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    86 views31 pages

    Sansui 200 Owners Manual

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    Miron D

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    © All Rights Reserved
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    OPERATING. INSTRUCTIONS & SERVICE MANUAL SOLID-STATE AM/FM STEREO TUNER AMPLIFIER SANSUI 200 a a ee SANSUI ELECTRIC COMPANY LIMITED In selecting the Sansui 200 AM/FM Multiplex Stereo Tuner Am- plifier, you have made a wise choice, one that will offer you years of quality stereo enjoyment. Like all Sansui products, the 200 combines the finest in internal engineering, performance and design. It has been precision built, tested and re-tested to perform flawlessly within the limits of its specifications. This manual has been prepared to help you keep the 200 in per- fect operating conditions. It explains all of the 200’s unique fea- tures, installation and playing procedures, as well as some basic maintenance requirements. Please read the contents of this manual carefully before operating the receiver. You will then be better prepared to hear the 200 perform up to its capabilities. CONTENTS SWITCHES AND CONTROLS...... OPERATION —SPEAKER CONNECTION —RECORD PLAYING OPERATION 18 —ANTENNA CONNECTION —RADIO RECEPTION OPERATION 7 eae revive see 910 —TAPE PLAYBACK TAPE RECORDING MAINTENANCE...... SPECIFICATIONS ... SCHEMATIC DIAGRAM . F TROUBLESHOOTING CHART .. DISASSEMBLE PROCEDURE, DIAL MECHANISM .... ALIGNMENT —TEST POINTS......... —FM TUNER ALIGNMENT PROCEDURE... —FM MULTIPLEX ALIGNMENT PROCEDURE —AM TUNER ALIGNMENT PROCEDURE ...... PRINTED CIRCUIT SHEETS AND PARTS LIST +++. 24, 25, 26, 27, 28 OTHER PARTS AND THEIR POSITION ON CHASSIS. ca on - 29, 30 SWITCHES AND CONTROLS FM Stereo Indicator This indicator automatically lights up when a stereo program is received. During mono recep- tion, it remains unlit. Tuning Meter This meter aids in pinpointing a station. The station, on either FM or AM band, is correctly tuned when the pointer has swung as far to the right as it will go. Power Switch Push to turn the power on; push again to tura the power off. Headphones Jack To monitor a tape or to enjoy late-night listening through a headset without disturbing others, plug into this jack. Your speakers are turned off when the headphones are plugged into. This jack will accept any standard phono plug, but dynamic stereo headphones (Sansui SS-2) are recommend: ed for use. Bass Control This control is used to boost or cut low-end response according to personal taste, speaker response and listening conditions. With the con trol in the mid-position the bass tones will sound exactly as recorded or broadcast. To emphasize the bass, turn it clockwise, To decrease the in tensity of the bass tones, turn it counterclockwise Treble Control Use in the same manner as the BASS control to boost or reduce high-end frequency response. Volume Control This control consists of two concentric knobs. The outer black ring affects the right channel, and the inner silver knob, the left. The pair can be used simultaneously or independently, as re: quired. Normally, the entire control rotates as one unit. If you wish to increase the overall sound level of both channels, simply turn the VOLUME control clockwise. If you want to balance the sound levels in the right and left channels in stereo mode, hold one of the knobs in place while adjusting the other. Mode Switch STEREO: The MODE switch in the STEREO position connects the left input to the left speak- er and the right input to the right speaker. To listen to an FM multiplex stereo program, stereo record or stereo tape, set this switch to STEREO, MONO: The MODE switch in the MONO posi- tion connects either right or left, or both inputs, to the speakers of both channels. Loudness Switch This switch provides the correct amount of bass and treble boost required to compensate for an apparent loss of bass and treble at low listening levels. Tuning Knob Turn this knob to select the desired FM or AM stations. Dial Scales The upper scale indicates FM and the lower AM. To select a desired station, turn the Tuning knob at the right of the dial. Selector Switch Select the desired program source with this switch. PHONO—Turn to this position to hear records being played on a phonograph connected to the PHONO input jacks on the rear. FM AUTO—To hear FM broadcasts. In this, position, the switch automatically selects the cor- rect mode, AM—To hear AM broadcasts. AUX—To hear a component connected to the AUX inputs on the rear. Tape Monitor Switch This switch enables you to compare a recorded tape with the original program. When itis turned ‘on, the tape being recorded is heard from the speakers. Monitoring is possible with 3-head tape recorders only. When you play back through the amplifier, it should be in the ON position as well. Tn all other cases, make sure it is in the OFF Position, OPERATION — SPEAKER CONNECTION —— RECORD PLAYING LOUDSPEAKERS Connection Connect a pair of speakers to the SPEAKERS ter- minals on the rear of the 200 in this manner: 1. Connect the speaker on your right (as viewed from the listening area) to the red terminal marked (+) RIGHT. 2, Connect the lead from the common terminal of the right channel speaker (marked — or C) to the black terminal marked (—) RIGHT. 3. Connect the left channel speaker to the red ter- ‘minal marked (+) LEFT. 4, Connect the lead from the common terminal of the left channel speaker to the black terminal marked (—) LEFT. To connect to the terminals of the 200: 1, Depress the colored terminal button. 2, Push the stripped end of the lead wire in the hole as illustrated. 