Professional Documents
Culture Documents
Sofia Little
Writing 2
24 February 2023
The TTW Podcast
Host (Me, Sofia): Hello my lovely writers, welcome back to our Podcast “ TWW: Talking over
Writing about Writing. I’m your host, Sofia, and on today’s episode we are going to discuss how
to effectively write across different genres and writing instruction. Joining me today I have
professors and scholars from across the country, each who have written articles regarding writing
transcending genres. Now, the major demographic of this podcast are college and high school
students trying to improve their writing skills. So, I asked some of our viewers for questions they
had regarding writing. Katie from California said, “I often struggle with actually starting my
assignment since I have no idea where to begin. What are some strategies for breaking down
writing assignments and finding out specifically how to answer the prompts given?” Quincy from
Connecticut wrote “I’m a bio major but I’m having trouble writing my lab reports. How can
effective writing instruction be integrated across academic fields?” And for our final question,
Galen from Oregon: “My mom tried to help with my essay and told me it had to be written a
specific way, yet I disagreed with her take. Is she in the right and if not, what are some critiques
of the traditional approach to writing?” As I introduce each guest, I want these questions to be in
the back of listeners (as well the professors themselves) throughout our discussion.
Chris Thaiis: I can start off the introductions! My name is Chris Thaiis, and I am a Professor
Emeritus of Writing Studies in the University Writing Program at the University of California,
Davis. I have been active for several decades in the development of cross-curricular writing in
universities and colleges, hosting workshops and consultancy sessions regarding writing
pedagogy and program development. I wrote Part of the Fabric of the University: From First
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Year through graduate school and across different disciplines, a book about the integration of
Linda H Peterson: I am Linda Peterson, and have been on the Yale faculty for 38 years,
specializing in Victorian prose and life-writing regarding women. However, I spent a large part of
my career as a chair in the English department, strengthening the PhD program and being a
mentor to younger faculty members. I wrote “Writing Across the Curriculum and/ in the
Freshman English Program”, an article similar to Chris just more focused on developing
Host: That’s so interesting! Let’s dive more into the similarities once we finish the introductions.
Corrine E. Hinton: Hey guys! I’m Corrine. I, alongside some of my other faculty colleagues at
the University of Texas A&M, co wrote a textbook titled Writing Spaces: Readings on Writing,
Volume 1, a peer-reviewed open textbook series for the writing classroom. My chapter is called
“So You’ve Got a Writing Assignment. Now What?”, which outlines a step-by-step process to
Carmen Kynard: My name is Carmen Kynard, the Lillian Radford Chair in Rhetoric and
Composition and Professor of English at Texas Christian University. Like Chris, I have led
numerous professional development projects on language, literacy, and learning. The article I’m
using on this podcast is called “Getting on the Right Side of It: Problematizing and Rethinking
the Research Paper Genre in the College Composition Course”, a critique regarding the
Host: And for our final guests we have Irene L Clark and Andrea Hernandez! These ladies
co-wrote an article. Do you guys want to tell us a little bit about yourselves and about your
article?
Irene L. Clark: For sure! Both Andrea and I are Englishprofessors at California State
Transferability”.
Andrea Hernandez: This article focuses more on engaging with different genres as opposed to
Host: That wraps up all the special guests we have today! Linda, do you want to start off the
Linda: I would love to. Before I do, Chris, can you tell me a little more about your article?
Chris: Of course! I argue that writing is not just an important skill for English majors or
professional writers but rather is a necessary tool for success in many fields. Although I focus
more on the writing program at Davis, I emphasize that this should be spread to all campuses; if
the funding is available universities should create an independent writing program separate to the
English department, for the main focus of educating students across all disciplines.
Linda: I completely agree. I also argue that writing courses taught to students should not be the
sole responsibility of the English department and a specific freshman English program should be
formed, to help students early on as it is essential for them in order for them to succeed in their
Host: Corrine, your article details more of a plan of action to help students approach their
writing assignments. How do you see your work fitting into this conversation about writing
instruction?
