Scribd Logo
Upload

Welcome to Scribd!

  • Soy Bandero Saxo Alto

    Uploaded by

    Gerardo Carlos Quispe Blas
    23 views2 pages
    This musical score contains notes and symbols representing different instruments and genres of Latin American folk music. It is divided into sections with lyrics and notes for instruments including saxophone, flute, guitar and percussion. The sections include genres like huayno, morenada and cumbia from various Latin American countries.

    Original Description:

    Original Title

    SOY BANDERO SAXO ALTO

    Copyright

    © © All Rights Reserved

    Available Formats

    PDF, TXT or read online from Scribd

    Did you find this document useful?

    Is this content inappropriate?

    Report this Document
    This musical score contains notes and symbols representing different instruments and genres of Latin American folk music. It is divided into sections with lyrics and notes for instruments including saxophone, flute, guitar and percussion. The sections include genres like huayno, morenada and cumbia from various Latin American countries.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    23 views2 pages

    Soy Bandero Saxo Alto

    Uploaded by

    Gerardo Carlos Quispe Blas
    This musical score contains notes and symbols representing different instruments and genres of Latin American folk music. It is divided into sections with lyrics and notes for instruments including saxophone, flute, guitar and percussion. The sections include genres like huayno, morenada and cumbia from various Latin American countries.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    SOY BANDERO

    SAXO ALTO 1 HUAYNO

               
            

         = 80


                   

    7 MORENADA


                                    
    13

     
                             
    27

               


      

     
    CUMBIA

              
     
    41

        
      

            
          
     
       
    52

                                          
    SALSA 


    62

                                     

     
    
       
    72
                        
    2 SOY BANDERO

       

    

      
    82

      

                          1.   

    95

                    
        
       
    107 2.

    
                  1.        
     
        
    121

                                   
         
    133 2.


                      
     
       
    143

    AL CANTO Y

               
              
            
     
    155

         
           

    168 1. 2.

    You might also like