3, Release the button, After connecting, make sure the wires are not shorted between the terminals, Ifshorted, the quick- acting fuse blows out and the amplifier becomes off If Speaker Polarities Are Not Matched... You have connected the speakers. You are anxious to hear dynamic stereo sound; you turn the receiv ex on, set it in the desired mode and wait. What you hear disappoints you, however. It is as ifsound is missing at both ends and in the center; you don’t sense the continuity between the right and left speakers. The strong feeling of direction unique to true stereo sound is lacking. The heaviness of bass sound may be absent, too. In a word, sound is not natural. If you experience such a phenomenon, itis because the polarities (+ and —) of the speakers are not matched with those of the receiver. The disappoint ing phenomenon described above is particularly conspicuous when the receiver is operating in the monophonic mode. If you suspect you have such trouble when hearing an FM monophonic broad: cast, for example, examine the speaker connections once. The unmatched polarities can be matched very simply by reversing the (+) and (—) connec: tions of either speaker. Once they are matched, two speakers reproducing a monophonic material will sound as if there were only one speaker in the center. Impedance of Speakers Speakers of any make with impedance of 4 to 160 may be hooked to the 200, with the following reservations: 1. Do not connect a pair of 402 speakers in para: lel to either right or left channel. 2, Do not connect more than one speaker of any impedance to either channel. 3. Do not connect speakers with other than speci fied impedance. Failure to observe any of the above cautions may cause the quick-acting fuses to blow oF distort the sound. RECORD PLAYER Connecting a Record Player A record player or turntable using 2 2~ 10mV magnetic cartridge with a built-in transformer is recommended for use with the 200. 1, Connect the left channel output of the player to the LEFT PHONO input on the rear of the ampli- fier 2. Connect the right channel output of the player to the RIGHT PHONO input. 3. Ifa monophonic player or turntable is used, it may be connected to either LEFT or RIGHT PHONO jack. NOTE: Although it is not recommended from a standpoint of tone quality, if a player with a crystal cartridge must be used, connect the output(s) of the player to the AUX jack(s) on the rear of the am- plifier Playing a Record NOTE: 1. Set the SELECTOR to PHONO. 1) If a monophonic record is to be played on a 2. Set the MODE switch to MONO if a mono- stereo phonograph, operate the receiver exactly in pohnic phonograph is to be used, or to STEREO if the same way for a stereo record for better results. orerenetiasaran Gaeta 2) The balance of the sound levels in the right and BU Niale tpetopriate tattines cf controlennd ani left channels is most easily adjusted by playing a es on the phonograph. monophonic record through the receiver in the 4, Balance the sound levels in the right and left same way as a stereo record, Adjust it so that the channels with the VOLUME control. two speakers will sound as if there were only one speaker in the center. To actually adjust, hold one of the VOLUME knobs in place while adjusting the other until the sound is correctly centered, 5. Use other controls and switches so suit taste and room acoustics rower [O FUSE WY SSOTERE SPINE © WALL OUTLET GQNNecTING To. SHEARER TERNAL Rich CHANNEL, RIGHT SPEAKER LEFT SPEAKER OPERATION —— ANTENNA CONNECTION — RADIO RECEPTION ANTENNA CONNECTIONS The efficiency of antennas greatly affects the qual- ity of radio reception. To enjoy noise-free recep- tion, use antennas as deveribed below. Built-in AM Ferrite Bar Antenna A highly sensitive ferrite bar antenna is attached on the rear panel of the 200 to receive AM broad: casts, To use, pull it down and away from the receiver as shown on page 8. Except in weak signal areas remote from broadcast stations or inside fer- roconerete buildings, it should provide quality reception of those broadcasts. Outdoor AM Antenna In weak signal areas distant from broadcast stations or inside ferroconcrete buildings, the built-in ferrite bar antenna alone may fail to provide good recep- tion of AM broadcasts. If this is the case, connect the PVC wire accompanying the receiver to the antenna terminal marked AM-A on the rear panel, ‘Then run this wire outdoors and set it up as an antenna a little distance away from the buildings. For better results, ground the antenna terminal marked AM-G at the same time, As the sensitivity ‘of an outdoor antenna varies greatly with its posi tion, install it in the position which affords the best reception while actually listening to a broadcast. For reasons of safety, it should be outfitted with a light- ning arrester. FM Antennas In strong signal areas, the folded dipole antenna (supplied) is adequate for FM reception. Connect it to the antenna terminals marked 300 FM on the rear panel of the amplifier, then open it to a full “1”, and tack to a wall or ceiling where it allows the best signal reception. Inarea remote from broadcast stations or inside ferroconcrete buildings where signal intensity is low, the folded dipole antenna alone may not supply sufficient signal inputs. An exclusive outdoor anten- na for the FM band then becomes necessary just as for. Two types of outdoor FM antennas, 300 balanced and 75 unbalanced, are commercially available. The usual choice is the 3009 balanced type. On the receiver side, the feeder wire of this antenna is connected to the 3000 FM antenna terminals, Where the 759 unbalanced type is used and wired through a distributor, it is necessary to convert 759 to 300% by the use of @ 300-ohm converter. ‘The farther you live from broadcasting stations, the ‘greater difference the choice and positioning of an outdoor FM antenna makes in the quality of recep: tion. The properties of FM broadcast signals are such that merely extending the length of the anten- na does not increase sensitivity. What is more im- portant is its direction and height, which should be determined so as to afford the best reception while actually listening to a broadcast. EM Radio Reception To receive FM broadcasts: 1. Turn the SELECTOR to FM AUTO. 2, Set the MODE switch to STEREO. 