscious of our inflection and sound that much more emphasis
on the phone in order to sound engaged.
3. BODY LANGUAGE
How we carry ourselves says a lot about how we feel about ourselves. It also
tells our audience, of one or 100, how to perceive us. Here is a simple example.
If someone walks to the front of the room with her arms folded in front of herself,
he/she will automatically be perceived by at least some of the audience as
standoffish, distant, upset, or even angry. That closed-off body language is
considered negative. And yet, just because the speaker folds his/her arms do
not, inherently, mean he/she feels any of those things. In fact, he/she may be
cold.
• Your Hands
Why keep your hands apart? As soon as your hands come together, they are
likely to engage in the fidgety behaviours that make us seem nervous. When we
are at a meeting, we all have a certain amount of energy. That energy will work
its way out of our bodies one way or another.
If you keep your hands apart, you will more inclined to use your hands to make a
demonstrative gesture that helps convey your point. We all gesture to some
extent, clearly some people more than others. Gesturing does not mean flailing
your hands around wildly. It means allowing your hands and your face to help tell
your story. When you are relaxing with your friends and family, you gesture
naturally. Bring that same you to the meeting/presentation and you will look and
sound more genuine and therefore more convincing.
• Your Face
Your face is a powerful tool for conveying how you feel about a topic. The entire
video conference industry exists because we all feel the power of being able to
see each other when we are meeting. Most content can be conveyed just as
effectively through an email. Nut we feel we get a better, more complete version
of someone’s opinion when we meet face-to-face. We can hear the message
coming from her lips, listen to the tone of his/her voice, and can see his/her
expression as he/she shares her ideas or reacts to ours. Yet, many of us can
appear stone-faced at a meeting, whether we are sharing an idea or listening to
someone else’s.
When presenting information face-to-face, one of the keys is to smile. It is
important from the perspective of an overall impression. When you meet with
someone, you should look like you want to meet with him. If the issue or news is
neutral or positive, your face should reflect that. A smile does not mean a big
goofy grin: it means look engaged. If you have to deliver bad news or the topic
you are discussing is awkward or uncomfortable, and smiling would seem
inappropriate, you should still look like you are glad to be present to help the
other person through a difficult time.
• Your Stance
There is an odd feeling about presenting to a large group of people. All eyes are
on you, and yet the presentation is not about you at all. So although your
listeners are looking at you, they care less about you and more about whether
you are going to meet their needs. To meet their needs you have to appear
confident in yourself and your ideas.
When you are standing in the front of a room, giving a presentation, whether you
are using notes or a projected visual such as PowerPoint, your stance conveys a
great deal about how you feel about yourself and your material. As with all body
language issues, your goal with your stance is to minimize the audience’s ability
to misperceive your intent.
1. Smile
First of all, Smile. A smile is the universal language that opens doors,
communicates approachability, and sets the tone for what’s to come. It can also
help disarm the angriest of customers. People can hear a smile on the phone as
it changes the quality of the voice from flat sound, to lyrical, from hostile, to open.
2. Eye Contact
Secondly, make good eye contact. It’s said that the eyes are the windows to the
soul. Make a stronger connection by looking at the eyes of the customer, not just
the face. Eye contact communicates that you’re focused, fully present, and ready
to help.
3. Voice
Third, use a warm, crisp tone of voice. Warmth conveys a friendly, helpful
demeanour. A crisp, articulate voice creates the perception of heightened
intelligence, responsibility, and capability.
4. Proper Grammar
It’s also important to use proper grammar. Use real words such as, Yes, instead
of Yeah or Yep; Aren’t instead of Ain’t. No instead of Nope or Nah. Also
eliminate non-words such as Um, Ya know, er, and slang words. Avoid using
double negatives. For instance, These books don’t never ship on time. Two
negatives in the same sentence, such as don’t and never, are unnecessary.
Instead, simply say, These books don’t ship on time.
5. Look Alert
Another tip is to look alert. Bring some energy into the greeting, especially if
you’re on the telephone. The equipment consumes some of your enunciation so
the phone requires an extra dose of energy. As in everything though, don’t
overdo it. Balance is peak performance.
6. Be Responsive
Be responsive to waiting customers. Work to continually reduce your response
time. Acknowledge waiting customers every 30-60 seconds on the telephone
with an estimated wait time, or every several minutes in person.
7. Handshake
Use a handshake if appropriate. Give a handshake— not a finger shake. You
can also make a stronger connection with the palms by spreading your fingers
slightly as you go into the shake. Firm, but not too hard. Don’t forget eye contact
and a smile too. Hi, my name is Paul, and you are? Keep your shoulders and
face square to the person, not at an angle. This communicates being fully
present, and is a subtle hallmark of professional behaviour.
9. Grooming
Be impeccably groomed. Clean, well-pressed clothing is a must. Choose more
conservative styles. Also, avoid perfumes and aftershaves. Some people are
allergic to scents, or find them altogether offensive.
10. Posture
Another idea is to keep your posture erect. Avoid slouching while sitting or
standing. It communicates fatigue, lack of confidence, and even incompetence.
Also, walk upright with purpose and a bounce in your step. Customers appreciate
energetic, fully present service providers.
11. Name Tag
Identify yourself with a nametag and job title. Nametags communicate
professionalism and more importantly, that you’re not another customer! Make it
easy for customers to identify you. Consider people-greeters at the door if
appropriate. They welcome customers with a warm smile and greeting, hand out
gifts to children, or give out flyers on specials, coupons, or advice on where to
find items. You may also have exit greeters to thank customers for shopping.
Studies show that greeters also help reduce shoplifting.
Opening Words II
If you’re in retail, avoid approaching customers with the worn-out, May I help
you? It usually gets a No thanks. Just looking. Instead, greet customers with an
informal, Hello or Hi—welcome to the store! Introduce yourself and then let them
know that you’re there to assist if they need help. I’m here to help if you need it.
Is there something in particular that you’re looking for? Or, Enjoy the store. If you
have any questions I’ll be right over here. Make yourself available without being
a hound.
Telephone Etiquette
Proper telephone etiquette is very important in that you are representing your
department and company. Remembering to use proper telephone etiquette,
whether answering the phone or making phone calls, leaves callers with a
favourable impression of you, your department, and Lehigh in general. Following
are some helpful hints that will help to make your phone conversations more
effective.
A few key things to remember when it comes to phone etiquette:
Answering Calls
• Try to answer the phone within three rings. Answering a phone too fast
can catch the caller off guard and waiting too long can make the caller
angry.
• Answer with a friendly greeting. (Example - "Good Afternoon Global
Institute of Studies, Academic, Lisa speaking, how may I help you?").
• Smile - it shows, even through the phone lines; speak in a pleasant tone of
voice - the caller will appreciate it.
• Ask the caller for their name, even if their name is not necessary for the
call. This shows you have taken an interest in them.
• If the caller has reached a wrong number, be courteous. Sometimes a
caller is transferred all over campus with a simple question and the caller
gets frustrated. If possible, take the time to find out where they should be
calling/to whom they should be speaking.
• Use the hold button when leaving a line so that the caller does not
accidentally overhear conversations being held nearby.
• When you are out of the office or away from your desk for more than a few
minutes, forward your phone to voicemail.
