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BERAHESR AAR 28 OAR RL eR HA AUER SE thE Aa. CEM, REBEL ODER RAR RAMS S A, Ba PRAHA RRA. ke-TaIAAMWE. RE, VERA ER AA TIE eh. LLB ahh a RHE AK AT Zs MBE. PIMAB - FRA Give Peace a Chance, MOE RIBS 2003, BATA ARIA HAY BB, U2ZEAOR ATELY One, TLR RIBS RRS, RAREN MESH, MM 1964 MAE RABE 1986 ARH “ARLE” BA, Blowing in he Wind HREM AGRP ER HREFARRAGHONE. 6. BEL. RTE RAIA ARTA ORE, aR OT AEA BAB, HAA RRR REGS, RK AWE RY $8 tere BT VAST RAIA EH. MMRAS. “KIT AARERSOE EK, SSEMUSVANRESN, RARE BLESNA? Boe Fit ARAL R SHS AREER? | 027A, REAALEAAORSRESRMEB ST SEM RRB? ORHBLTR FB] AS $08 Joe Strummer 18 fh dt A ESI AG] CBS BO TLE SAP SHIHEE, REBSA NBR, RHE AWNEERBSRS BRAGS VAHTRAN, SREMTCALCOFRH HAWKE XX" (Rock Against Racism), B/\OFRH RRS SHRIBS, BAAILX EW SIZE TE RHRAMERA ZS PRBER RELA RLVGEHESR = RW. RASS NF WBC HM The Nation 8 RAAOLRE ABR “We fA)” (Rage Against the Machine) AKA. HL Audioslave 4 fb3F 49 Tom Morello, Rte] — FSS ABLE BEA SE ME AS ERE, A RM SE HN AS) 1? Tom Morello MEISE: “WH, “WR AAEERAS, MESH RUE T 00 AK MRERHIBA. MB, RNB ADSANE—RERE KALSHHPRASBEN, BRIM TSAP,” RRP HIMES. TRS UMA SONS, CREE BIA BBY Ae IT EE. MAOF RAMA TEE. BIO RA H Fit’ HERA, AOLRNAASSECR RA, BEAOFZRH BR (Nirvana) “3DERSRE” (Pearl Jam)#l “AB S]S” (Radiohead), ARAMA ABR NERS SPA CAZ EMU EH NSRAUM RM RE. ARH KE. ABS AWARHARSKUR, RERERRLE PaO, a MM, RRR A— NRA NIBBE NSE. ME RADHAETH SREB HREKES RABE. SOP. RNB2 RRS RL Woody Guthrie, Pete Seeger MHP HHA; 028 | BPe-SHF# | Sounds and FuryKROFK, SRAMES BM RBM RULER: \OLRMADRER BS AS KS BCAMS SIEM 7 MPRA RSH RRRABIAA HR), UFAARRARAELS ARAM. LALA NASER HOP FLAR. EAOFRHRE, Liem “ABR” (Red Wedge) RA SHAK ARKESRG, APERSRAHREAH. RERRAAOFRAA “Rock the Vote” 4, BARRANZASSRHBRB, FT SES SIH RB, RASTHSVA, RRS RSRARS HR. WHAPICE “AFAIK” (Julidee 2000) HAMH RAD BMA, AMHAN RRA ARS DEALAMRHRE RRSNARM ALR PABR— BRABERORAN “Live 8” SHEAR “Live Earth” X STAM RIS, ATW, U2HEMRE (Bono) TRRBS HARK IMRAN RRS 'S AMAA IE S18 T XSERIES RADAR KRARSKRESHASVAHHOR, SEA-AH. RARFAFUNS RMA, Ri ACKASVARRS “RM Ass VSSAMAHRA, SAE LE TERT A SE BP RB BA ——$ 1k IFT BRT ABARAT Rett. ROI, ARORA ER EB SE Me > RAP REAM AR KORRES HASMHSINS FEM PERE. RASMRBISEMIR HS TAM. ROSKREZS RK. FEXKSHERUHANAAHNK, BERRA BRBSAKPRRH SBR. LOFRARAOLRINE: EE RABI RIA T EA BN RR Sit: RRS RMS MBSE? | 0290S Billy 8 ARPS, ee PSR TRAP LL oe SK BU BA NHUE, MORSE KR, BSACHRAANE REAMRHS SEMIS, ME RELL ESE IR AN BURR, BT AOBR, MEOBRRN HERMES FM. SRABE bas RK ARAUARRAS, HUMARRS RRS HME ARM 46 RTA REE SR LW AR RAS. SAT A A. AL. ROFRAAHLM, VAEMARAHKREBAHS SRR —ABSAW ERR A RILS Bik SH ESS. M0 “Rock the Vote”, RUMI FI 030 | AB-StHHE | Sounds and FuryPARA “(Lilith Fair), “Live 8°, “Live Earth”; S—-AM, MHD SHA MRAMNAEXLKASRHUARARS, HUABBNKRSES BYTE. BERNE. MHNKF ROM. Sb / RERC. MEEHRRE BE, BRAMBEMUAMAUUEAS. BUREHRARRM, UR EERSAMTH RBH RERAF MERA DAMEP ES RRA A El