3. Push the POWER switch on and the dial scales are illuminated in green. 4. Select the desired station on the FM tuning dial scale with the tuning knob, while watching the tuning meter. The station is correctly tuned when the tuning meter pointer swings to the right as far as it will go. The FM STEREO indicator auto- matically lights up when a stereo program is receiv- ed. During mono reception, it remains unlit. 5. In stereo mode, balance the sound levels in the right and left channels with the VOLUME knobs. 6. Operate all other controls and switches to suit taste and room acoustics. AM Radio Reception To receive AM broadcasts: 1. Turn the SELECTOR to AM. 2, Set the MODE switch to either MONO or STEREO position, 3. Push the POWER switch on and the dial scales z— are illuminated in green. tuning meter pointer. 4, Tune in the desired station by turning the 5. Use all other controls and switches to suit taste tuning knob for the maximum deffection of the and room acoustics. SEE “SPEAKER CONNECTIONS” GROUNDING WALL OUTLET YO: PPER PLATE RIED UNDERGROUND OPERATION —— TAPE PLAYBACK —— TAPE RECORDING TAPE RECORDERS Tape recorders can be connected to record from, and playback through, the amplifier. But a tape deck cannot be used with the 200. For use with a tape recorder having its own playback preamplifier as well as separate recording and playback heads, the 200 can compare the recorded tape with the program source. Connecting a Tape Recorder with a DIN Connector Cable If the DIN connector cable is not yet connected to your tape recorder, insert the DIN connector at one of its ends into the DIN socket on the recorder first; then, insert the one on the other end into a similar socket marked TAPE RECORDER on the rear of the 200. The DIN connection system, based on the German DIN Standards and designed to sim- plify interconnections between the tape recorder and amplifier, enables tape recording, and playback merely by plugging a cable with 5-pin connectors into their respecitive sockets. Connecting a Tape Recorder with Pin Plug Cables If your tape recorder lacks the DIN socket and only has pin jacks, connect it to the 200 with two pairs of shielded cables having a pin plug on each end, as follows: To Record—Connect the right and left channel input jacks of the recorder to the RIGHT and LEFT ‘TAPE REC. jacks on the rear of the 200 with a pair of such cables. If the recorder is a monophon- ic one, it may be connected to either right or left jack. ‘To Play—Connect the right and left channel output jacks of the recorder to the RIGHT and LEFT ‘TAPE MON. jacks with another pair of such cables. Again use only one jack for a monophonic tape recorder. Tape Monitoring To record a tape and monitor the recorded tape almost simultaneously, the recorder must be con- nected by the use of pin plug cables. The DIN connectors do not allow such operation. NOTE: 1) The switches and controls on the receiver con- trol only the sound from the speakers. They do not affect the signals at the receiver's tape recording terminals, which are therefore recorded in a flat state, Thus, to monitor the recorded tape for the purpose of checking on the quality of recording, keep the various switches and controls on the receiver neutral (Rat). 2) Whenever possible, avoid recording from micro- phones placed in front of the speaker(s), as it will considerably impair the tone quality. Instead, feed the signals from the receiver's tape recording ter- minals direct into the input terminals of the record- er. 3) The machine referred to as a tape recorder in this section includes only that kind of tape recorder which contains a playback preamplifier. 4) Tape monitoring is possible only with a tape recorder having three heads (erase head, plus se- parate record and play heads). 5) Unless you are recording a tape and want to monitor it or playing back a recorded tape, be sure to keep the TAPE MONITOR switch in the OFF position. 6) A tape deck does not have a playback preampli- fier, and its output is delivered direct from its play: back head, So if you want to connect a tape deck to the 200, it is essential that you feed its output to a separate equalizer amplifier first before coupl- ing it to the receiver. In contrast, the output of a tape recorder or tape player has already been pas- sed through a playback preamplifier incorporating, such an amplifier, and should be connected direct to the TAPE MON. terminals on the 200's rear panel. To hear it, do not forget to set the TAPE MONITOR switch to its ON position. Recording with a Tape Recorder To record a tape on a tape recorder: 1, Set the SELECTOR to the desired program source (either PHONO, FM AUTO, AM or AUX). 2, Set the MODE switch to either STEREO or MONO, depending on the type of tape recorder used, 3. Make appropriate settings of controls and switches on the tape recorder. 4, Use other pertinent controls and switches on the receiver, as required. Playing a Recorded Tape To play back a recorded tape on a tape recorder: 1. Set the TAPE MONITOR switch to its ON Position. 2. Make appropriate settings of controls and switches on the tape recorder. 