Scribd Logo
Upload

Welcome to Scribd!

  • Part 1 Background Noise

    Uploaded by

    Athilla Pradipta
    26 views17 pages

    Original Title

    Part_1_Background_Noise

    Copyright

    © © All Rights Reserved

    Available Formats

    PDF or read online from Scribd

    Did you find this document useful?

    Is this content inappropriate?

    Report this Document

    Copyright:

    © All Rights Reserved
    Download as PDF or read online from Scribd
    Flag for inappropriate content
    26 views17 pages

    Part 1 Background Noise

    Uploaded by

    Athilla Pradipta

    Copyright:

    © All Rights Reserved
    Download as PDF or read online from Scribd
    Flag for inappropriate content
    of 17
    Introduction to Part 1 4'33"; Sound and Points of Origin at fo meton bir own wotngs and extensive cate projects spanning his lon ie agin ow onderaing within 0 co farsi of eri opinions bllopraphe refeenes an anecois ei, Ith Cage that fg oto nh eth «dere fo anal the letra of ‘el orto evel at strounde hn (if hat pose Pat tes peti pout a which Cage mu Sue For Cge stages consderaion (Ecoand thong sil pace nw si noon anctons a orm ‘Eula ouput bata palorm fr esal reacon, Cages bepning as ‘vention ofl practie rough an laeent I sound's penal to Igorate msi eh “ree to sud and asin te sme brent 1 conot ight fom te saa seman pane or gin the ogitve map. For bow can bea vith Sean which reppst&eiton wo found phenomens, and "musc” which (erates inthe doa of are] production? in sb ath busta wsteis ‘Ei assng nd the sory of envionment at ero eae, {ita ces tonto, operon fo for singular For Cage sough the {bund envionmns sous for sled ol renee stening within ms Famer in doing en be sate vat oad become sing foe othe tested project af te peo aan througout the sts, which would inresingy sim fo unedogy po he sre bjt and muse mesge, telng nla the ear ofthe rea Through sch moves, Cage urate eas ‘i eke use famevork wos open nts he use, ending mas whit {ude of sound For age such sc cane by phasing the "ete xd feo ef sound thet sound wat fod ip the immediate and the posite Shute tht be cencet alr hopping center nse objects even ise 1S own throne fori behooves ue ose each hing et ase be eth found of fn while othe dent pos pce (soo) To" ach fing ely a fine mused ralason Inthe very move word Gz the exraodinry breadth of mater writen onan shou Jobs sound eps revalig musical angages ofthe case tuon, sound i {sas th esc o muse experence, fo mal bjt, and th auton ‘Suton of mas general’ Tp make mu wa thst arms theese Ingredient of und, mabiting fr det weary espennc.The medic of sound dus nds tot own ce and vale For Cape it opens the ay ter Ingbehin the diane naratve of muse messages aor scl ier Expanded View ‘flow Cage exp esos, dik vocbry io begin wt an {apd ii ch smegma weg Suh 6 ‘ew ncaa ods Barat sounds nl sew way a ping ‘echoes et Cogeco in eating sh en expe dd Cote ‘Bacay mange once oun unseat newt fmael ps Ses et through ver cient ans wc Cae ss ore ee and ow a sound bod he mshi of eptataion oaconeeople- vines nlogs of ond earings epodson nt as of ‘al work, Ponape mien tcc found er ing par tems ing oneal evr inthe mney enpaed gtr maigu coer dobre ence of seen Whe epg {mexteme edo egerientsl mons dacovecin telat ad {eS uae one ct ei pron of mse ‘ably eng weg 0 cevoni ean cep pel ‘while detailing the rhetoric around sound. ae hy et pe Ca and mse oat ous xe seceding hw sod dead ‘ending taal ost wrk es