Fine Chinese and Asian Art Part 1 May 2022 Issuu File AV010-cat-issuu-v1

Fine Chinese
& Asian Art

重華琳瑯-中國與亞洲藝術精選
Auction • Sunday 1 May 2022
Specialists
Chinese and Asian Arts

Luke Guan
Ray Tregaskis
Victoria Tregaskis
Allan Rae
Single-Owner Auctions
Paul Sumner
Sandy Bruce
Indigenous Australian Art

Shaun Dennison
Arts of the Middle East Expert

Dr Susan Scollay
design + decoration &

Interior Decorator Auctions
Amanda Swanson
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South Yarra Station

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CLARA ST
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Artvisory 310 Toorak Road, South Yarra VIC I3141
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Fine Chinese
& Asian Art
重華琳瑯-中國與亞洲藝術精選
CURATED BY LUKE GUAN
AUCTION Part 1: Sunday 1 May 2022, 11.00am (Lots 1–159)

Part 2: Sunday 1 May 2022, 2.30pm (Lots 160–364) The end of online catalogue
VIEWING Wednesday 27 April 11am–5pm

Thursday 28 April 11am–5pm
Friday 29 April 11am–5pm
Saturday 30 April 11am–5pm
ADDRESS 310 Toorak Road, South Yarra VIC 3141
COLLECTIONS Monday 2 May 11am–5pm

Tuesday 3 May 11am–5pm
Wednesday 4 May 11am–5pm
EXPERT PANEL Luke Guan Victoria Tregaskis

Ray Tregaskis Allan Rae
ONLINE View catalogue and bid online at www.artvisory.com.au
ENQUIRIES Specialist Enquiries: Auction administration and payment enquiries:

Luke Guan 0455 891 888 Amanda Swanson 03 9826 4039
luke@artvisory.com.au amanda@artvisory.com.au
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1 2
A RARE LATE NEOLITHIC PAINTED BLACK A RARE LATE NEOLITHIC PAINTED BLACK
POTTERY TRIPOD VESSEL, LI, INNER MONGOLIA, POTTERY TRIPOD VESSEL, LI, INNER MONGOLIA,
XIAJIADIAN CULTURE, CIRCA 1500 XIAJIADIAN CULTURE, CIRCA 1500
With three pair of pointed handles. Traces of original pigments.
新石器時期內蒙古夏家店文化黑陶三足鬲新石器時期內蒙古夏家店文化彩繪黑陶三足鬲
20.4cm high 21cm high
PROVENANCE A similar example with better preservation of pigments, see Christie's
Acquired from K.Y. Fine Art, Hong Kong, late 90s. New York, 21/3/2000, lot 234. Also see, Christie's New York, 5/9/2002, lot 548.
A private collection, NSW, Australia.
PROVENANCE
九十年代晚期購於香港吳繼遠古美術.
Acquired from K.Y. Fine Art, Hong Kong, late 90s.
新南威爾士州私人收藏.
$1,000–2,000
九十年代晚期購於香港吳繼遠古美術.
$1,000–2,000
5
3
A LARGE GREEN GLAZED POTTERY HU VASE,
HAN DYNASTY (206 B.C. – 220 A.D.)
with moulded taotie mask and ring handles, the body incised with ribbed
bands at intervals, covered in a thick streaked olive green glaze.
漢綠釉獸面鋪首大瓶
35.4cm high
To compare with a similar example, see Christie's New York,
22/3/1999, lot 212.
PROVENANCE
Mr. Ma Tak, Hong Kong, late 90s.
九十年代晚期購藏於香港古董商馬德.
$1,000–2,000
4
A GREEN-GLAZED RED POTTERY TRIPOD VESSEL AND
COVER, LIAN, WESTERN HAN DYNASTY (206 B.C. – 8 A.D.)
The vessel raised on three kneeling bear supports and moulded around
the sides with archers on horseback, immortals (xian), and various
animals including monkeys, tigers, deer and boars, as well as a pair of
mask and ring handles, the cover moulded in high relief with concentric
mountains interspersed with further animals and a large kneeling
immortal, the green glaze extensively degraded to a silvery iridescence.
西漢綠釉博山爐帶蓋
25.5cm high
Similar example see Christie's New York, 18/09/2003, lot 193.
PROVENANCE
A private collection, VIC, Australia.
維多利亞州私人收藏.
$1,500–2,500
4
6
5
A LARGE CHINESE PAINTED POTTERY STORAGE JAR,
MAJIAYAO CULTURE (3300-2000 B.C.),
MACHANG PHASE (2300-2000 B.C.)
finely decorated with geometric pattern in mineral pigments.
新石器时代半山文化彩陶罐
30.5cm high
PROVENANCE
Maria Lam, Hong Kong, late 90s.
九十年代晚期購藏於香港古董商Maria Lam.
$2,000–3,000
6
A LARGE DARK POTTERY JAR,
EASTERN ZHOU PERIOD (770–256 BC)
moulded with angular scroll motifs.
春秋/戰國黑陶幾何紋大罐
41.5cm wide; 33cm high
PROVENANCE
Maria Lam, Hong Kong, late 90s.
Private collection, NSW, Australia.
九十年代晚期購藏於香港古董商Maria Lam.
$3,200–5,000
6
7
7
A LARGE PAINTED GREY POTTERY FIGURE OF A
COURT LADY, HAN DYNASTY (206 B.C. – 220 A.D.)
漢灰陶彩繪侍女跪像
54cm high
PROVENANCE
Dragon Culture, Hong Kong & New York
(with original certificate).
Sotheby's Sydney, 21/06/2017, lot 79. (Sold for $4,968).
香港-紐約Dragon Culture藝廊（原證書）.
悉尼蘇富比，2017年6月21日，拍品號：79.
$1,500–2,500
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8 9
8 9
A CIZHOU-TYPE RUSSET-SPLASHED A CIZHOU-TYPE RUSSET-SPLASHED
BLACKISH-BROWN-GLAZED TEA BOWL, BLACKISH-BROWN-GLAZED TEA BOWL,
SONG-JIN DYNASTY, 12TH-13TH CENTURY SONG-JIN DYNASTY, 12TH-13TH CENTURY
with conical sides that round up to the rim and covered with a lustrous, It is covered in a dark glaze, the interior with two continuous bands of vertical
blackish-brown glaze splashed inside and out with russet markings, russet stripes.
which ends on the exterior above the foot exposing the pale grey ware. 宋/金磁州窯黑釉鐵鏽斑盞
宋/金磁州窯黑釉鐵鏽斑盞 14.5cm diameter
13.8cm diameter PROVENANCE
PROVENANCE Mr. Ma Tak, Hong Kong, late 90s.
Mr. Ma Tak, Hong Kong, late 90s. A private collection, NSW, Australia.
A private collection, NSW, Australia. 九十年代晚期購藏於香港古董商馬德.
九十年代晚期購藏於香港古董商馬德. 新南威爾士州私人收藏.
新南威爾士州私人收藏. $1,000–2,000
$1,000–2,000
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10 11
A JIAN DARK GLAZED BOWL, A JIZHOU TORTOISESHELL-GLAZED TEA BOWL,
SOUTHERN SONG DYNASTY (1127-1279) SOUTHERN SONG DYNASTY, 12TH-13TH CENTURY
南宋建窯黑釉盞 The bowl is covered inside and out with a dark brown glaze surrounding
11.6cm diameter irregular splashes of transparent amber glaze.
PROVENANCE
南宋吉州窯玳瑁紋盞
Mr. Ma Tak, Hong Kong, late 90s. 11cm diameter
A private collection, NSW, Australia. See Christie's New York, 14/9/2012, lot 1398.
九十年代晚期購藏於香港古董商馬德.
PROVENANCE
Collection of East and West Art Gallery, Melbourne.
$1,000–2,000
墨爾本東西畫廊珍藏.
$3,000–5,000
10 11
10
12
A CARVED CIZHOU GUANTAI 'LOTUS' BOWL,
SONG DYNASTY (960-1279)
The bowl is freely carved to the interior with a lotus medallion reserved
against a combed ground, covered overall in a creamy-white glaze falling
short of the foot ring to reveal the greyish-buff body.
宋磁州窯白釉刻蓮紋盌
20.7cm diameter
PROVENANCE
Mossgreen Sydney, The Peter Elliott Collection, 1/9/2015, lot 603.
澳大利亞Mossgreen, Peter Elliott悉尼專場拍賣，2015年9月1日，
拍品號：603.
$8,500–11,000
12
13
A PAINTED CIZHOU DEEP BOWL AND COVER,
JIN DYNASTY-YUAN DYNASTY, 13TH-14TH CENTURY
The deep U-shaped bowl decorated in dark brown on a white slip under
a clear glaze with a band of feathery leaves between single line borders,
the glaze and slip falling short of the foot ring to expose the pale grey
stoneware body burnt buff colour in the firing, the interior also covered in
slip and glazed, the domed cover with flat top similarly decorated. With a
Japanese wood box.
金/元磁州窯白地黑花蓋盌
11.5cm diameter
A larger example (17.8cm) please see Christie's New York,
26/03/2003, lot 223.
PROVENANCE
Bowl: Collection of Nakano Residence – Museum of Art Foundation,
Fukushima, Japan.
A private collection, Melbourne, Australia, the bowl is acquired from
Gallery Izumi, Tokyo, Japan.
盌日本福島縣中野邸美術館館長中野重忠氏舊藏，藏於1990年代 .
日本东京鈴木泉古美术.
墨爾本私人收.
$2,000–3,000
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11
14 15
14 15
A CELADON GLAZED VASE, SONG DYNASTY (960-1279) A RARE JIZHOU BROWN-PAINTED OVOID VASE,
宋青釉盤口梅瓶 SOUTHERN SONG/YUAN DYNASTY, 12TH-14TH CENTURY
25.5cm high decorated in brown on a white slip with two hexalobed panels, each depicting
PROVENANCE
a magpie on a branch of plum blossoms, under a clear glaze.
Raffles Fine Arts Auctioneers Pty Ltd (Label). 南宋/元吉州窯「喜上眉梢」紋瓶
The collection of East and West Art Gallery, Melbourne. 16cm high
新加坡Raffles藝術品拍賣（標籤）. To compare with a larger Jizhou vase in similar style of decoration, see
墨爾本東西畫廊珍藏. Christie's New York, 23/3/2012, lot 1972. Also compare to a pear-shaped Jizhou
$2,000–3,000 vase, see Christie's New York, 15/9/2017, lot 1140.
PROVENANCE
An old private collection, Melbourne, Australia.
澳大利亞資深私人收藏.
$1,000–2,000
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16 17
16 17
A RARE SMALL CIZHOU SGRAFFIATO JAR, A SMALL LONGQUAN CELADON-GLAZED CENSER,
JIN DYNASTY (1115-1234) MING DYNASTY, 17TH CENTURY
The deep, rounded sides are carved through the brown glaze with a brad Supported on three modelled ruyi head shaped, carved on the body with
band of floral pattern between single line borders. Zhao Ji two characters eight xian motif, covered with olive-green ice-crackled glaze.
studio mark written in black ink on the base. 明十七世紀龍泉窯青釉香爐
金磁州窯黑釉刻花紋壺 7cm high
9cm high PROVENANCE
For a similar jar with more common carved pattern see Christie's New Mossgreen Melbourne, 17–19/4/2016, lot 146.
York, Masterpieces of Cizhou Ware: The Linyushanren Collection, Part IV, Mossgreen 墨爾本，17-19/4/2016，拍品號：146.
13/09/2018, lot 823. $2,500–3,500
PROVENANCE
Collection of Dr. Francis De Hamel, New Zealand.
Raymond and Victoria Tregaskis, Sydney, Australia.
An important private collection, NSW.
新西蘭收藏家Dr. Francis De Hamel舊藏.
澳大利亞著名亞洲藝術古董商Raymond and Victoria Tregaskis舊藏.
新南威尔士州私人收藏.
$8,000–9,000
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18
A SMALL LONGQUAN GUAN CELADON BRUSH WASHER,
SOUTHERN SONG DYNASTY (1127-1279)
finely potted with an angular profile rising from a short foot to a slightly
everted rim, covered overall with an attractive ice-crackle glaze of even
sea-green tone with the exception of the foot ring.
南宋龍泉官窯青釉折沿洗
7.4cm diameter
For a slightly larger longquan washer (10.1cm diameter) with same design,
see Christie's New York, 16/03/2015, lot 3255.
PROVENANCE
新南威爾士州重要私人收藏.
$2,000–3,000
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19
A RARE LONGQUAN CELADON VASE MEIPING,
MING DYNASTY, 15TH CENTURY
The stoutly potted high-shouldered body tapers to a spreading foot with
square-cut rim, and the rounded shoulder rises to a short conical neck.
The vase is covered overall with a mottled glaze of soft olive-green tone.
明十五世紀龍泉青釉梅瓶
36cm high
Undecorated Longquan celadon meiping dating to the early Ming
dynasty are rare. An example of identical size to the present vase in the
National Palace Museum, Taipei, was included in the exhibition Green-
Longquan Celadon of the Ming Dynasty, Taipei, 2009, pp. 132-133, no.
65. A meiping and cover dated to the Yuan or early Ming dynasty is
illustrated in Selected Treasures of Chinese Art: Min Chiu Society Thirtieth
Anniversary Exhibition, Hong Kong, 1990, no. 125. An example in the
Tokyo National Museum is published in Chinese Ceramics, Illustrated
Catalogues of Tokyo National Museum, Tokyo, 1965, p. 95, no. 387.
Another similar example was sold at Sotheby's London, 10 November
2004, lot 561.
For two examples identical in size sold at auction, see the meiping
and cover formerly in the The Tsui Museum of Art, Hong Kong, sold at
Christie's Hong Kong, 1 December 2010, lot 3104; and another example
without a cover, sold at Christie's Hong Kong, 1 June 2011, lot 3815.
$12,000–20,000
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20
A LONGQUAN CELADON BOWL,
LATE SOUTHERN SONG –
EARLY YUAN DYNASTY,
13TH CENTURY
the exterior carved with upright lotus petals,
covered with an olive-green glaze.
南宋/元龍泉青釉盌
17cm diameter
PROVENANCE
Joshua McClelland Print Room, 16/3/2007.
A Private Collection, ACT, Australia.
2007年3月16日購藏於墨爾本Joshua
McClelland Print Room藝廊.
澳大利亞首府私人收藏.
$1,500–2,500
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21
A PAIR OF LONGQUAN CELADON-
GLAZED WASHERS, SOUTHERN SONG
DYNASTY (1127-1279)
each one is finely moulded with a band of
lotus petals, covered with ice-crackled celadon
glaze of sea-green tone. With a fitted box.
南宋龍泉窯青釉洗一對
22.9cm diameter
PROVENANCE
One washer: Raymond and Victoria Tregaskis
Oriental Arts, Sydney, Australia.
A private collection, VIC., Australia.
澳大利亞著名亞洲藝術古董商Raymond and
Victoria Tregaskis舊藏
維多利亞州私人收藏
$3,000–5,000
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15
22 23
22 23
A LONGQUAN GUAN-TYPE BUBBLE BOWL, A LONGQUAN CELADON TWIN-FISH PLATE,
SOUTHERN SONG DYNASTY (1127-1279) SOUTHERN SONG DYNASTY (1127-1279)
covered inside and out with an attractive "ice-crackle" glaze The circular dish has deep rounded sides rising from a tapered foot to an
of bluish-grey colour. everted rim. It is applied in the centre with two fish in high relief with their
南宋龍泉官類泡泡盞 scales and fins well defined. The exterior is carved and moulded with ribbed
18.7cm diameter lotus petals radiating upward and covered overall with an even glaze of
bluish-green tone, with the exception of the foot ring which is burnt orange
PROVENANCE
in the firing.
南宋龍泉雙魚洗
13cm diameter
$1,000–2,000
For two similar examples please see Christie's Hong Kong, 4/4/2017,
lot 113 and 26/11/2014, lot 3204.
PROVENANCE
An old Japanese collection.
Raymond and Victoria Tregaskis Oriental Art, Sydney, Australia.
日本老藏家私人舊藏.
$5,000–7,000
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24 25
A SMALL YAOZHOU CELADON FOLIATE RIMMED DISH, A YAOZHOU CELADON CONICAL BOWL,
NORTHERN SONG DYNASTY (960-1127) FIVE DYNASTIES-NORTHERN SONG DYNASTY
The dish is with a foliate rim, it's covered with an even olive green glaze. The interior is finely incised with floral patterns.
北宋耀州窯青釉花口小盤五代/北宋耀州窯青釉刻花斗笠盏
10.1cm diam 13.8cm diameter
PROVENANCE PROVENANCE
K. Y. Fine Art, Hong Kong. Uragami Sokyu-Do Co., Ltd, 1/11/2014 (Original receipt).
The collection of Larry Lucas, Sydney, Australia. A private collection, VIC, Australia.
Bonhams Sydney, 15/11/2018, lot 47. 2014年11月1日購於浦上蒼穹堂（原發票）.
香港吳繼遠古美術. 澳大利亞私人收藏.
悉尼收藏家Larry Lucas舊藏. $6,000–8,000
悉尼邦漢斯，2018年11月15日，拍品號：47.
$2,500–3,500
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26
A YUE CELADON FOLIATE RIMMED
BOWL, TANG DYNASTY (618-907)
with widely flared sides and four lobes and
covered with a greyish-celadon glaze. The bi-
shaped base has six large spur marks, partially
revealing the pale grey body.
唐越窯青釉四瓣花口盞
17cm diameter
PROVENANCE
Capital Gallery, Hong Kong.
香港長安古美術
$12,000–20,000
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27
A PAIR OF QINGBAI WASHERS,
SOUTHERN SONG DYNASTY
(1127-1279)
each finely carved with a floral motif on the
interior centre, covered with a bluish-white
glaze. Both mouth rims with original silver band
remnants. With a fitted box.
南宋青白刻花洗一對
10cm diameter
$2,500–3,500
27
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28
A DING FOLIATE-RIMMED BOWL,
NORTHERN SONG (960-1127)
with lobed rim, covered with an even white glaze.
北宋定窯花口盞
19.5cm diameter
PROVENANCE
Collection of East and West Art Gallery, Melbourne.
墨爾本東西畫廊珍藏.
$3,000–5,000
28
29
A DING TYPE XUANZHOU FOLIATE RIMMED BOWL,
LATE TANG-FIVE DYNASTIES (907-960)
The well-potted dish has an undulating foliate rim and is covered overall
in a translucent white glaze, pooling to a pale ivory tone on the underside
and stopping irregularly above the short foot.
晚唐/五代定窯系宣州白釉四出花口盞
12.6cm diameter
Xuanzhou ware is the official ware for Southern Tang court. A similar
example was unearthed in 1950 from the tomb of Li Bian the last ruler of
the Southern Tang dynasty in Nanjing, Jiangsu province. Another similar
example see Collecting a Musuem: 50 Years of the Jiurutang Collection,
Part II, no. 344, p. 458. A very similar example please see Christie's
London, 7/11/2019, lot 24.
宣州窯屬於定窯系產品，為南唐時期專為宮廷燒造的官窯. 1950年江蘇南京
南唐李後主李昇墓出土有一件極為相似的白釉盞. 另一相似例子可參見《藏
美：九如堂古陶瓷收藏50年》，第二卷，圖版：344，頁：458. 另見佳士
得倫敦，2019年11月7日，拍品號：24.
PROVENANCE
Capital Gallery, Hong Kong.
香港長安古美術.
$7,000–9,000
29
19
30
A XING WHITE-GLAZED BOWL, FIVE DYNASTIES (907-960)
The slightly rounded widely flared sides subtly potted inside and out
as five lobes rising to a notched rim, covered all over with a glaze
of ivory tone.
五代邢窯白釉五出筋花形盏
15.4cm diameter
For a smaller Xing bowl with four flanges, see Christie's Hong Kong, lot 88.
PROVENANCE
KY Fine Art, Hong Kong.
An important private collection, Sydney, Australia.
香港吳繼遠古美術
悉尼重要私人收藏
墨爾本私人收藏
$10,000–20,000
30
31
A FINE QINGBAI 'LOTUS' BOWL,
SOUTHERN SONG (1127-1279)
The bowl has deep, rounded sides finely carved on the exterior with lotus
flowers and is covered overall with a greenish-blue glaze which pools to
a darker tone around the deeper carved areas and also covers the foot,
except for the unglazed mouth rim.
南宋影青刻蓮紋深腹盌
9.5cm diameter; 6.6cm high
PROVENANCE
Collection of Dr. Francis De Hamel, New Zeland.
新西蘭收藏家Dr. Francis De Hamel舊藏.
新南威尔士州重要私人收藏.
$6,000–7,000
31
20
32
A CARVED DING CONICAL TEA BOWL,
NORTHERN SONG DYNASTY (960-1127)
with widely flared sides, the interior is finely incised with petals radiating
from the centre. The bowl is covered inside and out with a glaze of
ivory tone that continues over the shallow ring foot on to the base.
The unglazed mouth rim is mounted with a metal band. With a fitted box.
北宋定窯刻菊瓣紋斗笠盞
13.3cm diameter
For an almost identical example but with more condition issues, see
Christie's New York, 22/3/2019, lot 1706. Another similar example without
metal band, see Christie's Hong Kong, 28/11/2012, lot 2272.
PROVENANCE
A private collection, Melbourne, Australia.
墨爾本私人收藏.
$4,500–6,500
32
33 34
21
33 35
A DING FOLIATED RIMMED BOWL, A DING WHITE-GLAZED FOLIATE RIMMED BOWL,
TANG-FIVE DYNASTIES, 10TH CENTURY LATE TANG–FIVE DYNASTIES, 10TH CENTURY
the bowl with lobed rim, covered with an unctuous yellowish white glaze. The shallow rounded sides rise to a slightly flared rim shaped as four bracket-
唐/五代定窯花口盞 lobed petals, the dish is covered in a creamy-white glaze stopping in an
15.7cm diameter irregular line above the foot.
PROVENANCE
晚唐/五代定窯白釉四出花口盏
Raymond and Vicki Tregaskis, Sydney, Australia. 16.4cm diameter
An important private collection, Sydney, Australia. For an almost identical example see Sotheby's London, 9/11/2018, lot 254.
PROVENANCE
悉尼重要私人收藏.
A private collection, VIC, Melbourne.
$4,000–6,000
$8,000–12,000
34
A SMALL WHITE-GLAZED CUP,
SUI-TANG DYNASTY, 7TH CENTURY
covered with an ivory-white glaze. With Japanese wood box.
隋/唐七世紀白釉杯
7.5cm high
Similar example, see Sotheby's New York, 23/3/2022, lot 301.
PROVENANCE
A private Japanese collection.
日本私人收藏.
$2,200–3,500
35
22
36 37
36 37
A JUN BOWL, JIN-YUAN DYNASTY, 13TH CENTURY A JUN BLUE-GLAZED DISH,
The bowl is of deep, rounded conical form, and is covered inside and out with SONG – YUAN DYNASTY, 13TH CENTURY
a glaze of pale milky blue colour, and with a purple plash on the interior. It covered overall in a lavender-blue glaze thinning to a mushroom
金/元鈞窯青釉紫斑盌 tone at the rim.
16.4cm diameter 宋/元鈞窯天青釉盤
PROVENANCE 16 cm diameter
Mr. Ma Tak, Hong Kong, late 90s. PROVENANCE
A private collection, NSW, Australia. Sotheby's Hong Kong, 30/05/2018, lot 386.
九十年代晚期購藏於香港古董商馬德. Private collection, Melbourne, Australia.
新南威爾士州私人收藏. 香港蘇富比，2018年5月30日，拍品號：386.
$1,000–2,000 墨爾本私人收藏.
$4,500–6,500
23
38
A RARE QINGBAI OCTAGONAL ‘PRUNUS’ EWER,
SOUTHERN SONG-YUAN DYNASTY, 13TH CENTURY
of conforming octagonal shape and each facet is relief moulded with a
prunus spray. The glaze of pale blue tone.
南宋/元影青八角形印梅紋執壺
20.7cm high
For a meiping vase with similar shape and design, see Christie's Hong
Kong, 3/12/21, lot 2807.
PROVENANCE
An old private collection, Melbourne, acquired from Moongate Antiques,
Armadale, June 2001.
澳大利亞墨爾本資深私人收藏，2001年購於Armadale的Moongate古董店.
$3,000–5,000
38
39
A RARE QINGBAI OCTAGONAL ‘PRUNUS’ VASE, MEIPING,
SOUTHERN SONG-YUAN DYNASTY, 13TH CENTURY
of conforming octagonal shape and each facet is relief moulded with a
prunus spray. The glaze of pale blue tone.
南宋/元影青八角印梅紋梅瓶
21cm high
For a very similar but smaller example (18.5cm high) see Christie's Hong
Kong, 3/12/21, lot 2807.
PROVENANCE
Acquired in Indonesia in the early 80s, and thence by descent.
A private collection, Geelong, Australia.
八十年代早期購藏於印度尼西亞，家族流傳.
澳大利亞吉朗私人收藏.
$3,000–5,000
39
24
40
A KOREAN MOULDED CELADON-GLAZED BOWL,
GORYEO DYNASTY, 12TH-13TH CENTURY
The bowl is moulded on the interior centre with a chrysanthemum, and is
covered overall with a glaze of soft greyish-green colour. With a Japanese
wood box.
高麗王朝十二/十三世紀青瓷大盌
18.6cm diameter
For a comparable example, see Christie's New York, 17/3/2017, lot 1172
PROVENANCE
$4,500–6,500
40
41
A CHINESE GONGXIAN WHITE-GLAZED VASE,
TANG DYNASTY (618-907)
heavily potted, with a cup-shaped mouth and wasted neck, covered with
a warm white glaze.
唐鞏縣窯白釉盤口瓶
16.5cm high
PROVENANCE
$3,000–5,000
41
25
42
A RARE AND FINE DING/DANGYANGYU PERSIMMON-GLAZED PROVENANCE
CONICAL TEA BOWL, NORTHERN SONG DYNASTY (960-1127) Sotheby's London, 13/07/2005, lot 138.
KY Fine Art, Hong Kong
The bowl is finely potted and covered in an even purple glaze,
Mossgreen, Melbourne, 16/06/2015, lot 50.
on the interior, exterior and inside the unglazed foot-rim.
倫敦蘇富比，2005年7月13日，拍品號：138
北宋定窯/當陽峪窯紫金釉斗笠盞
香港吳繼遠古美術
4.7cm high, 18.2cm diameter
墨爾本Mossgreen, 2015年6月16日，拍品號：50
James Spencer, Selected Chinese Ceramics from the Han to the $15,000–20,000
Qing Dynasties, From the Chang Foundation, Taipei, 1990, plate 28.
Freer Gallery of Art, Washington D.C., Oriental Ceramics:
The Worlds Great Collections, Tokyo 1981, Vol.9, Cat. No. 62.
For a similar bowl see Sotheby's New York, 16th-17th September, 2014, lot: 105;
and also see Sotheby's New York, 23rd March, 2011, lot: 519
42
26
43 44
43 44
A CELADON PIERCED JADE PLAQUE, A JADE PENDANT OF A TIGER AND A MAN,
QING DYNASTY (1644-1912) POSSIBLY SHANG DYNASTY
carved in openwork with a dragon and a phoenix, (16TH–11TH CENTURY BC) OR LATER
the pale white stone with areas of russet carved with a tiger turning his head to the back and back, and his hind paws
清青白玉雕龍鳳佩 grabbing a man, the yellowish-white jade with some dark inclusions.
7cm high 或為商代青白玉虎人佩
PROVENANCE 7.5cm long
China Guardian Beijing, 7/7/1996, lot 476 (with original certificate). $5,500–7,000
購藏於中國北京嘉德拍賣，1996年7月7日（原證書）.
$2,000–3,000
27
45 46
A RARE AND FINE WHITE JADE SWORD POMMEL, A SMALL MOTTLED RUSSET JADE BI,
WARRING STATES – HAN DYNASTY, 5TH BC–3RD AD HAN DYNASTY (206BC-220AD)
The concave centre is carved in relief with four lotus petals,enclosed by a wide finely carved in relief on both sides with comma spirals,
border of spirals, the even white stone with a small area of brown inclusions. set within slightly raised borders.
戰國/漢白玉雕蓮瓣紋劍首漢「谷紋」玉璧
4.2cm diameter 5cm diameter
For a jade pommel with a dragon design see Christie's Hong Kong, $3,000–5,000
28/11/2018, lot 2276. For a jade pommel with much more common design,
see Sotheby's, 30/11/2021, lot 461.
PROVENANCE
Collection of a famous Chinese art scholar Zeng Tujin.
著名中國藝術學者曾土金舊藏.
$4,000–6,000
45 46
28
47 48
47
A SMALL JADE TIGER,
LATE SHANG TO EARLY WESTERN ZHOU DYNASTY,
11TH CENTURY B.C.
商晚期玉虎
3.3cm long
$2,200–3,200
48
A CELADON JADE CARVING OF A BIRD PENDANT,
WESTERN ZHOU (1047-772 BC)
carved as a stylised mythical bird and decorated with fine incisions.
西周青玉鳥形佩
3.8cm high
$15,000–20,000
49
29
49
A MOTTLED CARAMEL JADE FISH-FORM PENDANT,
SONG-MING DYNASTY, 12TH-17TH CENTURY
宋/明玉魚形佩
6.4cm long
PROVENANCE
Acquired in Hong Kong in the late 80s.
八十年代晚期購藏於香港.
$2,000–3,000
50
A WHITE JADE FISH DRAGON-FORM PENDANT,
HAN DYNASTY (206 BC-220 AD)
The flat ornament is carved in the form of a dragon, with circular eyes, a
snout-like nose and comma spirals detailed to the "S"-shaped body that
terminates in a short fish tail. A suspension hole is drilled from both sides
of the body. The stone is a pale white tone with some russet inclusions.
漢白玉雕魚龍形佩
6.4cm long
A similar example see Christie's Hong Kong, 31/5/2017, lot 2729.
PROVENANCE
$8,000–10,000
50
51
TWO CELADON JADE DRAGON FRAGMENT,
LATE HONGSHAN CULTURE, CIRCA 3500-3000 BC
including one jade c-shaped dragon fragment
and one pig dragon fragment.
新石器時期紅山文化晚期 C形龍及玉豬龍殘件兩件
8.5cm wide & 5.5cm wide
$5,000–7,000
51
30
52
A JADE DRAGON FORMED PENDANT,
POSSIBLY WARRING STATE/HAN DYNASTY OR LATER,
CIRCA 3RD-4TH CENTURY BC
The flat plaque is finely carved in the form of a dragon with an upward-
turned head at one end of the arched s-shaped body, and a coiled
tail at the other end. The body and tail are carved on both sides in low
relief with comma spirals, the stone is with a pale white tone with areas
of calcified white.
或為戰國/漢或更晚青白玉雕龍形佩
11cm long
A similar example please see Christie's Hong Kong, 31/5/2017, lot 2719.
PROVENANCE
Acquired from Hong Kong in the early 90s.
An old private NSW collection.
九十年代初期於香港購藏.
新南威爾士州老藏家私人舊藏.
$6,000–8,000
52
53
A CREAMY WHITE JADE PENDANT OF A WU, POSSIBLY
NEOLITHIC PERIOD, LIANGZHU CULTURE (3300–2300 BC)
The mythical pendant is carved with the shape of a wu, incised with
circular scroll motifs, the calcified white jade with small area of russet
colour.
或為良渚文化期白玉雕巫形飾
6.3cm long
PROVENANCE
$3,200–5,000
53
31
54
A JADE DRAGON FORMED PENDANT,
WARRING STATES/HAN DYNASTY
The semi-circular pendant is carved in the shape of a dragon shown in
profile. Both sides are carved with comma spirals, c-scrolls and cloud
scrolls in low relief. The pendant is covered in a white encrustation.
戰國/漢白玉龍形佩
9cm long
PROVENANCE
Private collection, VIC, Australia.
澳大利亞維多利亞私人珍藏.
$9,200–10,000
54
55
A PALE CELADON AND RUSSET JADE 'SPRING WATER'
PLAQUE CHUNSHUI, JIN-YUAN DYNASTY, 13TH CENTURY
delicately carved with a falcon hunting a goose, the goose's elongated
slender neck depicted intertwined with curling leafy scrolls, the pale
white stone with areas of russet inclusions.
金/元青白玉雕春水帶釦
5.3cm diameter
Compare the jade plaque with similar motif, Sotheby's Hong Kong, 28 &
29/11/2019, Lot 749. Also, see, Christie's Hong Kong, 30/5/2018, Lot 3053.
PROVENANCE
Wyssem Aria Oriental Art, Germany.
德國 Wyssem Aria 東方藝術.
$800–1,000
This lot will be offered no reserve.
此拍品不設保留價
55
32
56 57
56 57
A LARGE JADE CARVING OF A ‘PIG DRAGON’ FRAGMENT, A JADE 'PHOENIX' DISC BI,
HONGSHAN CULTURE, CIRCA 4000-3000 BC WARRING STATES/HAN DYNASTY, CIRCA 3RD BC.
The jade fragment is carved as a coiled stylised mythical animal with incised well-carved to both sides of the surface with a band of comma spirals
circular eyes below pricked ears, the pale white stone with areas of dark within inner and outer raised borders, and flanked on the edges by a pair of
inclusions. phoenix. The semi-translucent stone of pale white colour with areas of russet
新石器時期紅山文化期玉豬籠殘件 inclusions.
8cm long 戰國/漢鳳耳谷紋玉璧
$4,000–6,000 7.2cm long
For a very similar example, please see Christie's Hong Kong, 31/05/2017,
lot 2717; and another example with a further decoration on the top, see the
same sale, lot 2715.
PROVENANCE
Purchased from Hong Kong in the early 90s.
九十年代初期於香港購藏.
$10,000–20,000
33
58 59
A CREAMY CELADON JADE TWO-TIERS CONG, A RARE AND FINE WHITE JADE DISC BI,
POSSIBLY NEOLITHIC PERIOD, WARRING STATES/HAN PERIOD, CIRCA 3RD-4TH CENTURY BC
LIANGZHU CULTURE (CIRCA 3300-2300 BC) The jade ring is finely carved in relief on both sides with comma spirals, set
of short cylindrical square section, each corner carved with a stylised human within slightly raised borders, the stone is with a pale white tone with areas of
and animal mask design, the faces divided with a gently recessed vertical calcified white.
band in the centre of each side, the opaque stone of greenish-white tone 战国/漢「谷纹」白玉璧
suffused with russet inclusions. 4.7cm diameter
或為新石器時期良渚文化期雙層獸面紋青白玉琮 For a very similar jade bi, partially covered with original silk, see: Christie's
8.1cm wide, 5.3cm high London, 9/11/2010, lot 190. A larger example was given by Florence and
A smaller two-tiered jade cong (6 cm wide) with russet tone, see Herbert Irving to the Metropolitan Museum of Art, sold at Sotheby's New York,
Christie's Hong Kong, 11/6/2021, lot 3167. Another similar example see, 14/09/2019, lot 1324
Sotheby's Hong Kong, 20/12/2021, lot 462.
PROVENANCE
PROVENANCE Acquired in Hong Kong in the early 90s.
Purchased in Hong Kong in the 50s. 九十年代早期購藏於香港.