3. Use all other pertinent controls and switches on the receiver to suit taste and room acoustics. TAPE RECORDER INSERT THE POWER GORD PLUG OF THE TAPE RECORDER. QD WALL OUTLET TAPE RECORDER (DIN) LEFT CHANNEL $= aight CHANNEL igi MAINTENANCE How to Eliminate Unpleasant Noise on Broadcast Bands AM Band: If you live far from broadcast stations, in the mountains or in a valley where it is difficult for radio signals to reach, inside a ferroconerete build- ing, or in an area where a number of large ferro- concrete buildings are crowded together, your 200 as it i may fail to provide really clear, noise-free reception of AM broadcasts, This situation can be corrected to a great extent by connecting a PVC wire to the AM antenna terminal on the receiver's rear panel and spreading it along a wall or the ceil- ing of room. If this should fail to reduce noise suf ficiently or give you satisfactory sensitivity, and especially if you live inside a ferroconcrete building, erect an outdoor antenna a short distance away from the wall of the building, Further, some types of noise may be heard only at certain hours of the day or with only certain broadcast stations. This is usually due to the unique properties of AM broad- cast signals, and can often be remedied by ground- ing the receiver or reversing the inserted position of the power cord plug. FM Band: ‘The noise that you may hear with FM broadcasts is generally attributable to two causes. It may be caused by insufficient signal inputs into the antenna, or it may be produced by external electrical appli- ances. To eliminate or reduce such noise, follow these directions: 1) The antenna cannot receive sufficient signal in- puts if itis improperly positioned or if broadcast stations are very distant. If you are using the dipole feeder antenna which comes with the receiver as instreeted on page 7 under FM Antennas, try changing its position and see if you can obtain better sensitivity and reduce noise. 2) If the above measure fails to cat noise drastical- ly, try installing an indoor TV antenna for greater sensitivity, or, better yet, erect an exclusive FM antenna (or TV antenna) outdoors in the position which gives you the best reception. If one antenna is to be shared both for TV and FM radio recep- tions through the use of a splitter, make certain the TV reception is not affected. 3) Merely extending the length of the antenna or spreading it around many corners may sometimes increase noise. 4) With FM broadcasts, the transmitting condition of each station (such as the efficiency of the station’s ‘output antenna) has a great bearing upon the sen- sitivity. This may result in a situation where sta- tion A is received quite clearly, but station B is barely audible. Noise Persistent on All Bands: Other types of noise than those descrihed may be heard at certain hours of the day, especially in an area where a number of ferroconcrete buildings are crowded together. These are usually produced by electrical appliances in those buildings, and can be easily distinguished from the types of noise deseribed above because of their relationship with the hours, The situation can be corrected if itis an electrical appliance in your own house that is producing the noise. Simply attach a noise suppressor to that ap- pliance. Or attach it to the AC power source of the receiver itself EM Multiplex Separation ‘The FM multiplex separation has been pre-adjusted at the factory, but may be readjusted, if desired. To readjust, turn the separation control VR located in the chassis so that the desired separation is achieved with FM stereo broadcasts. Heat Dissipation Transistors being relatively sensitive to heat, care- ful consideration has been given in designing the 200 to the efficiency of heat dissipation from the rear panel, For this reason, it is strongly recom- mended not to place anything on top of the re- ceiver, encase it in a tightly closed box or operate it in direct sunlight. If either of these conditions cannot be avoided, take special care to increase the heat dissipation, or it may eventually lead to a breakdown. If Booming Noise is Heard When Playing a Record... Unpleasant booming hum or howling noise may be heard when playing a record or a recorded tape. This is almost invariably due to one of these reasons: 1) If the phonograph is placed directly on a speak- er enclosure or very close to it, the vibration of the speaker will be transmitted to the phonograph, re- sulting in a booming phenomenon called howling This can be easily corrected by separating the phonograph away from the phonograph or placing a thick cushion underneath the phonograph. 2) Booming noise is produced if the phonograph or tape recorder is connected with wires or cables other than shielded cables. 3) If neither of the above reasons applies, check the connections of various cable. Shielding wire and conductor of a shielded cable may be conversely soldered to a pin plug; the phonograph motor may not be grounded, or the grounding of its tonearm may be incomplete, In either case, unpleasant booming noise could result. Connection of Additional Components To connect such audio components as a tape re: corder or phonograph, be sure to use thick, shielded cables which distribute only a minimum capaci- tance. The use of ordinary lamp cord usually re- sults in picking up hum. ‘The length of such cable should not exceed 6 or 7 etree an eee feet. The longer they are, the more the high fre- quencies of the program is attenuated. To connect a monophonic component, use either the right or left channel terminal, whichever is easier to connect. Grounding Connect one end of a piece of PVC wire or enamel- ed wire to the antenna terminal marked G, attach a small copper plate or bar to the other end and bury it deep under the ground. Whenever an external antenna is attached to the receiver, the receiver should be grounded in this manner. Or also, it may be grounded by the use of the “GND” terminal. Attach a piece of PVC wire to it and bury it underground in the manner described above. This usually helpes to prevent the audio amplifier from picking up noise, and also consi bly cuts down noise on the broadcast bands. Power Handling Capacity of Speakers Most speaker specifications include @ maximum power