sn a ‘ure by coil pstoning neato soca peo Cages Project or hushed ppm cr opin nd i ‘an aurea Toads he ewok oop Orpen lev fom hel 0 npr ingrvona wo ce ead {peta he coke be yb spring nd ejects Ong sins {eranantopelgcl sth est un edetan ee perm ‘ncaa ee behind yan cay ‘Conceptualism By secking wo refer upon the camtentons of musi prictic though dhe very proces of producing mus nd esahingcomponioodl methods wy 0 rate sch rfecon, Cage defines what canbe ell « onepal” ‘preach, in tht msc is bo te hig anda eesti on the thi Such on ‘plu ves canbe undertood trough fain bs ncoporton end ah ‘ton of sence, sound, chance operations, and inden. Each of the Intrenet of Concer arin the ter pat oe 196 ‘Gene win seal anponton an beeen terme of "Geter Ste mul dec evelngeupon owed apacinl rere Stun, dog fm hermoso ph sari the trons of ‘Bese understanding nn dogo provokes npc ee of ch {bs he ewopment of chan otis and indeerinny sme of ‘ompuon snd pronase ssh wage fr nese we he Ser rman of comp sd proces of prema bce part ofthe TE ofthe wo inh one arly asm hance pean nance Hoe a eleed tough sont een opr woe hs pores 2 des, edencors ound nt only a ncn bu tigger Sesng Senton oto suc bead rpc ut tod eet iMtapreuton mat choy oe place ‘Dyeing Caen oat Conceal aan andes is or sins od of cl pce ttl nfs he elope of Sntmporry ar doupout de 3s and 37s at sale’ omen, ‘SU pauned ta Porton ages pace we can nib deeper ‘Trading wicty sod vou teresa et SS plilsopcl nee spac ouch ey inking ths we 2 ner coded pati bed on scrdecon oneal sees he ‘Doron al bn ners an ore inten so i Us Mee papas inet Conopl at ntlogy form 972A votin ce bec brin ric comapon a srt wh the objec ara Shana Ben vie ge soso sme Bw hing hand eh {Ciniges bul on canes decay, wih vee tome eg ‘Sond om scent to der pepe te than objec edo by ‘Suna ning Sept sag scl ngage asopey SSudecplcthiscrnparsssor baton hes ey much cond of {Be poe by wach Iran ald Be ized and made cnc Sud {Bu a ced Cough is pte mo don the mse pa, toc ysl oss peti cle snd tempor me Tio petal oes bce ni om inn eg ons ths rin win Cage poe projet eer ton ints ove! hey ilon The bean takes «is a he ‘tus ncnne of mune cnc king Sec ih oud eo rger td eclogin asue omer eans Ue he ees 0% ‘Bouphndy contre oun bes at elen te ve Te his of risen cos for engu potae tung «ges one sod pace Iman aie nl epeiese hs prance of he exer he be {Slvr of wounds oborton of chem ofan, tac are henge tat ofa prominent bead of expt moon at eas o he eo fren of ound td foe foo raha the er part of Notes chant pt date Spt edn dtr Shine Mines Sas Gpeiat a Ouse oe enn nau rican Case ht SENT ed Mr gn eed ‘oti ournc ean Coens a al pee peg Dasa Ticactmmnatannecenrater aes Se eee erence ‘Sey sre a lp coped do St he nina ie New Dt 7) pL enn me suena Chapter 1 Sociality of Sound: John Cage and Musical Concepts on or adnate muse representational the msl fou aes an expres content aad sa means creating a growing T: experimental esas etl by Cage sits the cla wad waits wha sled the mus arginene” In coast the ae ‘Sperimewalin dewiop lie permtaton?consatag of “independen: ‘tur nits aking uncer posite etre While “seal noma characters and redeem the inert huss of sound through ‘pesttina spy in need ferrin, the experimental open wok” ‘Sievfora new form of mana colaboreon with th msn whic "bei {Baty of the moment cone io Bangs helene ea” Th he expect ope work” oa rumen seeped by proce hare inna athe wring mass supplanted bythe reson os tone Michel