Making Calls
• When you call someone and they answer the phone, do not say "Who am
I speaking with?" without first identifying yourself: (Example - "This is Lisa
from GIS/Academic. To whom am I speaking?")
• Always know and state the purpose of the communication.
• When you reach a wrong number, don't argue with the person who
answered the call or keep them on the line. Say: "I'm sorry, I must have
the wrong number. Please excuse the interruption." And then hang up.
• If you told a person you would call at a certain time, call them as you
promised. If you need to delay the conversation, call to postpone it, but do
not make the other person wait around for your call.
• If you don't leave a number/message for someone to call you back, don't
become angry if they are not available when you call again.
• Stay calm. Try to remain diplomatic and polite. Getting angry will only
make them angrier.
• Always show willingness to resolve the problem or conflict.
• Try to think like the caller. Remember, their problems and concerns are
important.
• If you are in a non-supervisory position: Offer to have your supervisor talk
to the caller or call him/her back if the caller persists.
• If you are supervisor: Be willing to handle irate callers. Speak slowly and
calmly. Be firm with your answers, but understanding. Sometimes the irate
caller just wants someone in a supervisory capacity to listen to their story
even if you are unable to help them.
Transferring Calls
Taking Messages
• Be prepared with pen and message slip when you answer the phone.
• When taking messages, be sure to ask for:
o Caller's name (asking the caller for correct spelling.)
o Caller's phone number and/or extension (including area code)
o If the caller is a student, ask for the Student ID# (if appropriate) and
ask what the call is in regard to.
• Repeat the message to the caller.
• Be sure to fill in the date, time, and your initials.
• Place the message slip in the called party's inbox or in a conspicuous
place in their office, such as their chair.
• Don't forget that you can transfer them to voice mail instead of taking a
paper message, but don't forget to ask, "Would you like me to transfer you
to his/her voicemail?" Do not assume that the caller would rather go to
voicemail. Always ask first.
Ending Conversations
There are several ways that you can end a long phone call without making up a
story or sounding rude:
As long as you are honest and polite with the other person, you shouldn't have
any problems getting off the phone and onto something else.
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Do you have good telephone etiquette (or manners) at work? Do you know the
right thing to say when answering the phone in English? Do you get nervous
when you have to call a business and speak English?
Introducing Yourself:
• This is Kelly Erickson from West Marketing.
• Hi, this Paloma from Tidy Cleaning Service.
• Hello, my name is Janet. I am one of your customers.
Problems:
• I’m sorry I can’t hear you. Could you speak a little louder?
• I’m sorry, I didn’t get that. Could you repeat yourself?
• Could you please spell that?
• I’m sorry, you have the wrong number.
Ending a call:
• Thank you for calling North Star Roofing. Have a great day.
• Thanks for calling, Mr. James. Is there anything else I can help you with today?
• Have a nice day.
• Be sure to contact me if you have any more problems.
• Don’t hesitate to call again.
The English phrases above should give you a few more ideas of how to have
proper business phone etiquette in English.
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Introduction and
then clicking on the link at the foot of each page, or you can jump direct to the section
you want from the list of contents on each page.
1. Introduction
2. Preparation
3. Equipment
4. Delivery
5. Language
6. The Presentation
7. Review
8. Test
1. Introduction
All presentations have a common objective. People give presentations because
they want to communicate in order to:
• inform
• persuade
A successful presentation is one of the most effective ways of communicating
your message. And because English is so widely used in international business,
a working knowledge of the vocabulary and techniques used in an English
language presentation is a valuable asset.
We will start by exploring the importance of preparation. After that, we will
consider what equipment to use. Then we will look at how to "deliver" a
presentation. After delivery, we will examine the language of presentations,
before moving on to the presentation itself. Finally, we will conclude with a review
of what we have covered. Afterwards, you will be invited to take a test and ask
questions.
2. Preparation
Can you name the 3 most important things when giving any presentation?
Number 1 is . . . Preparation
Number 2 is . . . Preparation!
Number 3 is . . . Preparation!!
Preparation is everything!
With good preparation and planning you will be totally confident and less
nervous. And your audience will feel your confidence. Your audience, too, will be
confident. They will be confident in you. And this will give you control. Control of
your audience and of your presentation. With control, you will be 'in charge' and
your audience will listen positively to your message.
Objective
Before you start to prepare a presentation, you should ask yourself: "Why am I
making this presentation?" Do you need to inform, to persuade, to train or to sell?
Your objective should be clear in your mind. If it is not clear in your mind, it
cannot possibly be clear to your audience.
Audience
"Who am I making this presentation to?" Sometimes this will be obvious, but not
always. You should try to inform yourself. How many people? Who are they?
Business people? Professional people? Political people? Experts or non-
experts? Will it be a small, intimate group of 4 colleagues or a large gathering of
400 competitors? How much do they know already and what will they expect
from you?
Venue
"Where am I making this presentation?" In a small hotel meeting-room or a large
conference hall? What facilities and equipment are available? What are the
seating arrangements?
Time and length
"When am I making this presentation and how long will it be?" Will it be 5 minutes
or 1 hour? Just before lunch, when your audience will be hungry, or just after
lunch, when your audience will be sleepy?
Method
How should I make this presentation?" What approach should you use? Formal
or informal? Lots of visual aids or only a few? Will you include some anecdotes
and humour for variety?
Content
"What should I say?" Now you must decide exactly what you want to say. First,
you should brainstorm your ideas. You will no doubt discover many ideas that
you want to include in your presentation. But you must be selective. You should
include only information that is relevant to your audience and your objective. You
should exclude all other ideas. You also need to create a title for your
presentation (if you have not already been given a title). The title will help you to
focus on the subject. And you will prepare your visual aids, if you have decided to
use them. But remember, in general, less is better than more (a little is better
than a lot). You can always give additional information during the questions after
the presentation.
Structure
A well organised presentation with a clear structure is easier for the audience to
follow. It is therefore more effective. You should organise the points you wish to
make in a logical order. Most presentations are organised in three parts, followed
by questions:
Beginning Short introduction • Welcome your audience
• Introduce your subject
• Explain the structure of your
presentation
• Explain rules for questions
so familiar with your subject and with the information that you want to deliver that
you do not need to read a text. Reading a text is boring! Reading a text will make
your audience go to sleep! So if you don't have a text to read, how can you
remember to say everything you need to say? With notes. You can create your
own system of notes. Some people make notes on small, A6 cards. Some people
write down just the title of each section of their talk. Some people write
down keywords to remind them. The notes will give you confidence, but because
you will have prepared your presentation fully, you may not even need them!
Body
The body is the 'real' presentation. If the introduction was well prepared and
delivered, you will now be 'in control'. You will be relaxed and confident.
The body should be well structured, divided up logically, with plenty of carefully
spaced visuals.
Remember these key points while delivering the body of your presentation:
• Do not hurry
• Be enthusiastic
• Give time on visuals
• Maintain eye contact
• Modulate your voice
• Look friendly
• Keep to your structure
• Use your notes
• Signpost throughout
• Remain polite when dealing with difficult questions
Conclusion
Use the conclusion to:
1. Sum up
2. (Give recommendations if appropriate)
3. Thank your audience
4. Invite questions
The following table shows examples of language for each of these functions. You
may need to modify the language as appropriate.
