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  • Oblivion Per Archi-Violino - 2 PDF

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    Benjamin Scaglione
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    This document is sheet music for the violin piece "Oblivion" by Astor Piazzolla, arranged for string ensemble by Benjamin Scaglione. The sheet music provides musical notation for the violin part, including notes, rhythms, dynamics, and other performance instructions across multiple pages.

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    Oblivion per archi-Violino_2.pdf

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    This document is sheet music for the violin piece "Oblivion" by Astor Piazzolla, arranged for string ensemble by Benjamin Scaglione. The sheet music provides musical notation for the violin part, including notes, rhythms, dynamics, and other performance instructions across multiple pages.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    4 views2 pages

    Oblivion Per Archi-Violino - 2 PDF

    Uploaded by

    Benjamin Scaglione
    This document is sheet music for the violin piece "Oblivion" by Astor Piazzolla, arranged for string ensemble by Benjamin Scaglione. The sheet music provides musical notation for the violin part, including notes, rhythms, dynamics, and other performance instructions across multiple pages.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    Violino

    2
    Oblivion
    Per ensemble d'archi
    Music by A. Piazzolla
    Arr. Benjamin Scaglione
     = 80

                    

          

                
                
    6



           
     
     
         
    11

       

                 
        
      
    16

                      
         
    21

    


                    
    26

     3

                    
          
    31

    3 3

              
          
    36

         

         
           
      
    41

     

                           
    46


     
    2

                    
         
    51

      
                   
         
    56

     

                     
    61

          
                
    66

            
                
    71

     3
     3

      
            
               
    76
    3

     3

                 
         
    81

                     
     
    86

    rall.

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