Nya dilrentnon of Cage fom a cnterporary Sock sce, may highligh the dioctons forthe “The ssl spe and iS omenporery contnoaion[Stcbaisa] ir sent sen of ros ‘thc up ordered elatonshipeeteen component where ne hig [Sete interns of epost In contra or age ah roizing io turned by indeurainte an cance oented events in which sounds end non founds coal td chs ae placed ceil fot. Thus ay rena of ‘move arguments negated bys previling ecrevagance of onion, map lence ond nae "The muscled wpe othe ferent and meen of mse mak se sete shit nal unde Se momento of aes work Yet Cae doesnot 0 [buch exapenprmenton eas onthe Ba of ound trough which (pbemeiy a inepenttion and winged became tetingl™ ‘Faery conan of sun thar nae ans or compotion esa ante rnin By oetring th msec a inet the presen of helene, ‘Cage resus the tes by which te fren fm ae on soc weg ‘eyond sae stm and twa inmeday and the pofoun pes of eng thre In diagno sound aan nila ech eating alas ter fo ma’ ado consrucon x epee a nde, oaient and neice anarchic a e Sound the bounds wade fe nny of muscle awl a ocbulry fxn soph of sl ethics, Acoding to Cage mas secant ot oly for eset oe formals proper Dt asa sil and pat abst th eines “ncreingy thug the 198s bh nt stertvine io da conseration ‘ha imate lees themindiingshabl propre ee ever mot the sci Tas procs ne without pb a sion for Cage's roe emesis transcend the sterile fhe msc ojo ya. Ing cm soe level pon the very material condos of sucha ect I he ‘etd ister ar ake ote mil eve tt, by ising om fs ‘trl conden (hs ound ays sound, may lead hod or insane, is prepared piano of the 105 tare hel tamer! it rum orchestra orig tna rte perce spies of seb od ‘pons ehcng his ear Ling Rao M194), whee ts ne mane iment ko hoshold tems sch a maps books alps and winder Ses ffm a sound sot snd The Wendl Woof hen Sis (1582), wich cal for plying te plano sly shough taping buen. ae nocing i and is tmapnary Lande sees into coe tne ee (81, 93, rio aneeindesfom tuhe rechers and tenor peer (2.1951) and andl mie coding aca eth th Cg No Losi), posse srtrng withthe mae merge with inetd i wanes, hiner opted jar mai? and random japorson Sach Une marked by ten ineoducton of objec and ste Uta peruse Per ‘celeron dows, td chanc-opred an indent pode ng ing the cern of pnsaliy-—the perithecia Sousa ta—alongside ging up of pee tae competent har of musi dan eile in by he Ching and the nom voy fing of subsequent out, reting ln the ndeteriote Vers 198), edo seri of ve anoparence me by pointed nes wae sein oon estes diet fr yaar of play lay ny Spee no. cng objec Tas, psi pesees ied os wo ecg pris a Skin be such rence with an unimpeded, onion arc ha fo Cage eqs social. oc caring the sl determined oper. ‘ion of very blared by mural ersny and thee ing por Experimental Movements ‘Cage canbe situ within an experimental ms py tht progeny mows say Hom an overly mail fmewook ad toward an inesiely comes nde! ope. This norement in general canbe thought ft sit ‘eyo nl td san, oie font mn cntionl (ec) fo te phenomenal snd ones! (ok) ‘Sperinental mse lenge mc bth form od cotent by exlosing ia forming aris armen rast, insrumentan), dermlning te felop {cononant and dasonan) ottional dees structions, and codes Of cond pretation ssi) In tre, exprinetal mute an be logit gerd nove of tude in erate wth epee {leer nope ncpeete untae sn ote oon tflacning experence—in hue nection ann proedae—aod ve fon of sean matbous of ing snd composing A Ale le as Proposed ode