Function Possible language
1 Summing up • To conclude,...
• In conclusion,...
4 Inviting questions • Now I'll try to answer any questions you may
have.
• Can I answer any questions?
• Are there any questions?
• Do you have any questions?
• Are there any final questions?
Questions
Questions are a good opportunity for you to interact with your audience. It may
be helpful for you to try to predict what questions will be asked so that you can
prepare your response in advance. You may wish to accept questions at any
time during your presentation, or to keep a time for questions after your
presentation. Normally, it's your decision, and you should make it clear during the
introduction. Be polite with all questioners, even if they ask difficult questions.
They are showing interest in what you have to say and they deserve attention.
Sometimes you can reformulate a question. Or answer the question with another
question. Or even ask for comment from the rest of the audience.
Rehearsal
Rehearsal is a vital part of preparation. You should leave time to practise your
presentation two or three times. This will have the following benefits:
• you will become more familiar with what you want to say
• you will identify weaknesses in your presentation
• you will be able to practise difficult pronunciations
• you will be able to check the time that your presentation takes and make
any necessary modifications
So prepare, prepare, prepare! Prepare everything: words, visual aids, timing,
equipment. Rehearse your presentation several times and time it. Is it the right
length? Are you completely familiar with all your illustrations? Are they in the right
order? Do you know who the audience is? How many people? How will you
answer difficult questions? Do you know the room? Are you confident about the
equipment? When you have answered all these questions, you will be a
confident, enthusiastic presenter ready to communicate the subject of your
presentation to an eager audience.
3. Equipment
Easily your most important piece of equipment
is...YOU! Make sure you're in full working order, and
check your personal presentation carefully - if you don't,
your audience will!
4. Delivery
'Delivery' refers to the way in which you actually deliver or perform or give your
presentation. Delivery is a vital aspect of all presentations. Delivery is at least as
important as content, especially in a multi-cultural context.
Nerves
Most speakers are a little nervous at the beginning of a presentation. So it is
normal if you are nervous. The answer is to pay special attention to the beginning
of your presentation. First impressions count. This is the time when you establish
a rapport with your audience. During this time, try to speak slowly and calmly.
You should perhaps learn your introduction by heart. After a few moments, you
will relax and gain confidence.
Audience Rapport
You need to build a warm and friendly relationship with your audience.
Enthusiasm is contagious. If you are enthusiastic your audience will be
enthusiastic too. And be careful to establish eye contact with each member of
your audience. Each person should feel that you are speaking directly to him or
her. This means that you must look at each person in turn - in as natural a way
as possible. This will also give you the opportunity to detect signs of boredom,
disinterest or even disagreement, allowing you to modify your presentation as
appropriate.
Your objective is to communicate!
Body Language
What you do not say is at least as important as what you do say. Your body is
speaking to your audience even before you open your mouth. Your clothes, your
walk, your glasses, your haircut, your expression - it is from these that your
audience forms its first impression as you enter the room. Generally speaking, it
is better to stand rather than sit when making a presentation. Be aware of and
avoid any repetitive and irritating gestures. Be aware, too, that the movement of
your body is one of your methods of control. When you move to or from the
whiteboard, for example, you can move fast or slowly, raising or reducing the
dynamism within the audience. You can stand very still while talking or you can
stroll from side to side. What effect do you think these two different approaches
would have on an audience?
Cultural Considerations
Because English is so widely used around the world, it is quite possible that
many members of your audience will not be native English-speakers. In other
words, they will not have an Anglo-Saxon culture. Even within the Anglo-Saxon
Voice quality
It is, of course, important that your audience be able to hear you clearly
throughout your presentation. Remember that if you turn away from your
audience, for example towards the whiteboard, you need to speak a little more
loudly. In general, you should try to vary your voice. Your voice will then be more
interesting for your audience. You can vary your voice in at least three ways:
• Speed: you can speak at normal speed, you can speak faster, you can
speak more slowly - and you can stop completely! You can pause. This is
a very good technique for gaining your audience's attention.
• Intonation: you can change the pitch of your voice. You can speak in a
high tone. You can speak in a low tone.
• Volume: you can speak at normal volume, you can speak loudly and you
can speak quietly. Lowering your voice and speaking quietly can again
attract your audience's interest.
The important point is not to speak in the same, flat, monotonous voice
throughout your presentation - this is the voice that hypnotists use to put their
patients' into trance!
Visual aids
Of all the information that enters our brains, the vast majority of it enters through
the eyes. 80% of what your audience learn during your presentation is learned
visually (what they see) and only 20% is learned aurally (what they hear). The
significance of this is obvious:
• visual aids are an extremely effective means of communication
• non-native English speakers need not worry so much about spoken
English - they can rely more heavily on visual aids
It is well worth spending time in the creation of good visual aids. But it is equally
important not to overload your audience's brains. Keep the information on each
visual aid to a minimum - and give your audience time to look at and absorb this
information. Remember, your audience has never seen these visual aids before.
They need time to study and to understand them. Without understanding there is
no communication.
Apart from photographs and drawings, some of the most useful visual aids are
charts and graphs, like the 3-dimensional ones shown here:
Audience Reaction
Remain calm and polite if you receive difficult or even hostile questions during
your presentation. If you receive particularly awkward questions, you might
suggest that the questioners ask their questions after your presentation.
Language
Say what you are going to say,
Signposting
When you drive on the roads, you know where you are on
those roads. Each road has a name or number. Each town has
a name. And each house has a number. If you are at house
#100, you can go back to #50 or forward to #150. You can look
at the signposts for directions. And you can look at your atlas for the structure of
the roads in detail. In other words, it is easy to navigate the roads. You cannot
get lost. But when you give a presentation, how can your audience know where
they are? How can they know the structure of your presentation? How can they
know what is coming next? They know because you tell them. Because you put
up signposts for them, at the beginning and all along the route. This technique is
called 'signposting' (or 'signalling').
The table below lists useful expressions that you can use to signpost the various
parts of your presentation.
Signposting
Function Language
Dealing with • We'll be examining this point in more detail later on...
questions • I'd like to deal with this question later, if I may...
• I'll come back to this question later in my talk...
• Perhaps you'd like to raise this point at the end...
• I won't comment on this now...
Ordering • Firstly...secondly...thirdly...lastly...
• First of all...then...next...after that...finally...
• To start with...later...to finish up...
Resources: [Link]
TOPIC 4
BUSINESS LETTERS
o Letters
o Memo
o Report
o Email
Written Document
You can take three very specific steps that will allow you to write better. First,
challenge every word you use and get rid of the clutter. Then, when you have
only the words you need, make sure they are the best words you can use to
convey your idea. This means using strong verbs. Finally, look at whether you
have made clear who is accountable for the action in the sentence. You will
accomplish this by putting the actor in the right place in the sentence based on
your objective. After these three steps, there are some miscellaneous points to
address.
REMEMBER: the longer your document, the less likely it is to be read. Keep it
short so that people read your ideas and act on them. That is how you have an
impact.
Wordy Better
Due to the fact that … Because …
All men and women should Everyone should …
…
At the conclusion of this After this talk…
talk…
You are not going to shorten your document tremendously by swapping “after”
for “at the conclusion of…” But, if you have zero words and wordy expressions in
every sentence, you can shrink the volume of your writing just by getting rid of
the stuff that does not add any value.
