YY Pour le developpement de Style etde la Bravoure (For the higher developm ent of, Style a and Bravoura) SPARS Nee AE | —~>Morro. lide eh Meso ict ven kanes ei dem wt Sit a mthnenti sch tb fale cen Sete ven webs o” ler sence Qahsern even wl er gel ihe iene Bapfsdnagen =u rerbenod reg Si olceeyetlt a Bett sat Mit~ Bagfinng 6. Ph, Ea. Bach Versuch Ber die nae Att ds Cle: vi a sion 2 YOBWORT. Obschon der Verfusser dieses Werk nicht aly. Fort- setsung seiner frihern Etiiden betracktet haben miichte, 20 iberisiebt er es dock vorsugsmcise solchen Spielern, die sich mit jonen schon vertrant gemacht haben, in der Voraussetsung, dase die hihern Zivecke der Runst-Entwickelung., die thm bei diesen vorge schwebt, von dergesalt rorbereiteten und eingeweihten + Spielern am besten aufgefesst und verstanden wer den kimnen. Da die mechanische Ausbildung der Hand hier mer Nebenzweck ist,(iudem der Verfasser anainnt, dass der Spieler sick diese bereits zu eigen gemacht) 40 sind die Bemerkungen itber die Spictart, welche sich in den frikern befinden, wegegelassen, wad der Fingersatz seltener angebracki; der Spieler ist sonders davaxf angewiesen,durch seinen Vortras: die- denigen Regungen, Leidenschafien und Empfin ~ Gungen auszudricken, die dem Tirfasser beim Sckreiben dieser Tonsticke vorgesckwebt nd die er durch die characteristischen Namens- Bezeichwin — Een, die einem jeden der Sticke vorgesetst sind, so ‘wie durch die den Vortrag bezeicknenden Runstir ter, dir im Laxfe des Werkes vorkommen, nur Teise andeuten kounte. Seine innern Gefihle durch Harte deutlicker erkléren 0 wollen, sckien thom ein Eiigrilf in das Wesen der Tonkwnst, in deren wahren Ver ~ ehrora diese Sticke haffentlich die Phantasie anrezen, und, wenn auch nicht dieselben, dock analage Bilder Hereorrafen sollen. Morro. Since» mins const mi thers anes br hit {eels haf eatcsary Rin to ale fea hil I thera, mons ih he na tose te exer fe buts He erp te thes Ic own els ot tharos ie beat asso mag them fe al hms C.14, Ba Bot ny oc rae tof paging he Pimpin wee) aad PREFACE. Althongh the author of this work would not have it viewed inuation of his former cileetio f neverthvless, to offer it tor pla we familiarized themselves with that former work for hess convineed that players thus prepared and. i itiated will best comprehend and understand the high er ends of artistic development whieh he had in view: in writing the present work. . AAs the mechanical training of the hand is but a se ~ condary consideration here (since the author assames ‘hat the player has already accomplished that), all re~ ‘marks eoncerning the mode of execution, such ‘as the former Btudes contained, are omitted, and the finger gis loss frequently given. The attention of the player ‘specially directed to the problem of seeking, by ‘means of an appropriate delivery, to express the emo tions, passions and feelings which the author had in mind while writing. these pieces, but which things hhe could only’ fhintly indicate by means of the cha ~ acteristic titles. prefixed fo the various pieces, and by the art-terms used in the course of the work to ine dicate the mode of delivery. It seemed to him ‘hat to seck to explain his inner’ feelings more eleariy ty means of words, would be an invasion of the proper sphere of ‘musical art, whose true’ admirers, it hoped, will find their imaginations exited by th pieces’ to the reproduetion of ideas atleast analogous fo, Hf nof precisely the same as, those with which the composers mind was insANGER. (ZORN.) Allegro non troppo. 