inl apps wh sock begis to qesion the Very Feprscnaons ths sade ffl Sch chalnge gen force hough ah ‘roe pri define by sound found not win harmonic aor nd lod ines no inthe sal rent and th ties compostonal ‘ron but within the everday envionment of moe the procures of music of Seman in det, pment ying ot onctned with peering» dened tne obj whose ater tring Sedan acted apd srage inadant tre more ety ‘heros foi saion which sounds ma eer «pre ofpa trang ston Goud o teri) 4 eld Senet by cxan camps Sonal de” "fe deracte experimental mus” a + speci cntgory recs 2 eter _scoguton that ome Kin of spre sl wa, ecu Ae Cage a. Ins lecture om 1957 ow eth ohana aya mi a chang ano ease {eto the nord eget | elf edie a ee at ‘Secours owe an Ste wate sen i te ‘Fm wr ara chat he ene inane me een nucig bse” Cage ites th very of iening ad bearing ste component Dot ‘he ental cont of experimental msl eer orig reecon on {Ee iRtncon behind omponng ale mse oe to comple te of tet fe and nz ut engage anaes on heed of won Sn Se mot of nnd boing, ate Cae Se ee ttatetonbiy bout form more han coment wind in i propre Inve toned metodo tet remun“oper ome inp nimpedeé nd nonin sce tet ny or ay ot etal produce 006, which Jeaodosues Nater and ters eqns with he seisloply diver “ope trois Pop] wok of sera finden ambignat mesg {ily ot gute hac cot wthinssngsipiter (Tay hat ‘Mbwomingan el ol fhe work emi be bed npeence tos «ters dt ds expenion in “omemporary art. ese othe nfo sink as nary eu We ia, and Mae te of the “op work relies Cig ence ‘tig oes kin ne anu ep ‘trast feng Tha "open os’ an pata ied oes ot undersea pf mang ae esata ares moe sty a og os ch sly dumantngs ona arson of inet ange titers ar ‘wok incon os bot ie wk anf se msecliyemt tenes lsd ene tad» lectern he cea ape, tn, wrk, ts dap, mets spretaton fer Pape of ng Coe sare etn hes pa the ae nes Sand 2 lng toh meat et ey en fe ‘tation and nero ssa sees ons peeled ee ‘eel wenpge te erpeton ena or Silent Prayer composes pico unnrapctlenc ssl its Muza alte or 4 mina longest tard nso “noe” sande eS ge ‘Ste Pe om 188 xpi te imu of tnscendet spiralis cdi indate of Caged enacts cc odie bag {tc nego Per prop nso ast dara se {© be deat acs he Mik sytem rely cabled o prove bac [Bond sna he Unie Sa growing sopping cents and also the Feo pink cll momen seo er hl as ‘sopping sett wipe aay Maks tidus Pree ate spss of ‘ceili —for Maks the machinery of he sos gus bat ope cae Sue society ach machinery or Cage and he) wa Sent a saiog ‘cro ea fedom by bing pinagiary oso shops ‘ec only promise aration of nal Vem se wa ach ‘tl iat wih Mas epretings ain cue deg a so ‘sno tt te coumerprt othe ethno ase ees a {cing Sl rye step ere ich fan? and ne ogee “Solhcing nnnon iesn e sen gp as epeshig neon. pl he pogo Naser age hd Seo sp avy the see of sopbing fats wipe ry the pola o com fume nd fv shadow playa ra” lomo for Cap ‘yon the mcs of repression, ote tegen of maton vase or ‘stuns Mk enti anced ony nen up of ny dhe of being uch neti procs nd ring peal mai atts sel conaiouty soci scour expanse sod Pepa sed “Ding ig) been tt mse wich has odo ‘eth conepone and thar communication and Use mus whic bas do teh pereon andthe srousing fin us" ‘Shopping Malls & Everyday Life {contrast Hen Ll, whose Cri of Barly fer 147 (ae Boro Sen Prayer) concen the ters of Alena a etionf Capit Sod the tore of Cag ns evcaonay fc in he ono ‘itu pres, Shrig ocr th yy oi tam eo "tonometer and Cage al within the preven interest