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American Literature
American Literature American Literature:
Introduction:
● American Literature begins with the orally
transmitted myths, legends, tales and
lyrics of Indian cultures. There was no
written literature among the more than 500
different Indian languages and tribal
cultures that existed in North America
before the arrival of the Europeans. The
Literature of Exploration is popular during
the initial years. Thomas Hariot in A
BRIEF AND TRUE REPORT OF THE
NEW FOUND LAND OF VIRGINIA
(1588).
● THE COLONIAL PERIOD in NEW ENGLAND:
American Literature
the puritans believed that good writing was that which
brought home a full awareness of the importance of
worshipping God and the spiritual dangers which the
soul faced on Earth. Puritan style included complex
metaphysical poetry, homely journals, pedantic
religious history. Certain themes in Puritan works
remained constant, life was seen as a test, failure led to
eternal damnation, success led to heavenly bliss. The
world according to Puritans was a constant battle
between the forces of God and the forces of Satan,
who had many disguises. Puritans excitedly awaited
the millennium when Jesus would return to Earth and
would end the human misery and would inaugurate
1000 years of peace and prosperity
American Literature ● Puritanism and rise of capitalism:
Scholars have pointed a link between
Puritanism and capitalism, as both rest
on ambition, hard work and an intense
striving for success. Puritans believed
that earthly success was a sign of
election, additionally wealth and
status were sought not only for
themselves but as welcome
reassurances of spiritual health and
promises of eternal life
● William Bradford (1590-1657): he was elected as the governor of
American Literature Plymouth in the Massachusetts Bay Colony shortly after the
separatists landed. He was deeply pious and self educated man who
had learned several languages, including HEBREW in order to see
with his own eyes the ancient oracles of God in their native beauty.
He was a sort of the first historian of his colony. OF PLYMOUTH
PLANTATION (1651): it was a clear and compelling account of the
colony’s beginning. His description of the first view of American is
famous: “Being thus passed the vast ocean, and a sea of
troubles...they had now no friends to wel- come them nor inns to
entertain or refresh their weatherbeaten bodies; no houses or much
less towns to repair to, to seek for succor...savage barbarians...were
readier to fill their sides with arrows than otherwise. And for the
reason it was winter, and they that know the winters of that country,
know them to be sharp and violent, and subject to cruel and fierce
storms...all stand upon them with a weatherbeaten face, and the whole
country, full of woods and thickets, represented a wild and savage
hue.”
● Bradford also recorded the first document of
American Literature
colonial self governance in the English New
World, THE MAYFLOWER COMPACT,
drawn up while the Pilgrims were still on board
ship. This compact was a harbinger of the
Declaration of Independence which would
come 150 years later. HOWEVER,
REMEMBER that the Puritans disapproved of
such secular amusements as dancing and card
playing which they associated with ungodly
aristocrats and immoral living. Reading and
writing LIGHT BOOKS also fell into this
category.
American Literature ● Puritan minds poured their
tremendous energies into nonfiction
and pious genres like poetry,
sermons, theological tracts and
histories. Their intimate diaries and
meditations record the rich inner
lives of the introspective people
American Literature ● Anne Bradstreet (1612-1672): the first published
book of poems by an AMERICAN and was also the
first American book to be published by a woman.
She was born and educated in England and was the
daughter of an earl estate manager and migrated
with her family at 18. Her husband became the
governor of the Massachusetts Bay Colony which
later grew into the great city of BOSTON. She was
inspired by metaphysical poetry and her book THE
TENTH MUSE LATELY SPRUNG UP IN
AMERICA (1650), this work shows the influence of
Edmund Spenser, Philip Sidney and other English
poets as well. She uses elaborate conceits or
extended metaphors.
American Literature ● TO MY DEAR and LOVING HUSBAND (1678)
which uses oriental imagery and the theme of love,
“If ever two were one, then surely we/ if ever man
were loved by wife, then thee/ if every wife was
happy in a man/ compare with me, ye women, if
you can/ I prize thy love more than whole mines of
gold or all the riches that the East doth hold/ My
love is such that rivers cannot quench, nor ought but
love from thee, give recompense, thy love is such I
can no way repay/ the heavens reward thee
manifold, I pray, then while we live in love let’s so
persevere that when we live no more, we may live
ever”
American Literature ● Michael Wigglesworth (1631-1705):
English born like Edward Taylor and Anne
Bradstreet. He was Harvard educated
Puritan minister who practiced medicine. He
is the third New England colonial poet of
note. He continued with the Puritan themes.