fe. REAOFRUR, BRTMEX HMA. EP RATER AR AEN SA? ARERR SH RE? RAPHRATAS, RMR PEAR KNCRARKBERENR S BREOTREMMRASRA, UR PSSARAHEA, PUBS BHMA-TAERCSKKIMAMA FH, BHR. RNB RHSELCRMAS— HM SH. AAT Tia dh. BRIAR, REGHEATMBAH ARAMA MER, Meche, AAR. LA, RR RES XURBGRUAR, WR- PHS, BAB ABRXSH—D RMR TRSTANE, (ASB RATTAN. BS, FRR RD? DFA, SB RAATMLS PF RRA IEE” (The Future Is Unwriten) AY, (LN OSRAS EA. fet LL aA SOBs, ae 7 Tom Morello #£ $5 — 2B BI hE ZORA, BETA TLL AM FTAR-BaDMHKARE, Mr. pmahacwxRsas. ° 22. PAKS AMRNH. h-ARRESUSNAHRHKF Paul Weller ME, 2546 RY. (HIMES RT AM RHR. (MEARE AA Sit - PRERRGHS MALS? | 031BABTARR ETS, RT MRSTAN BA, 7 Paul Weller 2X18), AHH, HRM, hRAERERARIS SMA, MRDELHSHSREHRM, EREKAAREMR TLS HES. RARE Sih KK Billy Brags HERI SCRRORERS SEUSS, MAECHMRERAD, WNAFERRERNMER,”* EN. HRARRAMRTES SE OMAK TO, eR PRARMEBHAF BRR AAM HBR HT Elng GAE RMIR PR 8. APHBCE. HRKALARURATEMAT AAR AR OE &. SERRARHAD. ARB. AARARARNHANAAH, KR. MALIN. CREAT A— ARRAS 032 | BESS VR | Sounds and FuryaR 1 Paul Berman, A Tale of Two Utopias:The Political Journey of the Generation of 1968, Norton Press (1996). 2XP CS HBAA” GE, WSR. CEA Aes fi. He4F GIL) (http: //blog. roodo.com/SoundsandFury /archives/ 2780481 .html), DART, (~MBIS T BORN RAD, CF S AREA), PPR AAA RAL, 2007 SE 328, SOM AWIR, BoC myth we, AS “HE” ia, 4 The Nation, January 13,2003. 5 8, GRA, BOON AM GER RH. 6 RASH IER: REET xR. 7 bttp: //news. bbc.co.uk/1/hi/entertainment/music/2236069.stm . 8 Andrew Collins, Billy Bragg:Still Suitable for Miners—~The Official Biography, Virgin Publishing (1998), p.195. Sit - MRERESMESMERER | 093SAAB BMRA RB ABR, WH - WIE MAAOT AMIE,&» BTR CMERSS) (The Port Huron Statement), URGE T EF Bob Dylan, | oo NOP CR LE BLAM Richard Placks RRR AR YE Hh 2 ILE AB AG BFE RB AOE RM HEAL HOS FREEIR ME ARI URE RNY EADS, BEG ETT EB AAS TD ICIS HR YR EA AH HAE A EL, POUR EINE AG, RE BU LAP LL A ABO aA BES Se, ARE Hg BB Fes Beko ia th IC ARE ERS, HL - HE (Bob Dylan) 76 St ATES DEB IS FLL BAS BON CA, HSE SE (Woodstock) =K= RIM (THB) SAE. pao ar OREN TT SE BE PRICE T]— P E BL, ASELe Deg tH B I]} GIG, TT VALE YR EE AE NO Rg Fa A, IEEE TE 27 Sete! 2 BRT RRR, EPS NOFF (RE — PO TE ALAR ATA EH Hr: We. WAS CAE IBLLB, EYT BRO - ete), Page BI ROBK | 037WAHLER, BARE, RIN, RETRO H didah, PARI, — R~SLaet, RRM TE EAE. BIE TESS DASb, FRILL Bahn “TARR, SEA “HZ”, RAY “Sew” DL BeHA BIAS “Ste Ria” Eth, SOAP ICR IE RETR SBOE X AAA, WAT AOAC AY WARIS (counter-culture), BRR AL RBG BY AR BY ee eH AE AH BA RBURRISTA, ACtHHAEE SEAT EME RUZ Il. SR, NOV RIFE AEN RTH RAIL. 4B - TK (Joan Baez) FEE FE SEI SO LT SEAL AA HA Joe Haat BY, REE AERA AACE RAG AHWR IE CIHR , By Joe Hill > AEHLIL IKE AHL TE HEA SE BY Te EAA, JSS BUTE? , BORK A ETS, HOA AIR, BB OF REBAR "KF Billy Bragg UOPERE ROE’, BT SLOESE (RICA MES) AOR IBTES FA, Takk DSO, ae I dreamed I saw Joe Hill last night Alive as you and me Says I “But Joe, you’ re ten