i tie 0 ‘Sera eas vciloge saject and arte arnt: where Lede looks {ord he ety works f Maret eb a rial Mars, Cage embraces ery Ded Three and Lao Te. Quoting Threat" Goveromet ses sc goer asa and when sen re prepared or iat wl be te Kind {of everanet which thy welt he=Cag fates But we re om ay 0 {aren suing on his omen or Cae sch eons cle ‘emt not though pol program bt forma spliced anarchist ‘Bem of path of rng ap nda. "Wher views of tdbdunty sre afer based on aotios of pesonal cxgrenioc, bere te indivi concied a Toes of scl Sedo, fr ‘ler te individ alone sinadeqte, ouput now every He bt ‘en ana in such way hts on ey bs ben oa fom fe ae ‘ute and even tuned apne Sch viewpoints nd twas elim fot fee pe be renewing ree eo a i hat Tete and Gage inpler qu of boepeol sack" th ery Bs tina wot escape eg lp Sone ou ine, oor comfort our plese more cic, Respes 23 techmigoe fo Increasing hapine and plese ae part ofthe Dabs of Bourges wisdom halo wisdom which wl neve bring sasticeon. The teauine ao ving inples human rly bh ivi nd cel nea arbi broader an hi” heap forme gadgets comfor sod peste, recipes nd techniques suche ena of fe Capalamectani by ch the sopping mal pe ear! a adjusting stem of merchanding and Sereopmen at has onguered the wold by depleyng tundardond uni in an xen awark ‘he shopplng mal cess a “wegtesrean” strated round “numbing rept corioc of shops. ene sie. damate ums (ht) cee Ig owing pac for contemplation, mace tine es ore ey of otage pons and reece sores Inthe, Mika ‘heshoping mal tndrack severars vite sot complementing evita fs whinge the conser nub il drone” ‘osha he izing and dreamy eft ofthe mals torepae one notion ‘ot recdom wih antes o eplde tea” for her ving hell ‘roe with epphanus sence For agney as undestood ae inde ot fedom. ‘aly fos the bas for elogh stugle expresingindiuaty wl a 0 ‘ch gure freedom: rater i suppor the stem that dete uch ‘snc, vecogible In hs ep, Protests es and dies ‘epiiedin personal choi, canot be io highlight he arf” Othe ‘ontrarthe ely gs fare the ar quo pretenses cesta Individual or “cil rations and proces ae appropriated by ind cn he ean ihn eit naa™ to shor atid by ening acon tog isneresadnes sherby agency eae only inthe overeat emp Reon ise ouside personal expeionin fom of gation. ‘oamch fat sb hep of caption sn ear nc ney tin die omecrcon of eds od rms ol "nenon ded eps iu ria aching Stating enc cons of eat the at citi pe ‘sande whch re ncn eee mse ed he ier cc, oma sal dos om Rather than define the word acon tinal the word wl find <éinton in that which wl occu outside ane ow er nd es, one ‘modes of reizton ae need» [whi en be nested onlin neg {ers becast they would amount to he nepton of the ‘ode ‘Though never ezed (ates ax Cae original hoped fr Sint Pre po poses challenge he sats quo adnate sate samen Slencing Naz it souges the mechan of consanpin,Theugh hee ona ot so mach a produced mac objs but sleaze, Cage reefs the notion ofthe compare as form of agency agin ering up an oer ‘moe! mesiage bated on saying ometinghe sie for reeved lenin, ‘yond the nie of consumption ta mde of abate indigo, te toy he sleceoF¢"qulet mina ee of ie nd es Listening ‘The presence of ound oats therepeentaional sacar of muse and sub sett beyond the madsen of onsemer tre, os api te bahay ‘stein. ong for Capes overall production of nepnon,ecoing Fi ‘naa hen sbewres es ans hoop nor ening ph ed fing" mee ‘ht ide sol etn, whes eig ree obra ade mane mone omiten wih probe