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  • Arpejos Diatônicos em Terça

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    Eliezer Guimarães
    21 views2 pages
    1) The document provides guitar chord progressions in the key of C minor/A minor using diatonic arpeggios. 2) It includes 4 progressions notated with chord symbols and fretboard diagrams showing the finger placements. 3) The progressions use common chords from the C minor/A minor key and move through diatonic arpeggios played over each chord.

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    Arpejos diatônicos em terça

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    1) The document provides guitar chord progressions in the key of C minor/A minor using diatonic arpeggios. 2) It includes 4 progressions notated with chord symbols and fretboard diagrams showing the finger placements. 3) The progressions use common chords from the C minor/A minor key and move through diatonic arpeggios played over each chord.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    21 views2 pages

    Arpejos Diatônicos em Terça

    Uploaded by

    Eliezer Guimarães
    1) The document provides guitar chord progressions in the key of C minor/A minor using diatonic arpeggios. 2) It includes 4 progressions notated with chord symbols and fretboard diagrams showing the finger placements. 3) The progressions use common chords from the C minor/A minor key and move through diatonic arpeggios played over each chord.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    Arpejos diatônicos em terça

    Tonalidade C/Am
    Ozeias Rodrigues
    Standard tuning

     = 120
    (  =   )
    F7M Am7 C7M Em7 G7 Bm7b5 Dm7 F7M 
     1 2         
         
      

          
     
    jz.guit.

     8 8 12 
      4 4 7 7
    6
    7
    6 10
    7 10
    10
    10
    10 
     
    2 2 5 5 5 5 9 9
    3 3 3 7 7
    1 5 5

    G7 Bm7b5 Dm7 F7M Am7 C7M Em7  G7  



    3
     4
              
         
      
             

     10 10 13 
     5 5 9 9
    8
    9
    8 12
    9 12
    12
    12
    12 
     5
    3
    5
    3 7
    5 8
    7
    8
    7 7 10 10
    
    3 7 7

    Am7 C7M Em7 G7 Bm7b5 Dm7 F7M  Am7  


            
    5       6
        
             
     
     12 12 15 
     7 7 10 10
    10
    10
    10 13
    10 14
    13
    14
    13 
     7
    5
    7
    5 9
    7 10
    9
    10
    9 9 12 12
    
    5 8 8

    Bm7b5 Dm7 F7M Am7 C7M Em7 G7 Bm7b5 


            

    7
          8
          
             
     
     13 13 17 
     9 9 12 12
    12
    12
    12 15
    12 16
    15
    16
    15 
     8
    7
    8
    7 10
    8 12
    10
    12
    10 10 14 14
    
    7 10 10

    1/2
    C7M Em7 G7 Bm7b5 Dm7

    F7M
      Am7
       C7M  
    9    10      
                  
     
     15 15 19 
     10 10 14 14
    13
    14
    13 17
    14 17
    17
    17
    17 
     10
    9
    10
    9 12
    10 14
    12
    14
    12 12 15 15
    
    8 12 12

    Dm7 F7M Am7 C7M Em7 G7 Bm7b5  Dm7  


              
       12    
                
    11

     
     17 17 20 
     12 12 16 16
    15
    16
    15 18
    16 19
    18
    19
    18 
     10 13 12 13 12 
    10 10 14 14 14 14 17 17
    12 15 15

    Em7 G7 Bm7b5 Dm7 F7M Am7


     C7M
      Em7  

    13       14          

              
    
     19 19 22 
     14 14 17 17
    17
    17
    17 20
    17 21
    20
    21
    20 
     12 15 14 15 14 
    12 12 15 15 15 15 19 19
    14 17 17

    15

    2/2

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