An old private collection NSW, Australia. $8,000–10,000
50年代購藏於香港
新南威爾士州老藏家舊藏
$9,000–15,000
58 59
34
60
TWO WHITE JADE PLAQUES,
YUAN-MING DYNASTY, 14TH CENTURY
One plaque carved in openwork with a Chilong;
the other with a phoenix under a peony.
元/明白玉雕配飾兩件
6.4 cm & 5.5 cm
$5,000–7,000
60
61
A JADE 'CHILONG' PLECTRUM-SHAPED PENDANT,
YUAN/MING DYNASTY, 14TH CENTURY
The jade is finely carved with two sinuous chilong surrounding the
archer’s thumb ring shaped ornament. The stone is of a greyish white
tone with dark inclusions.
元/明青灰玉雕螭龍韘形佩
4cm long
PROVENANCE
Purchased in Hong Kong in the 90s.
九十年代購藏於香港.
$2,000–3,000
61
35
62
A WHITE JADE BIRD-SHAPED PENDANT,
LATE HONGSHAN CULTURE, CIRCA 4000-3000 BC
The pendant is simplistically carved in the shape of a bird with a small
head, outspread wings and tail, two suspension holes were drilled from
both sides of the body on the back. The stone is with a pale white tone
with areas of calcified white and russet inclusions.
新石器時期紅山文化晚期鸮形佩飾
5.7cm wide; 5.4cm high
For a smaller example (3cm long) with much simpler design please
see Christie's Hong Kong, 30/05/2018, lot 3055. Another bird pendant
with similar size but simpler design, see Christie's Hong Kong,
29/11/2017, lot 2708.
PROVENANCE
Acquired in Hong Kong in the early 90s.
九十年代早期購藏於香港.
$8,000–10,000
62
63
A YELLOW JADE SCABBARD SLIDE,
LATE EASTERN ZHOU-HAN DYNASTY,
4TH CENTURY BC–1ST CENTURY AD
of rectangular shape with curved ends, carved with a taotie mask below
angular scrolls, the stone of greenish-brown tone with feather-like russet
markings.
東周晚期/漢黃玉劍鞘配飾
8cm long
$8,000–12,000
63
36
64 65
64 65
A PALE-GREY JADE COVER, MING DYNASTY (1368-1644) A WHITE JADE CARVED BELT BUCKLE "QIUSHAN"
carved in openwork with phoenix in flight, MOUNTED WITH PARCIAL-GILT SILVER, LIAO/JIN DYNASTY,
the pale white stone with minor dark inclusions. 11-13TH CENTURY
明青灰玉雕鳳紋香盒 The belt buckle is of oval form, carved with hawk is catching a goose in flight,
5.7cm diameter the stone of pale white colour.
$1,500–2,500 遼/金白玉雕 “秋山” 鑲銀局部鎏金帶釦
Jade: 5.4cm long; 7cm long overall
Similar example see Christie's Hong Kong, 28/11/2006, lot 1445.
$6,000–8,000
37
66
A CREAMY WHITE JADE RITUAL BLADE,
POSSIBLY NEOLITHIC PERIOD,
LIANGZHU CULTURE (3300–2300 BC)
The blade is carved with a stylised human and animal mask design in two
registers, opaque stone of calcified white suffused with russet inclusions.
或為良渚文化期白玉雕饕餮紋刃飾
6.4cm high
PROVENANCE
$3,200–5,000
66
67
A VERY FINE JADE CONG,
POSSIBLY LATE LIANGZHU CULTURE
(CIRCA 3300-2300 BC)
carved with a mask at each corner with an oblong scroll-filled mouth and
circular eyes below a headdress of fine horizontal lines. The stone is of
glossy ivory-white tone.
或為良渚文化晚期雞骨白獸面紋玉琮
7.6cm wide, 4cm high
Compare with a similar jade cong with two registers,
see Christie's Hong Kong, 30/5/2018, lot 3080.
PROVENANCE
Purchased in the early 90s.
An old private collection, Sydney, Australia.
澳洲悉尼私人老藏家舊藏，90年代早期購於香港
$22,000–35,000
67
38
68 69
68
A CARVED YELLOW JADE OF A CAT,
MING DYNASTY (1368-1644)
the cat is carved recumbent, the yellow stone with russet inclusions.
5.3cm long
明黃玉雕狸貓擺件
PROVENANCE
Raymond and Vicki Tregaskis, Sydney, Australia.
$1,500–2,500
69
A MOTTLED CELADON JADE CONG,
SONG-MING DYNASTY, 10TH-17TH CENTURY
The cong is of typical square-section form with a central circular aperture.
The stone is of a dark green tone with some brown-russet inclusions.
宋/明青玉琮
4.9cm high
For a smaller jade cong with a lighter green colour,
see Christie's London, 10/11/2015, lot 134.
PROVENANCE
A private collection, NSW, Australia, acquired in the early 2000s.
澳洲新南威爾士私人收藏，購藏於2000年代早期.
$5,500–7,000
70
39
70
A RARE YELLOW JADE TIGER,
SONG/MING DYNASTY, 13TH-14TH CENTURY
the recumbent tiger with its head turned back towards the split tail,
the caramel-coloured stone with some darker inclusions.
宋/明黃玉雕臥虎
5cm long
PROVENANCE
The collection of Jim Forbes, Boston, USA, whose family had been
involved with the China trade. Most of the collection is in the Peabody
Museum, Massachusetts, USA.
Mossgreen Melbourne, 16-17/6/2014, lot185.
美國波士頓 Jim Forbes 舊藏.
澳大利亞 Mossgreen, 2014年6月16日-17日，拍品號：185.
$2,000–4,000
71
A CELADON JADE BEAR,
YUAN-MING DYNASTY, 14TH/15TH CENTURY
the recumbent bear with his head turned to one side,
the pale-celadon jade with areas of black and russet inclusions.
元/明青玉雕玉臥熊
5.5cm wide
$2,000–3,000
72
71
A JADE 'CHILONG' PLECTRUM-SHAPED PENDANT,
HAN DYNASTY (206 BC-220 AD)
finely carved in openwork with two sinuous chilong surrounding the
archer’s thumb ring shaped ornament with further incised details. The
stone is of a greyish white tone with dark inclusions.
漢螭龍紋玉韘形佩
5.8cm long
PROVENANCE
A private collection, Malaysia.
馬來西亞私人收藏
$30,000–50,000
72
40
73 74
73 74
A WHITE JADE CARVED ROUNDED PENDANT OF A WHITE JADE 'LONGEVITY' BELT HOOK,
HEHEERXIAN, MING DYNASTY, 17TH CENTURY QING DYNASTY, 19TH CENTURY
carved in open-work with he he er xian, the stone is an even white colour. carved with an endless knot in the centre flanked
明十七世紀白玉鏤空雕和合二仙掛飾 by two round Shou characters and bats.
5.1cm diameter 清末白玉壽紋帶鉤
$2,000–3,000 8.7cm long
PROVENANCE
Property of a Lady
Sotheby’s Hong Kong, 11/12/2020, lot 1129.
女史珍藏.
香港蘇富比，2020年12月11日，拍品號：1129.
$4,000–6,000
41
75 PROVENANCE
An old private Collection, Taiwan
A RARE MOTTLED WHITE JADE FIVE-TIERED CONG,
Acquired from Hong Kong in the early 90s.
NEOLITHIC PERIOD, LIANGZHU CULTURE
台灣老藏家私人舊藏
(CIRCA 3300-2300 BC)
九十年代初期於香港購藏
of square cross section surrounding a cylindrically hollowed tube to the
centre with rounded square corners, and tapered slightly from top to 玉琮奶白色，有少許綠點與赭紅斑. 長方柱形，外方內圓. 外表分為五節，每節
bottom. The sides are divided into five registers with a stylised mask at 以四角為中線，刻簡化人面紋四組，共二十組. 紋飾由兩條平行凸橫棱、雙重圓
each of the four corners, comprising two long bars above a shorter bar 圈、凸橫檔構成，分別表示羽冠、眼睛和鼻子. 整器製作規整，雕琢精緻，拋光
and flanked by two incised circles forming eyes. The stone is of a milky 細膩.
white colour with some green veining and russet inclusions. 玉琮是良渚文化玉器中最典型器物之一. 雖然學術界關於玉琮的起源及用途眾說
新石器時代良渚文化期五層獸面紋玉琮紛紜，但從出土墓葬中所發現玉琮之數量足以顯示玉琮在良渚文化玉器中的特殊
12.5cm high 地位. 目前大多數學者認同玉琮是和某種神袛崇拜有關的禮儀用玉.
The present cong displays the distinctive characteristic of Liangzhu 北京故宮博物院藏一件良渚文化玉琮（高14.8厘米），墨綠玉質，外表亦分五
Culture cong vessels, with a square outer section around a circular inner 節，見《故宮博物院藏品大系：玉器編1新石器時代》，北京，2011年，頁76，
part and decorated with stylised masks neatly arranged on each of the 編號31；另見1973年江蘇省武進縣寺墩出土一件良渚玉琮，尺寸較此拍品稍大（
four corners. Particularly notable in the present cong is the fine quality of 高14.6厘米），著錄於《良渚文化玉器》，香港，1989年，頁39，編號50.
the delicately incised lines.
相似的五層玉琮另可參見香港邦瀚斯，2017年11月28日，拍品號1；一件青玉的
One interpretation of the function of cong is that it symbolised the earth. 例子可參見香港蘇富比，2020年10月9日，拍品號52. 另兩件稍小一些的四層玉
Although the precise meaning and use of the cong is not entirely clear, it 琮的例子，分別見香港佳士得，2019年11月27日，拍品號2720 和 2018年11月
was found in extensive numbers in Liangzhu tombs and is believed to be 28日，拍品號2702.
of great significance.
$50,000–70,000
Compare an example of a jade cong also carved with five registers
of stylised masks (14.8cm high), Neolithic period, Liangzhu Culture,
illustrated in Compendium of Collections in the Palace Museum: Jade 1
Neolithic Age, Beijing, 2011, p.76, pl.31. See also another slightly larger jade
cong (14.6cm high), also with five registers, excavated in 1973 from Sidun
in Wujin, Jiangsu Province, illustrated in Liangzhu wenhua yuqi, Hong
Kong, 1989, p.39, pl.50.
For a similar five-tiered jade cong also see, Bonhams Hong Kong,
28/11/2017, lot 1. In addition, a mottled green coloured example, see
Sotheby's Hong Kong, 9/10/2020, lot 52.
For two slightly smaller four-tiered example see Christie's Hong Kong,
27/11/2019, lot 2720 (11.4 cm high) and Christie's Hong Kong, 28/11/2018,
lot 2702 (13.3cm high).
75
42
76 77
76 77
A WHITE JADE PENDANT, QING DYNASTY (1644-1911) A WHITE JADE PENDANT, QING DYNASTY (1644-1911)
The rectangular plaque is finely carved to each side with a panel surmounted The rectangular plaque is finely carved to each side with a panel surmounted
by two archaic kui dragons, one side is carved with a dragon chasing a by two archaic kui dragons, one side is carved with a military general, while
flaming pearl surfing the sea waves amongst clouds, while the other side is the other side is carved with a poem followed by the signature Zigang.
carved with a hanging pendant with "da yu qing gui" four characters. The 清白玉子岡牌
stone is an even white tone. 5.3cm long
清白玉雕「大雨晴歸」龍紋玉牌
A very similar example please see Christie's Hong Kong, 30/11/2020, lot 3073.
6cm long
$6,000–8,000 $8,000–12,000
43
78
A LARGE JADE DISC, BI,
MID-WARRING STATES PERIOD–HAN DYNASTY,
4TH CENTURY B.C.– 3RD CENTURY A.D.
carved on both sides with raised bosses in the form of comma spirals
enclosing the central aperture within raised borders. The stone of
yellowish celadon tone with brown and opaque white inclusions.
戰國 “谷紋” 青白玉璧
15.6cm diameter
A smaller jade disc bi (12.5cm diameter) see Christie's Hong Kong,
3/12/2021, lot 2725.
PROVENANCE
Collection of the Jade expert Zeng Tujin, acquired in the 90s.
著名中國藝術學者曾土金舊藏，購於九十年代
$40,000–50,000
78
79
A MOTTLED RED JADE TWO-TIERS CONG,
POSSIBLY NEOLITHIC PERIOD,
LIANGZHU CULTURE (CIRCA 3300-2300 BC)
The cong is of short cylindrical square section, each corner carved with a
stylised human and animal mask design, the faces divided with a gently
recessed vertical band in the centre of each side, the opaque stone of
mottled red tone suffused with russet inclusions.
或為新石器時期良渚文化期雙層獸面紋玉琮
7.6cm wide; 5.9cm high
For a similar but smaller example (6cm wide) see Christie's Hong Kong,
11/6/2021, lot 3167. Another celadon jade example see, Sotheby's Hong
Kong, 20/12/2021, lot 462.
PROVENANCE
Purchased in Hong Kong in the 50s.
An old private collection NSW, Australia.
50年代購藏於香港
新南威爾士州老藏家舊藏
$9,000–15,000
79
44
80 81
80
A SMALL PALE CELADON JADE WATER POT,
QING DYNASTY (1644-1911)
carved with a chilong clambering at the rim, the pale white stone with a
few russet inclusions.
清青白玉螭龍水盂
6cm high
PROVENANCE
Sotheby’s, Hong Kong, 29/11/2019, lot 846 (part)
香港蘇富比，2019年11月29日，拍品號: 846.
$10,000–20,000
81
A PALE WHITE JADE OPENWORK FINIAL,
YUAN DYNASTY (1279-1368)
carved and pierced with three monkeys amongst dense clusters of pine,
the pale white stone with russet inclusions.
元灰白玉雕猴子攀松帽頂
4 cm high
PROVENANCE
Raymond and Victoria Tregaskis, Sydney, Australia, 1990s.
澳大利亞著名亞洲藝術古董商Raymond and Victoria Tregaskis舊藏
新南威爾士重要私人收藏
82 $3,000–5,000
45
82
A PALE WHITE JADE MYTHICAL BEAST XIEZHI,
the recumbent beast worked from the pale white stone
with dark inclusions.
明青白玉獬豸臥像
5cm long
PROVENANCE
澳大利亞著名亞洲藝術古董商Raymond and Victoria Tregaskis舊藏
新南威爾士重要私人收藏
$3,000–5,000
83
A LARGE JADE CARVING OF A ‘PIG DRAGON’,
HONGSHAN CULTURE, CIRCA 4000-3000 B.C.
carved as a coiled stylised mythical animal with incised circular eyes
below pricked ears, and pierced with a circular aperture to the centre
between a slit and a smaller aperture for suspension. The stone is of a
green tone with extensive areas of white inclusions.
新石器時代紅山文化期玉豬龍
9.5cm high
A similar example excavated from Xiahuofang, Weichang, Hebei province,
now is in Hebei provincial musuem, see Gu Fang ed., The Complete
Collection of Jades Unearthed in China, Vol.1, p121; another example
excavated from EOergenwusu, Balinyouqi, Inner Mongolian Autonomous
Region, now in Balinyouqi musuem, see the same set of books, Vol.2,
p.22. For similar examples sold at the auction, see, Christie's Hong Kong,
27/11/2019, lot 2706, a smaller example (7.2cm high) see the same sale, lot
2708. A yellow jade pig, see, Sotheby's Hong Kong, 09/10/2020, lot 21.
PROVENANCE
Purchased in Hong Kong in the early 90s.
九十年代初期於香港購藏
$30,000–50,000
83
46
84 85
84 85
A WHITE JADE CARVED FIGURE OF BOY, A WHITE JADE CARVING OF A PARROT,
SONG DYNASTY (960-1279) YUAN DYNASTY (1271-1368)
The jovial boy twisting his torso above slightly bent legs, carrying a lotus The recumbent bird with legs neatly tucked underneath, its long curving
stem over his shoulder, his clothing decorated with star-shaped motifs. neck turned sharply towards the back, holding a sprig of peaches in its long
The stone is of beautiful even white colour with areas of russet. beak falling over the finely incised wings, the tail feathers finely detailed,
宋白玉雕童子 the white jade with very light russet tone.
4.8cm high 元白玉雕仙鶴銜壽桃
4.7cm long
Compare with the white jade 'wrestling boys' group from Robert Youngman
Collection, also dated to the Song dynasty, the boys have very similar facial PROVENANCE
character, similar hair style, and are wearing a similar style of clothing. See Raymond and Victoria Tregaskis, Sydney, Australia, 1990s.
Sotheby's Hong Kong, 2/4/2019, lot 3433. Also, compare with a white jade An important private collection, NSW.
plaque of a boy, Song dynasty, Sotheby's Hong Kong, 7/4/2010, lot 2009. 澳大利亞著名亞洲藝術古董商Raymond and Victoria Tregaskis舊藏.
For another comparable example Sotheby's Hong Kong, The Zhirouzhai 新南威爾士州重要私人收藏.
Collection, 7/10/2008, lot 2302. $2,000–3,000
$4,000–6,000
47
86
A CELADON-WHITE JADE CARVED PAPER WEIGHT OF TWO
BADGERS, QING DYNASTY, 18TH-19TH CENTURY
finely carved as two badgers arranged head to tail, each detailed with a
pointed face and a bushy tail, one is biting a butterfly on the other's back,
both on a branch of banana leaves. The stone with an even white colour.
清青白玉雕“歡歡喜喜”紙鎮
6cm wide
A very similar white jade paper weight carved with two Rabbits,
see Christie's Hong Kong, 3/6/2015, lot 3345.
PROVENANCE
Mark Walberg Fine Art and Antiques, New York, USA.
A private collection NSW and US.
美國紐約Mark Walberg古美術
美國和新南威爾士州私人舊藏
$10,000–20,000
86
87
A STRIATED PALE GREY JADE CARVING OF A RECUMBENT
RAM, SONG DYNASTY (960-1279)
Naturalistically carved in the form of a recumbent ram, its legs neatly
tucked under its body and with long curling horns, the stone of an
attractive creamy tone with dark russet inclusions.
宋灰白玉臥羊
6cm long, 79g
For similar examples from the same period, see Chinese Jade Animals,
Hong Kong Museum of Art, 1997, Hong Kong, pl. 91, 93, and 94, p. 116 to
199, and Roger Keverne eds., Jade, Anness Publishing Ltd, 2010, London, pl.
23, p 121 to 122. A smaller example also see, Christie's, London, 11/05/2010,
lot 1. A pale yellow jade with similar design but from Ming Dynasty, see
Christie's New York, 22/03/2013, lot 1353.
PROVENANCE
Douglas J. K. Wright, Oxon UK, 11 February 2003 (bought for £4,600).
A private collection, United Kingdom, thence by descent.
A private collection, Sydney.
Bonhams Sydney, 21/11/2019, lot 502.
英國牛津郡收藏家Douglas J. K. Wright，購於2003年2月11日（4600英鎊）
英國私人舊藏，家族流傳
悉尼私人收藏
悉尼邦漢斯，2019年11月21日，拍品號：502
$6,500–7,500
87
48
88
A WHITE JADE HAIRPIN WITH ZIGANG MARK,
QING DYNASTY, 18TH CENTURY
carved in low relief with a writhing chilong with finely incised hair, two-
character "Zi Gang" mark on the back, the stone of even white colour.
清十八世紀子岡款白玉髮簪
13cm long
For a similar example but shorter (11.5cm), see Christie's London,
5/11/2013, lot 218.
PROVENANCE
Mark Walberg Fine Art and Antiques, New York, USA
美國紐約Mark Walberg古美術
$4,500–6,500
88
89 90
49
89 91
A RARE SMALL WHITE JADE 'BIRD' BELT ORNAMENTS, A RARE PALE WHITE AND RUSSET JADE CARVING OF A
TANG-YUAN DYNASTY, 10TH-14TH CENTURY MYTHICAL BEAST XIEZHI, HAN DYNASTY (202BC-220AD)
carved as a seated bird with closed wings, the underside with a raised The underside is carved in intaglio with beard and hair markings. The softly
pierced boss, the stone of mottled white, brown and black tones. polished stone with a pale white undertone and russet striations.
唐/元白玉雕鳥形帶釦漢白玉雕獬豸把件
4.5cm long 7cm long
The Durwin Tang Collection. Christie’s Hong Kong, 4/10/2016, lot 30.
Bonhams Hong Kong, 27/11/2018, lot 107. 香港佳士得，2016年10月4日，拍品號：30
$70,000–90,000
香港「天珍堂」鄧德雍珍藏.
香港邦漢斯，2018年11月27日，拍品號：107.
$4,000–6,000
90
A RARE SMALL YELLOW JADE 'BIRD' HAT ORNAMENT,
TANG-YUAN DYNASTY, 10TH-14TH CENTURY
carved as a seated bird with closed wings; the underside with a circular
section enclosing pierced holes for attachment, the stone of mottled
brown tones.
唐/元黃玉雕鳥形帽飾
3.2cm long
PROVENANCE
The Durwin Tang Collection.
Bonhams Hong Kong, 27/11/2018, lot 107.
香港「天珍堂」鄧德雍珍藏.
香港邦漢斯，2018年11月27日，拍品號：107.
$4,000–6,000
91
50
92 93
92 93
A FINE SMALL TIANHUANG CARVED MYTHICAL BEAST XIEZHI, A CELADON JADE CARVING OF A MYTHICAL BEAST,
QING DYNASTY (1644-1911) SONG DYNASTY (960-1279)
finely carved with a mythical beast Xiezhi on waves. With fitted wood stand. The recumbent beast with three horns, head turned to one side,
清壽山田黃石雕獬豸 the celadon stone with dark inclusions.
3.5cm long 宋青玉雕三角神獸坐像
PROVENANCE
4cm long
Raymond and Vicki Tregaskis, Sydney, Australia PROVENANCE
澳大利亞著名亞洲藝術古董商Raymond and Victoria Tregaskis舊藏. Raymond and Victoria Tregaskis, Sydney, Australia.
$3,000–5,000
$2,000–3,000
51
94 95
94 95
A GREY AND BLACK JADE CARVING OF A MANDARIN DUCK, A WHITE JADE PIERCED OBLONG PLAQUE"CHUNSHUI",
MING DYNASTY (1368-1644) YUAN-MING DYNASTY
carved crouching, grasping a lotus stem in its beak, of oval form, carved in three layers with three egrets perched among the
the stone with natural inclusions. stems of lotus, the stone of an even colour with little golden brown inclusions
明鴛鴦戲蓮玉雕把件 along the underside rim.
6.3cm long 元/明白玉雕“春水”帶釦
PROVENANCE
8.5 cm long
A private collection, Melbourne, Australia, purchased in the 70s. A similar "Qiushan" jade plaque dated to Liao/Jin, sold at this house,
墨爾本私人收藏，購藏於七十年代. 29/08/2021, lot 145.
$4,000–6,000 PROVENANCE
Wyssem Aria Oriental Art, Germany.
德國Wyssem Aria東方藝術.
$6,000–8,000
52
96
A LARGE BLUE AND WHITE OVOID JAR AND COVER,
QING DYNASTY, KANGXI PERIOD (1662-1722)
finely decorated with a family of swallows in a large mandarin prunus tree.
清康熙青「喜上眉梢」大罐
30cm high (with cover)
PROVENANCE
Joshua McClelland Print Room, Melbourne, 1980.
A private collection, Gold Coast, Australia.
Mossgreen Melbourne, 28/11/2017, lot 642.
1980年購於墨爾本Joshua McClelland Print Room藝廊.
澳大利亞黃金海岸私人收藏.
澳大利亞Mossgreen，2017年11月28日，拍品號：642.
$2,000–3,000
96
97
A BLUE AND WHITE DISH, MING DYNASTY,
WANLI PERIOD (1572-1620)
明萬曆青花盤
13.3cm diameter
PROVENANCE
A private collection, VIC, Australia, acquired in Japan.
維多利亞州私人收藏，購藏於日本.
$1,200–1,500
97
53
98
98 99
AN UNDERGLAZED-RED BIRD FEEDER,
元釉里红鸟食罐
6.9cm wide
PROVENANCE
Acquired in Indonesia, and thence by descent.
購藏於印度尼西亞，家族流傳.
維多利亞州私人收藏.
$1,500–2,500
99
A SMALL BLUE AND WHITE DRAGON VASE,
元青花龍紋瓶
12.4cm high
$2,000–3,000
100
A SMALL BLUE AND WHITE CENSER,
QING DYNASTY, KANGXI PERIOD (1662-1722)
清康熙青花螭龍紋香爐
8.5cm diameter
$1,000–2,000
100
54
101
A BLUE AND WHITE OVOID
GINGER JAR, QING DYNASTY,
KANGXI PERIOD (1661-1722)
decorated with prunus blossoms against
a blue ground of 'cracked ice' design. The
wooden cover inlaid with a rounded jadeite
plaque. With a carved wood stand.
清康熙青花冰梅紋罐
22.2cm high
PROVENANCE
Dr. Hyde's Collection.
An important private collection,
Sydney, Australia.
Dr. Hyde舊藏.
$3,000–5,000
101
102
A PAIR OF BLUE AND WHITE
AND COPPER RED CUPS,
GUANGXU SIX-CHARACTER
MARK IN UNDERGLAZE BLUE
AND OF THE PERIOD (1875-1908)
Each up finely decorated with grapevines
and leaves in underglazed blue and grapes in
underglazed red.
清光緒款及本朝青花釉裡紅杯一對
10.6cm diameter
$2,500–3,500
102
55
103
A SMALL CELADON DISH, QING YI TANG ZHI
FOUR CHARACTER HALL MARK,
POSSIBLY QIANLONG/JIAQING PERIOD, 19TH CENTURY
The shallow tapering straight sides rising from a slightly splayed foot
with a broad flat base, the interior moulded with three bats variously
suspending ribboned double-gourds, berries and lingzhi, amongst clouds
scrolls, the reverse with radiating ruyi-shaped leaves,all covered in a pale
green glaze.
或為清乾隆/嘉慶豆青印「福壽全」碟
「慶宜堂」楷書款
11.2cm diameter
PROVENANCE
Raymond & Victoria Tregaskis Oriental Art, Sydney, Australia
澳洲著名古董商Raymond & Victoria Tregaskis 舊藏.
$10,000–20,000
103
104
A SMALL IMPERIAL COPPER RED DISH,
QIANLONG SIX-CHARACTER SEAL MARK
IN UNDERGLAZE BLUE AND OF THE PERIOD (1736-1795)
The dish is covered with a even sang de boeuf glaze neatly stopped
at the foot rim.
清乾隆款及本朝御窯祭紅釉盤
11.1cm diameter
PROVENANCE
Christie’s, Hong Kong, 16-17/1/1989.
Mossgreen, 28/11/2017, lot 643.
香港佳士得，1989年1月16日至17日.
墨爾本Mossgreen，2017年11月28日，拍品號：643.
$7,000–9,000
104
56
105 106
A BLUE AND WHITE BOWL, GUANGXU UNDERGLAZE BLUE A RARE AND FINE SMALL BLUE AND WHITE WINE BOWL,
SIX-CHARACTER MARK AND OF THE PERIOD (1875-1908) GUANGXU DING WEI YU HAI TANG EIGHT-CHARACTER
the bowl is decorated throughout white floral scrolls and Buddhist emblems UNDERGLAZED BLUE MARK, DATED TO 1907
above a lotus band border. 清光緒丁未年玉海堂製款及本朝（光緒 1907年）花卉紋青花盌
清光緒款及本朝青花“暗八仙”紋盌 10cm diameter
14cm diameter PROVENANCE
PROVENANCE Willow Gallery, Shop D, G/F 159-163 Hollywood Road, Hong Kong, 11/1997.
Baboori (Antiques) Pty. Ltd., NSW, Australia. A private collection, ACT. Australia.
澳大利亞 Baboori 古美術. 1997年11月購藏於香港Willow Gallery藝廊.
$800–1,200 澳大利亞首府私人珍藏.
$800–1,200
105 106
57
107 108
107 108
A RARE BLUE AND WHITE DISH, A BLUE AND WHITE PLATE,
KANGXI PERIOD (1662-1722) TRANSITIONAL PERIOD, 17TH CENTURY
The dish is delicately decorated in a central medallion with four boys playing finely decorated with landscape on the interior, the base with a "Cheng"
with leaves beneath an overhanging bough, the exterior cavetto with a character in underglaze blue.
continuous scene of children playing at various games, in graduated tones 明清過度期青花盤
of cobalt blue, with an apocryphal chenghua six-character underglazed blue 20.6cm diameter
mark on the base within a double circle.
PROVENANCE
清康熙大明成化年制款青花盤 The Andrew Stuart-Robertson Collection, Sydney, 11/7/1999.
15cm diameter A Private Collection, ACT, Australia.
PROVENANCE 1999年7月11日購藏於澳大利亞 Andrew Stuart-Robertson舊藏.
The Gladys Shead Collection. 澳大利亞首府私人收藏.
$1,500–2,500
Gladys Shead 珍藏.
LITERATURE
Later Chinese Export Ceramics, 7th-30th September, Sydney, 1989.
EXHIBITED
Sydney, Later Chinese Export Ceramics, 7th-30th September, 1989.
$2,200–3,500
58
109 110
109 110
A COPPER-RED-GLAZED `BEEHIVE' WATER POT TAIBAIZUN, AN IMPERIAL COPPER RED DISH, QIANLONG
18TH-19TH CENTURY SIX-CHARACTER SEAL MARK IN UNDERGLAZE
the domed body is covered with a crushed strawberry-red glaze thinning to BLUE AND OF THE PERIOD (1736-1795)
a pale greyish-pink tone on one side of the body and to a mushroom tone on The dish is covered with a even sang-de-boeuf glaze neatly stopped at
the lipped rim. the foot rim.
清十八/十九世紀郎窯紅釉太白尊清乾隆款及本朝御窯祭紅釉盤
12.2cm diameter 15.4cm diameter
Collection of East and West Art Gallery, Melbourne. David Ho Oriental Art, 1989.
墨爾本東西畫廊珍藏. Mossgreen, 28/11/2017, lot 640.
$1,000–2,000 1989年於David Ho東方藝術購藏
澳大利亞Mossgreen，2017年11月28日，拍品號：640
$6,000–8,000
59
111
A PAIR OF DOUCAI DISHES,
GUANGXU SIX-CHARACTER MARK
IN UNDERGLAZE BLUE AND OF THE
PERIOD (1875-1908)
Each decorated with branches of floral motifs.
With a fitted box.
清光緒款及本朝鬥彩盤一對
14.9cm diameter
PROVENANCE
Sotheby's Sydney, 24 Oct 2017,
Sale AU0818, lot 82.
悉尼蘇富比，2017年10月24日，拍品號：82.
$2,500–3,500
111
112
A PAIR OF FAMILLE ROSE
'DRAGON' BOWL CAI HUA
TANG ZHI MARK IN IRON RED,
QING DYNASTY (1644–1912)
The exterior of the bowl is decorated with a
pair of dragons chasing flaming pearls against
a background of crashing waves.
清彩華堂製款龍紋盌一對
12cm diameter
$20,000–30,000
112
60
113 114
113 114
A NEPALESE BRONZE FIGURE OF HEVAJRA A BRONZE FIGURE OF SEATED AMITABHA,
WITH HIS CONSORT, CIRCA 16TH CENTURY FIVE DYNASTIES-LIAO DYNASTY, 10TH CENTURY
The eight headed (seven principal, and one above) deity gazes intently into depicted seated in a posture of meditation with legs in padmasana atop a
the face of his sakti as they engage in the graphic manifestation of the union powerfully cast throne decorated with two rows of overlapping petals, long
of opposites, his sixteen hands holding skull cups filled with attributes; an tresses of hair fall onto the shoulders, a diaphanous robe draped over his arms
elaborate ‘bone’ apron descends between them as they step to the right. and gathered at his feet, the hands are in meditation mudra.
尼泊爾十七世紀銅喜樂金剛雙身像五代至遼銅藥師佛坐像
12.8cm high 7.3cm high
PROVENANCE Compare to a very similar Medicine Buddha, see Sotheby's Hong Kong,
Sotheby's New York, 2/6/1992, lot 206. 12/12/2021, lot 3524.
Collection of Suzy Lebasi, Soo Tze Oriental Art, Australia.
PROVENANCE
紐約蘇富比，1992年6月2日，拍品號：206.
澳大利亞著名古董商 Suzy Lebasi 舊藏. 維多利亞州私人收藏.
澳大利亞 Mossgreen，2017年8月29日，拍品號：467. $2,500–3,500
$6,000–8,000
61
115
A BRONZE FIGURE OF A SEATED BUDDHA VAIROCANA,
SWAT VALLEY, 8TH CENTURY
Seated in dhyanasana on a pillow over a lion throne and lotus base, the hands
in bodhyagri mudra, wearing a finely pleated dhoti and sash draped around
his elbows, adorned with armlets and a necklace, his face with a benign
expression with inlaid silver eyes and copper lips, locks of hair falling over his
shoulders and secured by a foliate tiara. With traces of gilt.
八世纪斯瓦特合金銅大日如來坐像
10.5cm high
PROVENANCE
Poly Beijing, 4/12/2014, lot 6702.
北京保利，2014年12月4日，拍品號：6702
$10,000–20,000
115
62
116 117
116 117
A BRONZE FIGURE, YUAN-MING DYNASTY, 14TH-16TH CENTURY A RARE BRONZE SEATED BUDDHA WITH ATTENDANTS,
holding an attribute and with one knee raised, MING DYNASTY (1368-17644)
cast with a holder to the reverse. the eight-armed crowned figure seated on a detachable lotus throne,
元/明銅胡人起舞立像 with six detachable arms, the face with a serene expression.
19.5cm high 明代銅八臂菩薩與侍者坐像
Mr Larry Lucas, a British-born businessman, started collecting Asian Art as a 17cm high
university student in the late 1960s in Cambridge. As the co-founder of the PROVENANCE
Asian Art Institute of Australia, Larry Lucas has organised various exhibitions A private collection, NSW, Australia.
and lectures since 2008, providing platforms for collectors, artists, researchers 新南威爾士私人收藏.
and scholars, and promoting knowledge and appreciation of Asian art.
$2,000–4,000
PROVENANCE
Andrew Stuart-Robertson Collection, 1970s-1990s.
The Larry Lucas collection of Asian works of art.
A private collection, NSW., Australia.
澳大利亞 Andrew Stuart-Robertson舊藏.
澳大利亞 Mossgreen，2010年6月8日，拍品號：1029.
Larry Lucas先生亞洲藝術珍藏.
澳大利亞新南威爾士私人珍藏.
Larry Lucas 先生出生於英國，早於上世紀六十年代劍橋求學時，即熱衷收藏，至