fin aig And he ptr at aloe ‘he tale ul iat So mach cnet on cng poi oe iota pa: arn aoe Byembracing sound, and engaging isening.one ids sympathy in Puma ‘allo an "cng pepecte on noe Se denier an nkeren Paso ‘Bllckin Waster hiking tnt lene cing hl of he orignal Grck emo logos” tht of “legen” meaning Wo sy speak, nunca” bu dbo “ee ster ep recive For Bamar Lo oer the eo gs oe 02,310 ‘notte within the aon of Wenn ooh ee ars x0 Say and not wot underplaning heel with a his fr "we ate ot Sealy convent with te aie of opennest” which ening oppor ‘ster nodes mes cis on terior of tought "A peop of trang om be eovinge wun nip to cer he eget end perhaps ‘ecpe ote of wa cl hiking on ay which in someway gtr 8d ‘satbelses han endesvours™ In ibe sue aa pilosophy of isenng fo (age ianactemp to resover aged snd pha deeper oats of wha eal mse for Istening may gate athe oat stuaon of at ony sound bt ts content tenga hit it sete ej. Sound’: Critique of Music ‘Sie Bray’ sett of lence mate heard in tion othe ey ting "ences opening xp to what fin Devey cl "the art expen” by crest ‘venus for overcoming he et ht "operate cet chm bebosa cr ‘ary and ete experince [tt] let [rt in» elon inhabited by 20 (te creature, and hat empiae boa al reson the me contemple hencas of he ete Taleb “at of ving” Cape's sstersed eg, Deveys at experienc” signa ive into the heart of the very the ordinary a conte te, Sens ‘rye opetteas msl projec ond regen uch wy stoma the ‘entre the oer, fr Sew Payer des nape the shaping wal bat rabeut, Cope sen composition 4" om 1952 farther te iene logue ‘ecient and ie by agin mobiing the net, nonintentonsty 9 sence, xpreiag Cag aims concer “esom fom one ntention”™ Ax ‘ih See Pro 39s sored ara sent work writen nthe movements ot {random prod of ie." Premiere om Agu 29,1952, a he Mer Co {Geta ia Voodtac NY ad plored by Ded Tad eacions oe ork ‘wee at canbe imagined, zed. Some people were ens and ets Tefeled: One peron sod up at the endand encouraged theaudleace oe ese people [Cage andthe othe musica] on ef tora™ It ay be clo ‘oni te cundh and provocative str f the wok rm contemporary Peripecie for in many way the work oper in fly gale manne ‘bombast. Dada zl or violent Action which woul general warrant out rage Yet he outrages thre ate work ulate fo tether extreme “£3 sth pret colton of mas ene the ee ld of oni eiosmens I undescoressoand not wo mach inosine moe 8 ssl fcr (asin he eae of the alan Pa) bat by operating wan ‘musa conterts neces involving asec, Le Set Paper #35 est ‘pera fre: yseonou weg wiht stp context of the concert seig. Cone and sie fintion sete arr he work as usa mate he incidental oe the sence, and he eno, ‘couse ocurenas ofthe pen enone mingle and inde the omen ‘onal famewor a the inca perma Ia 433" rato the tine bane ofthe composition and sound (nthe form ond oe) omina goer ing compesonal devices Sound ee any and al say runs pee simple nd spect sounds ound wits the content of performance a auch bodes a howe wet or standing net enment of performance. Sond ‘hosed bud wate gen races of fund heture em ‘sand thc pec (andthe ming of dae pegle wel ot) awh Sent Pre 43 ata tenonntenona,Gteresednes ofthe Copan ‘ths for are de prety what happen io wither tan by what we So ‘iat 439" apres inthe moe fom composon tse om muses ‘nsrument a found sound, om composer weer to compe os sees gp fame in which are and cote et ech ce te eek mo Ingslencetoincorporte te nose ofl that outde mas "Thanks Sens, eno js