years dead” “Tnever died” said he “Inever died” said he 038 | BES Hie | Sounds and Fury“Tn Salt Lake, Joe,” says I to him him standing by my bed. “They framed you on a murder charge,” Says Joe,“But I ain’ t dead,” Says Joe, “But I ain’ t dead.” “The Copper Bosses killed you Joe they shot you Joe” says I “Takes more than guns to killa man” Says Joe “I didn’t die” Says Joe “I didn’t die” ERR S UL, Joe Hill FREE FUL: “Joe, EMIT +4 T” “BATE.” it “TETRA,” BRU a ERR “HUTTE RAS A.” Joe ti: “(ARR IRS.” “AR TAD EBA TUR, Joe, MANIA T HK.” Rit “SRARAT A, Joo ti, “HUGE.” © DR F Joe Hill LAE, SL Ay BES AC RGM TS ek fi Fd 4 PR BR AL 41 Woody Guthrie fl Pete Seeger, ft {1 P§ AM=O4E FF a TF ey RARER a, AAMT AS eh. AL, GLEE Woody Guthrie hy Jif Hix ROSK | 039—Organize! Dont Mourn Soays of Laborg a Songwriter, de Hath 7 eee ert Pen Serna or etre) econ yates La A . “TG ER PUR FSA RR = Joe Hill, Pete Si VPS Ba AS A O40 | FESTHTAR | Sounds and Fury‘SJB. Pete Seeger HELENA RATE. Bi > DUZER Phil Ochs 77 OAH SRE (Sonic Youth) AULRA AE. HEAT RS SoHE SUBPART BR AR Ps EM, ATLL O4F RAS ASE BR MIE (RR AY ZR BL SCG Ba SES A ED TL EL AT A BE EPH RAEN Ib. BAAOK. AOCE ATA EME RAGE MITT BURT AA RRA fei “MI”, TR SE A OPSR. HTERT PAE RUB AIHA, AAA IPAR, (TTR EE OE We PRA, BAROSKTH, —PhPARHUR ANE, BE. SEAL FP ATH HE HO. 1903 4E 8 A, RAE RED A AAR $i, GT - PAS Cs, “RA, BOER, BS ACHAEA MS RACL IE, (AE PSARARE RARER, “FL ZBL”. vst Z ia, HREM PAR, RHEE A, REE BHBAT ROMA RBS. AH, IASI, BRE LR 76, WRECELSD AETHER, WREATH. TTP EE RY BORRALA BEE IK LA TE AE RE ROBE, AS SA AREY RES. 8 TT A ATT “Ae ANE Hi” (Make Love, Not War) ft, iX#? “#E2.7-” (Flower Children) RAAF PRR ARH RUE RRA ARK, PRGA BR, ABD AST BEG a a A EK, 196246, HELA Blowing in the Wind ®t T AER A HII AALS AY PARR, HA Master of War WAI AR AK, PR Sb, HATH el Bi ROBKR! 041Pete Seeger, [tft EQAGUEHY Phil Ochs 7, DAR SORREKS AUER - W2E, FS BAR) AYR} —— TH th 9 FB A AL SS HE, ES FEAR Ti DSB PT HATS RAIS SH CBR Ie ZEA (We Shall Overcome) , 19684F, #6 BUSS, FT PAG RK Se - BEAR (Mick Jagger) ©j F Street Fighting Man ((#3k*+-2)) , HATE PERRO AK HHH BA SRI EBL AE TK HR DAF BE EEK Se AH GE ER FREAD A BCH BK. UAE AP YAS A BS BA MCS J Kick Out the Jams, FA AMAT SERL A A RS, EUR ARS. SOGCHL ANB Ce, A RA PTA Te: Funk SC 5K 9k-F James Brown 4F3F 4K ROM “Say [t Loud — 1’ m Black and [ am Proud” CA FSHUUELE IR: FRA AFF BVA FR), Sam Cook Sil PHT LAE ZERY'S-74 2 A Change is Gonna Come ((— 3G AAS BIE EME) « ll. BE Hs SEY RRR Ar AEST TEA BA EA ERR TVA a BE BRET RAE AA ei be TT OU PEs, RR RTS BR PEE HT EA AS PE. HAR RR TEE FP ha, ERE ATI EL, ECR A BE ES ABE FLAN BEG M A eP B (RBA, TERN “SRT ANT AER” HOME, TI BEA A TF NOSE RW EE Mesh. BRE, NOFA TRIS RUE, BEGET IK HSCS Se, LPR SABES RAE EE AE EN EEE, VR 042 | Be StHAR | Sounds and FuryHUCTRRIR seh RTE CRE ATT AY OLS CL: ETT BY OR, WATE RAEDR, BRAMORIE MAE. IE QUE Richard Flacks ZESCAAUU EL CPPSE-SELSARKE) (Youth