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  • Cor Ii

    Uploaded by

    Xavier Dédé Iannone
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    This document is sheet music for Constantin Homilius' Quartet in Bb for 4 horns in F, Op. 38, Movement 1. It contains musical notation across multiple lines and systems. The sheet music provides the musical score for string quartet performers to play.

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    Original Title

    COR II

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    This document is sheet music for Constantin Homilius' Quartet in Bb for 4 horns in F, Op. 38, Movement 1. It contains musical notation across multiple lines and systems. The sheet music provides the musical score for string quartet performers to play.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    2 views2 pages

    Cor Ii

    Uploaded by

    Xavier Dédé Iannone
    This document is sheet music for Constantin Homilius' Quartet in Bb for 4 horns in F, Op. 38, Movement 1. It contains musical notation across multiple lines and systems. The sheet music provides the musical score for string quartet performers to play.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    2 Mvt I - Quartet in Bb

    for 4 horns in F Constantin Homilius, Op. 38

                         3
                  
     = 132 3 3

    
      3


    3

                                         
    7
    3 3

       

                                        

    14
    3

        
     


    3

                            
        

    21


         

                          
           
    29

     

       
                                    
    38 3 3

     3 3

                                        
      
    46 3
    3

        

                        
                 
    53

      

                          
             
     
    62

                                    


      
    70

             

    typeset by Andrew Lee


            
                  
    2


                  
    77

      
                           

    84


       

                                         
     
    92

     

                        
                   
    100
    3

     3

       3
                                     
    106 3 3 3

     3   

    
                                     
        
    112
    3

      3  

     
                                    
    119 3
    3

     

       3
                     
    128 3
    3 3

    typeset by Andrew Lee

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