MERENGUE

Victoriano Valencia

Copyright © by Red de Escuelas de Musica de Medellin

Escuela de Formacion Bandistica Santa Rosalìa
Dir. Artistico Julio Cesar Vivas Tamayo
Palermo - Huila 2018
 MERENGUE
Para Banda Grado 1
Victoriano Valencia

 
Allegro h = 110

Flute 1y2        

Oboe        

Clarinet in Bb 1y2       

Alto Saxophone       

Tenor Saxophone
                

      
Horn in F 
          
Trumpet in Bb 1y2       

Trombone
                 

Euphonium                
  
    
   
       
Tuba

   
       
Snare Drum     
           
(4)
Bass Drum

Cymbals       
Congas          
(4)

Copyright © by Red de Escuelas de Musica de Medellin

Escuela de Formacion Bandistica Santa Rosalìa
Dir. Artistico Julio Cesar Vivas Tamayo
Palermo - Huila 2018
  
Full Score - Merengue 3

         
6 1. 2.

Fl. 1y2    


             
Ob.

       
     
Cl. 1y2

Alto Sax. 
             

         

       
Ten. Sax.


       

      
Hn.

       
     
Tpt. 1y2

Tbn.

            

Euph.              

 
 
   
      
Tba.

    
    
(4)
S. D.

B. D.    
(4)
    

Cym.       

Congas              
        

4 Full Score - Merengue

      
11

    
Fl. 1y2
  
                
Ob.       

          
Cl. 1y2
            
               
Alto Sax.        
                
Ten. Sax.
   

  
Hn.        
       
Tpt. 1y2
               
       
Tbn. 

Euph.         

 
         
Tba.
         

   
                    
S. D. 

           
(4)
B. D.

     
       
(4)
Cym.

           
(4)
Congas
    
Full Score - Merengue 5

          
            
16

Fl. 1y2  
 
                 
Ob.   

                      
Cl. 1y2
       
                
   
Alto Sax.

                     
Ten. Sax.
 

 
Hn.      

 

                      
Tpt. 1y2
          
  
 

Tbn.    

Euph.        

 
        
Tba.
      

      

       
S. D.  

B. D.           
    
Cym.        

Congas           
  
6 Full Score - Merengue

               
21

    
    
Fl. 1y2
 
          
      
Me -ren -gue-
   
Ob.


           
Me -ren -gue-
            
 
Cl. 1y2

                

Me -ren -gue-
Alto Sax.   
            

   
Me -ren -gue-
Ten. Sax.   
 
Me -ren -gue-

Hn.      

 
     
  
          
Me -ren -gue-
Tpt. 1y2             
      

 
  Me
 -ren
 
 -gue
-
Tbn. 

    
Me -ren -gue-
Euph.        
    
 
       
Me -ren -gue-
Tba.
         Me -ren -gue-
 
 
 
                
S. D. 

Me -ren -gue-

        
(4)
B. D.

 Me -ren -gue-

        
(4)
Cym.



Me -ren -gue-

Congas  
(4)
      
Me -ren -gue-
  
Full Score - Merengue 7
26 To Coda
   
Fl. 1y2     

Ob.         

Cl. 1y2      
    
Alto Sax.     


Ten. Sax.        

      
        
Hn.

Tpt. 1y2         

Tbn.

             

Euph.              


 
    
       
Tba.

 
  

              
S. D. 

        
(4)
B. D.

Cym.      

        
(4)
Congas
  
8 Full Score - Merengue
31
    
Fl. 1y2   

Ob.         

        
  
Cl. 1y2

      
Alto Sax.   


Ten. Sax.        

 
    


 
       
Hn.

Tpt. 1y2      

       
Tbn.
    
    

Euph.                 
 
  
  
          
Tba.

        
   
(4)
S. D.

        
(8)
B. D.

Cym.      

Congas          
  
Full Score - Merengue 9
36      
Fl. 1y2   

Ob.         

               
       
Cl. 1y2

      
Alto Sax.   


Ten. Sax.        

      
Hn.           
Tpt. 1y2         
       
 
     
Tbn. 