and Social Change) HHH EAs “SEEM a ABBOT SEPT Me AC SR IS, YEE PT LAE SEAL REE, VA A BE RS ERNIE.” SALIENCE RET AT DAA EE SIE A EB ATK HEAP BE RR GEG, ARAB OE AT ET as HORA Tal, ELEY Se, WEL AAA HY BOM, ACE IER, RRS AEE RAS, BE-AEM TAMERS, TP, aE APRA Hy “CE AL RR FE AT RE — D0 ACFE RER ABM AIT PSEA A RA LE 3k” (Like a Rolling Stone)tbf , He MEL RATE HY 0s 5 IEA EG HH. TT HSE FMR GIRE (Rolling Stoney AEA IRE (The Who), WWAPHIVAL can” ¢ Get No Satisfaction #01 My Generation, PERCE BA EH SEM POR RRR T AR ECL. NOR RIN RES, WESSEL “BOSE”, US BT IK PIE MBL Poe k, BRAGA LS Bee YE PEC. RIG, 190948 RTE EA. A SE ERT SEARHDATHR: ES APE, (AEA SE ABS Bae DEATH, VR RIITH BL ROKK | 043IV. BE A 197046, Phil Ochs (UF 44 Bl FHT AIA SMR APES BR, BATARMNRT ROME DLS GAR TP: REANOF RIBS AE, HE Bhs WFR TEP A EE. (TE a A OA, WAT WIA AKA. BEE Be zs HC BUT ANOFF, UC HIBOR IER TT RABI , ACE EE RT LER PEHUBITE, BS AUS IN2I «KR SAE IE, BEBE SME, PPO ARIE, BONO TR Ae BH AY Bz oR Imagine, Give Peace a Chance, Working Class Hero, People Have the Power, (4 iran iE‘) YA TIBOR )s Bk UREA hth ORF BLS BB = TL2C, Phil Ochs ATZESERH AIRE T SUH TATA, ES Fl PARI {FLEE 1976 4F NE BART, PRATER AY RUBE “Sy” AYE, Ube PREZ FSH MKS TBE Ai. BARE, LER MAR, REAR AHH tt SAEZ BH AAO Ze PR EL EAS TIA SBE ASE aalA fe] BOaH) “prtkaiash” WA, ZG ANOFE REA HEA BT BEES (PMT). TR Ai, NOE RATER T . BURL, GRU 044 | i558 | Sounds and Fury iri Be LiesHURST E NATE DL, BR, HPT RIE A RIAL, PRACT BE, BART MBAR FES ARE ERED BEART. USE FRAE A EE WSCC AOR BENG? A. NOFREN ER SAR AIS HEA aI S ARSE, CHOI HH SUBIR Se ORE Ra — ARR A, LAT Bean) SARK, AES SBA RIAA INS BT ELE, Sox! | 1968 FESSNRAD “Eas” 196746, FEIERE (TINY “32 BL" (oummer of love), (v4 TY HH SEE SL TEA All You Need Is Love, WE UTE FA BOR BUC, HASH. WEE ATS LRHTE, BPRS MEN, SBOE AERO (AAP Ra TRS 1968 4F, AAO RE API ELIE A, ZEEE, BOT AEBS JUPAIBRAE MEMES TT, CAN, FORCE A Bae CEERI, TERR TAS, TEER EL SEA RE, HEART, PRI TE 2 CUR, SEAT “RR” TEE OEE YER ESE SEES ASS TIN AH SHY EF” Days of Ragey bit 4TH , AUT PTS UR” ARE, Ee FLW KE BUES KS EAI, BES OEE ASE, ORG CREE FN AR TTT i SS, CEFR, FEAR ERE AE TPES AEE “RR LR ROFR | 045hfe”, MZ SEY EPEAT IE YH 5 LH OG Be St SHB LA BEAM) (Norwegian Wood) FUER HY B55 tH SLE 3 ARSE, REBRLAS MER, RUE T SABE. TERRIA, HERA LARTER A BR jaa SST «AE eth, UR AES Ae APE, 96 JAMES A, BUGRIER k AF eS BELA AAR EMT ER TH ETN OFF RHO RRM, ATTY ES AR FEES BUA RAN BBO. CEREAL SERS 8, HAT BAT TR A A H——-HHR - EREITGWY Hey Jude, BA RIY) Bit, AVATAR, KUEN - SURAT GABOR EL: Revolution, RERRZLE— BR a RA NMRA R OR / EY RBS AM FRMEBRTEERAHA (LBIORRUE) ( you can count me out / in) ERR EIR MA BY / PRADA / BATT BBA A FE RAGA AB / RS TAR UE OS BE EUR / OF BRU R / MORRO bash / BA ICM WRERS RIN Ea PEEL, FRE TCHR ci IAS ERR AY, Ht OE A (EL HUET. SO POR TT Sal. BUSA Ah DAHER es St REPEAT RANT TTL 2 AE RC RE NA DRA BE, MANE BOE. BMP ER HBH, HIC