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Once we have our ability to jump between shell voicings and triads + 1 structures, we
want to apply. Start with these looped ii V I VI progressions in different areas of the
fretboard.
As we start to get more comfortable inside each of these looped section, learning to
visualize two different sections of the fretboard, the next step is to work on voice
leading the triads up the fretboard from the lowest position up to the high pitched C
triad in the upper register.
Try and figure out how to do this on your own first. If you need help, or just to
doublecheck your work, flip to the next page, and let's do it together.