Euph.                

 
   
         
Tba.

 
  
S. D.     

     
(4)
B. D.

Cym.      

     
(4)
Congas
        
10 Full Score - Merengue
 D.S. al Coda CODA
        
41

Fl. 1y2   
         
Ob.           

                
 
Cl. 1y2

              
Alto Sax.       
         
  
 
Ten. Sax. 
 

   
Hn.        

      
     
Tpt. 1y2

        
Tbn.  

Euph.        

   
     
    
Tba.
  
     
       
S. D.   

B. D.           

Cym.       

Congas           
    
Full Score - Merengue 11

    
   
45

Fl. 1y2  

       
Ob.      

          

Cl. 1y2
 
           
Alto Sax.  
       
    
Ten. Sax.


     
Hn. 

Tpt. 1y2     

    
Tbn. 

Euph.     


 
       
Tba.
       

 
     

       
S. D. 

    
(4)
B. D.

    
(4)
Cym.

    
(4)
Congas
   
12 Full Score - Merengue

           
49

Fl. 1y2     

Ob. 
   


           

          
Cl. 1y2
   
Alto Sax. 
                  


      
  

Ten. Sax.   

        
Hn.     

           
Tpt. 1y2
 
Tbn.

       
  



Euph.            
 
 
       
Tba.
       
                    
 

S. D. 

B. D.   
(8)
     
    

   
(8)
Cym.

Congas   
(8)
     
    
Full Score - Merengue 13

    
   
53

Fl. 1y2  

       
Ob.      

          

Cl. 1y2
 
           
Alto Sax.  
       
    
Ten. Sax.


    
     

     
 
Hn.

       
  


 

   

 

Tpt. 1y2

     
    
Tbn.         

Euph.                 

 
       
Tba.
       

 
     

       
S. D. 

    
(4)
B. D.

    
(4)
Cym.

    
(4)
Congas
   1.   
14 Full Score - Merengue

     
57 2.

Fl. 1y2      

Ob. 
     


      

Cl. 1y2               

Alto Sax. 
              


     

Ten. Sax.          

      
        


      
Hn.

          
Tpt. 1y2

       
       
Tbn.        

Euph.              
 
 
       
Tba.
       

                
 
       
S. D. 

B. D.   
(8)
        

Cym.   
(8)
     

Congas   
(8)
        
  
Full Score - Merengue 15
62

Fl. 1y2      

Ob.      

Cl. 1y2      
     
Alto Sax. 


Ten. Sax.               

      

         
Hn.

Tpt. 1y2      

Tbn.

              

Euph.                

 
   
         
Tba.

 
      
S. D.    

        
(4)
B. D.

Cym.      

     
(4)
Congas
  
16 Full Score - Merengue


 
      
67

Fl. 1y2    
 
 
      
Ob.    

Cl. 1y2              
             
Alto Sax. 


Ten. Sax.                

     
            
Hn.

Tpt. 1y2              
               
Tbn. 

Euph.                 

     
   
       
Tba.

    
    
(4)
S. D.

        
(4)
B. D.

Cym.      

Congas          
  
Full Score - Merengue 17

     
 
72

Fl. 1y2       
      
 
Me -ren - gue -

Ob.       

          
Me -ren - gue -
Cl. 1y2   
             
Me -ren - gue -
Alto Sax.  


          
Me -ren - gue -
Ten. Sax.   
 
Me -ren - gue -

 

      
   
Hn.

          
Me -ren - gue -
Tpt. 1y2    
      Me -ren
 - gue
 -
Tbn.        

          
Me -ren - gue -
Euph.    
    
 
  
Me -ren - gue -
Tba.
      Me -ren - gue -
 
         

    
S. D.  

Me -ren - gue -

           
(4)
B. D.

 
Me -ren - gue -

Cym.         


Me -ren - gue -

Congas 
(4)
      
Me -ren - gue -
Flute 1y2 MERENGUE
Para Banda Grado 1
Victoriano Valencia


 
Allegro h = 110
        
1. 2.