ee, Jor DACte Fal] EXT 4, count me out 45 count me in, HEY PURI tie RR , BSL KNEE, — 1 DS BO StH ARG FRA Rolling Stones) PVH “AE dr” ik “SHUR 046 | B51 | Sounds and FuryPRE ARPA EMERGE BOS AR Mick Jageen ALM T (PCI SEER A (ag FATES BAU ETT ESB BSL EM Sree Fighting Many 5% HH, ABI, BAB ABS, FUG Tene BIE BOS RUBE AE Ae, TT AEOR GE CUBIS. BESTE, ROSTER LAY ELE, JAAP RIIER AE SRA, FS PR MEL. TS A, BIH Re oy FEVER AC ANMG TGA SE STH, HPT RS BOR GE WR CE TRA BI Street Fighting Man BEAM, BUFR ELIS TYREE, 80x2 | SKGTAVRIBS: TR - Wz SEES AVL, BH SURE (loan Baer) ACA RAK, HURL ih SSA OPS RRB TN AEROS A, (ELBE Ce BEL FE at of FO PRS AE Mba ESE MPL Se TE AAA BASE YR Eg Bh. HS, ARTES — HL, BLN TT LA See WR ACE RAL IEEE ABE DE AEN AHO RE RAL, SZ AL 196045 TT AALS SER «TURE, EAE AOZE OE, ANS IT AC RE «GUYS, BR LEA RR A DNB, KNEE, FPG RUR ARR, 1965 AE thee MN Rae “TEAR ADEE PULy” (Institute for the Study of Nonviolence ), 3 HL FAL 60% HEA BTTE BL, LU MLAIEIX 00% BES BEE HR BARRA AR HATH. BIR ROKK | 047SANOFF A RUBIES. BA DEI AMR AOE RAE RE TEPEIEBOG Ba. 1973 FF CB RK Ia RTT PY , RP SE HY RE, WREST: SAPP Ro. BOM IC PPB bapa SAS TG BES) AR ZENIT A ERS, lbs: WIZEILR RRA. TERKAS 3 ROMEAT, DARE 1993 FEB IC EN BOKER RB BT I Se eK , WE Bik, FF BRP TE MAM ROA be RL. RR WACARAAOCLRE SAP WRIE. 196346, 257 AAS POSSE REC RY, HOTT + BRA et Re “SA AA? HORDE. LATED - WA, ES AGI PS FSH. MAS AAT ERLE 1909 4F RTE BS, (ae BR WL 2A Se SS IR RAE ANO4F (h, BE BAA T ILS Oa TEAS EHS FT BIA PI cS} 048 | Baste | Sounds and Furyze 1 AXEQGEH{ AJames Miller, Democracy Is in the Streets, Harvard University Press, (1987), p.161. (ARiBHE) BAOTKEHCHRERME BS . IFT 2006 BRT. KTATH AGL SME, BSS RE, CIEL ALATA HED (dt, PUAN AE, 2007), att http: //blog.roodo.com/ SoundsandFury /archives/ 1441787. html, 2 KELP - FF Vanis Joplin) MAAN BA BHF aK - EET (Jimi Hendrix) #8324 19704F, ATI (The Doors) AIEMR Hae - SRR (Jim Morrison) JN %EF 1971 4, 3 RF Joe Hill MA, FL Woe Hill: HBURF MRA, CEIAID 3c “eR 2006 61 A. 4 KF Billy Bragg #4) ¢#4 The International, iX# #445) 1 Billy Bragg 3% 2a) (HK). SAR BR IMR ATT IGA (CREATE AMATI H? ) SCH AE, 6 RFR ICES, LIRA, COURSED, Gt Ci HE), 2007 OAS. 7 Phil Ochs SARA MCI A, (EERE WaaE, HOS ae HE RUA ROMA, AIL P ACT RETA MAAR RBG SI RAIA AUR, FBI XFS 8 Richard Flacks, Youth and Social Change, Chicago:Markham (1971). UAHA HEA CHE Sa RIED, 9 FH ABST Bob Dylan Live 1966 GH PRE, BAA. BOC 24 “How does it feel/How does it feel/With no direction home/Like a completely unknown/Like a rolling stone”, 10 BLK FAOA KHER Charles Kaiser SLX BEM MIO UE: “HUE @” (Trust Yourself), J Charles Kaiser, 1968 in America, Grove Press (1988), XXIV, 11 The drums are in the dawn/And ail the voices gone/And it seems that there are no more songs, %# Phil Ochs fj No More Songs, 12 APB URBAN, LEE CN UR: BAPE, HLH ROKK | 049BY (2 Sa") IRA 7 HORS BAIR — a,Cie a esto | ee eee #23. 