rating. This rating, in watts, is not to be confused with required amplifier power. It is, rather, the maximun power which may be applied to the speaker for any length of time without actual- ly damaging it, Ifthe speaker with relatively small capacity is connected to the amplifier, it may be damaged at high listening levels. See MAINTENANCE AC Outlet One AC outlet is provided on the receiver's rear penel, and can be used like any other outlet for AC hhouse current. Plog a phonograph or tape recorder into this outlet for power supply. The outlet has a maximum capacity of 150VA, and is not controlled by the POWER switch on the re- ceiver's front panel. Voltage Selector Plug The Voltage Adjustor on the rear of the chassis enables you to operate the 200 at correct voltage in any areas. The voltage has been pre-adjusted at the factory, but can be easily readjusted as follows: STEP I Set arrow of main voltage selector plug to required voltage: 100, 110, 117, 127, 220, 230, 240 or 250 volts. STEP IL If numerals of voltage are printed in red, set arrow of adjacent sub V.S. plug to position marked red. If they ate printed in white, set arrow to position marked white, NOTE: The Voltage Adjustor can be used to elimi- nate the trouble caused by the considerable voltage fluctuation, In this case, it should be set to the peak voltage. Should the Power Fuse Blow.. If the receiver should fail to turn on and you think it is because the power fuse has blown, remove the power cord from its wall outlet, unserew and take out the fuse holder on the rear panel to see if it has blown. If it has, replace it with a 1A glass-tubed fuse. Using thin wire or a fuse of a different capaci- ty as a stop-gap measure is very dangerous and should be absolutely avoided. If the fuse has blown because of a trouble in the receiver, be sure to find and eliminate it frst before replacing the fuse. Should the new fuse blow when the POWER switch is pushed, it is very likely that the power amplifier circuit is at fault and it should be repaired. Should a Quick-acting Fuse Blow. ‘The expensive silicon power transistors in the 200 are safely protected by a pair of quick-acting fuses in the right and left channels. Should the output circuit be short-circuited (e.g, at speaker terminals) for some reasons or should an overcurrent from the input circuit flow into the power transistors, one or both of these quick-acting fuses will instantly blow and the sound will be cat off. If this happens, shut off the power supply immediately, discover and climinate the cause, then replace the blown fuses. Replacing Quick-acting Fuses If one or both quick-acting fuses should blow, re- place them with 1.0A quick-acting fuses (supplied). ‘Never use other kinds of fuse, or the silicon power transistors may be damaged in the future. Before replacing be sure to discover and eliminate the cause of the blowout. SPECIFICATIONS AUDIO SECTION POWER OUTPUT: MUSIC POWER (IHF): 17W (et 4 ohms lead) 14W (at 8 ohms loos) CONTINUOUS POWER: 6.5/6.5W (ot 4 ohms load) 5|5W (et 8 ohms load) TOTAL HARMONIC DISTORTION: less thon 11% ot rated output POWER BANDWIDTH (IHF): 30 10 25,000H2 FREQUENCY RESPONSE: (ot normal listening la AUX OVERALL: 25 t0 30,000H2 ++ 248 CHANNEL SEPARATION: (ot 1,000Hz roted output) PHONO: better than 4008 AUX: better than 40d HUM AND NOISE (HF) ) better than 6528 better than 70d8 INPUT SENSITIVITY: (ot 1,000He rotad ourout) PHONO: 3m¥ (50k ohms) AUX: 180mV (100k ohms) TAPE MON (PIN): 16OmV (100k ohms) TAPE RECORDER (DIN): 180nv (100% ohms) RECORDING OUTPUT ‘TAPE REC (PIN): 180mv TAPE RECORDER (DIN): 30m LOAD IMPEDANCE: 410 16 ohms DAMPING FACTOR: 35 at 8 ohms load EQUALIZER PHONO: RIAA, NF typo TONE CONTROLS BASS: £1148 1 5oHe TREBLE: £808 at 10,000H2 LOUDNESS CONTROL: + 8d8 at SOHz, +848 ot 10,000H (Volume Contral at 308) SWITCHES MODE: STEREO, MONO ‘TAPE MONITOR: OFF, ON SELECTOR: PHONO, FM AUTO, AM, AUX OTHER SPECIAL FEATURES: DIN Connector for Tape Recorder, Direct Tope Monitor. Headphone Jack TUNER SECTION FM TUNING RANGE: 88 t0 10eMHe SENSITIVITY (2048 quieting): 2.3.7 (HF): 5.5: HARMONIC DISTORTION: 1% SIGNAL TO NOISE RATIO: better than 50d8 SELECTIVITY: better thon 35d8 at 98MHz_ CAPTURE RATIO (IHF): 2.548 IMAGE FREQUENCY REJECTION: better than 5548 at 98MHz IF REJECTION: better thon 65dB ot 96MHz SPURIOUS RESPONSE REJECTION: better than 65d8 at 98MM SPURIOUS RADIATION: | less thon 3438 ANTENNA INPUT IMPEDANCE: 300 ohms balanced FM STEREO SEPARATION: better than 30d8, AM TUNING RANGE: 595 to 1,605 kHz SENSITIVITY: 51dB/m at 1,000 kHe (bar antenna) IMAGE FREQUENCY REJECTION: better then 3048 at 1,000 kHz better than 4548 btrer than 20d IF REJECTION: SELECTIVITY: OTHER SPECIAL FEATURES FM Linear Scale Dial, Signal Strength Meter, Flywheel Tuning, AM Ferrite Bar Antenne, FM Stereo Auto, FM SCA Filter. TRANSISTORS AND DIODES TRANSISTOR: 29 FET: 1 VARISTORS: 2 DIODES: 14 POWER REQUIREMENTS POWER VOLTAGE: 109, 110, 117, 127, 220, 230, 240, 250V 50j60He POWER CONSUMPTION: 45VA (Max Signal) DIMENSIONS: 1s3ja"w, 4—3/47H, no WEIGH 13.2 Ie 4 SCHEMATIC DIAGRAM F=1175 ci ee Cech ee @ 4s eS & ECarH cnfaives | 5333 mts) 200 enes moot a AL DCES We MAT. 210% TERNS UNLESS ER ‘AL comeons inp ods WOTES TROUBLESHOOTING CHART If the amplifier is otherwise operating satisfactorily, the more common causes of trouble may generally be attrib tuted to the following. 1, Incorrect connections or loose terminal contacts, Check the speakers, record player, tape recorder, antenna and line cord. onent, be sure to read the manufacturer's instructions. 3. Improper location of audio components. The proper positioning of components, such as speakers and tumn- table, is vital to stereo. 