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I thought this piece was intense, with very fast tempo. It sounded like much of it forte,
maybe even fortissimo at some points. There were moments it calmed down for a moment, only
to be pulled back into loud and intense music. The main theme was had an upbeat, nervous
sounding tone to it. The second theme is a bit more graceful, and studious. I liked it! I like that
melody is intense and serious. I can mainly hear the strings like violins cellos, but also the
This is in sonata form. It is sonata because it in ABA and each section acts in a specific
way. The first section is the exposition. Here the piece introduces the tonic key that the main
theme is played in. This first theme is often repeated to further solidify its presence, which is
something this piece does right off the bat before the bridge transitions to a second theme. Then a
cadence theme closes out the exposition. In this piece the whole exposition repeats after the
cadence theme.
The next section is the development. To my understanding, this is like no man’s land.
Anything can happen. In this piece they play the first theme intensely. The book describes it as
The last section is recapitulation. This is reminiscent of the exposition, except both
themes are played in the same key if I understand correctly. It is supposed to convey a since
resolution or relief. Lastly, a coda section is often included at the end as a conclusion to wrap
things up.
This symphony was composed in 1788 from a 32-year-old Mozart. It was written in
tandem with No. 39 and No. 41 during the summer of 1788. These were his last symphonies that
he composed. Some people believe this one was written specifically as his final work; however
other people disagree with that theory. It was written shortly after his daughter passed away,
Keays, James. “About MOZART's Symphony No. 40 in G Minor, K. 550.” Redlands Symphony,
www.redlandssymphony.com/pieces/symphony-no-40-in-g-minor-k-550.