20th Century Boys' » 20008 2AGNSRE RA, AD - WHF (David Bowie) AIZB ARM Placebo SEBS — eSIREB 20th Century Boys, HHit]-ThEAEHHER (glam rock) O88. —TERRANOEAEME ROUT, RAGIRIBM BT AERRPESBBUOA fF. T-Rex RBG Marc Bolan, DUAR WARE B N Pla- cebo SZEBR: (LABI) (Velvet Goldmine) REPPSMLEASR. e 1998, BSCOFRDAMEANSE (AREY ESNBe PSR, BLSERRMSLARAEM. RRAARBATWSNBARE: SH 2229 Todd Haynes, AAS REM EIB Michael Stipe, RR CG YE) SIBAERPD - E58 (Ewan McGregor) A] (HAR) HA SEPAFTNRE - SENT - KGHGRT (Jonathan Rhys Meyers), BANARBBH RIEBL RRO MWAMN-THLAE. > RS +EAMNEM SCR, CHLRNLWERRR., RRE— MM NH, HUB AME “+H” ONSEN, CERAM Bab MAS (RED) D, ATWRRIBRB— MEAT ‘eg! ) B26 SAR 053I. The Rise & Fall of Ziggy Stardust 2 197248 8 A 16 AS OH BE » BARRE, RES eT @. WELK, FABRE He Ziggy Suardust Mok Pes. SHE MASSE ACL + SEF, LECT TE SAR The Rise & Fall of Ziggy Stardust" , BUDA REE EBAY 3 OBOE, Ziggy Stardust HE METER, HE AEM SUR, AEE LAT LI, Aba 7 RR See SR VASES ARH EA ae, BL, RET IESE AY SICH RU RI R— AL, RAP GERI AE EE RHR AR: AORN STA RL, PHS, A TYR ANTE. FETTER IE A] VERE AOE (RR SEE AE FE BER, (BIA EM AN OSE OH BY eS oS Ziggy Stardust Ff AS FLIX IH HE i) FF AB. TE 1971 SE 4&8 The Man Who Sold the World “Ft , SRIF 55 UAE il BE BARE) 2a CH SU, (2g RY RE [a] —4E , T-Rex FY) 522A) Marc Bolan Fre Ene, SORTER IR, STRAT TEMS, WAH Electric Warrior FF T SLAPS SL AE Bolanmania (Bolan SEV): EAM URNS A: TERE VEZ Bl, (they HSE SE Hy 3700 Tak, HOEK + SR EIT AREA A ESE BB FI AK 1971 4E JERI, Mare Bolan AIL SAGE ATE Re i TR WANS RVG. 7 HAE ALDF Marc Bolan f¥) Slade, The Sweet, Gary Glitter, 77 703% EAU AR IRA Roxy Music, $38 Ei PRR AREY) Elion John, Rod Stewart ti, 1h ERK BA TEESE JA, Elton John tH TERA HSC BR OEE BI 054 | Brees iia | Sounds and FuryWERRAY “TEE”, Bh 1972, 19734, RENTAL RARETC EM, BR. BE RH, REKATSRASREN RA, FRAT SRA, EMR “ea” A, EKGEH AM, BAAR —— “gliner” BIH RAH 8) R199) is BA BB ST] EY TT ROLF ANOS RAY Alice Cooper, FR T—PACHELAZ , ALAR SER TRASH tH BL. Alice Cooper BR SIE NY Kiss 5k 58 Re BI CE HR {8 fT) SB A FP RR. EE RE ER RL. A Be TK L, BRERA. {BE FP SEE AAP YR AREA The New York Dolls, 7E38 74 | AEH UALS De PSE Tl, DRA HAY ET, DESERET RE, SERRA S LEAH A LEM, SIA TRE, RR iL, FATS AY OCHE, The New York Dolls HYP} ALE DE Ht HIDE RU AGE A AFUE TE Mare Bolan EAA DL + HUA EMT RAI BR, BY TP 5 SUCH AY Ber ee A HE A SET PEK, Mare Bolan HES) TE FEAR TUT RU, (EEA - BAER ARATE, ae BAY ZR AE PIE TBA ESA TA AER, TEL, th Se FER AS 1S ATER BEAN 1969 FE WNT FT BB AR DY EY) Mott the Hoople, #£ 1972 4F. 3 ARR TY, SRR «BE, BSE 9 SOY ERR, (eh bet, Jf EL — PYAR AUK AU the Young Dudes, 3X AUR ETERKAL, UREA TE 197248, A SPAR Iggy Pop te 21243835) HGF, {LAPIN Iggy 82% ERR | 055SAE (8 (22) 5 More Bolan (4) ARDEA Uae — 1 ESTHER LA 056 | #25122 | Sounds and FuryPop 22H {th HY AR BA The Stooges, FFEXAEH AY, FH 1974 AE TEMS A FRAT YAEL AB Raw Power, ETA Ieey Pop HMHOK, VRE MEL RIRY. lel—45, (RACERS, ANOFE REE DR BA “HF eo” APRS FYSENE Lou Reed, tH EMORY FIM AANA RMIT AE ABA. TE 1973 4 ey ARLE Hl PENS FEE Transformer #1 7Hi_E., Lou Reed IRVAP} RE SUG (drag queen) FG RARA,. AGL aL , WOT] — Ab Py A A A AE Se, 2 SE A PE TBE J, FEST AER URL CABAL ILOSE KAY Grunge Ail Brit-pop) , #41 AUER TET A ROGET. 