4. Defective audio components, The following are some other common causes of mal- function and what to do about ther 2. Improper operation. Before operating any audio com: antenna and cord plug: na efficiency. See “ANTEN: PROGRAM SYMPTOM PROBABLE CAUSE WHAT To bo AMF MorMPX A. Constant or intemit. + Dichage or _oullatign | * Attach a nie inter tthe ele reception feat noise heard at caused by electrical appli’ cal appliance causing the noise, O¢ times or i a cartain ances, such ae fgorewcent attach it to the ampliier’s power area iamp, TV set,D.C. moter, source rector oscillator Miceltetetoe * Natural phenomena, suchas ground the amplifer to raise the mosphere or gol tone rato anes tea | * Reverse the power * Ipwufcent antenna input | receptacle connections due to. fesroconcrete wall roeonerete wall | If the noise occurs at a certain o long distance from the | frequency, atach a wave Wap tothe ANT input * Wave interference from Wave, interference fom | » seep the set at, a proper distance ther electrical appli from ether electrical appliances B. The needle of the * Receiver ie located in a * Place the set for maximum signal tuning meter does not weak signal area strength move sharply The zero point of the * Regional difference in field | * The unit is not at fault meter diverges much intensity AM reception: ‘A. Noise heard at a * Due to the nature of AM * Install the antenna for maximum particular time of a | broadcasts ant day, ina certain area NA" tn the operating instructions [ieence rec ear a dia * In some cases, the noise can be | | eliminated by grounding the: amph. fier or reversing. the pomer cord | plug-recepiacle connections B. High-frequency noise | * Adjacentchannel. interfer. * Although such noise cannot be Gece beat terterence” cimnated by the amplier te * sdvisable to” adjust the TREBLE TY set ton clove to auto | Stal rots pein fo Ih + Keep the TV aet at a proper distance from the audio system FM reception Noisy * Poor noise limiter effect or | * Install the antenna (supplied) for too low SIN ratio due 10 Insufficient antenna input Note: FM reception, is affected considerably by ‘rasmission conditions of stations: power a antenna efficiency. As a result, you may receive fone station quite well while receiving another | Station poorly | | 7 maximum signal strength If this does not prove effective, use an outdoor antenna designed exclusively for FM. When “you tuse a TV antenna for both TV and FM with a splitter, make sure TV reception is not affected An excessively long antenna may PROGRAM, ‘SYMPTOM, PROBABLE CAUSE WHAT To DO FM reception (cont'd) “FMMPX, reception Record” playin or tape playback “All stereo programs B. A series of pops Distortion or no sound during reception D. Tuning noise between stations A. Noise heard during FM-MPX reception but not heard during FM mono reception B. Channel _ separation gets worse during reception C. The sterco indicator blinks on and off even though stereo station is not received Hum or howling B. Surface noise ‘The outer and inner knobs of VOLUME. control are ot in the same position when equal sound comes from Ieft and right chan: nels * Starting of an automobile engine * Frequency swing, * This results from the nature of the FM reception. As the station signal becomes weak, the noise limiter effect js decreased, and the ampli- fication of the limiter, in turn, is enlarged, generating, * Weaker signal because the service area of the FM- MPX broadcast is only half that of the FM mono broad: * Excess heat * Interference Record player placed direct- ly on speaker * Wire other than shielded wire used * Loose terminal contact Shielded wire too close to Tine cord. fluorescent lamp or other electrical appliances * Nearby amateur radio sta tion or ‘TV. transmission * Worn or dusty record * Worn needle * Dusty needle » Improper needle pressure * It is important to adjust for equal sound from’ both channels, Both knobs should not always be set to the same position * Install the antenna and its lead-in wire at a proper distance from the road or raise the antenna input as described previously * Retune if station is not in tune due ‘to mechanical vibration * The unit isnot at fault * Reduce the sound level, and then select the desired station Install the antenna for maximum antenna inpat * Tum the TREBLE control from midpoint, left * Circulation of ai is important to the amplifier. Be sure that air s flowing tinder the amplifier * The indicator is not at fault * Place a cushion between the player and the speaker box or place them away from each other * The connecting shielded wire should be as short as possible * Turn the BASS control midpoint, left from * Consult the nearest Radio Regulatory Bureau * Replace or clean * Adjust the TREBLE control from ‘midpoint, left * Correct needle pressure * Set the MODE switch to MONO ‘and then set the VOLUME knobs to 4 position where equal sound comes from both channels ae DISASSEMBLE PROCEDURE /DIAL MECHANISM REMOVING THE FRONT PANEL, BONNET AND BOTTOM BOARD ALIGNMENT ALIGNMENT FM TUNER ALIGNMENT PROCEDURE FEED rer) Alon | GENeaToR SIGNAL conwecT pif’ | aowust “BUST 1 Fr 10.7MHz | TP Oscilloscope to Primary and Best wave. eer ee ete eee Tees ecemcerot a oat | | Doak” Goes serene ee ree as ee te capator 2. | Diesimi- | 10.72 Pim Oseiosope TP Eeerer Mere ean cs sommelier estar nod ee | nd Sanwormer (Te) 5, | tocar | PMsignat | Antenna | Ovclloncope and | aaocz | Local ectlator | Maximem Malinor [gator | cnn | VeTVat ted Esra SSR ou, here 100% odin 4 | tot | emtsien | Antopax | Qrilaecope ana | rosie | Local occiator | Maximam Relator [Gettin | tarmtals | VoL A Toto tamer (ee) Fsstitltioone, Aen {00% modlaticn 5 | neterass Send | asteors |eoaignst | Anvema | Oniloscope aad | o0MHs | Antenna and ar | Maxioum and high- | generator, terminals V.T.V.M. to load ‘coils (Lio, Lise) itquekey | SGMHEE tore, ue Sameney | Tete chodlation cls 2 been eet eee en eee) ee fodiah: | gnetsor nat PEP ee aeons PEGE EER oone ee Frere) frequency | Tes lation ca 8 Reiterate 