今近半世紀. 2008年在悉尼於三五志趣相投的好友成立澳大利亞亞洲藝術協會，多
年來舉辦講座、展覽，為當地乃至世界收藏同好、藝術家及學者提供交流平台.
$1,500–2,500
63
118
A GILT BRONZE FIGURE OF THE INFANT BUDDHA,
MING DYNASTY, 16TH-17TH CENTURY
Well cast standing on top of a lotus base with left arm raised and right
arm pendent at his side, each hand held in a fist with the index finger
extended, the boy shown naked except for the crisply cast scarf wrapped
around his belly and up over his left shoulder, the face with gentle,
smiling expression.
明十六/十七世纪铜鎏金释迦摩尼佛诞生立像
16.5cm high
For a similar example see Christie's New York, 22/03/1999, lot 84.
PROVENANCE
Raymond and Victoria Tregaskis, Sydney, Australia, acquired from Japan.
澳洲著名亞洲藝術古董商Raymond and Victoria Tregaskis舊藏，早年購藏
於日本.
新南威爾士私人藏家舊藏.
$9,000–10,000
118
119
A SINO-TIBETAN GILT BRONZE SEATED FIGURE OF
USNISAVIJAYA, 18TH CENTURY
The figure is seated in dhyanasana on a double lotus base, the eight arms
held in various mudras, the three faces in meditative expression with eyes
cast down, framed by large floral earrings, crowned by tiaras surrounding
a high chignon.
清十八世紀銅鎏金尊勝佛母坐像
17.6cm high
Similar example see Sotheby's New York, 12/09/2018, lot 109.
PROVENANCE
新南威爾士州私人收藏
$6,000–8,000
119
64
120
A BRONZE FIGURE OF WEITUO,
LATE MING DYNASTY, 17TH CENTURY
The youthful-visaged figure is cast with his hands in anjalimudra, clad in
full chain-mail armour and helmet, with billowing celestial scarf, sleeves
and ribbons
晚明十七世紀銅韋陀立像
28.5cm high
$2,500–3,500
121
A GOLD LACQUERED WOOD FIGURE OF AMIDA BUDDHA,
seated in meditation with hands together and wearing long robes, his
face serene and with inward expression.
明十六世紀木漆金阿彌陀佛坐像
22cm high
see Nagel auction, Germany, 11/5/2013, lot 1032 for a comparable
example.
PROVENANCE

