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AUTHOR’S BIOGRAPY

Bea O. Esma is an aspirant student who loves to write stories and poems. She’s drown into the fantasy life
of all fictional characters, even can relate to it and that pursues her to invent one. Then after ages, her
story especially “Paramour Emotion” becomes legendary. She loves old-tragedy love that ends with
hopeless romantic couple, that inspires her to keep the story composition alive.

“But there's a danger in loving somebody too much


And it's sad when you know it's your heart you can't trust
There's a reason why people don't stay where they are
Baby sometimes love just ain't enough”

-Songwriters: Glen Burtnik / Patty Smyth

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CHOREOGHAPER’S BIOGRAPHY

The choreographer Bea O. Esma, spends most of her time into dancing. At the age of 5 she found herself
grooving into the beat of music, freestyling till she exhausts. She was always active into any dance
competition in her school, barangay and so on. Until junior school, Bea was given a privilege to decide
what she should get as her specialization. At first she hesitated on what should her decision be “acting or
dancing?’ for these 2 arts have special place in her heart. But at the end, dancing is what she really wants
to pursue not knowing where it leads her to.

Dancing comes with variety of concept. After a long journey, there was this time where she doubts herself
that she was never good enough to dance. The qualifications to be a good dancer requires great skills not
just physically but also mentally and she realize she has none. For over 7 months into that program there
was never a time she questioned everything like “Is it till worth it?” she cried during training, the pain
can’t ever tolerated but did she gave up? “Never.”

Bea hates when she sweats but for dancing there will never be but(s). She even got sick and injured her
right thigh for straight 5 days. Yet no sign of giving up for she love not just the adventures, competition,
task, but especially those people whose with her from beginning till end.

“Dancing is what keeps me alive” Ms.Esma at 9:40 AM

Synopis:

Is it possible to feel
Home into your arm?

A warm embrace with

So much emotion in the eyes

As I look at you along your soul.

Will this be perpetually

Enough for the both of us?

Nevertheless, will you dance

With me while we grow old?

“M’querida, you are my life. The life into my darkest night, what could our eternity be? When our love
becomes infinity. Te amo, mon amour. Will you stay with me?”

AUTHORS NOTE

WORK OF FICTION: THE CHARACTERS AND PLACE BEING MENTION DID NOT
EXIST IN REAL
- LIFE. HAVE FUN AND ENJOY, SEE YOU AT THE END.
- All rights reserved 2022

“PARAMOUR EMOTION”

“A letter for Ms. Carpenter” The messenger shouts in polite.

I hurriedly ran fast as I could hoping none of my family would see me along with my letter.

It was from my lover, Deguzman. We’ve kept our intimate relation through many years, afraid both of
our clan would know.

*/*Rewrite the stars/contemporary performance

(PLEASE REFER; PAGE 8 TO VIEW CONTEXT)

A wind of air ago, our family ancestor’s, the Carpenter and Deguzman battled a fight which leads into
apart. Until then, no one sit’s its footsteps upon the legacy’s barrier.

Maximo Deguzman and I meet by the shore of “Romana de atlantica” or what the historians called it “the
atlantis wise protector” which I certainly do agree with. Whenever I felt ravaged the Romana never failed
to soothe my profound thoughts. Romana de atlantica is none of our legacy’s right, so it was not
forbidden to walk by it.

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“THE FIRST MEET”

“Can I walk along your thoughts?” an unfamiliar baritone voice jumps into my conclusion.

“Who are you?” I quickly panicked

“Relax, M’buena bunita” (Good looking)

“I, do not speak into a rival” I protest before he will step an inch after mine.

“I’m no rival nor your enemy. It was not us but our family” He said.

“What you said might be true, but you will always be a Deguzman. I’ll excuse myself and forget we met”
I hurriedly excuse after that scene.

It may be forbidden but I always head to Romana hoping I’ll see him again.

After a billion of waves still waving, I do get hopeless. How can I expect a man would comeback before I
head myself out without his excuse? No explanation would explain how ignorant I am to think.

“Am I lookin’ for, m’bunita?” A guess of voice vibrates.

“You, I-i-I know our clan’s are in midst of everlasting fight but I still deserve to owe an apology. I
shouldn’t spill anonymous hatred, your words kept me thinking how unpleasant I act towards you” I said
with full of sincerity.