6and7, NOTE: To align, set the signal generator level to minimum. FM IF CHARACTERISTIC FM BISCRIMINATOR GURAGTERISTIC FM MULTIPLEX ALIGNMENT PROCEDURE 1. Do not attempt to align the Multiplex Circuit unless the following equipments are available: a. Stereo Signal Generator . Oscilloscope ¢. AC. V.T.V.M. d. Audio Oscillator en TST [ster | auuew | GENERATOR | giGGfPro | cowveer | anwusr | ARLE | 1 [Giiemta Seeenl [Ammon —_[VaVMiand Tm aad Tom | Maxim Ei ae Sarees SSG ie Ea Pe ina 2 | sltierniag | Sereo signa) | Arman V-T-VMand | Th rae coil generator, terminals | oscilloscope to | SRE oe Hosea eres seperston | Streosignal | Antena | V-T-VM.and | Th oe et eee SRE Leag (1 Minium ues eee Lor R channel Tea about 14, ta a, rey Een cme oe cea a fans ALIGNMENT AM TUNER ALIGNMENT PROCEDURE NOTE: To align, set the signal generatcr level to ran DIAL STEP ALIGN GENERATOR SIGNAL CONNECT geffitig__—«ADJUST_—ADJUST FOR 1 | LF. “485kKHz 3A Oscilloscope to Primary and | Best wave form transformer) sweep generator | terminals TPiny secondary of IF 2. | Local AM signal ‘Antenna Oscilloscope and SA5kH2 Local oscillator Maximum oscillator | generator terminals V-T.V.M. to coll (Tse) Sa5kHe load terminals 00H 3096 ‘modulation 3. | Locat AM signal Antenna Oscilloscope and 1400kHz Local oscillator | Maximum oscillator | generator terminals V.T.VM. te trimmer (TCs) LaookH2 load terminals 400He 3096 | modulation 4. Reiterate 2and 3 5. | Antenna AM signal Antenna Oscilloscope and | 600kHz Ferrite bar Maximum circuit generator terminals V.T-V-M. to antenna coil (Loss) S00KHe load terminals 400Hz 30% ‘modlation 6 Antenna AM signal Antenna Oscilloscope and 1400kHz Antenna Maximum circuit’ generator terminals V.T.V.M, to trimmer (TCsx)) T400kH2 load terminals 400Hz 306 ‘modulation 7. Reiterate Sand 6 ‘AM CHARACTERISTIC PRINTED CIRCUIT SHEETS AND PARTS LIST fo Yt Parts Name Z: TONE CONTROL CIRCUIT x | v z Ror | 22 wa | 200 We | Re | 33:0. es | 15040 Rou 15040 Rr 22002 410% AW Corban Resistor Rie 2202 10% YW Cordon sitar Rr 22402 10% YW Carbon Rasistor | Rio 2.210 10% YW Carbon Resistor Rin Gk. 10% HW Corbon Resistor Bz 6O. 10% YW Carbon Resistor Ra | 2210. 10% YW Corbon Resistor Rie 324 10% UW Carbon Resistor Riis 224M 10% MW Carbon Rasitor Rng 2240, 10% MW Carbon Resistor om at £896 50 wy Serine caette, cmt 28m 50 wy Emer ars Ce aet 2 cawy teem Gumi Cou | arnt 2896 sy Bene Smee, Coat DME 50 wy Becvone Ses a var 286 0 wy fecmne Ge o022uF £1086 50 WY Mylar Con Cres 00224F 10% 50 WY Myler Cepacitor Goer 0.00224F £1096 50 WY Myler Capecter G19 0.022uF =10% 50 WY Mylar Capocitor Gn Oz2uF =10% 50 WY Mylar Capacitor Chie OR2uF 10% 50 WY Mylar Capecitor Gr @rzuF 105 50 WY Mylar Capscito: Se onzzat 10% 50.9 Mylar Capsuton Teo 25C458 (os0511-1) | 8. € Teron 28458 8 % bu>seuse © ¥ ene 6 >>>ee=nnanesanoa PRINTED CIRCUIT SHEETS AND PARTS LIST AM FM MULTIPLEX CIRCUIT x Y z x Y z Roo WOK 10% }W Cordon Or ar Cave | 0.001 nF *"°085 25 WV Ceramic Capacitor 3E el eee eee eens a coo | nape 26 25 wv Carnie Capacitor 28,96 Rane | B82 10% 4W Carbon Resistor 2F.3F Cave | cur +9894 25 WV Ceramic Copacitor 2€.3E Ros 220 £10% {W Carbon Resistor 1B Cao 68 pF +95 50 WV Ceramic Capacitor 2€ ESA LBB E eae Coe tes ea dcr cno | aapr 289 50 wv Caronie Conoco 9 Rave | 100k +10% MW Carbon Resistor ae cre oanF LOH 26 WY Ceramic Capacitor 2E fae | ToL 410% Jew Caron tester |Z Cou | o0zpt #896 28 wv Cermie Copector 20 fo | 30 10% JW Caron tenor 28 car | “2apt 210% 69 WY Carnie Copector 2D fei TR S108 30 coum mre: 3 can | Seer Corrie copoctor 20 faz |G 10% Jew Caron Rooter | 20 cov | nape Cyrnle Copester 2D aston 10% Jew Gaon fester 20 Si aeaee fare corre 22 Raa | 27k 10% YW Carbon Resistor 2e i ‘vee 0) Raa rnbcrec i iceeseecam ce ca | ona Cerone Cepector|2E far | anit. ton Yow Caron 20.28 cm | oot Cynic Copactar 2 fan | aun stom Sow cores 2 2. ene et fae | “oua. sox ew caren 20,30 aaa eeeeeied ‘Reo 1k £10% KW Corbon Resistor 3C,30 at _ ee eer Ren 22k. £10% KW Carbon Resistor 2D ‘Cus 0.02 Ceramic Capacitor 3D fen | Z2k0 210% 40 Garven ts 20.20 on | oozaet 2108 80 WV Mor Capectr| 16.26 a aa ee aca ea ec Gex_| Soeur £103 $80 WY Mor Corectr | 20 Ras 682 £10% KW Carbon Resistor 3c Cu .02uF +196 25 WV Ceramic Copacitor 28 feu | Tha $i0% fw Comer ona 36 Goo | 220¢F £108 80 WV Corone Capesor 3 Row 1kO 10% }4W Cordon Resistor 3c Can | 220pF + Ceramic Capacitor 3C Rat | 10k *10% KW Carbon Resistor 3B Con 47 ef Ceramic Capacitor 3C fixo | 1010. £10% YW Caron Restor 78,26 con | tape Eecroie Gores, 3 foe | inh S108 Jr Cann tne 3E cow | 2058 Curoale Comctor| 34.98 et | aa 210% YW Caron Restor | 20 acca cos fee | Tim 10% Sw cone tain | 38 ae eee Rass 824M. 10% 1{W Carbon Resistor «3A cow | apr Free 8) fea | 2210 210% Hw Caren Reiner 3A cor | comet Curonte Cepecor fis | 220 Z10% YW Carn Restor 3A on | S005 Sipol Capecor fa | 2700 210% 4W Caen tier 3A con | “s06F Cerone Copestor 24,28 fr | S340 410% 4W Caron Rotor 1A Gio acon Nijor Copectr | 3A fon “Tek. 210% YW caren tester 28 con S009 Stal Copter | 2A fae | ize 210% MW coon tontior | 2 a ee eee fae | Zak 210% MW Caron totor 18 a |i Rr ty fon | 22k. 210% Mw caro Rotor 1A i rt fea | 2240 310% SW coven titer 1A Com | ough 10% £0 WY Myler Capocior faa BAN 10% JQ Coron Reiter A Cae tatogt 2858 60 WY Sie Copector Gu coger £105 89 WY Mylar Copestor fat | SAO. £10% EW Caron Restor 1 Fs |Gaarruecores, |S Scenes ee ee ie caret Row 222 £10% MW Carbon Resistor 2c a wt ‘Type O4) Row 3.9K -£10% YW Corbon Resistor 10 Cam | 9.001nF 10% 60 WV Mylar Capacitor Raw | 470. £10% AW Solid Resistor 10,18 Caso | .02t 19% 25 WY Ceramic Copacitor 2 Ran | 62002 10% JEW Sali fasisor aF can | oozpr 2896 25 WV Ceramic Copactor | 20 fan | Wn S108 HW Coron tamer | 38 cea | aay ac fas | W700 210% J" Garon tnt TE ea ee is tase | 18D 10% 160 Corton Rutty 38 aha n cos | nour aA Cor o.gut 489% 25 WY Ceramic Capoctor 2 pa a a Guor | 001pF £10% $0 WY Myler Capacitor | 2F bi cn Weel ne Cx 450 pF +10% 50 WY Mico Cay 2F Cs AF See Can 0.02 *25E 25 WV Ceromic Capacitor 3F cose | o.02pt +96 25 WV Ceramic Cor 1c Taw VR Rae Resa Rat Raa Let Y rout M856 a5 wy Beste O.0iat 10% £0 WY Mylar Copactor O.0}pF 10% 50 WV Myler Copactor 2scss7 ¢ 2380 A(80.V) 22scsa0 4/80.) 