Remember, your goal as a writer is to make it effortless for your reader to
understand your ideas. Effortless means the reader should be able to read
across the line and down the page without stopping. Any time the reader has to
back up and read a sentence or refer back to an earlier point in your paragraph
or document, the reader is working too hard.
PERSONAL PRONOUNS
Your documents should sound like they are written by one human being to
another, not generated by a computer to a nameless audience. For lawyers
writing contracts, referring to the parties as “Buyer” and “Seller” is necessary and
efficient. But in a cover letter to a client, referring to yourself as “Smiths & Jones
Partners” is unnecessarily formal. Some people believe using personal pronouns
in business writing is somehow less dignified or official.
Because your writing should be focused less on yourself and more on the other
person, there should be far more “you” than “I” in your writing. If you review your
document and find a lot of sentences beginning with “I”. Chances are you are
making the document more about yourself than about the audience.
Aim for a maximum of 17 words per sentence. Once a sentence exceeds that
length, it becomes hard for our brains to process the information. Your reader will
likely need to read the sentence at least twice to understand the content.
Many reports and emails include a short clause followed by a colon and then a
list of bullet points, often clauses themselves. Technically, the clause and list
together are all one sentence. However, the punctuation and spacing isolate the
ideas for our brain, and therefore accomplish the same effect as writing shorter
sentences. Using lists of bullet points has the same effect as writing shorter
sentences and is helpful to your reader.
With regard to bullet points, remember the concept of “parallel construction.” All
of the bullets should have the same structure. If the reader reads the introductory
clause and then any one bullet in the list, in many cases, she will be reading a
complete, grammatically correct sentence.
Also, email is not as secure as you might want it to be, particularly as people may
forward emails without thinking to delete the conversation history. So avoid
sharing sensitive or personal information in an email, and don't write about
anything that you, or the subject of your email, wouldn't like to see plastered on a
billboard by your office.
Whenever possible, deliver bad news in person. This helps you to
communicate with empathy, compassion, and understanding, and to make
amends if your message has been taken the wrong way.
needs a response, you might also want to include a call to action, such as
"Please reply by November 7."
A well-written subject line like the one below delivers the most important
information, without the recipient even having to open the email. This serves as a
prompt that reminds recipients about your meeting every time they glance at their
inbox.
If you have a very short message to convey, and you can fit the whole thing into
the subject line, use "EOM" (End of Message) to let recipients know that they
don't need to open the email to get all the information that they need.
Example
Subject: Could you please send the February sales report? Thanks! EOM
(Of course, this is only useful if recipients know what "EOM" means.)
Subject: Revisions For Sales Report Subject: Revisions For Sales Report
Hi Jackie, Hi Jackie,
Thanks for sending that report last Thanks for sending that report last
week. I read it yesterday, and I feel week. I read it yesterday, and I feel
that Chapter 2 needs more specific that Chapter 2 needs more specific
information about our sales figures. I information about our sales figures.
also felt that the tone could be more
formal. I also felt that the tone could be
more formal.
Also, I wanted to let you know that
I've scheduled a meeting with the Could you amend it with these
PR department for this Friday comments in mind?
regarding the new ad campaign. It's Thanks for your hard work on this!
at 11:00 a.m. and will be in the small
conference room. Monica
Please let me know if you can make (Monica then follows this up with a
that time. separate email about the PR
department meeting.)
Thanks!
Monica
It's important to find a580 balance here. You don't want to bombard someone
with emails, and it makes sense to combine several, related, points into one
email. When this happens, keep things simple with numbered paragraphs or
bullet points, and consider "chunking" information into small, well-organized
units to make it easier to digest.
Notice, too, that in the good example above, Monica specified what she wanted
Jackie to do (in this case, amend the report). If you make it easy for people to
see what you want, there's a better chance that they will give you this.
4. Be Polite
People often think that emails can be less formal than traditional letters. But the
messages you send are a reflection of your own professionalism , values, and
attention to detail, so a certain level of formality is needed.
Unless you're on good terms with someone, avoid informal language,
slang, jargon, and inappropriate abbreviations. Emoticons can be useful for
clarifying your intent, but it's best to use them only with people you know well.
Close your message with "Regards," "Yours sincerely," or "All the best,"
depending on the situation.
Recipients may decide to print emails and share them with others, so always be
polite.
When we meet people face-to-face, we use the other person's body language ,
vocal tone, and facial expressions to assess how they feel. Email robs us of
this information, and this means that we can't tell when people have
misunderstood our messages.
Your choice of words, sentence length, punctuation, and capitalization can easily
be misinterpreted without visual and auditory cues. In the first example below,
Emma might think that Harry is frustrated or angry, but, in reality, he feels fine.
Emma, Hi Emma,
I need your report by 5 p.m. today or Thanks for all your hard work on that
I'll miss my deadline. report. Could you please get your
version over to me by 5 p.m., so I
Harry don't miss my deadline?
Thanks so much!
Harry
Think about how your email "feels" emotionally. If your intentions or emotions
could be misunderstood, find a less ambiguous way to phrase your words.
6. Proofreading
Finally, before you hit "send," take a moment to review your email for spelling,
grammar, and punctuation mistakes. Your email messages are as much a part of
your professional image as the clothes you wear, so it looks bad to send out a
message that contains typos.
As you proofread, pay careful attention to the length of your email. People are
more likely to read short, concise emails than long, rambling ones, so make sure
that your emails are as short as possible, without excluding necessary
information.
Key Points
Most of us spend a significant portion of our day reading and composing emails.
But the messages we send can be confusing to others.
To write effective emails, first ask yourself if you should be using email at all.
Sometimes, it might be better to pick up the phone.
Make your emails concise and to the point. Send them ONLY to the people who
really need to see them, and be clear about what you would like the recipient to
do next.
Remember that your emails are a reflection of your professionalism, values, and
attention to detail. Try to imagine how others might interpret the tone of your
message. Be polite, and always proofread what you have written before you click
"send."
[Link]
The subject line serves a similar function as a title to an essay: it should tell your reader
what you’re writing about in clear terms and in few words. For example, "Clothes" could
mean anything from ties and jackets are required in the workplace to the institution of
causal Friday. If the subject line reads, “Office Party Dress Code,” the subject is clear.
OPENING: The opening segment of the memo makes the purpose of the memo clear.
The first sentence or two functions much like the thesis statement of an essay, stating
the main point and purpose of the memo, and what you want the readers to know or act
upon. The opening should be brief, the length of a short paragraph. Use language and
key words that alert reader to your subject and purpose. For example, “In response to
your request for suggestions about X, I propose….” Or,
“After investigating X, I suggest that the company do Z….”.
BODY: The body of the memo, like the body of an essay, develops the main point stated
in the opening. It includes information about the event, circumstance, or problem being
addressed. It also provides justification for actions or policies undertaken, requested, or
recommended.
Organize material in the body logically, usually in two to four short paragraphs. You
might present your information in order of importance (most to least important) or by
enumerating items (first, second, third). Also consider using graphic devices such as
bulleted lists, headings, columns, bolded text, white space and other methods that make
the information easy to scan and comprehend. Putting important points or details into
lists rather than paragraphs draws the readers' attention to the section and helps the
audience remember the information better.