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Corrine: First off, I would say my article completely addresses Katie’s question, as my article
provides a practical perspective on writing instruction! It includes strategies for breaking down
writing assignments and helps students figure out what is expected of them. I outline 10 steps
that are easy to follow. Here are a couple important ones: 1) Don’t Panic or Procrastinate 2)
Read, reread and continuously refer to your assignment 3) Identify the Purpose and Audience 4)
Consider the Evidence 5) Calculate the Best Approach. I go into more detail regarding each
step, and with this detail I provide examples from different disciplines, which goes along the
Chris: I think the deconstruction of writing instruction is super important, Corrine. I will say
though, one thing I also stress in my article is that writing instruction should not just be limited
to a specific course or discipline like you point out in your article Linda, but instead should be
part of the fabric of the university. This includes faculty and staff in providing resources and
interdisciplinary work.
Linda: To add on to Chris, one of the reasons I wrote my article is because I think it is super
important that we put less strain on the workers and English department by establishing the
previously mentioned writing program. Not only would this help English professors cultivate
their department, but it would also help the entire student body enhance their writing abilities, as
Corrine: I see, that is an interesting take, Chris and Linda. I think all three of our articles align,
however while mine is smaller-scale, focusing on the classroom, both your and Linda’s article
Host: Let's hear what the others have to say. Carmen, I know your article critiques standard
practice within the research paper genre. Can you tell us more about issues and problems you
discuss?
Carmen: Definitely. Many research papers done by students follow the same pattern, as students
have learned how to play the ‘school game’, showing no evidence in deep exploration, analysis
and connections to their topics and sources. This is because they are taught to follow a certain
structure, one potentially similar to the one Corrine mentioned. I argue that research papers
should have more creative freedom, which starts with the educators, similar to what Galen was
arguing with his mother about. Writing instruction should provide diverse examples of research
Corrine: I somewhat disagree with Carmen. I guess I am coming from the perspective of
Galen’s mom. I think a lot of students appreciate guidance and structure when it comes to writing
instruction. However, I wrote my article in 1982, and while some of it still may ring true and may
not be 100% with the times. I think writing instruction of the future needs to adapt to meet the
needs of the diverse student population. Various students may come to college with different
educational, economic, cultural backgrounds and experiences and so it is crucial we do not just
Irene: I stand by what Carmen said. Our article also strays from the traditional approach often
taken; we emphasize developing genre awareness rather than explicit teaching of genre. After a
study we conducted we noticed the same thing that Carmen was mentioning regarding the lack of
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student connection to a different topic. We found that students engaged more with their writing
across disciplines once they interacted more that specific genre as opposed to just being taught it.
Andrea: This also eliminates the generic structure we want to avoid that was just brought up by
Host: Super interesting point Andrea! Alright folks, that wraps up our podcast on writing across
different genres and writing instruction. Today we talked about traditional styles of educating
college students regarding different genres and the critiques on how writing has been taught. We
also discussed how universities and colleges should develop genre awareness and individual
writing programs separate from English departments. Thank you to all the special guests who
talked today, stay tuned next week to hear about how to gather credible resources!
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Bibliography
Clark, Irene L. and Andrea Hernandez. "Genre Awareness, Academic Argument, and
Transferability." Journal of Business and Technical Communication, vol. 20, no. 3, 2006, pp.
249-272.
Hinton, Corrine E. "So You’ve Got a Writing Assignment. Now What?" Journal of Adolescent &
Kynard, Carmen. "“Getting on the Right Side of It” Problematizing and Rethinking the Research
Paper Genre in the College Composition Course." Teaching English in the Two-Year College,
Peterson, Linda H. "Writing Across the Curriculum and/in the Freshman English Program."
Thaiss, Chris, et al. " Part of the Fabric of the University: From first year through graduate school
and across the disciplines." WAC Journal, vol. 19, 2008, pp. 13-25.