Professional Documents
Culture Documents
Madison McCormack
Kenneth Campbell
Primary source
Dyke TV, a half-hour weekly cable tv show, first aired in 1993. It included multiple five-minute
news stories ranging from lesbians problems lesbian perspectives on current issues. The tv show
offered showcased lesbian issues and representation on politics, popular culture, health, art,
sports, and music. Show number 1 opens with two women in front of televisions as they
introduce Dyke TV and the news surrounding lesbian issues of the week. The weeks news
included stories on a protest in Florida after a bombing took place at the home of lesbian
activists, school boards making progress in electing openly lesbian representatives, and lesbian
programs and initiatives across the nation. Each segment included film footage, especially film
of street protests and interviews with activists. One protest featured lesbian activist shouting
“We're dykes, we're out, we're out for power” 5:50. The show's fourth story is an informative
segment on how to properly inspect yourself for certain cancers, diseases and STDs presented by
New York's community health project. The next segment is about Gay film festival, a reporter
sits down with a producer of one of the films for an interview. The cable TV show ends with
information slides about were to find lesbian groups, activities and protest in New York. Dyke
TV covered lesbian news and information that was not easily accessible in the early 1990’s. (224
Words)
Secondary Sources
3
Gillig, T., & Murphy, S. (2016). Fostering support for LGBTQ youth? the effects of a gay
Traci Gillig and Sheila Murphy discuss the finding of a study about the attitudes of youth
collected data from 469 youth participants ranging from ages 13 to 21. The experiment focused
on the effects of the portrayal of two teen gay characters in ABC television show The Fosters.
The study found significant differences in the feelings from heterosexual youth compared to
LGBTQ youth. Heterosexual youth displayed and reported significantly more negative feelings
and disgust at the display of these characters. LGBTQ youth reported feelings of hopefulness and
generally positive emotions at the display of these two characters on television. “The findings
suggest that LGBTQ youth saw themselves reflected in the portrayal of two young gay
characters coming to understand their identity, and these participants strongly experienced the
positive emotion of hope, an elevated sense of mental energy, and pathways for goals” (p. 16)
Representation in media for minority groups/LGBTQ can change public perception and
emotions. Giling and Murphy conclude the article by discussing the findings of the study, that
general emotions towards LGBTQ were changed by the display of gay characters but the
Bond, B. J., & Miller, B. (2017). From screen to self: The relationship between television
exposure and self-complexity among lesbian, gay, and bisexual youth. International Journal of
The role of televised lesbian, gay, bisexual, transgender and questioning characters in the identity
development of LGB people has received little research. Using a poll of LGB adolescents, a
study looked at the connection between homosexual and lesbian-oriented television exposure and
positive and negative self-esteem. Exposure to mainstream television was negatively connected
with positive self-esteem, while exposure to gay and lesbian-oriented television was negatively
correlated with negative self-esteem, according to the findings. The findings demonstrated that
seeing LGB characters in television shows created expressly for Gay or lesbian viewers may
have a positive influence on the well-being of LGB kids who are exposed to these themes on
television. The author suggest in light of the findings from the research, that characters in
television shows who openly talk and act out issues within the gay community especially effect
gay youth compared non-gay youth. Exposure to this on TV affects how LGB youth view
themselves and how they want society to view them. “The results of the present study suggest
that depictions of LGB characters in a variety of roles with disparate personalities and
characteristics may provide LGB youth with a diverse set of role models that can be used to
Tzikas, E. (2019, October 25). 'bury your gays' trope: How the media kill off LGBTQ characters.
through-the-bury-your-gays-trope/
Eleni Tzikas discusses how television networks often treat LGBTQ characters as commodities in
order to convey the impression that they are offering respectable representation. The author
5
states over 25 lesbian and bisexual female characters were victims of the 'Bury your gays' trend
during the 2016-2017 television season. It was harmful because it is a continuous trope in
popular television shows of LGBTQ people dying after a brief length of time together. This was
almost always solely used a plot device to continue a heterosexual character's narrative.The 100,
a popular CW Network television series, was the catalyst for the reemergence of the 'bury your
gays' cliché. The article goes into detail about a specific show, The 100. The show's main
character, Clarke, a bisexual woman, has a romantic connection with a queer women, Lexa. This
romance is cut short when Lexa is struck by a stray bullet meant for Clarke, which occurs just
after they consummate their relationship. Many fans of The 100 pointed out that the show's
creator, Jason Rothenberg, is a white straight man. Tzikas discusses how creators and writers
frequently recycle tired clichés that promote harmful beliefs and perspectives of the LGBTQ.