Each paragraph within the body of the memo should be short, no more than eight or so
printed lines, and it should focus on a single idea expressed in a main sentence. This
sentence functions as a topic sentence expressing the primary idea of the paragraph. It
usually appears at or near the beginning of the paragraph, to state the main idea upfront;
but it may appear in the middle of the paragraph, as a pivot point; or at the end, as the
conclusion toward which every idea in the paragraph leads. Indeed, every sentence in
the paragraph must support the main idea sentence. These supporting sentences will
present supporting information that illustrates, explains or otherwise strengthens the
main idea.
When you include supporting information from a source, use language cues that tell your
reader you are referring to source information: e.g. “According to my investigations,” or
“Market research completed by the Orion firm has found that. . . ”. This is called using a
signal phrase to introduce your supporting evidence and attribute it to its source.
SUMMARY (OPTIONAL SEGMENT): If your memo is longer than one page, you may
include a summary that recaps your key points and recommendations. Short memos do
not require a summary, just a Closing (see below).
CLOSING: The closing segment should be a brief, courteous ending to your memo. It
usually presents information about actions taken or requested, relevant dates and
deadlines. If no action is requested, it may offer instead a simple closing thought.
Examples: “I would be glad to meet with you about this on . . . .” ; “Thank you for your
attention to this matter.” ; “Please review this information and respond to me by . . . .”.
ATTACHMENTS: If you attach any documents, lists, graphs, tables, etc. to your memo,
add a notation at the end of the memo about what is attached, placed below the closing.
Any attached materials should also be referred to in the body of the memo.
MEMORANDUM
TO: All Staff
FROM: Management T.C.
DATE: November 9th, 2015
SUBJECT: STAFF CHRISTMAS PARTY
It's that time of year again. As you all know, Christmas is our busiest
season of the year. Every year it is a struggle for management and
supervisors to find the time and energy to organize a staff Christmas
party. This year, we have decided to postpone the Christmas party until
after our busy season.
Party Details
• Date: Second or third Saturday in January (T.B.A)
• Theme: Beach
• Food: Caribbean
• Special events: Karaoke and belly dancing
We apologize that the celebration will have to wait until the new year, but
we guarantee that it will be worth the wait. Anyone interested in
volunteering to help out with the event is encouraged to call Lucy, our
events coordinator. Lucy's cell phone number is 222-3098. Please
contact Lucy outside of business hours regarding this matter.
Thank you.
T.C.
Salutation
First and foremost, make sure that you spell the recipient's name correctly. You
should also confirm the gender and proper title. Use Ms. for women and Mr. for
men. Use Mrs. if you are 100% sure that a woman is married. Under less formal
circumstances or after a long period of correspondence it may be acceptable to
address a person by his or her first name. When you don't know the name of a
person and cannot find this information out you may write, "To Whom It May
Concern". It is standard to use a comma (colon in North America) after the
salutation. It is also possible to use no punctuation mark at all. Here are some
common ways to address the recipient:
• Dear Mr Powell,
• Dear Ms Mackenzie,
• Dear Frederick Hanson:
• Dear Editor-in-Chief:
• Dear Valued Customer
• Dear Sir or Madam:
• Dear Madam
• Dear Sir,
• Dear Sirs
• Gentlemen:
First paragraph
In most types of business letter it is common to use a friendly greeting in the first
sentence of the letter. Here are some examples:
• I hope you are enjoying a fine summer.
• Thank you for your kind letter of January 5th.
• I came across an ad for your company in The Star today.
• It was a pleasure meeting you at the conference this month.
• I appreciate your patience in waiting for a response.
After your short opening, state the main point of your letter in one or two
sentences:
• I'm writing to enquire about...
• I'm interested in the job opening posted on your company website.
• We'd like to invite you to a members only luncheon on April 5th.
paragraph rather than opening with it. Here are some common ways to express
unpleasant facts:
• We regret to inform you...
• It is with great sadness that we...
• After careful consideration we have decided...
Final paragraph
Your last paragraph should include requests, reminders, and notes on
enclosures. If necessary, your contact information should also be in this
paragraph. Here are some common phrases used when closing a business
letter:
• I look forward to...
• Please respond at your earliest convenience.
• I should also remind you that the next board meeting is on February 5th.
• For further details...
• If you require more information...
• Thank you for taking this into consideration.
• I appreciate any feedback you may have.
• Enclosed you will find...
• Feel free to contact me by phone or email.
Closing
Here are some common ways to close a letter. Use a comma between the
closing and your handwritten name (or typed in an email). If you do not use a
comma or colon in your salutation, leave out the comma after the closing phrase:
• Yours truly,
• Yours sincerely,
• Sincerely,
• Sincerely yours
• Thank you,
• Best wishes
• All the best,
• Best of luck
• Warm regards,
Date
Dear Sirs
Translation Brochure
I should be grateful if you would send us your brochure and price list about your
translation services.
We are currently developing our sales literature and web sites and are interested
in translating these into five languages apart from English.
I look forward to hearing from you.
Yours faithfully
Andrea Philips
Andrea Philips
Marketing Manager
Date
Ms Andrea Philips
Dreamtime Movies Universal Ltd
54 Oxford Road
Skagnes
SK3 4RG
Dear Ms Philips
Translation Services & Fees
Thank you for your letter of 22 January enquiring about our translation services.
Lingua Services Galactic offer a full range of translation services to help you in
the development of sales literature and web sites. I have pleasure in enclosing
our latest brochures and price list from which you can see that our prices are
highly competitive.
Yours sincerely
James Brown
James T Brown
Sales Manager
Enc: 3
Symphony of Sound
12 Main Street, Arrington, Tennessee, 37014
Tel: (615) 395-8765
Alicia Hathoway
14 Sparks Rd
Arrington, Tennessee, 37014
Due to our increase in rent at the Arrington Forum, we are finding it necessary to
raise the price of our season tickets from $228 to $275. Single viewing tickets will
also be subject to a price increase.
We hope that you will consider purchasing season tickets for next year despite
this change. Without your support the Arrington Symphony could be forced into
retirement before its 25th anniversary.
To purchase tickets for the 20-- season, please visit our website at
[Link], or call the ticket agent representative at (615) 395-
8750.
Yours truly,
Colin Fairchild
Colin Fairchild
Promotional Director
Resume or CV
A resume (AmE) or CV (BrE) is usually requested by a prospective employer as
a record of your qualifications and professional experience. CV stands for the
Latin words "curriculum vitae", meaning "the course of one's life".
Resume/CV
Thomas Crown
Letter of Reference
Companies and other organizations often ask for a letter of reference. This is a
character reference written by someone such as an ex-employer who knows the
subject personally.
Date
James is professional and efficient in his approach to work and very well-liked
by his colleagues and executive clients. He is well-presented and able to work
both independently and as part of a team.
His contribution to all areas of company activity in which he has been involved
have been much appreciated.
I believe that James will make a valuable addition to any organization that he
may join. We deeply regret his decision to move on and I recommend him
without hesitation.
Sincerely,
Penny Farthing
Penny Farthing
Managing Director
[Link]@[Link]
Letter of Resignation
Though it is not necessary to give a reason, it is standard business procedure to
send written notice informing your employer that you are planning to quit your
job.
