You are on page 1of 10
Guidelines for Writing a Literature Paper ‘Sokolsky) General Protocol 1) Life Dates of Authors ‘The first time you cite an author's name put the life dates ofthe author in parenthesis, Le, Tamura Toshiko (1894 1945) 2) Publication Dates of Works ‘The first time you cite a work, include publication dates. The original publication date, not the translation date, ie. Inthe short story “Life Blood” (1914) by Tamura Toshiko (1894 1945), the author depicts ne ofthe first feminist voices in modern Japanese literature. In the novel aman Writer (1915) by Tamura Toshiko (1894 ~ 1945), 3) Issue of Publication date versus translation date {In your footnote and bibliography there isa special format for citing translated ‘works of literature. You must include the original date of publication, the name of | ‘he original author, as well asthe translator, Please look atthe Chicago Manual of ie for how to do this. Bibliographic enty ‘Wu Cheng-en. donkey. 1382, Translated by Arthur Waley, New York: Grove Press, 1983 Footnote enty ‘WuCheng-en, Monkey, trans. Arthur Waley (New York: Grove Press, 1943), 5-7. 4) Dates ‘When you make reference toa historic time period, you MUST put the dates of the period in parenthesis. Meiji era (1868-1912) 5) Quotes ‘The grammar of your lead sentence must work with the grammar inside the quote, Also, for citations that are 3 lines or more, you must do block quote format, 8) Genres Get your genres straight. Know the difference between a novel, epe folktale, legend, memoir, historic text, essay, poem, ee Book IS NOT a genre. Itis a tangible object, 7) Footnotes/Bibliogeaphy All papers must inelude footnotes anda bibliography. prefer the Chicago ‘Manual of Site format, ‘My Grammar Pet Peeves “No slang (kids slang) No contractions ‘Don’t mix anc match singles and plurals (one vs their/people) "One DOES NOT EQUAL THEIR/THEY ‘use WHO when referring to people NOT THAT. THAT = Objects. No tautologies No generalizaions MLE 13 HOW TO DO CITATIONS ACCORDING TO THE CHICAGO MANUAL OF STYLE Footnote: ‘The purpose ofa footnote isto provide citation information for the specific quote you Ihave ust referenced. You must provide the specific page number where the quot appears inthe work. This is what distinguishes a footnote from a citation ina bibliography, Example: Footnote for a quote from a novel: “And now thete was Shibe-san, who did't have a split tongue, but did wear a fet of piereings that gave him an intimidating look” “The citation "stoi Kanehara, rakes and Earrings, ans, David James Karashima (London: Plime ress, 2006), 7, author's name is listed first name ast name ttl ofthe work is italicized translator is listed next with the wording “tans” Putin pareathess publication information forthe specific book you ate using Place of publication, publisher, and the date ofthe translation you are using 2006 inthis case is the date ofthe translation NOT the original date the work 5. Thespecife page where the quote was cite 6. Please note commas are used not periods between te information, Footnote for a quote from a short story: “They called each othr Lao Da, La0 Er, in school together” Lo Saa ike three brothers, whe they were ‘The citation: Anyi Wang, “Brothew” in Wish 1 Were a Wolf The New Voice in Chinese Women's Literature, tans Diana B. Kingsbury (Bejing: New World Press, 1994), 158 Bibliography: ‘The purpose ofthe hitiography isto cite ALL the material you have used in your paper, {even material that maybe you didnot cite directly in your paper, You DO NOT provide specif page numbers inthe bibliography. The only page numbers you include in the «ase ofa short story. Then you provide the pagination forthe ENTIRE shor story. So for example the short story “Brothers” i rom page 158-212 so you write the enine pagination of the short story inthe bibliographic entry. Inthe bibliography, lit works in ALPHABETICAL ORDER. DO NOT WRITE 1, 2,3. The first ine ofthe extry is hushed to the left margin. Subsequent lines ofthe entry are indented 5 spaces. Kanehara, Hitomi. Srakes and Barings. Teaslaed by David ames Karashime. London: hime Press, 2006, ‘Wang Anyi. "Brothes.” In Wish Were a Wolf The New Voice in Chinese Women’s Literature, 18-212. Compiled and Translated by Diana Kingsbury. Beijing: New Word Press, 1994 CITATIONS IN FOOTNOTES AND THE USE OF “IBID.” Incase you have multiple citations from a single work you need fo use “IBID.” IBID ~is shor for "biden" and means “In the sme place So let's say you have mulhiple quotes from Snates and Barings the next quot is frm the same page (page 7), then you write Ibid Ie next quote is fem the same work, but a diferent pag iat , you write Ibid, and the new page number, Example: ‘sttomi Kanehara, Snes and Barvins, tas, Davi James Karashima (London: Plime Press, 2006), 7. Sibi tpi, 11 “Anyi Wang, “Brothes” in Wish I Were a Wolf The New Voice in Chinese Women's Literature, trans Diam B. Kingsbury (Beijing: New World Press, 1994, 158, *Kanchara, Snakes and Earrings, 12 **Tisis called “shortened!” citation form because you have already provide all the information forthe bok ina previous citation, so all you ‘need todo here is list che authors last name, tle of work, and page ‘number Ido nt use “Toi.” or “Ibid, 12” here because i id it would ‘mean Iam eting from the work ight above in footnote 4, whichis a Aileres book, see ed by te longer prs, and follows he Sail mane, sn prod epnte th nae fom th ex. eps, Lon, Spo. 3, by Dal Soon Now TWH Ade Poon, db mo Saks Ac TE, compe ens of Nor: A Donameay on he king Rein of Goes “Siro, A obo ap 198 So Sai oc esc C58 Dope. Pins, Mach 193 (Gene! Une of Chg ree 151m eu ge eben ed ea enn alert poten fac Inthe Soa 15.126 I het pt a book ag oy inal ach a lay 2 Tonge, Hs eae ‘tls ned ok by a comm Compare 1595, we efcence so te rl a whl. I te aera, he cw aia gags ft rls given Such nse pag mers 15.316 Indie page thin Soul fll te se oatine io 865-0, ie, 15218 Ateemtve forms of ti Ie nfermaion ie te abore example ae hen low Ase aosepi fed onssemly tou the ala racer eee Ma ca aaa SES 2d fee memo Fa fees ee eee ee oe follows the family name, a period separates the name fom the next = eee: ‘clement, the tile. ‘Blackfoot, Eary. Chance Encounters, Boston: Serenity Pres, 1987. & fase Sa , oes comme, ye en ma: ee % =o ee uh te Eagib-enguage eboney sant. w@emns My) ‘rma rome nein mae vee 16S When «work sto ens, tne es ae id a ord ‘sta ete ames ae gen the bibigrnky te nave of he ft autor iiavere, he second cr andihe concen Jing = WO Ean Japecnded by conan: ‘win, Lin Pah Glos: eee rind. Bx: Sone Spc 180 en boi stor haves se ely mame, te same way pene 4. Act Webra Lia Web, Clans Darrow: Seine nb Yo rams Sos 1. ts Neg, ce Dare 4 See 15.86 Inde cate of tes ator, he mes ae td inh oder sown oe thetie pce oo a i “Dt. Mow, mG Dh Ma ee a Sa prt yeah es ng me cid ecg an: Decree a8 Ce, 9. = — . Qevtnete- Cost ion fer book si = it. Se Tong's Wisesy Concvbines

You might also like