The authors conclude by talking about how LGBTQ characters should not be used as a
commodity but instead be fully playing out narratives. “How are these 4 million LGBTQ
women supposed to relate to television shows when 25 LGBTQ female characters have died
through the use of the tragic ‘bury your gays’ plot device?” (Tzikas 2019) (249 words)
character ... Review of Journalism and Mass Communication. Retrieved April 21, 2022, from
https://www.researchgate.net/publication/344661376_From_Misrepresentation_to_Milestones_A
n_Investigation_of_LGBTQ_Character_Development_in_Two_Primetime_Situation_Comedies
Francine Edwards discusses the increase in gay and lesbian characters and representation in the
media and television since 1998. The author discusses that dramatic increase in LGBTQ
visibility within both society and television. When gay people were discussed or shown prior to
6
1998, most of the time it did not have a positive connotation. The author discusses recent
television shows in the past decade, such as Will and Grace and Glee. These television shows
positively show and talk about LGBTQ while highlighting the community's struggles. Television
shows like these make an effort to connect LGBTQ character to a heterosexual audience. “Gay
relationships have become more acceptable in prime-time viewing as the movement and current
political climate has made members of the LGBTQ community a part of our cultural fabric” (p.
2) The author analyzes how the political climate in the past decade has resulted in a positive
representation in prime time television. In light of this information, audiences of prime time
television consist of majority heterosexual viewers. In light of this, most of these audiences come
to an understanding of the LGBTQ through these characters in the media. “…one important way
model beliefs, attitudes, and behavior when real-life experiences are limited.”(p.2) (214 words)
https://ijoc.org/index.php/ijoc/article/view/16959
Instagram influencers behaving inappropriately in the context of COVID-19, this in effect has
badly portrayed the gay community. This article examines the various situations in which
Instagram influencers who specialize in LGBTQ influencing, were subjected to public criticisms.
Instagram influencers and users criticized #GaysOverCOVID as the situation revolved around
gay influencers refusing to wear mask or follow state/national mandates. The author, Tyler
Quick, constructed visual and empirical data through participant observation of LGBTQ
7
Instagram. The results found by Quick suggest that instagram users and influencers experience
negative feelings and attitudes towards LGBTQ influencers because of the situation. Gay
influencers who where not apart of the #GaysOverCovid condemned the actions of those
LGBTQ users who participated in the rejection of COVID-19 mandates and safety protocols.
Many LGBTQ users according to the article have voiced anxieties about coming out onto the
social media platform for fear of rejection and negative attention. Quick details the history of gay
people having anxieties about the misconduct of their equals and how that would negatively
impact the LGBTQ community and public opinion.The article concludes by discussing the
effects of the drama and its consequences of LGBTQ representation in politics “And yet, when
circumstances have demanded that social media’s gay elite wield their “influence” for the
betterment of their community, critics have decried their failure to do so as evidence of gay
culture’s shallowness, but never the limits of social media platforms as venues for “positive”
LGBTQ representation, let alone the politics of representation itself.” (p.1) (211 Words)
Dawson, L. (2020, December 15). Presence vs. representation: Report breaks down LGBTQ
https://www.nbcnews.com/feature/nbc-out/presence-vs-representation-report-breaks-down-lgbtq-
visibility-tv-n1251153
Lamar Dawson a writer for NBC news analyzes the presence of LGBTQ people in television
shows. LGBTQ characters have increased in appearance on television shows, but Dawson
discusses if simply having these characters appear is enough to represent the community. Using
8
research from Nielsen's inaugural report, Dawson discussed how the numbers alone reflect more
visibility for the LGBTQ community in media. 26% of the top programs on cable have at least
one LGBTQ character. In an interview with openly gay actor Harvey Guillén, he states "Just as
the world builds their perceptions of the LGBTQ community from media, we LGBTQ people
also form our own identities from media."(Dawson, 2020). Public opinion and perception is
influenced by the portrayals in the media. Dawson discusses the importance of having a true
reflection of who LGBTQ people are in reality. Women and people of color are under-
represented in television shows within casting for LGBTQ characters. The article concludes with
an interview with Jack Moore, a writer for Netflix's “Dear white people” who explained that in
order for progress to be made, the writers room television shows have to diversity themselves.
LGBTQ people need to be participants in the writing that is representing their community. (201
words)
Martin, A. L. (2021, June 23). Perspective | The Long Road to more accurate portrayals of
Black LGBTQ people on television. The Washington Post. Retrieved April 21, 2022, from
https://www.washingtonpost.com/outlook/2021/06/23/long-road-more-accurate-portrayals-black-
lgbtq-people-television/
Alfred Martin a writer for the Washington Post analyzes the need for more representation of
black people and minorities within LGBTQ representation on television. Martin talks about why
people tend to think of white people when they think of LGBTQ, because television does not
reflect minorities on the screen. Martin talks about how the pace of change has been slow. It has
taken three decades and significant changes in the television networks models to generate new
representation for gay characters. Many show shows have now begun to break the traditional link
9
between whiteness and LGBTQ sexuality. The article discusses the history of LGBTQ in
television, from the 1950’s all the way to today. Once LGBTQ characters were introduced, not
only were people of color not represented, but show during this time furthered harmful
stereotypes of gay people. Martin “they were stereotyped caricatures: Gay men were “feminine”
and often had “women’s” careers such as hairdresser and interior designer, and lesbians were
“butch” because they, presumably, wanted to be men.” (Martin, 2021) The issue of these types of
stereotypes in television are starting to fade, however there is still a need for more portrayals of
black LGBTQ people on television. Martin concludes by talking about LGBTQ people of color
who watch television, by seeing somebody like themselves represented can make a positive
LGBTQ representation has increased in recent years due to the changing social
and political climate. In 2015, it became legal in the United States for gay people to get married.