Lay-off Notice
Companies and other organizations are usually required by law to present a
written notice to employees informing them of a lay-off. This letter usually cites
reasons for the lay-off, and acts as a formal apology. Employee rights may be
included.
Letter of Invitation
It is often necessary in business to send an invitation to a person or group
requesting their attendance at a special event.
Letter of Request for Payment
Sometimes it is necessary to remind customers that they owe you money!
Internal Memo or Memorandum
Memos are sometimes used internally to inform an entire company or
department of something. This is an example of a memo referring to a staff
Christmas party.
Welcome Email
It is a common business practice to welcome new staff members to a company.
This is usually an informal note expressing best wishes and may contain contact
information. Companies may also send welcome letters to other companies that
move into a shared office building, or to visiting guest speakers and business
travelers.
[Link]
TOPIC 5
INTERVIEW SKILLS
o Interview Techniques
o Cover Letter
o Resume/CV
o Grooming
Arriving on Time
Be on time! This means not only don't be late, but don't be too early, and
don't arrive with "baggage". 10 minutes early is good.
Smile. Make eye contact and give a firm handshake.
Types of interviews
1. Behavioural Interview
2. Stress Interview
3. Phone Interview
4. Technical Interview
5. Group interviews
6. Panel Interview
7. Role Plays
Behavioural Interview
A common type of job interview in the modern workplace is the behavioural
interview or behavioural event interview, also called a competency-based
interview. This type of interview is based on the notion that a job candidate's
previous behaviours are the best indicators of future performance. In behavioural
interviews, the interviewer asks candidates to recall specific instances where
they were faced with a set of circumstances, and how they reacted.
Phone Interviews
Telephone Interviews take place if a recruiter wishes to dwindle down the
number of prospective candidates before deciding on a shortlist for face-to-face
interviews. They also take place if a job applicant is a significant distance away
from the premises of the hiring company such as abroad or in another state.
Stress Interview
Stress interviews are still in common use. One type of stress interview is where
the employer uses a succession of interviewers (one at a time or en masse)
whose mission is to intimidate the candidate and keep him/her off-balance. The
ostensible purpose of this interview: to find out how the candidate handles stress.
Stress interviews might involve testing an applicant's behaviour in a busy
environment. Questions about handling work overload, dealing with multiple
projects, and handling conflict are typical.
Technical Interview
This kind of interview focuses on problem solving and creativity. The questions
aim at your problem-solving skills and likely show your ability and creativity.
Sometimes these interviews will be on a computer module with multiple-choice
questions.
Body Language
Body language is a form of non-verbal communication, consisting of body pose,
gestures, and eye movements. Humans send and interpret such signals
subconsciously.
Some research has stated that human communication consists of 93% body
language and paralinguistic cues, while only 7% of communication consists of
words themselves - however, other research assert that between 60 and 70
percent of all meaning is derived from nonverbal behaviour.
Body language may provide cues as to the attitude or state of mind of a person.
For example, it may indicate aggression, attentiveness, boredom, relaxed state,
pleasure, amusement, besides many other cues.
• Good Eye Contact
• Smile
• Open Body Language
• Don’t slouch
• Don’t be too erect
• Make sure your eyes sparkle
• Be engaged
• Breathe deeply
• Accept an offer for a glass of water
• Practice your handshake
Communication
• Matching your communication style to that of the interviewer.
• Listen carefully to the interviewers questions
• Avoid interrupting the interviewer
• Try not to use jargon in your answers or questions.
Interview Caveats
• Being too friendly.
• Not listening to questions carefully.
• Saying "we" instead of referring to your own achievements.
• Making very general statements which lack substance.
• Being over enthusiastic.
• Being poorly prepared.
• Slouching, mumbling, and speaking slowly.
• Knowing nothing about the company to whom you are talking.
• Making derogatory remarks about your previous employers
Let’s assume you have focused your search on certain types of jobs and types of
employers. You have developed a preferred list of both. You have scanned the
horizon, conducted research, compiled your questions, and engaged your
network for assistance. Your resume is in order.
Then job openings start to pop up through your web searches and referrals from
your network. Some seem close but others don’t quite fit. You quickly skip over
those jobs that are "beneath" you, have titles that appear to be foreign, or are in
fields or industries you’re unfamiliar with. You have decided to be focused and
only apply for positions that exactly match your search criteria.
But limiting your job search limits the possibilities. Once you create too many
filters and requirements, you can easily overlook opportunities. In this type of
market you have to get out there and actively uncover opportunities. Don't
dismiss opportunities to interview based upon superficial and narrow criteria. You
never know when an interview for a “not-quite-right” job will result in a surprising
match, a referral to another opening, or an entirely new position tailored to fit
your unique experience and abilities.
• You need the practice. Some of you have not interviewed for a while.
You need to refine your story and improve your communication
skills, which require practice. That means interviewing as much as you
can.
• Interviewing will refine your job search. By getting out there and
interviewing, you’ll learn about new trends, positions, and opportunities,
your perspective will shift, and you’ll see new paths that you were
previously unaware of.
• Interviewing will make your network stronger. As you engage your
network for interview referrals and recommendations, you will not only
strengthen existing connections, but you’ll meet new people who are
connected to your network.
• Interviewing may lead to unexpected opportunities. If you have the
skills and impress in the interview, that carries weight in the organization.
Employers want to place good people and may even refer you to
opportunities outside of the firm.
We tend to conclude that our lives are pretty much the same as other people's,
that they’re average and boring. As a result, many people don’t tell their own
story well. But your story is so much better than you think. The way your life has
evolved; the things you’ve learned; your achievements, failings, and dreams—
these things are unique to you and much more interesting than you realize.
Sharing your well thought-out story is a powerful interviewing technique.
Your story is what helps people understand who you are and where you are
going. So learn to tell your story and tell it well, especially for interviewing and
networking purposes. Putting together your story takes a lot of work and practice.
However, the benefits to you and to your career are enormous. Your stories:
Once you’ve developed your story, the next step is to practice telling it—saying it
out loud, ideally to others. Don’t wait until the interview to tell it for the first time.
Try reciting it into a tape recorder or sharing it with a confidante for feedback. Get
over your feelings of story inadequacy or thinking that a job well done speaks for
itself.
As you become more comfortable in how to tell your story, you will see that your
life has not just been a string of random events. Your story has a past and it has
a future and the road ahead becomes clearer when you understand where you
have been. The ultimate test will be the next time someone says, "Tell me about
yourself."
answers at the ready. In the end, this is about making a great and memorable
impression that demonstrates competency and ability.
You may want to start by developing your stories around these areas:
• State times where you either made money or saved money for your
current or previous company.
• Focus on a crisis or two in your life or job and how you responded or
recovered from it.
• A time where you functioned as a part of a team and what that contribution
was.
• A time in your career or job where you had to deal with stress.
• A time in your job where you provided successful leadership or a sense of
direction.
• The failures you faced in your job and how you overcame them.
• The seminal events that happened during your career that caused you to
change direction and how that worked out for you.
If you’re having trouble developing a good interviewing story, ask your friends or
family members for their own success stories. Notice the elements that make
them work, such as specific details and a smooth flow. Notice elements that don’t
work, such as vagueness or rambling. Then think about your own experience and
try to uncover the moments when you really excelled or when you rose to meet a
challenge. After you identify several, practice them until they flow easy and work
on adapting them to different types of questions.