1973468, Marc Bolan BEER: “HMRC Ke, CRBRRANY, SLEUMTA UMITAY Sweet, ATE Chicory Tip #l Gary Gliter, (BARTLEY A Abie BAN AY SE EK),.” © RTE — AE, KL + HBA T Zigey Stardust MSF, FRAT “FY MAE 5 Brian Eno BEFP Roxy Music, HIF GLE TE ARE AIRE (iL; The New York Dolls (J 8¥F Billy Murcia 9ET., WEETIE], AEUN RRR ATR 5 PRANAB TBR , FP SLR eT RS, RR Se be FR LRRABS MSTA “MARR” Il. Oh, You Pretty Thing) 7” 19694F 6 A, TEAM RIG AIA “Tala” HUES (Stonewall Inn), SEAN AF EF RA. RUE “Ta” Ppa AY “ARMS”, “TAR” SPROCKET. TE “SEE” 9 Wa, BEPANOF HW higah bE 2H SMR 057RU RBLAN OFF RETA SCALA Hl AO ERS EE PH IK BB LO FE AUD ACTH BH BEE THI Ta AS BY BE EES T TE AER, FF, AR RIE SAG (Altamont) * AREAS T (i PTFE IER 1 FYI FAR BES TT FEA OFF fT A RE OM ARS RAT] WB AL. TLMREAE EIR KERB, BRATIA BE EAE e R DR BE aL) B — ATE IEE. SAR ASEHN ES, ATRIA OOO ERI. 24 The New York Dolls 4 #4 Personality Crisis th}, APACS FSH A RRAl TM, 24 Mare Bolan JP Stk E Meet, BT Sei > 4—— Rip ER EME MC “PLR” ——FPRAT AT, KT MOTE SRR Melody Maker AQUI RR: “WE, ERE IEEAR (Hi, m Bi)”, FRO “PRA HES HT PAE, PRATTAS RIEL A(T TE ETE 2 EES IU?” (Oh, You Pretty Thing, don’t you know you’ re driving your mamas & papas insane?) Hit, —}HIA ACARI BE HURT. S&JG. Mott the Hoople ff4] All the Young Dudes INK “|B a&” RRS ANY “El HK”; Lou Reed ff4] Walk on the Wild Side KOHALA “lala” RRA KIB, KARA) GB Todd Haynes Hi: “OATH, Pa RR AAR BEE AREAS, TAL HA IS: AAA, HEARSE REAR. JUSE, SHEARS LAME AHHH CEN.” RAE HY R.E.M.=ENB Michael Stipe Wii: “PETE RRR fa AN PHY, BREAN, CHRO RR EL RIE.” FENN ER PR BY BE LOCE TH PR EE VT KH EK FRR ARS RR NRL EI OR. GH EF tb PRA LL 058 | F5188% | Sounds and Fury‘ALBEE DAVEE AES A OEE RORET EMT EL FAY BI, FPR IR Dy TH TPE ETS ERATE, FEDER BEAT EL 10, TTA, FPR LP Sa) TE PK, ARR RT. ALE AS, TH DRS ER Pe SS A Ht ECS (eR, SHE REA BRR, BEB AINE RR. PME, RRS ATT ay SEHR IRR TEIES Simon Frith (9H: “POSE (USAR REE, 75 FOBCR SL PA ARB RTE TEPER” 9, ABZ BeTE AOE ISD SERTE PR TOBE CEE TT 3h ER eB a a AE, UP, BIGeBEE AE Wn Bily Broge Mi: “E1974 4EI, BEREE EF EPA R EE —IBOT AD » MG, ORLA TB TAL OUR, 3 WARBLER.” @ SOA ARAYA Boy George S47 EMA SE NIZE SN. “TERRE EA BOR IUTIER, FUR RAPE ee, RRA. BOT AUIS AR AS ERLE, CSRS SE BL eT EEL, ATION TEE A, AE camp", VARA MARE, BERET A - MOT, TT SEF SPA: Kiss AR.” ARSE, SERIE ER EAS A105 a YER St — 3 4b Ff} EB Hi 4 ANE RE A RL PALI CATS SR He RTH ML A Hl PRES BR 5 TA RHI EE Se I SL BERNER, RHBZ ARBRE, PREDATES HOE RS PAE TARE A BRD MIR RE DL AGENY SHA AT, BPM ME ERR BAT AEA 582% PAB | 059I. Children of the Revolution '* APTA TR AVRO ERT SRY BY BEE VA BE TATE FRR RAR. EYL Pe ATP IM, MIRE HLA