$4,000–6,000
120
121 122
65
122
A GILT LACQUERED BRONZE MODEL OF A DAOIST FIGURE,
明銅漆金玉皇大帝坐像
29cm high
PROVENANCE
新南威爾士私人收藏.
$2,000–3,000
123
A BOXWOOD CARVED FIGURE OF GUANYIN,
17TH-18TH CENTURY
The Goddess of Compassion standing tall on bare feet, her head slightly
bowed and tilted to the left, her face serene and eyes closed in deep
contemplation, flanked by a pair of elongated earlobes, all beneath her
finely incised hair coiled in high chignon and tresses flowing freely on
her shoulders, her right hand extended forward in srimudra with the
left holding a scroll, wearing loose and free-flowing robe, the wood of a
mellow and well-polished tone. with fitted wood stand.
清十七/十八世紀黃楊木雕觀音立像
30.5cm high
For a similar example that is slightly later than the present one,
see Bonhams Hong Kong, 28/11/2011, lot 485.
PROVENANCE
An important private collection, Sydney, Australia.
$8,000–12,000
123
66
124
A TIBETAN PARCEL-GILT BRONZE STANDING FIGURE OF
MAHAKALA, 18TH CENTURY
the wrathful four-armed deity adorned with a skull crown, tiger skin loin
cloth and beaded jewellery, holding an attribute before him, cold painted
and gilt-bronze lotus form stand.
西藏十八世紀銅鎏金錘碟大黑天立像
20.5cm high
PROVENANCE
Bonhams, London, 07/11/2016, lot 444.
倫敦邦瀚斯，2016年11月7日，拍品號444.
$1,000–2,000
124
125
A TIBETAN PARCEL-GILT FIGURE OF YAMADHARMARAJA,
18TH CENTURY
riding on a bull on a lotus base, his face with a wrathful expression with
bared fangs, bulging eyes, his flaming hair secured with a tiara of skulls.
西藏十八世紀銅局部鎏金騎牛護法像
14cm high
PROVENANCE
$3,000–5,000
125
67
126 127
126 127
A SINO-TIBETAN RITUAL CONCH SHELL A TIBETAN BRONZE SEATED FIGURE OF SHAKYAMUNI,
WITH SILVER MOUNT, 19TH CENTURY 16TH/17TH CENTURY
of a typical form, the shell silver-plated, the surface chased with seated on a lotus base support on a square throne,
Yama Dharmaraja with his consort standing on a male buffalo atop the face with a serene expression.
a female victim, under a band of eight Buddhist symbols, inlaid with 西藏十六/十七世紀銅釋迦牟尼坐像
corals and turquoise. 12cm high
西藏十九世紀海螺包銀鏨刻大黑天法器 PROVENANCE
23.7cm long A private collection, NSW, Australia.
PROVENANCE 新南威爾士私人收藏.
$2,000–3,000
$1,000–2,000
68
128 129
A SOAPSTONE FIGURE OF A LUOHAN, A SOAPSTONE FIGURE OF A LUOHAN,
QING DYNASTY (1644-1912) QING DYNASTY (1644-1912)
Finely carved with a luohan dressed in loose-fitting robes, sitting on a rock finely carved with a luohan dressed in loose-fitting robes decorated with
base, with eyes wide open and left index finger pointing to the sky. "shou" longevity roundels, the edge of the robe painted in gold pigment.
清壽山石雕羅漢坐像 His right hand is holding his long eyebrows, sitting on a rock base.
14cm high 清壽山石雕羅漢阿氏多尊者坐像
17cm high
Compare to two smaller examples sold at this house, see 29/08/2021, lot 193
(11cm high) and lot 195 (9.3cm high). Compare to two smaller examples sold at this house, see 29/08/2021, lot 193
(11cm high) and lot 195 (9.3cm high).
PROVENANCE
A private collection, NSW, Australia. PROVENANCE
新南威爾士私人收藏. A private collection, NSW, Australia.
$1,000–2,000 新南威爾士私人收藏.
$1,000–2,000
128 129
69
130
A GILT-BRONZE FIGURE OF AN ELEVEN-HEADED
AVALOKITESVARA, QING DYNASTY, 18TH CENTURY
The bodhisattva is cast with eight arms and dressed in elaborate flowing
robes with a long scarf looped over the arms and falling in ripples down
the sides. The figure is cast with a serene expression on each of the faces.
清中期銅鎏金十一面觀音立像
Figure: 16cm high;
Overall: 18.1cm high
For a very similar example see Christie's Hong Kong, 7/10/2014, lot 221.
Another example see Bonhams London, 15/5/2014, lot 394.
$7,000–9,000
130
131
A TIBETAN GILT BRONZE FIGURE OF A MONK,
16TH CENTURY
Seated in dhyanasana on a lotus base with beaded rims, his right
hand is upheld in a modified mudra of discourse, the base sealed
with a copper plate.
西藏 16世紀鎏金銅喇嘛坐像
10.4cm high
PROVENANCE
A private collection Melbourne, Australia
$15,000–25,000
131
70
132 133
132 133
A RARE GOLD AND RED LACQUER ON WOOD SCULPTURE OF A PAIR OF GILT-BRONZE FIGURES OF SEATED BUDDHAS,
BUDDHA, YUAN DYNASTY (1280-1368) MING DYNASTY, 16TH-17TH CENTURY
seated in dhyanasana in a long pleated robe draped over the shoulders, Both figure is shown seated in dhyanasana, the hands in front of the bare
leaving the chest open to reveal beaded necklaces, the face serene and eyes chest, dressed with robes open at the chest revealing a sash-tied dhoti
downcast, a lotus stem on each shoulder, slight traces of gilding and probably beneath an incised wan emblem, the borders of their robes finely incised
covered in several layers of lacquer, the remains of old pigment in the hair, the with floral scroll.
base open revealing the core material. 明十六/十七世紀銅鎏金佛坐像两尊
元代木漆金觀音坐像 24cm high and 23.5cm high
22.5 cm high
A smaller pair (15.6cm high) without wearing crowns,
PROVENANCE see Christie's Hong Kong, 13/9/2019, lot 852.
John Williams, Sydney, late 1980s.
PROVENANCE
Mossgreen Sydney, 12/12/2016, lot 124. An old private Collection, Germany.
The current owner inherited them via her grandfather who was apparently
悉尼收藏家John Williams購藏於八十年代晚期.
in China in 1900 to 1902 during the Boxer Rebellion and obtained them
during that time. He later worked with the Tax Department in Germany
where the current owner was born, and who emigrated to Australia in 1964.
$5,500–7,500 (original letters from current owner's grandfather)
德國私人收藏.
當前藏家繼承於之祖父. 其祖父作為德國陸軍軍官曾在1900-1920年義和團叛亂
期間隨軍在北京，此兩尊佛像均為當時所得. 其後在當前藏家出生時就職於德國
國稅局. 當前藏家於1964年移民澳洲，在其祖父去世後繼承了此兩尊佛像. (當前
藏家的祖父的原書信)
$3,000–5,000
71
134
A LARGE KHMER ANGKOR VAT STYLE STONE TORSO,
12TH CENTURY
The figure is carved standing in samabhanga on a rectangular base,
his arms broken, wearing vertical striated sampot held together by a
belt and with a single fish tail-shaped flange falling between his legs,
naked upper body incised with a belly-button.
柬埔寨十二世纪吴哥窟风格天神立像
Torso: 61.5cm high
PROVENANCE
Acquired from David Baker Gallery, London on 8th May 2017,
from a collection in Oxford formed during 1970s (original receipt).
2017年5月購藏於倫敦David Baker藝廊，源自18世紀70年代牛津的老
收藏（原發票）.
$10,000–15,000
134
72
135 136
135 136
A LARGE SUKHOTAI BRONZE BUDDHA HEAD, 16TH CENTURY A POLYCHROME AND PARCEL GILT WOOD FIGURE OF MAZU,
The face with serene expression, arched eyebrows above an acquiline nose, QING DYNASTY (1644-1911)
smiling lips, elongated earlobes and curled hair, traces of former gilding. The female figure is seated on a throne, dressed in an elaborately decorated
With wood stand. robe and wearing an elaborate crown.
泰國十六世紀銅佛頭清彩漆局部鎏金木雕媽祖坐像
33cm high 68cm high
A slightly larger sized example (41.3cm high), see Christie's New York, PROVENANCE
19/03/2013, lot 417. Acquired from a private collection Singapore.
購於新加坡私人舊藏
PROVENANCE
David Jones Gallery, circa 1970s. $8,000–10,000
A private collection, Sydney.
七十年代購於David Jones畫廊
悉尼私人收藏
$12,000–22,000
73
137
A RARE TIBETAN DRAGON RITUAL WATER BOTTLE, KESI,
TEXTILE – MING DYNASTY (1368-1644)
the Chinese silk and fine gold thread kesi cover with a front-on Imperial
dragon in pursuit of a flaming pearl, mounted with a silver stopper and a
woven cotton band attached to an amber bead for carrying.
西藏龍紋緙絲祭祀水袋緙絲為明代
27cm high, 24.5cm wide
Mr Larry Lucas is a British-born businessman who started collecting
Asian Art as a university student in the late 1960s in Cambridge, UK.
As the co-founder of the Asian Art Institute of Australia, Larry Lucas
has organised various exhibitions and lectures since 2008, providing
platforms for collectors, artists, researchers and scholars, and promoting
knowledge and appreciation of Asian art.
PROVENANCE
The Alex Biancardi Collection.
Mossgreen, 16/11/2009, lot 334.
Mossgreen, 12/12/2016, lot 110.
The Larry Lucas Collection of Asian Works of Art.
英國著名喜馬拉雅藝術古董商Alex Biancardi舊藏.
悉尼著名藏家Larry Lucas先生珍藏.
Larry Lucas 先生出生於英國，早於上世紀六十年代劍橋求學時，即熱衷收