Interviewing for a job can make anyone stressed. In small doses, that stress can
actually be beneficial, helping you perform under pressure. However, if stress
becomes constant and overwhelming, it can impair the way you communicate
during an interview by disrupting your capacity to think clearly and creatively.
When you’re stressed, you’re more likely to misread an interviewer or send
confusing or off-putting nonverbal signals.
If you can’t quickly relieve stress in the moment and return to a calm state, you’ll
almost certainly be unable to take advantage of the other interviewing techniques
and tips. All our best intentions go out of the window when we’re overwhelmed by
stress. It’s only when you’re in a calm, relaxed state that you can think on your
feet, recall the stories you’ve practiced, and provide clear answers to an
interviewer’s questions. Therefore, it’s vital that you learn quick stress relief
techniques ahead of time.
When stress strikes before or during an interview, you obviously can't diffuse it by
taking time out to meditate or go for a run. By learning to quickly reduce stress in
the moment, though, you can maintain a relaxed, energized state of
awareness—even when faced with challenging questions—and remain focused
and engaged.
Don’t let your references be the last to know about your job search, or even
worse, get an unexpected call from a potential employer. Many offers are
withdrawn over bad references. Why take that chance? Get in touch with your
references right away to seek help and to avoid surprises on either side.
• Are your references relevant to your current job search? Who should you
add or subtract?
• Are there any reference gaps? Gaps that an employer will question? What
is your story about those gaps?
• Can a colleague, vendor, customer, or board member be added to replace
or enhance the list?
• What is the current status of your relationship with your references?
• Describe a situation in which you didn’t meet your stated goal, how did
you handle it?
• Tell us about a situation in which you encountered resistance from key
people, how did you convince the person or people to do what you
wanted?
• Describe a situation in which you took the initiative to change a process or
system and make it better, how did you identify the problem? How did you
go about instituting change?
Interviewers will follow up your preliminary answers with further questions about
your actions. To prepare for these types of interview questions, the following tips
might help:
Being prepared and asking great questions about the position and the employer
shows your interest during the interview. You can't just be an effective responder.
You need to assert yourself, too. By the time you reach the interviewing stage,
you should be clear about what you want and what you offer to the company.
Try to be thoughtful and self-reflective in both your interview questions and your
answers. Show the interviewee you know yourself—your strengths and your
weaknesses. Be prepared to talk about which areas would present challenges
and how you would address them. Admitting true areas of weakness is much
more convincing than claiming: "I have what you need and I can do anything I put
my mind to."
• The people who do well at your company: what skills and attributes do
they usually have?
• What do you like best about working at _____?
• What results are expected?
• What specific problems are you hoping to solve during the first six
months?
• Who are the key internal customers? Any special issues with them?
• What happened to the person who had this job before?
• What communication style do you prefer?
• What is your philosophy regarding on-the-job growth and development?
• What are your goals for the department?
As we know, it’s not always the smartest person or the one with the most
relevant skills that gets the job. Rather, the successful candidate is often the one
who has the best “people skills”, who can relate easily to others. In other words,
it’s the person with a high emotional intelligence (EQ). Emotional intelligence is
the ability to identify, use, understand, and manage emotions in positive ways to
communicate effectively and empathize with others. If you have a high emotional
intelligence you are able to:
• Recognize your own emotional state and the emotional states of others.
• Engage with people in a way that draws them to you.
• Pick up on emotional cues, communicate effectively, and develop strong
relationships.
Along with the ability to quickly manage stress, emotional awareness is a primary
skill of emotional intelligence that can be learned. Being able to connect to your
emotions—having a moment-to-moment awareness of your emotions and how
they influence your thoughts and actions—is the key to understanding yourself
and others.
Find commonalities
you share, you will discover commonalities much faster. And the interviewing
process will be much less intimidating because of it.
• Do your research. Google every person you know you are going to meet
or think you might meet in the interview, especially senior executives.
Learn what might be common areas of interest in advance.
• Listen and pay attention. If you listen during the interview and look for
commonalities, they will seem omnipresent. When your interviewer
mentions his or her alma mater, weekend plans, kids, or favorite
restaurant, you have the chance to ask questions and find common
ground. You can also take a look around the office. Do you see a book
you’ve read, a product you want or just bought, or a photo you like? If so,
you have a means to discuss commonalities.
• Lead with your interests and passions. How you introduce yourself and
talk about yourself in the interview matters. If you integrate facts and
interests into your spiel about yourself, then you create opportunities to
connect. After the "What do you do?" or "Tell me about yourself" query, tell
your story.
• Find common ground in the context. Where you are meeting, your
surroundings, and the purpose of your connection are all reference points.
There is a reason why both of you find yourself at this unique place and
time. Why are you both in this business? Do you know the any of the
same people?
Helpguide thanks John E. Kobara, Executive Vice President and Chief Operating
Officer of the California Community Foundation. This article is adapted from his
blog, Adopting the Mentoring and Networking Lifestyle.
Grooming
Importance of Personal Grooming Relation between personal appearance and
image projection
It is the process of making yourself look neat and attractive. The things which you
do to make yourself and your appearance tidy and pleasant.
Appearance
Appearance Clothes and manners do not make the man; but, when he is
made, they greatly improve his appearance
Whether this is real or imaginary the most important fact is that your
appearance influences the opinions of everyone around you
Your Professionalism, intelligence and the trust people form in you is
mainly due to your appearance
Hair
Hair It is your crowning glory.
Keep it at a length and style at which you can maintain it.
Hairstyles - Females
Tie your hair in a neat hairstyle with hair pulled back from face.
Hair if longer than jaw line should be tied into a bun.
Should be well groomed with a neat appearance at all times
Hair holding devices should be plain and of natural colours
Nails
Clip nails short, along their shape.
A healthy body ensures healthy nails.
Brittle or discolored nails show up deficiencies or disease conditions.
Teeth
Brush teeth twice a day and rinse well after every meal.
Remember to rinse your mouth after every meal
For those who smoke it is important you rinse your mouth after every
smoke and use a mouth freshener
Uniform
Your uniform talks a lot about your organization.
First impressions are made within the first 5 minutes of meeting someone
A neat clean and well ironed uniform is acceptable and appreciated by
one and all at all times.
Your Id-Tags are also an important part of your uniform
Make-up : Women
Makeup should be natural looking.
Nail polish and lip color should not be too trendy or bright.
Mild fragrance.
Women: stay away from extremely dark, bright reds and fluorescent
colors.
Make-up : Women
Hair color should not be more than one or two shades darker or lighter
than your natural hair color.
Unnatural colors (burgundy, green, etc.) must be avoided.
Accessories : Women
Jewelry, when tastefully worn, is always an asset to your outfit.
A beautiful pin or a favorite bracelet can add to your outfit and can help
you feel comfortable.
Be cautious of wearing dangling earrings unless they are small. Also, do
not wear multiple earrings.
Leave the nose rings, eyebrow rings, lip rings and other piercing at home.
Jewelry should be keep minimal and conservative
Remove all facial piercing except earrings
One ring of a simple design may be worn in each hand.
The 5 Piece Rule:
Earrings count as 2
watch counts as 3
Additional accessories 2
Plain silver or gold chain may be worn.