RAGE, : SPREE T BR Se EEN 2S PET OE. APEC b, WARM REA MAHAN, EMBRACE TARA til, RL, IC EMA MAE EEN. PASE RRA, Be FETE URE thi, ARABS A AREER KS, AERA A REA PRR EBS ARAL, MU / OAE(RAANGE (The Cure, Siouxsie & the Banshees), $(VRVZIR (Duran Duran, Boy George), VA RAFTS) (glam metal) , SNS, the ADEA ERE ILO AR SLIT, BBE E FOF REL SN“ Uwe” WM RBM, S14 RE + A TORR NEE TR REA FI Manic Street Preacher, %] Placebo ( fifi BAIR Placebo ERR EK RAD), MERCK, AAR A Bret Anderson (Suede f¥J=E18) 2 Jarvis Cocker (Pulp KJ=E"R) ——ia wa FETE ARLE A RABE Roxy Music 5 2] ENS Bryan Ferry ——74 38 DAME RE [A] EAR Ci, THEM Ziggy Stardust PF WRAPS « BRR (Marilyn Mason) . {AICHE FE ERRNO till, SFE TUBS BA ES RB A, ES AB RU ARCO TE ILOSE RY A tl OO 2 EY Sb Fe, AAAI Ta Ee. 060 | #&StR## | Sounds and FuryER 1 A/F KH A Mare Bolan Hae. 2 DTA RE AK TD - way de 3 SB (hAl—iK S484 The Man Who Sold the World, 4AM, ERTHRA, KRSM EL RNB, SERS BT EE, 5 AE: MBB, HAGA Lou Reed Klggy Pop TEAGX-MER. JURE, fh4(1 BU HDR, BEL, Bulb se wiNY BO SPOR RR dee FE) Bw — Iggy Pop MAL - MOK R, ERR (eR eTy By Be SRR. 6 Uncut, 1998. Nov. 7 AUNT RB AAD - HOH. 8 196948, HR AR ELCESE NEY Altamont ean OSS, HERE ASEAN, 9 Uncut, 1998. Nov. 10 Uncut, 1998. Nov. 1) PRES RE UD AEBIR; —AULPA SEE (cock rock), HR, ARLE HE, A —ALOHUHEEIR (teenybop pop), THA PURAAE, 3k faj2>-ec##44, Simon Frith & Angela McRobbie, “Rock and Sexuality”, On Records, New York: Pantheon Books (1990), 12 Uneut, 1998. Nov. 13 camp AOU, AEX, Fas “SRS”, ARS] TARTAR BPR BEE, BSE APE A AL BEAT RR BLE Be aR ER UA, 14 Uncut, 1998. Nov. 15 Av) 494, 8H A Marc Bolan AH, B28 SRR 061SON RAIMA San 7 ASE PE eb Re Ab 1977, & —NEF punk HARIGAIC. » — TAURI RRS SSH In 1977, no Elvis , no Beatles ,no Rolling Stones ——The Clash, 1977 FEMUR] (The Clash) FARCE WUT eI, BeSL-E CR aE HIB AI GN TOR BE, BES AOE CATER EIR IEE A DAE SLAB 2 WE Elvis HE ATA, JAA EAS OSE TAT A BTR RAR SR RH FE FEMSEAD FADS P, “ROACH RIE BS RIMERIBE , (UL AYRE Seal EAA ASO 5 BP RA TER BAY PRA. YEA SRE (The Who) AURAURBIS DOR, FRG AR AE RE BEBE AER DG 1” “HEABAR” (Sex Pistols). fY2EHE) Johnny Rotten au Fe ti. | HIB AER | 063197748, (OH EE SR TS, 2 RE AR, AR—4F BK, +4F BAY summer of love? #44574 summer of hate, TH GAM +S BNE NX BFF fe AEE TT A] Il. FRR. (RSS B) (Fury and Filth) —PRTRAERRARA RRL RSE HBA, RRTLAAMMA. AA RRR FO” LBM RMA MR ME A Bill Grundy OWBS, WHAAUMATRARARIM. —HTRESARNE AALS BML, PAD, ERA BHR RMI, HP—PABE. “PITS (you dirty sod) , PRIXNER! ” ERAT “ERA —ig? * “ERM EERE” —— HR 4 TD? AMAT “RESP”, 2 1 2S PRE A HALA AR BA TT SE HP EY BT TR“ FOOT SE ESE)” (Anarchy in the UK) EY, {tu4/7 ARAL BR — TET ARI ET, BET RR RR HES HO” WHR BIE OR, DARREL A RA , IE WERT MER Dae ijt, FEB 1971 EMMA, DBA IA Se ZRF BE FE 2 Malcolm McLaren Fil #2 Vivienne Westwood FORA TREE “Let It Rock”, SUGAR Z BN “Too Fast To Live, Too Young To Die”, ARE RUS ELMER TER, 19744F, 4A ene 064 | FEBStHAE | Sounds and Fury