4. 16.) J. MOSCHELES, 0). 95. - Energico. hy vy w, t, eit or 036 Copyright 1888 by 6 Sciraer$48 |, res be deerese. 4 sotlovore,peatnato. _—)—,. RECONCILIATION. (VERSOHNUNG.) Andante Placido. (J.-9.) con delicatezsa. - — —= molto ore — sco ~ | oppassionate . zo a ta ada Sa,wo CONTRADICTION. (WIDERSPRUCH,) Vivace.(4. 118.) semplice. P ‘poco erexe.‘w JUNO. (uno) Allegro maestoso. (¢ = 112) energico, 3 *appassionato.suse - ” oe 7‘ben mareata, SSCS aaa tex. ten, in fen ve Te Dose 8 Toke Bimcy ol Bintiteng Sar niteen Blade denen wenn dice ‘iulttber kerogen ae Liyanente ET ye ‘These 3 meshes ny serve as n= . otetionto the mat Eade whe ite 2036 pled imnedlely afer thi18 FAIBY TALE. (KINDERMAHRCHEN,) Allegretto grazioso. (.eae DP ’P27 Srisotato. Ss oF vw), y%), . . a - -@ . =. . on aA Isingando. —— £ ns ae terre “emprep ee BE ~_——_22 BACCHANAL. . (BACCHANAL) PR Allegro con spirito. (.-90,) === . ; is{7idzeritennto, pesante. v vw = Wy2a rey aa Silla voce. bee aga Soastrepitoso, é26 - TENDERNESS. (ZARTLICHKEEIT) Andante molto espressivo. () Content =60) poco erese.P im poco mareatondeerese. — rallent, in Tempo. | sotto wer ar "Fppassionato. = a, * a. * on ae ln30 in Tempo. Onatleo 3 sempre EE ania ——title le sempre Frese. ey Fit eto. : er sempre p Feae CARNIVAL SCENES (VOLKSFEST-SCENEN,) Alla Napolitana. Presto. (d = 108). a vt¢ gealtato. 33be Salt sr TAs > |. See -_sotto race, ‘sunsurayide = eis Cities ips t eo r sotto rove,sempre pp Con brio. Por = ~ r artare) of iene? 3 Seoalingeth Ds th ts Db dh de sempre |p a SS iow Tab Korn ale Bait spa sen Bd dracy tran diver waitelbar Duck dor big gape irk Prt Lextomente, “These 8 measaten may serve 2 mitt uti ta thr nent Etude who it played ine ely after ths ene 2630“ MOONLIGHT AT THE SEASHORE. (Mondnacht am See-Gestade.) Andante placido. (4=22,) = = TAT = — = + A APS BaP AEE crerier st SSS eee Tr ET Hla ae if dimin. —- = JAE S FE Pm Pm mormorande.Dir 6 Tobte Kian ale Entity sor wihten Boe dicre, enn dior nei ike tac dor abigea gpl wird i Péagente | S ‘These @ menses my wre ay a introdsetion tthe next Ete when ite payed family ar thi abeTERPSICHORE. (TERPSICHORE.) Allegro giocoso. (4 — 2: on lesgloressa- peng Wessiens poco rit. in Tempo. Tempe, yocurit rr “1 > Te ‘poco rit. we a fasy A ita in Tempo.“ : & DREAM. (TRAUM) Andantino grazioso. (d 100.) _freagatlemente,tevore. Frere er Weiey = or oF 7 wn poco. con mofo, 2 ue sepid mosso ma maestoso. (0 — Sf grandiosa, tent a Sens ap strepitono. PP eatmato. be z ae S Pa % Ba. Fa Pa, * ae = s= MO sempre decrese. ? ore +s pp ‘Andante Tempo I. DP plice 6 les a el mn == misteriono | =>sotto voce, poco rallent. a aI Diver a Take Rianne Bisheitey sar wihten Bini dcurasen ee vailelber eh der ebigon grap Wd ot ira These 4 srsoues may SW as a trodvetlan fo Thr vase he it pape immrditely afer this ene.as ANXIETY. (ANGST) Presto Agitato.(2- 9x) ” lprstrepitoso. im Ts ps Peres TOT pies pT RTE Dany | HET EE BY ine ary bide re eae r sidupidrididr|t 272% idl) y A A Po A A DTD IPT DTD TD [ie Rs TT PERE wm poco ealnata. 2 oso ert yl ?50 a —_, ~. -Agitato. | risotuto. ef $y BG 8 ge NO ge PPP Err aera ier, Ge EE ee Eke pot J ePots voce] Witz. ann ral & & sempre pp misterioso. Ldap EERE PEPE, recon amanie.