THE DAY OF DOOM (1662): it is a long
narrative that popularized Calvinistic
doctrine. It was the most popular poem of
the colonial period. It was the first
American best seller which gives an
appalling portrait of damnation to hell in
ballad meter
American Literature John Calvin and Pico
Della Mirandola
Olaudah Equiano (Gustavus Vassa): 1745-1787:
American Literature
● Important black writers like Olaudah Equiano
and Jupiter Hammon emerged during the
colonial period, Equiano, an IBO from Niger
(West Africa), was the first black in America to
write an autobiography, The Interesting
Narrative of the Life of Olaudah Equiano, or
Gustavus Vassa, the African (1789), it is an early
example of the slave narrative genre, Equiano
gives an account of his native land and the
horrors and cruelties of his captivity and
enslavement in the West Indies. Equiano, who
converted to Christianity, movingly laments his
cruel “un- Christian” treatment by Christians
American Literature Jupiter Hammon (1720-1800):
● The black American poet, he was a
slave on Long Island, New York. He is
remembered for his religious poems as
well as for An Address to the Negroes
of the State of New York (1787), in
which he advocated freeing children of
slaves instead of condemning them to
hereditary slavery. His poem “An
Evening Thought” was the first poem
published by a black male in America.
American Literature The Romantic Period (1820-1860): FICTION
- Walt Whitman, Nathaniel Hawthorne,
Herman Melville, Edgar Allan Poe, Emily
Dickinson and the Transcendentalists
represent the first great literary generation
produced in the United States.
- Romantic vision: Hawthorne called the
“romance” a heightened, emotional and
symbolic form of the novel. Romances were
not love stories but serious novels that used
special techniques to communicate complex
and subtle meanings.
- Hawthorne, Melville and Poe shaped heroic
figures which were larger than life, burning
with mythic significance rather than having
realistic characters through a wealth of detail
as most English novelists did.
American Literature Protagonists of American literature
are:
1) Haunted
2) alienated individuals
3) heroic figures
4) Larger than life
5) anguished spirits
6) They were lonely protagonists pitted
against unknowable, dark fates
(Reason for the fictional exploration
into the hidden recesses of the soul was
due to the absence of settled, traditional
community life in America).
American Literature Context in which the American
novelists were writing:
1) History of strife and revolution
2) A geography of vast wilderness
3) A fluid and relatively classless
democratic society
4) Absence of tradition
5) The democratic American individual
had to invent himself
6) Undefined, constantly moving
frontier populated by immigrants
speaking foreign languages and
following strange and crude ways of life
American Literature American protagonists=
“loners”
1) Typee by Melville: the
protagonist finds himself alone
among cannibal tribes
2) Leatherstocking novels: the
protagonist explores wilderness
3) Poe’s solitary individuals:
witness lonely visions from the
grave
4) Hawthorne’s Young Goodman
Brown: the protagonist meets the
devil while walking in the forest.
American Literature THE ROMANCE
(Features):
Most of the Romantic heroes
die in the end: All the Sailors
except for Ishmael are
drowned in Moby Dick,
Arthur Dimmesdale dies at the
end of The Scarlet Letter.
- The tragic note becomes
dominant in novels (even
before the Civil War of the
1860s)
Nathaniel Hawthorne (1804-1864):
American Literature - born in Salem, Massachusetts (a wealthy
seaport north of Boston that specialized in
East India trade)
- His novels are mostly set in Puritan New
England
- His ancestor was a judge in an earlier
century during the trials in Salem of
women who were accused of being
witches
- Treatment of ‘families’ in Hawthorne’s
works: Cooper’s Leather Stocking Tales
manage to introduce families amidst
wilderness however, Hawthorne’s stories
and novels repeatedly show broken,
cursed or artificial families and the
sufferings of the isolated individuals.
Precedence was given on an individual
rather than family.
The House of the Seven Gables: uses the idea of a
American Literature curse on the family of an evil judge.
-The Scarlet Letter (1850): a classic portrayal of
Puritan America;
- Set in Boston around 1650 during the early Puritan
colonization
- Novel highlights the Calvinistic obsession with
morality, sexual repression, guilt and confession,
spiritual salvation.
It reveals about the passionate, forbidden love affair
linking a sensitive, religious young man, the
Reverend Arthur Dimmesdale and the sensuous,
beautiful townsperson, Hester Prynne
- daring and subversive book for its time
- Sophisticated writers such as Ralph Waldo
Emerson and Herman Melville recognized the
book’s “hellish power” as the book treated issues
which were suppressed during the 19th century
- the book uses allegory
American Literature The House of Seven Gables (1851):
- deals with the “crumbling of the
house”
- presence of inherited curse and its
resolution through love
- Holgrave: the idealistic protagonist
Holgrave, voices Hawthorne’s own
democratic distrust of old aristocratic
families
- presence of distrust of aristocratic
families
- “The truth is that once in every half
century, at least, a family should be
merged into the great, obscure mass of
humanity and forget about its
ancestors.”
American Literature The Blithedale Romance (1852):
- interesting work
- presents a portrait of the socialist,
utopian Brook Farm community
- (Hawthorne through the book
criticizes the egotistical, power
hungry social reformers whose
deepest instincts are not genuinely
democratic).
- Mary Shelley