25380 4/8029) 28597 G 2897 G 250187 (ted) 250993 0, F 25Cs36 € N60 IN34A IN6o INDAA INGO NSO sw.0501 sw.06-01 Insea nian INDeACYO) IND¢ACYO) IN34ACr) INBEAQYL) aM osc AM asic FT AM 455i IFT [AM Detector Transformer Fea 1027 FT Fe 107MM FT FM Detector Transformer 19tHs Toning Coit 9iHe Toning Coil 64h: Tuning Cot 5018 AM Meter Asjster SOLAS FM Meter Adiustor (3054-2) (0644-2) (00s44.2) (030814) (0305611) (0905184) (031023) (31040) (031033) (031040) (01033) (os1033) (031081) (031051) (031040) (31040) (osi040-1) (woioe0-1) {(o31040-1) (3104041), (422006) (429028) (423026) (a23028) (23546) (423546) (assis) (424030) (424090) (424031) (103020) (193020) 100KCA(8)Stereoinsicotor Asustor(103034) rb Feta su arnt) (080008) (080008) (429001-1) (430003) en PRINTED CIRCUIT SHEETS AND PARTS LIST EQUALIZER CIRCUIT AUDIO CIRCUIT x ¥ z x Y z Rar | 1h 10% HW Carbon Rassior | 98 Reor 10k 210% KW Cordon Rouinor | 16 Riot 1K. £1096 4gW Carbon Rosson | 3A Ren 10k E10% YW Cordon foritor | 9 Rios S64 £1096 GW Carbon Ressior 38 fen | 2210 £108 YW Carbon Resistor 1 Ruse | S62 £108 UW Carbon Resistor 3.4 Yoe | 22k £108 YW Carbon Rosstor | 36 Rios | 390 £10% MW Carbon farivor 28.98, Russ 001M. 1086 YW Carbon Resitor 16.26 Rios | 390 410% KEW Corbon Fonsor | 24,3 Rios | 10040 £1056 14W Carbon Renitor 2 Rar | 2210 £108 MW Cordon fasitor | 28.38 Rar 8202 E108 MW Carbon Resistor 1 Rion | 22 10% KW Corbon fanitor | 24.3 Rin | 620 £10% QW Common Restor 3 Bir | 220101 102% JW Carbon faritor | 38 Ran | 220) 410% KW Corbon Bosntor 16 aro | aan. 105% QW 3A.38 ao | 220 £108 Kw Cordon fassor 3 nan | 270un 10% Jaw 26.38 Ra S4k0h 10% JqW Coron sintor 1,26 Raz | 27010 10% w |zala faz S640 10% Kw Coron fessor 26 Bas | 4700 $108 YW Catbon Resntor | 28 Raa 104M 10% KW Cordon Restor | 1,26 Rule) 4700 210% YW Carbon Revntor | 2A TOKE) 210% J4W Carbon Restor 2C Ras | 6640 210% YW Carbon Roritor | 18.28 Bus | S64 E10% YW Cordon Roritor 1 Rau | 684A =10% YW Ceroon Restor | 18.24 Rie | S610 £10% KW Carvor Restor 3 Ray | 22k £105 KW Corton Restor 18 Rear | 4700 Z10K HW Cormon Rosson 16,26 Raw | 22k8d 10% GW Carbon Restor | 1A 4700. £10% YW Corton Restor | 26 Ra | 220102 10% KW Carbon Passo | 18 Ray 2201 10% MW Carbon Restor | 10 Raa | 22080 £108 JAW Carbon fessor | 1A Rim 2D £10K JAW Carbon Restor 30 Ran | 24401 10% J4W Corbon 1 Ran | 302 10% J4W Carbon Resistor 20 Rin | 220 10% KW 1A Ran | 3301 10% 4 Carbon Restor 20 Ren | 2209 210% KW 2a Raa | 1.840 210% KW Carbon Resistor 1¢,2¢ Ran | 4700 410% KW Corbon Resistor | 18 Rew | 1.642 £10% KW Coron Resistor 2c fs | 1600 10% JgW Corton Resistor IC Car | pF TEN 10 WY Tomtom Copector 38 Rin | 1500 10% YW Corbon Restor 3 Con | pF 28% 10 ww Tantalum Capacitor 3A Rez | 1501 £10% YW Corbon Ranson 1D Can | 1S09F 10% 50 WY Corns Capacitor] 38 fon | 180 Z10% MW Coron Restor 20 Céoe | 150pF 10% 50 WV Ceramic Copocitor | 34 Baw. | 10D StOM KW Colton Resirtor reset a Sees cot ah Ran | 15002 10% MW Carbon Rovstr 26 Cons aTa SO 63W ‘fr Ras: 220 £10% MW Corbon Resistor 1D cos | zat 296 63. wy Breve Cars, | 2A Rie | 220 10% KGW Corbon forstor 3D con | ton #85 25 wy Secroe Gates | 28 gas | 060 £108 2W Wire-Wownd Restor 16.26 i tcp tone | 2A Rin | O52 10K 2W Wine Wound Rorter 26.3. | eatin tot AV = Okie Res | 0.5 £10% 2W Wire-Wound Resistor 1E,2€ Sele Rhee arate once pa Rae | 050 EI0K 2W Wire-Wound Resistor 26,3 Gao | 1509F 510% 50 WY Ceranic Copan] A Rar | 154 E10% YW Coon Renstor | 1ELZE cot Hoag =H 4.3. wy Becroits Groen | 28 Rass 154 £10% KW Corbon Revintor 20,26 a2 | r00mr Zi8hse a wy Mii Sari, | 24 Rap) 182 EIN HW Cormon Gesinor 10,20 can ye S855 aa wy Seis Gases | 2 Run | 1800 £10% KW Corbon Qarsor | 20 ca | pe 2886 so wv con | azar 896 16 wy Restore 1c cas | avout 2% as wy Seren Ga ; con | azn TIER 16 wy Boeromne se Gar | 0.0099 210% 50 WY Mylar Capociae | 18 coe | teone 56 a5 wy Eostone 2c Cos | 9909uF £1086 50 WY Mylor Copocttor | 1A ie teas CUE | Car | 0otzAt 10% 60 WY Mylar Capacion | 18 coos | roan =1996 25 wy Besrers Crees | 2C Cen | 0.9199F 10% 50 WY Mylar Cepocttor | 1A cos map 2h 1c ten | asceri (0208071-1.2) 38 Seas ae Rea | 28C871 & F (030547-1.2) 9A Con | are 2G re Trea | 25c870 ¥ (oa0ssi-1) | 28 on | a7 Shy rectgs | 9C Tew | 2508707 (o0ssi-1) | 24 con | ryt 26 ag wy Bete Game | 16 runt | S408 seporvion Adlustor (109018:1) | 24 coe | expe Tha, 26 wr erie Gace | 3 Gin | s005F 10% 50 WV Cerone Cope, 19 Giz | 009 £10% 50 WY Ceramic Copoctr| 30 aa | aon £I%se 6a wy Bester Ceci | 1D 3 —27— cou cris cae ca cae cer om ‘Treo TRiee Tees VR | cao, # | Y 0nt 216 a. wy Heeroma, ip 10% 50 WY Mylor Capacitor Ouipt £103 50 WY Mylar Capactor ag 16 wy Pee onan ‘ihe 6 ro0o.e B96 14 wv Sains Capes, rot Ztsg as wv Srsine rope 2 25C458 8.C 25158 8c scans 2sceis M 2515 2scens M 254539 M 254839 M 250223 04S 250223 0.16 250223 07.6 250223 O.Y.6 STV Yorstor STV-2 Voristor sbs.o1r 1A 280V Qvikcacting Fe VA 250V Qvik-octing Fess 1004918 AC Botorce W804 8 AC Bolonce (030819.1-2) (030511 (0305430), (030543.0), (os0543.0) (0305430), (030011-0), (30011-2) (030823,-1-2) (oxa04) (034004) (ca1059) (043019 (043013) (03026) (1a3034e1) | 30 Ee. 2e, 1D OTHER PARTS AND THEIR POSITION ON CHASSIS X: Parts No OTHER PARTS x Y x Y De | so (o31032) for | 1000. foo | 1000. ton | 63¥ 25000 (o4o008) Ben | 2240 10% HW Cordon Beitor Poa | av 250m {o4aone) fox | 2240 10% KW Coren Resistor Pies | av 2500n {o«oon8) Plime | 6a¥ 280m {o4aone) Cin) | a705F £1095 50 WY Mice Conair Pas | av 2500n {ceoo08) Cae | A709F 10% 50 WY Mice Copecior Plas | SOV

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