藏，至今近半世紀. 2008年在悉尼於三五志趣相投的好友成立澳大利亞亞洲 137
藝術協會，多年來舉辦講座、展覽，為當地乃至世界收藏同好、藝術家及學
者提供交流平台.
$5,500–7,500
138
A JADE SOAPSTONE CARVED BOULDER OF LUOHAN,
QING DYNASTY (1644-1912)
with a fitted wood stand
清壽山石雕松下隱士擺件
10.8cm high
PROVENANCE
Mossgreen Melbourne, 16–17/6/2014, lot 86.
Mossgreen墨爾本，2014年6月16-17號，拍品號：86.
$2,000–3,000
138
74
139 140
A BRONZE CENSER DING, MING DYNASTY, 17TH CENTURY A BRONZE TRIPOD CENSER
of archaistic ritual vessel Ding form. With fitted hardwood cover and stand. MING DYNASTY, 17TH CENTURY
明代十七世紀銅鼎形香爐 of a deep flaring form with angular c-scroll handles with ruyi-head terminals,
14cm high supported on a stepped base on three cabriole feet, the underside with a
PROVENANCE Xuande six-character mark surrounded by two dragons, the patina of a dark
Collection of East and West Art Gallery, Melbourne. brown tone
墨爾本東西畫廊珍藏. 明十七世紀大明宣德年制款銅三足香爐
8.4cm high
$2,000–3,000
For a similar censer please see Christie's London, 13/05/2008, lot 166
PROVENANCE
Raymond and Victoria Tregaskis, NSW, Australia.
$2,000–3,000
139 140
75
141
AN ALOESWOOD AND TOURMALINE BEADED ROSARY,
LATE QING DYNASTY, LATE 19-EARLY 20TH CENTURY
Each bead finely inlaid with happiness "Xi" or longevity "Shou" character in gilt
silver; suspending a tourmaline pendant and terminating in two tourmaline
pear-shaped toggles, with a fitted pewter box, "Jin Yong Xing Hao" studio mark
on the base.
清晚期沉香手串
The largest bead approx. 1.5cm diameter, the rosary fully extended
39.5cm long
For an aloeswood rosary with undecorated beads, see Christie's Hong Kong,
28/11/2012, lot 2390.
PROVENANCE
澳大利亞新南威爾士州私人收藏.
$8,000–10,000
141
142
A RARE SMALL BRONZE ARCHAIC FOOD VESSEL DING,
SPRING AND AUTUMN PERIOD (770-476 B.C.)
Of compressed globular form, the deep rounded sides cast with two bands
of twisted ropes, divided by a raised fillet and set at the rim with two loop
handles, all supported on three mask-headed waisted legs, the low domed
cover cast with two similar bands, and encircled by three evenly-spaced
recumbent buffaloes, the patina of greenish tone.
春秋青銅三獸足绳紋水牛鈕立耳小圓鼎
11.2cm high
PROVENANCE
Purchased from Beijing in the early 90s.
九十年代早期購藏於北京.
$2,000–3,000
142
76
143
A DUAN INK STONE, MING DYNASTY (1368-1644)
The natural shaped stone finely carved at the back with a pine tree,
with its original fitted huanghuali box.
明端硯與黃花梨硯盒
14.3 x 10cm
$4,500–6,500
143
144
A JICHIMU BRUSH POT, QING DYNASTY (1644-1912)
清雞翅木原木筆筒
21.6cm diameter
PROVENANCE
Purchased in London.
The Durwin Tang Collection, early 2000s.
購於倫敦.
2000年購藏於香港「天珍堂」鄧德雍珍藏.
$2,000–3,000
144
77
145
A RARE AND FINE CHINESE INCISED RED AND BROWN An important private collection, NSW.
LACQUER 'EAR-CUP', WESTERN HAN DYNASTY (206BC -9 AD) 八十年代日本大阪私人舊藏.
東京平野古陶軒.
finely incised using an awl or needle in zhuihua (awl-incision) technique
紐約勇興亞洲藝術.
with scrolling clouds and swirling borders, with painted red accents. With its
exhibition catalogue, Transition to Empire: Art from the Warring States to Han
China, March 18-26, 2011, New York.
LITERATURE
西漢紅棕漆錐畫彩绘羽觴耳杯及 2011年紐約勇興亞洲藝術展覽圖錄
《Transition to Empire: Art from the Warring States to Han China》 Joe-Hynn Yang, Courage & Joy Asian Art Advisory, Transition to Empire: Art
14.2cm long, 11cm wide from the Warring States to Han China, New York: March 18-26, 2011.
EXHIBITED
The extreme lightness of the wood core, and the unusual delicacy of the
New York: Joe-Hynn Yang, Courage & Joy Asian Art Advisory, Transition to
design carefully incised with a sharp needle, are particular features of the
Empire: Art from the Warring States to Han China, March 18-26, 2011.
Western Han period. Compare a pair of plain black lacquer cups excavated
from Dafentou Tomb #1, Yumeng, datable to the 3rd-2nd century BCE, now $4,000–5,000
preserved in the Hubei Provincial Musuem, and exhibited Tokyo National
Musuem, A Mysterious World of Ancient Designs: Lacquerware from the
Tombs of Hubei, China, 1998, p. 114, no. 83.
PROVENANCE
Private Collection, Osaka, 1980s.
Hirano Kotoken Ltd., Tokyo.
Joe-Hynn Yang, Courage & Joy Asian Art Advisory, New York.
145
78
146
A CHINESE WHITE GLASS SNUFF BOTTLE, 19TH CENTURY
imitating white jade, with a moulded design of mallow flowers on each
side, well hollowed and supported on a narrow foot rim, coral stopper.
清十九世紀白琉璃鼻煙壺
6.2cm high
PROVENANCE
澳大利亞Mossgreen, 2016年12月12日，拍品號：157.
$1,200–2,500
146
147
A LAC BURGAUTÉ SQUARE WINE CUP,
KANGXI PERIOD (1644-1912)
inlaid in mother-of-pearl with scenes of scholars in a garden setting, the
other two sides with a bogutu and a poem. With a fitted wood stand.
清康熙嵌螺鈿高士博古圖詩文方杯
7cm diameter, 4cm high
PROVENANCE
$1,200–2,000
147
79
148
A LARGE CARVED RED LACQUER DISH,
QING DYNASTY, 18TH CENTURY
The interior is carved in relief with boys play in a garden. Both sides of the
border are carved with flowers. With an old Japanese black lacquer box.
清十八世紀剔紅嬰戲圖紋大盤
38.5cm diameter
PROVENANCE
An old Japanese private collection.
The Edrina Collection, Hong Kong.
日本老私人舊藏.
香港著名私人收藏《昇雲閣》舊藏.
$4,500–5,500
149
A RARE RED LACQUERED WOOD QIN BOX,
The box is of a rectangular shape, with bronze carrying handles to both
sides, covered all in red lacquer.
明大漆琴盒
132 cm long; 30.8 cm deep; 26.2 cm wide
PROVENANCE
Acquired from a private collection, Hong Kong.
購於香港私人收藏
$8,000–10,000
148
149
80
150
A SMALL TAIHU SCHOLAR ROCK
With carved fitted wood stand
太湖石文人賞石擺件
20cm high
$600–800
150
151
A YELLOW TAIHU SCHOLAR ROCK
With carved fitted wood stand
黃太湖石文人賞石擺件
36 x 26cm
$700–900
151
81
152
A CARVED WOOD FOLDING YOKE-BACK SIDE CHAIR
JIAOYI, EARLY QING DYNASTY, 17TH-18TH CENTURY
The central curved splat is carved with three cartouches, the top with
precious objects amid wisps of vapour, the central cartouche with a
Daoist scene of a deer looking up at a monkey clambering up a gnarled
pine tree below a crane holding a peach spray in its beak, the lower
cartouche with a Buddhist lion and a phoenix, all surmounted by a yoke-
back top, framed by two curved supports reaching down to the X-frame
raised atop the rectangular feet with the front apron reinforced with
metal mounts, the fabric seat later.
清早期十七/十八世紀木「雕松鹿獻瑞」交椅
99 x 36.5 x 45cm
A very similar pair please see Bonhams London, 8/11/2012, lot 326.
PROVENANCE
An important private collection, NSW, Australia.
重要澳大利亚新州私人珍藏.
$6,000–8,000
152
82
153
ATTRIBUTED TO JIANG TINGXI (1669–1732)
Birds and Wisteria
Ink and colour on silk, hanging scroll
Signed Jiang Tingxi, with two seals of the artist, two seals
attributed to the Imperial collection of the Qianlong Emperor,
and one collector's seal.
The mounting brocade inscribed by Liao Endao (1864-1954),
dedicated to his friends as a wedding gift, with two seals.
The title-slip inscribed by Liao Endao, dated 1939, with one seal.
( 傳) 蔣廷錫（1669-1732）
"白頭相守" 設色絹本立軸
款識：臣蔣廷錫恭繪。
鈐印：蔣廷錫印、另一枚漫漶不辨
藏印：乾隆禦覽之寳、石渠寳笈、另一枚漫漶不辨
邊款：《國朝畫徵錄》云：「蔣廷錫字揚孫，號西穀，又號南沙。常
熟人。康熙癸未翰林，以逸筆寫生，或奇或正，或率或工，或賦色，
或筆墨。一幅中恆出之而自然，洽和風神，生動意態，堂堂點綴，
坡石無不超脫，擬其所至直奪元人之席矣......」等語。南沙仕至大
學士，諡文肅。此卷予購于滬上時己卯（1939）春閒越六年，甲申
（1944）花朝後十日即民國三十三年三月十有三日。吾友鼎唐世兄
與周女士結袂以此為贈，聊供洞房清玩，並祝白頭鴛侶偕老百年也。
惠陽八十老人廖恩燾懺盦誌于滬上寓盧南窗下。
鈐印：乘长风破五十万里浪七十年十二渡太平洋、廖恩燾、碧梧栖
老凤凰枝
题签：蔣南沙花鳥真跡立軸。己卯（1939）九月半舫齋藏。
91 x 28cm
PROVENANCE
Liao Endao (1864-1954), acquired in Shanghai in 1939.
Sotheby's, New York, Saturday at Sotheby's: Asian Art,
19 Sep 2015, Lot 837.
廖恩燾（1864-1954）舊藏，1939年於上海購藏
紐約蘇富比，Saturday at Sotheby's: Asian Art，2015年9月19日，
拍品號：837
廖恩燾，字鳳舒，號懺庵，廖仲愷之兄，籍廣東惠陽縣。清末、民
國時代官員、外交官、詞人，著有《半舫斋诗余》，齋名乃此幅題
簽之署。
$4,200–6,500
153
83
154
DONG QICHANG (1555–1636)
Poem in Running Cursive Script Calligraphy
Hanging scroll, ink on silk
Signed, with five seals of the artist.
董其昌（1555-1636）
行書五言詩《送唐存憶漕台還朝》絹本立軸
款識：送唐侍御還朝。鈐印：太史氏董氏玄宰玄賞齋籤條：明董
玄宰行書，煜峰珍玩。鑑藏印：世貞審定孫煜峰鑑定記。
識文：花驄北首五云隈，柱史承恩切上台。方簡禁兵天策府，重瞻宸
袞柏梁台。名高繡斧風霜肅，績畫旗常日月開。四海交情今自見，直
詞誰似孔融來。
151 x 57cm
PROVENANCE
Collection of Sun Yufeng (1901-1967), and thence by descent.
Xilingyinshe auction, Hangzhou, 13-16/12/2019, lot 898.
孫煜峰舊藏併題簽，由其家屬友情提供。
西泠印社，杭州，2019年12月13-16日，拍品號：898.
作者简介：董其昌，字玄宰，号香光、香光居士，华亭人。万暦十七
年进士。官至南京礼部尚书，诏加太子太保。才华俊逸，少负盛名。
工诗文，善书画，精鉴赏。书法超越诸家，以行楷称绝一代，与邢
侗、米万钟、张瑞图并称“晚明四家”。其书法自成一家，对明末清初
书风影响很大。山水师董、巨，以黄、倪为宗，以禅论画，有“画分
南北宗”之说，著有《画禅室随笔》等。
鑑藏者簡介：孫煜峰（1901-1967），曾用名壽熙，字煜峰，一字漱
廬，弘一齋，江蘇江陰人。民國十四年起在上海經商，曾任上海市房
地產公司副經理、市工商聯副秘書長、中國民主建國會上海市常委、
上海市政協第三、第四屆常委等職。三十年代開始收藏文物，對字畫
有較高的鑑賞能力。 1961年起先後5次向上海博物館捐獻了書畫、青
銅器、陶瓷器等文物656件。他還先後向故宮博物院、南京博物院、
廣東省博物館等捐贈過文物，其中現藏故宮博物院的元王蒙《葛稚川
移居圖》為罕見珍品。
$100,000–200,000
154
84
155
155
SHEN PENG (B.1931)
Jin lu yi
Hanging scroll,
ink on paper,
Inscribed and signed by the artist, with three seals
沈鵬（1931年生）書法《金縷衣》
66 x 64.5cm
PROVENANCE
Gift from the artist.
藝術家本人贈與
$2,000–3,000
85
156
156 157
A FRAMED PAINTING OF A LADY, TONG YANFANG (B.1946)
MING DYNASTY (1368-1644) Avatamsaka Sūtra
OR EARLIER Calligraphy Couplet, hanging scrolls,
Anonymous ink on paper,
Ink and colour on silk, hardwood frame Inscribed, signed,
佚名明或更早設色絹本配硬木框 three red seals of the artist
Painting: 29 x 26cm 童晏方（1946年生）
PROVENANCE 華嚴經行淨偈頌
A private collection, NSW, Australia. 釋文：“皆得妙法究竟清淨，廣度一切猶如橋
新南威爾士州私人收藏樑. ”
題跋，簽名，鈐印.
$7,000–9,000
each: 172 x 23cm
PROVENANCE
The collection of Duoyunxuan, Shanghai.
上海朵雲軒舊藏.
$7,000–9,000
157
86
158
A LARGE FRAMED CHINESE
INK LANDSCAPE PAINTING,
Anonymous
Mountain and River Landscape
ink and colour on silk
mounted and framed hanging scroll
明佚名
溪山行旅圖
設色絹本掛軸鏡框
160 x 93.8cm
James Oswald Fairfax AC (27 March 1933 –
11 January 2017) was an Australian company
director, philanthropist, and a member of the
Fairfax family, an Australian family prominent
in the newspaper publisher industry. Members
of the Fairfax Family were prominent as
Australian media proprietors, especially in the
area of newspaper publishing through the
company John Fairfax and Sons (now known
as Fairfax Media, although the Fairfax family
no longer control the eponymous company).
Some members have also been prominent in
Australian philanthropy and the arts.
PROVENANCE
The collection of James Fairfax.
Raymond and Victoria Tregaskis Oriental
Antiques, Sydney, Australia.
An important private collection, NSW, Australia.
澳大利亞著名企業家及慈善家
James Fairfax舊藏
澳大利亞著名亞洲藝術古董商
Raymond and Victoria Tregaskis舊藏.
重要澳大利亚新州私人珍藏.
$8,000–9,000
158
87
159
XIE ZHILIU (1910–1997)
Waterfall
Scroll, mounted, ink and colour on paper
Inscribed and signed by the artist,
with two red seals of the artist.
Dated Autumn Genshen (1980) year.
Dedicated to Chenhai.
謝志柳（1910-1997）
松蔭瀑設色紙本掛一九八年作
題識陳海同志屬. 庚申 1980年秋日志柳.
鈐印：志柳，莊暮堂
92.5 x 50.8cm
PROVENANCE
An important private collection, CA, USA.
美國加利福尼亞州重要私人收藏.
$7,000–9,000
Part Two
Through the eyes
of Connoisseurs
Catalogue online at artvisory.com.au
第二部分鉴复拾宝
請登錄 artvisory.com.au 查看電子圖錄
159
ENTRIES INVITED
Fine Chinese, We are now inviting quality entries to our

