Piano 5

Pieces for 2 Violins and Piano

Dmitri Shostakovich

I Prelude


          
               
Moderato

   

   
                    


         
legato

 


    
            
7

 


                     
 



    
  

   


11

        
      
  
 


      
    
      
15

  
          
 
    

              
               
Poco più mosso

     
19

         
      


  


            Tempo I
    
                
  
25


                

 rit. 

  




      
   
      
31

 

                     
 


    
    
    
35

     
      
 


  


      
    
      
39

  
     cresc.      
 
    

2

 
                    
43

      

                 
  
poco a poco dim.

    


 
II Gavotte


                           
       
Tranquillo, molto leggiero

                
 
                            


       
 



                   
   
      
  
   
9

        
                        
    
 
 


 
                                  
      
17

         

                        


 



cresc.

     
 
                               
    
25

            
                            


        


3

      
        
                    
     
33

  
  
     



    

  
  
    


  


    
   
    
 
     
             
 
  
      
        
39

 
   
         

       



        
   
    
                    


  
             
45 rit. a tempo

       
        
    


    



   
                          
poco rit.

  
51

     


   
                    
    


    

III Elegy


 
               
Andantino

          
                     
   


 
4


  
        
        
8

      
      
                 
 
  
   


      
            
Poco più mosso

    
17

    cresc.     
                   
      
 


                          
    
           
26

 
                  
       
    
 poco a poco cresc. 

      


    
                  
molto rit. Tempo I

        
37

                
          
cresc.

  


  
             
    
45

 
                   
  
  
5

  
        
    
   

54

     
 
  

              


cresc.

 


        
         
rit.

      
63

     
     
             
 

         

IV Waltz


        
                              
Tempo di Valse. Moderato

         

               


 


                     
  
                
8

                        
     
  


                    
               

18

                      



6

    
                  
      
                
28

                     
    


 
      


           
                            

38

   
                    


  


                 
                     

47
a tempo

 
                     



                     
              

56

                        
     
  


         rit.
    Meno mosso  a tempo
    
                     

66 rit.

 
         
                 


    

7

  
  
77

  

  
 

V Polka


       
                             
            
Vivace

      
 
  
   sempre stacc.
                                


            



               1.  
                     
9

                  cresc.
                
                       
  


       
 
    
    
              
             

        
18
2.

    
      
   
                            
  staccato

       
     


                  
                  
27

        
                                     

8


                                   



               
36

                                  


 
sempre legato


           
   
                   


      
45

          
                 
 


     



                                    
                 
55

                                     


                
              
           
64

 
         
                             
 

      


                
                          
72

                  

                                    
 sempre stacc.

        

9


      
   
     
           
         
rall. in tempo

      
82

       

             
 
          
     
 

    


     


10