Only earring studs of a conservative shape and style in silver, gold, pearl
or semi precious stone may be worn.
Dangling earrings or loop style earrings may not be worn.
Accessories: Males
Men should limit accessories/jewelry to 3 pieces
Accessories include watch, ring, handkerchief
Other Accessories
The spectacles must be simple in design and not ornate. The frame
should fit the face of the wearer and should be neither oversized nor
undersized.
Shoes: Males
Lace up conservative shoes are the most appropriate.
Choose black, brown or burgundy shoes. Shoe color should match your
trousers or be of a darker color.
Shoes should be in good condition and polished.
Socks should match the color of your suit and cover your calves. (Should
be washed daily)
Belts should be in good condition and match the color of your shoes.
Shoes: Females
Shoes should be pumps or sling backs.
Shoes should be of good quality leather.
Heels should be 1-2 inches; higher heels should be saved for after hours.
Nonverbal Communication
Improving Your Nonverbal Skills and Reading Body Language
When we interact with others, we continuously give and receive wordless signals.
All of our nonverbal behaviours—the gestures we make, the way we sit, how fast
or how loud we talk, how close we stand, how much eye contact we make—send
strong messages. These messages don't stop when you stop speaking either.
Even when you're silent, you're still communicating nonverbally.
Oftentimes, what comes out of our mouths and what we communicate through
our body language are two totally different things. When faced with these mixed
signals, the listener has to choose whether to believe your verbal or nonverbal
message, and, in most cases, they're going to choose the nonverbal because it's
a natural, unconscious language that broadcasts our true feelings and intentions
in any given moment.
The way you listen, look, move, and react tells the other person whether or not
you care, if you’re being truthful, and how well you’re listening. When your
nonverbal signals match up with the words you’re saying, they increase trust,
clarity, and rapport. When they don’t, they generate tension, mistrust, and
confusion.
• Repetition: they can repeat the message the person is making verbally.
Facial expressions
Consider how your perceptions of people are affected by the way they sit, walk,
stand up, or hold their head. The way you move and carry yourself
communicates a wealth of information to the world. This type of nonverbal
communication includes your posture, bearing, stance, and subtle movements.
Gestures
Gestures are woven into the fabric of our daily lives. We wave, point, beckon,
and use our hands when we’re arguing or speaking animatedly—expressing
ourselves with gestures often without thinking. However, the meaning of gestures
can be very different across cultures and regions, so it’s important to be careful
to avoid misinterpretation.
Eye contact
Since the visual sense is dominant for most people, eye contact is an especially
important type of nonverbal communication. The way you look at someone can
communicate many things, including interest, affection, hostility, or attraction.
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Eye contact is also important in maintaining the flow of conversation and for
gauging the other person’s response.
Touch
We communicate a great deal through touch. Think about the messages given by
the following: a weak handshake, a timid tap on the shoulder, a warm bear hug, a
reassuring slap on the back, a patronizing pat on the head, or a controlling grip
on your arm.
Space
Have you ever felt uncomfortable during a conversation because the other
person was standing too close and invading your space? We all have a need for
physical space, although that need differs depending on the culture, the situation,
and the closeness of the relationship. You can use physical space to
communicate many different nonverbal messages, including signals of intimacy
and affection, aggression or dominance.
Voice
It’s not just what you say, it’s how you say it. When we speak, other people
“read” our voices in addition to listening to our words. Things they pay attention
to include your timing and pace, how loud you speak, your tone and inflection,
and sounds that convey understanding, such as “ahh” and “uh-huh.” Think about
how someone's tone of voice, for example, can indicate sarcasm, anger,
affection, or confidence.
You may be familiar with advice on how to sit a certain way, steeple your fingers,
or shake hands just so in order to appear confident or assert dominance. But the
truth is that such tricks aren’t likely to work (unless you truly feel confident and in
charge). That’s because you can’t control all of the signals you’re constantly
sending off about what you’re really thinking and feeling. And the harder you try,
the more unnatural your signals are likely to come across.
What you communicate through your body language and nonverbal signals
affects how others see you, how well they like and respect you, and whether or
not they trust you.
Ted, Arlene, and Jack are all articulate speakers who say one thing while
communicating something else nonverbally, with disastrous results in their
relationships:
Jack believes he gets along great with his colleagues at work, but if you were to
ask any of them, they would say that Jack is "intimidating" and "very intense."
Rather than just look at you, he seems to devour you with his eyes. And if he
takes your hand, he lunges to get it and then squeezes so hard it hurts. Jack is a
caring guy who secretly wishes he had more friends, but his nonverbal
awkwardness keeps people at a distance and limits his ability to advance at
work.
Arlene is attractive and has no problem meeting eligible men, but she has a
difficult time maintaining a relationship longer than a few months. Arlene is funny
and interesting, but even though she constantly laughs and smiles, she radiates
tension. Her shoulders and eyebrows are noticeably raised, her voice is shrill,
and her body is stiff. Being around Arlene makes many people feel
uncomfortable. Arlene has a lot going for her that is undercut by the discomfort
she evokes in others.
Ted thought he had found the perfect match when he met Sharon, but Sharon
wasn't so sure. Ted is good looking, hardworking, and a smooth talker, but Ted
seemed to care more about his thoughts than Sharon's. When Sharon had
something to say, Ted was always ready with wild eyes and a rebuttal before she
could finish her thought. This made Sharon feel ignored, and soon she started
dating other men. Ted loses out at work for the same reason. His inability to
listen to others makes him unpopular with many of the people he most admires.
These smart, well-intentioned people struggle in their attempt to connect with
others. The sad thing is that they are unaware of the nonverbal messages they
communicate.
miss nonverbal cues and other subtleties in the conversation. You need to stay
focused on the moment-to-moment experience in order to fully understand what’s
going on.
Learning how to manage stress in the heat of the moment is one of the most
important things you can do to improve your nonverbal communication. Stress
compromises your ability to communicate. When you’re stressed out, you’re
more likely to misread other people, send confusing or off-putting nonverbal
signals, and lapse into unhealthy knee-jerk patterns of behavior. Furthermore,
emotions are contagious. You being upset is very likely to trigger others to be
upset, making a bad situation worse.
If you’re feeling overwhelmed by stress, it’s best to take a time out. Take a
moment to calm down before you jump back into the conversation. Once you’ve
regained your emotional equilibrium, you’ll be better equipped to deal with the
situation in a positive way.
• Accurately read other people, including the emotions they’re feeling and
the unspoken messages they’re sending.
• Create trust in relationships by sending nonverbal signals that match up
with your words.
• Respond in ways that show others that you understand, notice, and care.
• Know if the relationship is meeting your emotional needs, giving you the
option to either repair the relationship or move on.
Once you’ve developed your abilities to manage stress and recognize emotions,
you’ll naturally become better at reading the nonverbal signals sent by others.
Tone of voice Does their voice project warmth, confidence, and interest, or is it
strained and blocked?
Posture and Are their bodies relaxed or stiff and immobile? Are shoulders tense
gesture and raised, or slightly sloped?
Timing and Is there an easy flow of information back and forth? Do nonverbal
pace responses come too quickly or too slowly?
As you continue to pay attention to the nonverbal cues and signals you send and
receive, your ability to communicate will improve.