Then he smile, which explodes a million of unknown feeling through my heart down to my stomach.

“Eres linda” (you’re cute) he replied.

A single smile of him opens to a billion stars of light, our fond grows and becomes devoted. But until
then, they say “An opening to a new smile, fades with a new disaster”

*Trust me again/Performance

(PLEASE REFER; PAGE 8 TO VIEW CONTEXT)

“THE MISERY”
“Valmoria!” A thunder voice echoed into the Romana.

“Father” I recognize.

“Que haces con ese traidor?”(What are you doing with that traitor) father spoke in his fuming voice.

“Papá, let me explain” I tell, before he can do something bad to Deguzman.

“You, what are you doing here? Holding my daughter’s hand. Do you want me to call the guardia civil so
you’ll rot in the dungeon?!”

“No please, papá. He didn’t do anything” Oh god! Please, if the Deguzman’s know that their grandson

Is in prison it would cause a big of a trouble.

“I would want you to be out of my sight before I can do something, Salir!” (Leave)

“You will never see an inch of my daughter again” Father added.

“No, I love your daughter. I love Valmoria. If our clan is against with it, I’ll fight even if it means I’ll be
in the Supremo.” Maximo.

“Your choice of word speaks how pathetic Deguzman’s are. By that I’ll see you in Supremo” Father
replied.

“Papá no.” A loud slap stop me

“Betrayal. You betrayed me, Valmoria. You never know how dissapointed I am towards your ignorant

act. You will never see that traidor, Again” (traitor) Father stated with proclaim.

“Papá, please don’t continue the case in Supremo. Please. I’ll do anything” I begged in desperate.“Be a

scholar in Iglesia, leave that traidor and you’ll promised to not interact with him again!” That backfired

me. I wanted to playwright but father wants me to be a madre civil along with my other hermana’s.

“I-i will” I said being hopeless.

“LO SIENTO, TE AMO”


“Julieta will accompany you to the dock” Pointing to my 3rd hermana

“Promise will always be a promise father.”

“Promise fades with betrayal. You promise while I did not. As long as I wouldn’t hear a news with that

Deguzman, I’ll hold the case. But don’t expect I’ll not make him in the dungeon”

I cried losing hope.

After the incident in Romana, I never saw his being’s again. Not until this letter came. How is now? Did

he get married? Did my amor already had kids with other woman?

After the if(s) running into my head, I finally open the letter with small droplets of tears

“I’M SORRY, M’ AMOR. BUT I WILL ALWAYS LOVE YOU. NO ANYTHING CAN REPLACE

MY SCANDALOUS HEART TO LOVE LIKE YOU. TO INFINITY WE BEYOND. LO SIENTO, TE

AMO”

(I’m sorry, I love you)

(PLEASE REFER; PAGE 8 TO VIEW CONTEXT)

“THE END”

o (All photos can be publicly searched on pinteres)


“ROMANA DE ATLANTICA”

“LETTER OF MAXIMO DEGUZMAN”

CONTEMPORARY PERFORMANCE (Page; 3)


https://youtu.be/VuF4M2K-ZYA - Dance Duet: re-write the stars

CONTEMPORARAY PERFORMANCE (PAGE; 4)

https://youtu.be/m2M22z0K5eo -Blake McGrath-Trust Me Again (Official Video)

BACKGROUND SONG (Page: 5)

https://youtu.be/hK1mnXrHayY - Ace Banzuelo - Muli (Official Lyric Video)

CHARACTERS

:Valmoria Valentina Carpenter :Maximo Fierro Deguzman

:Carlos Juan Ortega Carpenter :Julieta Valein Carpenter

PERFORMACE SPACE

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COSTUME:

HAIR AND MAKE UP:

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DIRECTOR: ESMA, BEA.O

PERFORMANCE SPACE (AT): Minack Theatre, Porthcurno, Cornwall, England

STAGE MANAGER : ESMA, BEA.O

DESIGNER:

SOUND: ESMA, BEA.O

SET AND PROPS: ESMA, BEA. O

COSTUME: ESMA, BEA. O

HAIR AND MAKE UP: ESMA, BEA. O

- BEA O. ESMA

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