November auction, which will include fine Chinese,
Japanese &
Japanese and South East Asian Arts.
National Enquiries
Luke Guan luke@artvisory.com.au 0455 891 888
Asian Arts Expert Panel: Ray Tregaskis, Vicki Tregaskis, Allan Rae, Luke Guan
Illustrated: An exceptional finely carved Chinese Zitan brush-washer,

Qianlong Period (1735-1796).
Auction November 2022, Melbourne Est: AUD14,000–16,000. Sold: AUD34,000+BP (Aug 29, 2021)
We look forward to seeing
you at our new address
310 TOORAK ROAD SOUTH YARRA, VIC 3141
90
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whole amount (hammer price + GST). If the Resale Royalty Scheme is applicable 5% will be charged on the hammer price only. The Resale Royalty Scheme is denoted by
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+61 3 9826 4039 www.artvisory.com.au
scan and email to accounts@artvisory.com.au
Auction Title:
Name (please print clearly):
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City State Post Code Country
Please tick here if you do not want to receive special invitations and online auction catalogues by email.
We value your privacy and will not disclose your details to any third party. You may request that your details are removed from our database at any time.
If you have not previously purchased with Artvisory, please scan your photo ID (either a drivers licence or passport) and email to accounts@artvisory.com.au
Lot Number Catalogue Description Cover Bid Not including buyer’s premium
(in order) (please print clearly) or GST (where applicable)
A$
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I authorise Artvisory to register bids on a per lot basis up to the maximum price I have indicated for each lot. I will not hold Artvisory responsible for any errors that occur.
I understand that if my bid is successful, the purchase price will be the sum of my final bid plus the buyer’s premium of 24% plus GST of the final hammer price plus any
GST payable on the hammer price, as indicated in the catalogue. GST will be charged on the buyer’s premium. If the lot is denoted by the † symbol, GST will be charged the
whole amount (hammer price + GST). If the Resale Royalty Scheme is applicable 5% will be charged on the hammer price only. The Resale Royalty Scheme is denoted by
the § symbol in the catalogue. Your invoice will be emailed to the supplied email address immediately after the auction has finished and will contain all details pertaining to
payment and collection.
I have read and accepted Artvisory’s terms and conditions as printed in the catalogue and online
at www.artvisory.com.au. Bids will not be processed unless this form is signed.
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92
Terms and Conditions of Sale