elton of anaes bt the mug of il aces ha ‘to may oxcurmakes ¢ deft enance ito my mc A deine oun, nd eine ext, for lence implanted oa wth he ase object and allbw “al the sounds we don ntnd™ to Noo in Fer "alee is rays in ste of ening of wating for something to app ‘This for emehigtokappen intentooaly sto workin 439" 0 ‘se perception oat ts wating ands pce win ach naling Asin Slew ‘Pro lence combats dete stening ylang within eal pee bre the hopping mali replaced bythe ence sering, whch cul be alo produce ieweat onsmer et Conceptual Music {nis book Noe Wer Ma, Doug Kan itkines Cage for"mesey ec ing te soc though an ar "scingtelnitn’which nse ‘ces oie 1 lingig framework of may "One ofthe cede ef age aty of ecg echinigus war lencing ofthe sal For aba, lil "leting sounds be theme" Cag paradocs the nie 2 "bt of pret sence ang subsequent refers bk to ¢ musa engage red yd tit fo he yg So ‘ound posions 433i the domain of mal pedcton end he ncng he ‘ork enacts cesar condi sod undermines he serena of ol ‘ac rater han ampifing ke Than fr Kahn Cage werk operates by “i tng, mining ordapacing the sore of he ote teansorming he oie Se Sing sor sing ny pat img i conan to Kas icon, my view ht uch 3 muse aguas wile operating «conadicory gesture, forms an exceney productive “hugh whch wok he 45" gals momenta es potter to underscore the ery conta staan of #35, fr he work ws son. ‘osywriten 0 at come wth mi ough performance con Sten Tat ye oy card prs ings msl stuaton in nich sence and nie, tous the soc, ay Inter and desabllac ach ober People or Plants? 29" doer ated pcen ch ato mde the ingot (garage sabe as le al daa ‘lcs Sch a moe pecoy to wa can be called “separ pace? Sloped ney vines oe mi oie 180 Sack pace ds ‘pn tegen prance td sion sd cpr thon iat ing td proenaion of the wok nha way ts onal sare profacng ot so much a objeto tenon bt asco condone y ih conte Brought ino fr n aon to Cage and 433 conte ound in he ior ‘aley ofthe cal mot don snd he burgeoning el of experimen Sl mune, he sues and condone of prormane Hal (concen all he ‘neha fren dhe vere wel a henge atenng dma. ths, rahe than infor» foal mused poet, Beane ‘civ ngrdiensin bis work an ulna foture win he wok io wat wehearin#35"s not so much he "seningof te oc an reuperaon of Sonya tl err wn esl en toto! embed a Wester atm hej do oi at sary {fame and question them uch spc ct the sae fr the rs of te Sel nd sence play of nh otic potently underie tc sabi 2 fttonomous and fac, and lend o renewed pepectins onthe ober te ‘Sonn menigs, snd pte For re," ey exene of lence eps Spon neat permits neo ex Sch operations parle st Weer Beja ced the let image" Whe cui the nese produc ‘ina ue figs wii sl spo te 190s Beis ea penchant Ca taney bees mc ‘Byetand sens en Hino pits os Ben esl pears ‘Snselaton manag) ofsenen bat combnaon pote ab et Slows fo pion, ory fr cnsvuton ad egee= Shs desi a be ed song #9 forte sola ef ee seme, ‘pn and sce hos of» pr a whch ems ke on gy the hc icing ns compenad eee eh ens ony ‘nan inp equ the tes by he dee as raced {Bic wear unr tn ening eter ae "Wow andes pint otha sc "ai feed ds i ae sac dap bode ety mere win stele eft mer peg Fos Kr pec tio roel ‘Scaled and mae pai hough hla stan sd se estar co ong ee of ene ne aophon ose cnet tephra oo capodel suraty evel topo th eth etary ee seh ‘Sty nti lotr eee and drop Seaton may tein ata cord eins ie mg opt sine of 5" ha sw dino anoint inter iin masa paced ray tse ue

    You might also like