   



                             
11

    
   

                               
18

 
  

25
 
To Coda
      
       
Me -ren - gue -


            D.S. al Coda
     
34

 

                  

43 CODA

 

               

    
49



     2.  
   
     
55 1.

  

61

        
   

   
     
72

    
Copyright © by Red de Escuelas de Musica de Medellin
Escuela de Formacion Bandistica Santa Rosalìa Me - ren - gue -
Dir. Artistico Julio Cesar Vivas Tamayo
Palermo - Huila 2018
Clarinet in Bb 1y2
MERENGUE
Para Banda Grado 1
Victoriano Valencia


   
Allegro h = 110
1. 2.

  
      


11

                           

17

                      
  
22 To Coda

             

    


Me -ren - gue -
27 
                   
          
41 D.S. al Coda CODA

                  

 

                              
46

52 1.

                  


   
58 2.

         

70

                    
Copyright © by Red de Escuelas de Musica de Medellin
Me -ren -gue -
Escuela de Formacion Bandistica Santa Rosalìa
Dir. Artistico Julio Cesar Vivas Tamayo
Palermo - Huila 2018
Alto Saxophone MERENGUE
Para Banda Grado 1
Victoriano Valencia


 
Allegro h = 110

       
1. 2.

   

            
11

                    


           
               
18

 
  

25
   
To Coda
      
     
Me -ren - gue -

          
D.S. al Coda
       
34

 


43 CODA
     
              

                            
49

          
55

     
1. 2.

  

61
   
        


     
72

       

Copyright © by Red de Escuelas de Musica de Medellin Me - ren - gue -
Escuela de Formacion Bandistica Santa Rosalìa
Dir. Artistico Julio Cesar Vivas Tamayo
Palermo - Huila 2018
Tenor Saxophone MERENGUE
Para Banda Grado 1
Victoriano Valencia


Allegro h = 110
1. 2.

                        

                         

9

      

                
   
16

  

           
To Coda
 
21

         


Me -ren - gue -
27  
                

             

40 D.S. al Coda CODA

      

            

46
    
  

               1.   

52

      

  
 

58 2.

                    

66

               

71

                 

Copyright © by Red de Escuelas de Musica de Medellin Me - ren - gue -
Escuela de Formacion Bandistica Santa Rosalìa
Dir. Artistico Julio Cesar Vivas Tamayo
Palermo - Huila 2018
Horn in F MERENGUE
Para Banda Grado 1
Victoriano Valencia

Allegro h = 110
1.

         
              

 
8 2.

 

  
     

 
17

    

 
     

 
     
Me -ren -gue-
26 To Coda

       
            
33

     


 
 
    



 

 
40 D.S. al Coda CODA

    
     
 
 


                   
53 1. 2.
  
           
60

       
            
67

      
         
72

        
    
Copyright © by Red de Escuelas de Musica de Medellin Me - ren - gue -
Escuela de Formacion Bandistica Santa Rosalìa
Dir. Artistico Julio Cesar Vivas Tamayo
Palermo - Huila 2018
 MERENGUE
Trumpet in Bb 1y2 Para Banda Grado 1
Victoriano Valencia


   
Allegro h = 110
1. 2.

      
  
11
                           

17

          

               

22 To Coda

             
 
    


Me -ren - gue -
27  
           


    
40 D.S. al Coda CODA

     
      
52

                       
1.


   
58 2.

         


71

                 
Copyright © by Red de Escuelas de Musica de Medellin Me -ren - gue -
Escuela de Formacion Bandistica Santa Rosalìa
Dir. Artistico Julio Cesar Vivas Tamayo
Palermo - Huila 2018
Trombone MERENGUE
Para Banda Grado 1
Victoriano Valencia

Allegro h = 110
                       
1.

 

    
8
        
2.
  

              
17

           

Me -ren -gue-
To Coda
     
26
              


                  
33

  


             
40 D.S. al Coda CODA
  
 

          
            
  1.     2.
53

  

     
60
               

         
67

       

72
       
        
Copyright © by Red de Escuelas de Musica de Medellin Me - ren - gue -
Escuela de Formacion Bandistica Santa Rosalìa
Dir. Artistico Julio Cesar Vivas Tamayo
Palermo - Huila 2018
Euphonium MERENGUE
Para Banda Grado 1
Victoriano Valencia

Allegro h = 110
1.