The terms and conditions of sale listed here contain the b) Catalogue and other Descriptions c) Bidding as a Principal
policies of Artvisory Pty Ltd. They are the terms on which All statements by Artvisory in the catalogue entry for When making a bid, a bidder is accepting personal
Artvisory Pty Ltd and the Seller contract with the Buyer. the property or in the condition report, or made orally liability to pay the purchase price including the
They may be amended by printed Saleroom Notices or or in writing elsewhere, are statements of opinion buyers premium and all applicable taxes, plus
oral announcements made before and during the sale. By and are not to be relied upon as statements of fact. all other applicable charges, unless it has been
bidding at auction you agree to be bound by these terms. Such statements do not constitute a representation, explicitly agreed in writing with Artvisory before
warranty or assumption of liability by Artvisory of the commencement of the sale that the bidder is
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1. Background to the Terms used in condition report to damage or restoration are for acceptable to Artvisory and that Artvisory will only
these Conditions guidance only and should be evaluated by personal look to the principal for payment.
inspection by the bidder or a knowledgeable
The conditions that are listed below contain terms that d) International Registrations
representative. The absence of such a reference
are used regularly and may need explanation. They are All International clients not known to Artvisory will be
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will not be accepted without this deposit. Artvisory
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“Forgery” means an item constituting an imitation Foreign buyers should note that all transactions are in written bids delivered to us AT LEAST 24 Hours
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origin, age, period, culture or source, where the correct certificate will be carried by the purchaser. If the receive identical written bids on a particular lot, and
description as to such matters is not reflected by the item turns out to be forged or otherwise incorrectly at the auction these are the highest bids on that lot,
description in the catalogue. Accordingly no lot shall be described, all reasonable costs will be borne by the then the lot will be sold to the person whose written
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All property is sold “as is” without representation
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concerning the condition of the property and the
All values expressed in Artvisory Pty Ltd catalogues the auction if they were successful. Unlimited or
matters referred to in the catalogue by requesting a
(in any format) are in Australian Dollars (AU$). All bids, “Buy” bids will not be accepted.
condition report
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expressions of value are understood by all parties to be in it has been immersed in liquid or treated by any Priority will be given to overseas and interstate
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must be confirmed AT LEAST 24 HOURS PRIOR
2. Artvisory Auctions as Agent first been obtained in writing.
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Except as otherwise stated Artvisory Pty Ltd acts as agent responsibility whatsoever for any errors or failure
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The contract for the sale of the property is therefore a) Refusal of Admission listed here and accepts that Artvisory cannot be
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a) Examination of Property b) Registration before Bidding consequences should contact be unsuccessful at the
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The property is otherwise sold “AS IS” withdrawals or any other sale room notices.
93
G) Online Bidding 5. After the Sale for an export licence then we shall be entitled to
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online bidder’s responsibility to ensure the accuracy managed by KK Partners Pty Ltd Chartered following rights or remedies (in addition to asserting
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numbers and contact details. hammer price, buyer's premium and any applicable i) to charge interest at such a rate as we shall
H) Reserves taxes and GST) not later than 3 days after the auction reasonably decide
Unless otherwise indicated, all lots are offered date. ii) to hold the defaulting Buyer liable for the
subject to a reserve, which is the confidential The buyer will not acquire title for the lot until total amount due and to commence legal
minimum price below which the Lot will not be Artvisory receives full payment in cleared funds, and proceedings for it’s recovery along with interest,
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printed in the catalogue. The auctioneer may open without confirmation of cleared funds received. permitted under applicable law
the bidding on any Lot below the reserve by placing This applies even if the buyer wishes to send items iii) to cancel the sale
a bid on behalf of the Seller. The auctioneer may interstate or overseas.
continue to bid on behalf of seller up to the amount iv) to resell the property publicly or privately on
Payment can be made by direct transfer, cash (not such terms as we see fit
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into the company trust account and bank receipt proceeds payable in respect of the amount bid
I) Auctioneers Discretion
supplied) and Eftpos (please check your daily limit). by the defaulting Buyer. In these circumstances
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Payments can also be made by credit card in person the defaulting Buyer can have no claim upon
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divide any lot, to combine any two or more lots and,
Credit card payments where the card-holder is not amount.
in the case or error or dispute and whether during
or after the sale, to determine the successful bidder, present, can not be accepted unless a scanned vi) to set off against any amounts which Artvisory
to continue the bidding, to cancel the sale or to image of the card and signature is supplied (that may owe the Buyer in any other transactions, the
re-offer and resell the item in dispute. If any dispute corresponds with the supplied signature on the outstanding amount remaining unpaid by the
arises after the sale, then Artvisory’s sale record is bidding or registration forms). Personal cheques are Buyer.
conclusive. only accepted with prior arrangement and funds vii) where several amounts are owed by the Buyer to
must be cleared before goods will be released. Bank us, in respect of different transactions, to apply
J) Successful bid and passing of risk
cheques are subject to three days clearance. any amount paid to discharge any amount owed
Subject to the auctioneer’s discretion, the highest
The buyer is responsible for any bank fees and in respect of any particular transaction, whether
bidder accepted by the auctioneer will be the buyer
charges applicable for the transfer of funds into or not the Buyer so directs.
and the striking of his hammer marks the acceptance
of the highest bid and the conclusion of a contract Artvisory’s company trust account. viii) to reject at any future auction any bids made by
for sale between the Seller and the Buyer. Risk and c) Collection of Purchases & Insurance or on behalf of the Buyer or to obtain a deposit
responsibility for the lot (including frames or glass Artvisory is entitled to retain items sold until all from the Buyer prior to accepting any bids.
where relevant) passes immediately to the Buyer. amounts due to us have been received in full in good ix) to exercise all the rights and remedies of a
K) Indicative Bidding steps, etc. cleared funds. Subject to this, the Buyer shall collect person holding security over any property in our
purchased lots within 3 days from the date of the possession owned by the Buyer whether by way
Artvisory reserves the right to refuse any bid,
sale unless otherwise agreed in writing between of pledge, security interest or in any other way,
withdraw any lot from sale, to place a reserve on
Artvisory and the Buyer. to the fullest extent permitted by the law of the
any lot and to advance the bidding according to the
At the fall of the hammer, insurance is the place where such property is located. The Buyer
following, at the auctioneers discretion:
responsibility of the purchaser. will be deemed to have been granted such
Increment Amount Dollar Range security to us and we may retain such property
d) Packing, Handling and shipping as collateral security for such Buyer’s obligations
$20 $0–$500 Artvisory will be able to suggest local, national and to us.
$50 $500–$1,000 international carriers and takes no responsibility x) to take such other action as Artvisory deem
whatsoever for the actions of any recommended necessary or appropriate
$100 $1,000–$2,000
third party carrier. Artvisory can pack and handle
$200 $2,000–$5,000 goods purchased at the auction by agreement, If we do sell the property under paragraph
however will take no responsibility for damage, a (iv), then the defaulting Buyer shall be liable
$500 $5,000–$10,000 for payment of any deficiency between the
charge may be made for this service. All packing,
$1,000 $10,000–$20,000 shipping, insurance, postage & associated charges total amount originally due to us and the price
will be borne by the purchaser. obtained upon reselling as well as for all costs,
$2,000 $20,000–$50,000 expenses, damages, legal fees and commissions
e) Cultural heritage Export Licences and premiums of whatever kinds associated with
$5,000 $50,000–$100,000
Unless otherwise agreed by us in writing, the fact both sales or otherwise arising from the default.
$10,000 $100,000–$200,000 that the buyer wishes to apply for an export licence
If we pay any amount to the Seller under
does not affect his or her obligation to make full
$20,000 $200,000–$500,000 paragraph (v) the Buyer acknowledges that
payment immediately, nor our right to charge
Artvisory shall have all of the rights of the Seller,
$50,000 $500,000–$1,000,000 interest or storage charges on late payment. It is the
however arising, to pursue the Buyer for such
Buyer’s responsibility to check Australia’s Protection
Absentee bids must follow these increments and any amount.
of Moveable Cultural Heritage Act 1986 before
bids that don’t follow the steps will be rounded up to purchase. If the Buyer requests Artvisory to apply
the nearest acceptable bid.
94
g) Failure to collect purchases any special, incidental nor consequential damages Overseas buyers and buyers non-resident in Australia
Where purchases are not collected within 3 days including, without limitation, loss of profits not for will not be charged GST on both hammer price and
from the sale date, whether or not payment has interest. premiums under the following conditions:
been made, we shall be permitted to remove the v) The Buyer must give written notice of claim to us 1. The items are exported through a Artvisory approved
property to a warehouse at the buyer’s expense, and within thirty days of the date of the Auction. The freight company including Australia Post
only release the items after payment in full has been Seller shall have the right, to require the Buyer to 2. The items are exported within 60 days of the date of
made of removal, storage handling, insurance and obtain two written opinions by recognised experts the sale
any other costs incurred, together with payment of in the field, mutually acceptable to the Buyer and
all other amounts due to us. The invoice supplied by Artvisory for purchases will be
Artvisory to decide whether or not to cancel the sale
regarded as a Tax invoice for GST purposes.
under warranty.
6. Extent of Artvisory Liability vi) the Buyer must return the lot to Seller in the same
condition that it was purchased. 14. Resale Royalty Scheme
Artvisory agrees to refund the purchase price in the
circumstances of the Limited Warranty set out in Under the legal obligations of the Resale Royalty Scheme
paragraph 7 below. Apart from that, neither the Seller nor 8. Severability for Visual Artists Act 2009, sellers must provide the
we, nor any of our employees or agents are responsible following information to comply with the act:
If any part of these Conditions of Sale is found by any
for the correctness of any statement of whatever kind • was the artwork acquired after 8 June 2010?
court to be invalid, illegal or unenforceable, that part
concerning any lot, whether written or oral, nor for any • is the sale/reserve price (including GST) $1,000 or
shall be discounted and the rest of the Conditions shall
other errors or omissions in description or for any faults more?
continue to be valid to the fullest extent permitted by law.
or defects in any lots. Except as stated in paragraph 7
• is the artist from Australia or a country listed in the
below, neither the Seller ourselves, our officers, agents or
Regulations to the Act?
employees give any representation warranty or guarantee 9. Copyright
or assume any liability of any kind in respect of any lot • is the artist alive, or deceased less than 70 years?
with regard to merchantability, fitness for a particular The copyright of all images, illustrations and written The seller:
purpose, description, size, quality, condition, attribution, material produced by Artvisory relating to a lot including
i) acknowledges that he or she understands his or her
authenticity, rarity, importance, medium, provenance, the contents of this catalogue, is and shall remain the
legal obligations under the Resale Royalty for Visual
exhibition history, literature or historical relevance. Except property at all times of Artvisory and shall not be used by
Artists Act 2009 (the Act);
as required by local law any warranty of any kind is the Buyer, nor by anyone else without our prior written
excluded by this paragraph. consent. Artvisory and the Seller make no representation ii) undertakes to comply with all requirements of the
or warranty that the Buyer of a property will acquire any Act, including by providing its agent, the company,
copyright or other reproduction rights in it. with accurate information sufficient for compliance
7. Limited Warranty with sections 28 and 29 of the Act;
iii) undertakes to indemnify the company for any loss
Subject to the terms and conditions of this paragraph, 10. Law and Jurisdiction incurred by the company as a result of the vendor’s
the Seller warrants for the period of thirty days from
These terms and conditions and any matters concerned failure to comply with any of the vendor’s legal
the date of the sale that any property described in this
with the foregoing fall within the exclusive jurisdiction of obligations under the Act; and
catalogue (noting such description may be amended
by any saleroom notice or announcement) which is the courts of the state in which the auction is held. iv) acknowledges that if he or she fails to comply with
stated without qualification to be the work of a named any of his or her legal obligations under the Act,
author or authorship is authentic and not a forgery. The the company may provide the vendor’s name and
term “Author” or “authorship” refers to the creator of the
11. Pre-Sale Estimates contact details to Copyright Agency Limited (CAL).
property or to the period, culture, source, or origin as the Artvisory publishes with each catalogue our opinion as to Lots subject to payment of the Resale Royalty Scheme
case may be, with which the creation of such property is the estimated price range for each lot. These estimates will be denoted by the §. The Australian Resale Royalty
identified in the catalogue. are approximate prices only and are not intended to be is a flat rate of 5% on the hammer price (including GST).
The warranty is subject to the following: definitive. They are prepared well in advance of the sale The Australian Resale Royalty is payable by the buyer in
and may be subject to revision. Interested parties should addition to the buyers premium plus any applicable GST.
i) it does not apply where a) the catalogue description
or saleroom notice corresponded to the generally contact Artvisory prior to auction for updated pre-sale
accepted opinion of scholars and experts at the date estimates and starting prices.
of the sale or fairly indicated that there was a conflict
of opinions, or b) correct identification of a lot can be
demonstrated only by means of a scientific process
12. Sale results
not generally accepted for use until after publication Artvisory will provide auction results, which will be
of the catalogue or a process which at the date of available as soon as possible after the sale. Results will
the publication of the catalogue was unreasonably include buyer’s premium. These results will be posted at
expensive or impractical or likely to have caused www.artvisory.com.au.
damage to the property.
ii) the benefits of the warranty are not assignable and
shall apply only to the original buyer of the lot as
13. Goods and Service Tax
shown on the invoice originally issued by Artvisory In accordance with A New Tax System (Goods and
when the lot was sold at Auction. Services Tax) Act 1999 Artvisory Auctions will collect on
iii) the Original Buyer must have remained the owner of behalf of the Australian tax office (ATO) a Goods and
the lot without disposing of any interest in it to any Service Tax (GST) of 10% on all applicable transactions.
third party GST is applicable on the hammer price in the case where
iv) The Buyer’s sole and exclusive remedy against the the seller is selling property that is owned by an entity
Seller in place of any other remedy which might registered for GST. GST is also applicable on the hammer
be available, is the cancellation of the sale and the price in the case where the seller is not an Australian
refund of the original purchase price paid for the lot resident. These lots are denoted by a dagger symbol †
less the buyers premium which is non refundable. placed next to the estimate.
Neither the Seller nor Artvisory will be liable for GST is also applicable on the buyer’s premium.
ASIAN ART SPECIALISTS
310 Toorak Road South Yarra Victoria 3141

+61 3 9826 4039 | www.artivsory.com.au

Fine Chinese and Asian Art Part 1 May 2022 Issuu File AV010-cat-issuu-v1

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Fine Chinese

& Asian Art

Chinese and Asian Arts

Indigenous Australian Art

Arts of the Middle East Expert

design + decoration &

South Yarra Station

AUCTION Part 1: Sunday 1 May 2022, 11.00am (Lots 1–159)

VIEWING Wednesday 27 April 11am–5pm

ADDRESS 310 Toorak Road, South Yarra VIC 3141

COLLECTIONS Monday 2 May 11am–5pm

EXPERT PANEL Luke Guan Victoria Tregaskis

ONLINE View catalogue and bid online at www.artvisory.com.au

ENQUIRIES Specialist Enquiries: Auction administration and payment enquiries:

How to Bid at our Auctions

Telephone Bidding Payment and Collection

Larry Lucas 先生出生於英國，早於上世紀六十年代劍橋求學時，即熱衷收藏，至

A private collection, Melbourne, Australia.

Larry Lucas 先生出生於英國，早於上世紀六十年代劍橋求學時，即熱衷收

Fine Chinese, We are now inviting quality entries to our

Illustrated: An exceptional finely carved Chinese Zitan brush-washer,

Absentee Bid Form

Name (please print clearly):

Email Address (for invoicing & correspondence):

Telephone (mobile): Telephone (home/work):

Invoice address (PO Box not accepted):

City State Post Code Country

Signature Date Bidder Number (Office Use Only)

Telephone Bid Form

Name (please print clearly):

Email Address (for invoicing & correspondence):

Telephone (mobile): Telephone (home/work):

Invoice address (PO Box not accepted):

City State Post Code Country

Signature Date Bidder Number (Office Use Only)

Terms and Conditions of Sale

310 Toorak Road South Yarra Victoria 3141

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