That same year, representations of the LGBTQ in televison increased. Television shows featured
more openly gay characters than ever before. This number has only increased since then. The
LGBTQ community has witnessed the perception of the public change as the media continues to
make lesbian, gay, bisexual, transgender and questioning individuals more visible, as well as
their issues. Not only have these individuals experienced changing public opinion, but also how
they view themselves in society. In this essay I will analyze how the media has changed society's
perception of the LGBTQ community in negative and positive ways. The purpose of this essay is
10
to come to a solution on how issues with the negative perception and public opion of the LGBTQ
Research by Traci Gillig and Sheila Murphy on effects of a gay adolescent media
portrayal on young viewers is an example of how media shapes the public's opinions and beliefs.
The study concluded that general negative emotions from heterosexual youth after displays of
two LGBTQ characters on television. The findings showed that seeing lesbian and gay characters
in television shows made specifically for gay and lesbian viewers, can have a favorable impact
on the well-being of LGBTQ children who are exposed to someone similar to them on television.
This shows a positive correlation of LGBTQ media representation affecting public opinion, in
this case youth.“...LGBTQ youth saw themselves reflected in the portrayal of two young gay
characters coming to understand their identity, and these participants strongly experienced the
positive emotion of hope…” (Dawson p. 16). The individual differences theory can be applied
here because of how this display in media affects people differently because of who they are.
However, attitudes and emotions felt by individuals can change once exposed to something more
over time.
Dyke TV was a public access program that was able to be viewed nation wide that focused
on specifically lesbian issues which was taboo to talk about in the media at the time. It was an
important outlet for people to receive information concerning LGBTQ issues. Exposure to gay
people in media can change society general feelings towards LGBTQ. Francine Edwards
character in the Review of Journalism and Mass Communication. She says “one important way
model beliefs, attitudes, and behavior when real-life experiences are limited”(p.2). The majority
11
of people who are not part of the LGBTQ community do not have any real world experiences
with these individuals. Many heterosexual people only have media and television to turn to when
understanding the LGBTQ community. That is why it is so easy for public perception to be
The issue of representation alone is starting to be less of a problem, but how the media is
representing LGBTQ. Minorities and people of color make up a significant number of lesbian,
gay, bisexual, transgender and questioning individuals. However, there has been a problem in
recent years with television networks only casting white individuals to play LGBTQ characters.
This inherently can affect viewers who do not regularly come into contact with people of the
community regularly. They may become biased in thinking only white people make up the
LGBTQ community, when this statement is not true at all. Accurate representation in media
matters. Without it, cognitive dissonance can come into play when heterosexual individuals do
The solution to this issue can be said best by Washington post writer, Alfred Martin, in
his article The Long Road to more accurate portrayals of Black LGBTQ people on television “In
representing Black LGBTQ characters, they need to hire more LGBTQ people of color to work
in front of and behind the cameras while creating programming that doesn’t force single LGBTQ
characters to represent all LGBTQ experiences"(Martin, 2021). Reality should be reflected into
mass media when representing the LGBTQ community. Without accurate representation of who
gay people are, people outside of that world can inherent harmful stereo types and ideas. Martin
is discussing specifically the portrayal of black LGBTQ characters, but this idea can be applied
to LGBTQ in general.There needs to be more representation from those in mass media and
television for there to be fair representation on screen. Eleni Tzikas, a writer for The Global
12
Critical Media Literacy Project in their article bury your gays' trope: How the media kill off
LGBTQ characters, discusses how television networks often treat LGBTQ characters as
commodities in order to seem like they are offering respectable representation. Tzikas says "As a
result of white hegemonic media ownership, creators of stories narrating experiences of LGBTQ
characters are drawing on their own experiences while telling stories about those who are
different from them”(Tzikas, 2019). The fact the non-LGBTQ individuals are creating lesbian,
gay, bisexual, transgender and questioning characters is where the problem roots from because
they themselves can not project and accurate depiction of LGBTQ people. When more LGBTQ
producers, writers, and story-tellers are the ones who are creating LGBTQ characters in media,
will there be more positive and realistic representation changing people's beliefs, emotions and