                       

    
8 2.

           

17

                 

Me -ren -gue-
26 To Coda

                    
33

                     


        
40 D.S. al Coda CODA

        

   
53

                   
1. 2.


60

                    
67

                

72

             

Copyright © by Red de Escuelas de Musica de Medellin Me - ren - gue -
Escuela de Formacion Bandistica Santa Rosalìa
Dir. Artistico Julio Cesar Vivas Tamayo
Palermo - Huila 2018
Tuba MERENGUE
Para Banda Grado 1
Victoriano Valencia


Allegro h = 110
  
1. 2.

       
               


9
               
       
     
17
               
      
      
25 To Coda
            
             
Me -ren -gue -

33
        
                
41 D.S. al Coda CODA
              
      
     

 
48
           
     
      

 
54
 
1. 2.
           
       
  
61
        
                
69
           
             
Copyright © by Red de Escuelas de Musica de Medellin Me -ren -gue -
Escuela de Formacion Bandistica Santa Rosalìa
Dir. Artistico Julio Cesar Vivas Tamayo
Palermo - Huila 2018
Snare Drum MERENGUE
Para Banda Grado 1
Victoriano Valencia

   
Allegro h = 110
  
       
1. 2.

      
(4)

                           
10

 

 
                 
16

   To Coda
                  
22

Me -ren - gue - -


                   
27

  
(4)

   
  
D.S. al Coda
  
35

      

43 CODA   
                  

  
    
48

                               

  
                   
 
54 1. 2.

 
           
60

         

 
              
68

    
(4)

Copyright © by Red de Escuelas de Musica de Medellin Me -ren -gue -

Escuela de Formacion Bandistica Santa Rosalìa
Dir. Artistico Julio Cesar Vivas Tamayo
Palermo - Huila 2018
Bass Drum MERENGUE
Para Banda Grado 1
Victoriano Valencia


Allegro h = 110
     
1. 2.

       
(4) (4)

        
9

       
(4)

     
17

       
(4)


   
To Coda
    
25

      
(4)

Me -ren -gue -

      
34 D.S. al Coda
       
(8) (4)

    
43 CODA

      
(4) (8)

         
51 1. 2.

      
(4) (8)

       
60

       
(4) (4)

   
       
69

     
(4)

Copyright © by Red de Escuelas de Musica de Medellin Me -ren -gue -

Escuela de Formacion Bandistica Santa Rosalìa
Dir. Artistico Julio Cesar Vivas Tamayo
Palermo - Huila 2018
Cymbals MERENGUE
Para Banda Grado 1
Victoriano Valencia


Allegro h = 110
 1. 2.

  

      
         
11

    
(4)

     To Coda
    
19

       
(4)

Me -ren -gue -

27  D.S. al Coda CODA



        
(4)

    
47 
      
(8)

   
54 1. 2.

      
(4) (8)

61  


    
Copyright © by Red de Escuelas de Musica de Medellin Me - ren - gue -
Escuela de Formacion Bandistica Santa Rosalìa
Dir. Artistico Julio Cesar Vivas Tamayo
Palermo - Huila 2018
Congas MERENGUE
Para Banda Grado 1
Victoriano Valencia

      
Allegro h = 110
 
1. 2.

       
(4)

        
9

       
(4)

     
17

       
(4)


   
To Coda
    
25

      
(4)

Me -ren -gue -

         
34

    
(4)

D.S. al Coda

    
42 CODA

       
(4)

     
50 1. 2.

        
(8) (4) (8)

    
59

         
(4)

  
        
68

    
(4)

Copyright © by Red de Escuelas de Musica de Medellin Me -ren -gue-

Escuela de Formacion Bandistica Santa Rosalìa
Dir. Artistico Julio Cesar Vivas Tamayo
Palermo - Huila 2018