TRIO Fdur — Famajeur — F major. (Leieht und instraktiv.) Opus 95. No. 1.EDITION PETERS, an far Bei Bestollangen wolle man mur dio Nummern angeben. “Bo ss Violoncello. 2 Youn Quartette, ————— sang | onsaer: Dose san Op 120, 68, iby 15, t Violoncello soto, eee porte CU), tet | Streichquartette A & tn (ie) Can, asta | — pts fois Ge aro | uarat-Abem: Ove Arrant, 2 Davided Vides ess |ramnar: op Eben Oe ‘rer |beorwabran: Op. ure Dear Op. ti, 12 Comets, ur | Op 38 staten (nee se | Beste Soe 9 Rie er i i Exes (eae au | enters: Cn 8 Sasi (ete) "Ne saat vo hn ud Ot) = Of i Vlninche (Go) sau | cnr Stat = Slade og oy 2 } it | boar: Br ort on au ‘on 3 tence: = 120 | “Omens Quart Fane ‘On = 18 | ayn: Sons Segal Op — | ont Sb Seri Satter: ie ersten Dimngen | 18 heart rte Serco Violoncello wad Klavier, | BA ut | sh Op Bop a 2 Don Vide od i sei | Sete Sty, Bd Chopin Ope Sea Gakire) aa: Kownnt Dae ne Aen (hema ‘ss | hts Vie (Brats) Schule, 105 | yates Op. 13 Doe for Klavier-Trios. rata | te-Abum: Oise wo Araement, 2D i ot (pet und 2. Symone. a0 ‘Op. th Nereabe ane (St). tim] “op ts For Gyncbate Tn) oper Aa De I 3 | Se: Op, 2 Iaente Streleh-Trioa, Sinding: bp 10 Srcbqart Seen er #2, Op No 2 Teta: Op, 2, 3 9 Sekhguaret, cctv: Op 10 iar Pe Bamps Op. 8 cust ar Werte vartt: Op 11 oats Dar fer este Gand sd Seater srt (ago Simona: Op. #2 Quest Haar Quarta dar Quintette. Streiehquintette. at Op 28, Oy 1, Quit Klavierquintette, Mamet: Op. 87 Ginetta Mearers Op 5 Conran (@Y, ts KL Op Git C mall op. 1d Pct ‘pH Quint kar Septett_und Oktet enttahn Op.20 Ose | Senet Op 106 ob SCHULEN. | iii ‘ar Mittal teers Oprain, Orgel. ‘rat tan Harmonium. er Lens vom ren Aegis | 108 Habmaar; Paxcio ial (ema, Viol Violoncell Dee: Vins Zither. sre | ars idee (Guta 8 Rade diay | Gran O10 Theoret om (te Gitarre. ate as ciao ‘Mandoline. Biasinstrumente. ‘eta! Elemente fr Klar, ‘inte: Praktache Riera or Oe Feduaaters Choris, "Pac She de hen, Crane