ENDAI GUITAR MILAN TESAR Favourite Pieces for GuitarMILAN TESAR Favourite pieces for Guitar GG105 GENDAI GUITAR CO., LTD. 1-16-14 Chihaya, Toshima-ku, Tokyo 171, Japan © 1994 by Gendai Guitar Co., Ltd.® DILID 89 BBE DMD O22 ALP Ya YOWMEDSL BIE, MIL OTKES HUTT. MENS OPE AM bet bya DRY BUMP EMD TC NS EOTHEIE ERS PELE. COPE EME MEDS OTS DT, WB te PRT OM CAME TIS ETO Ko THORENS EAWIE DF 2, ELTMOAY 4 VRE TAK FYRLEBAIAMFCE CLI 3. FORVIE FY FPP WIEEY —OW HEE AS VET. RORBREDV OPAL ENF 2IREOWS OMA THMEN, MS REMREML TOES. EOMMATKK BIANS NOECESBEXHVANOFTATKE DT, COTE BEER EOU OOCHAICOLG, MISH LE ¥ SECLED —b 3 7WH (HP AR, 20 FEE) 199496105 PREFACE It is a great pleasure to leaf through this collection of twenty two pieces written for classical guitar players. 1 am the gap existing in the literature for guitar. The book is diverse and deeply convinced that these compositions would fi therefore quite helpful for music teachers at different kinds ‘of music schools. You can find classical and other styles of compositions, e.g. blues or latin. Owing to his excellent masterey of the guitar , Milan Tesar has fully grasped its possibitlities. Some of his important compositions have ‘been premired by myself both in Czecho and abroad, and have been surprisingly well received. In my opinion this is ‘a compilation that fully satisfies all gu players who ‘would like their music to have wide appeal. VLADIMIR MIKULKA guitar concert master, PARIS, FRANCE ctober, 1994 e857 Fy 938% 3 3011, FABOTINICLENS, 196% ZIRE RR, 77 /ITRRECTRO Mee 1968-114 9 7 HHL CES OME ARE CH WE. tone Fa nicnen, miaisMe wt L-cfeibic wae IWIEAL, Ht 9 oar HIN te Fn RHA S TOlEAET HOUKO 2M, THAR OWENS. CD IAEA Over it ees eee re eee reer") Ly 2, Daminas RecordsDR 902CD) 7 my Kivetceus, pote ment @mian Tesan 1938 Bom in Prague (March 30h) 1964 Finished bis musical education athe Prague Concer 1969-71 Spenin aly teaching and performing Since 1973, Has been teaching agai in Prague and conceneating on his compositions parts of which have been published from Ealtion Lemoine in Paris: Edition Supraphon in Prague and fromEditionDarinus in His music contains classical elements influenced by the Chech and Bohemian waditional and is also inspired by the ‘Music form the ‘Wert like Blues and Jizz. Suite Perestroika as been recorded by Miloslav Matousek and Miran Zelenka (Czech Guitar Duo) for amine Resords DR9O2 CD.WEEK END ax JASMIN TEA Dray Fta 6 FLOWING wh gp Sone 10 THE KINDLY RIDE a Wate PY 94 ALOOK FROM A WINDOW - SPSORR RAINBOW GLASSES. Om 16 AT A REACH OF A HAND: a POMC ESSE AROUND AND AROUND C8 C8MoT MINOGRAD BLUES WAIT 7 TEA OR CAFFE ? BRDI— EEDA WALTZ FROM VERONA Feu F RINT EVOCATION #0 DIALOGUE aE BMENUETS MENUETINE lg SODART Yb 2x7) - TEM MENUETING. en ee = MENUETINDMINOUR gg sae Sa MENUETINA reeomere S| 42 IENUET IN A Aaz7 TR 44 @MASQUERADES MASQUERADE! gg ponwnaL=F "ARE FI MASQUERADE WAAL FE 48Week End Milan Tesai 134 Medium J=96 (J-3=4 2) Oe J.Jasmin Tea Milan Tesat Tempo divalse J= 126 a a r (© 1996 by Goods Gita Co, Lad.ami2 Coda J perth ¢ arm.12, D.C. al-B e poi CodaFlowing Milan Tesat Maestoso J=56 tm © 1994 by Gendsi Guitar Co, LdOld Song Milan Tesat Espressivo J=52 3 aA fi 7 AI ( all 3 rit. Pomp r fF r (© 1996by Gendsi Guitar Co, LdThe Kindly Ride Milan Tesai Moderato J=69 3 (© 1994 by Gendt Guitar Co, LdD.C. al-@ e poi CodaA Look from a Window Milan Tesat Moderato J=60 =I 3a —— (© 1994 by Gendsi Gitar Co, LdRainbow Glasses Milan Tesat Tempo di valse = 144 2d 1 2 o1 4 ©1994 by Gendai Gar Co, Ladt= rit. D.C. al e poi Coda TeeAt a Reach of a Hand Milan Tesat| : DL j eg ) 4 } a To ) mm) ? wheBlues in A Milan Tesat Tempo di blues J=76 ay 3 F P——__f (© 1994 by Gendsi Guitar Co, Le,22 Around and Around Milan Tesat Tempo di blues J= 104 oe dD. dl - SS £F ca m3 x © 1994 by Gendai Guitae Co, Ld= - pa dy ga dy SSVinograd Blues Milan Tesat Tempo di blues J=92 (© 1994 by Geadsi Guitar Co. Lid,26 Tea or Caffe? Milan Tesai With swing J=56 mS r oOUflUCOUCO DT ~SI a — oe (© 1994 by Gendai Guitar Co, Ld on Fi l i I —D.C. al € poi Coda28 Waltz from Verona Milan Tesat Tempo divalse J.=88 © 1994 by Gendai Guitar Co, LdEvocation Milan Tesat7 Poco meno - ma espressivo a“4 Dialogue brilante (accel.) brilante Molto poetico (poco meno) C7 = = ig 2 = —— es eee oo Siar , rs —F iif 4 fad, i © 1994 by Gendai GuitarCo., Lid,accelerando Meno quasi recitativo Molto espressivo (ma cantabile) 35Menuet in E Tempo di menuet ¢=80 ee (© 1994 by Gends! Gute Co, La38 Menuet in G Milan Tesai Tempo di menuet = 144 (152) poco accel. a tempo poco vivo (© 1994 by Gendsi Guitar Co, Lad.Tempo di menuet a tempo poco vivo Prt. D.C. al e poi Coda40 Menuet in d-moll Milan Tesat Tempo dimenuet = 56 A d Pre 3 t © 1904 by Gendsi Gita Co, Le"1 1 mA (2. am.12 a a tempo (cantabile) arm.12 qd arm.12 ¥ arm7 rit. poco vivo 5 arm. a So. e717 tr = D.C. ai @ e poi Coda Coda d 6 mn Fine pT eT OS42 Menuet in A Tempo di menuet J=80 Zs Tempo di menuet i = i: rv (© 1994 by Gendsi Gitar Co, Lipoco accel. rit. a tempo Tempo dimenuet Jazz waltzMenuet in A Milan Tesat Tempo dimenuet = 100 (104) (© 1996 by Gendai Gita Co, Lid.45 my ? | r * rubato (come cadenze) 3 pid veloce i @ Coda oy > 2 J ~ “4 ° 4 5 accelerando “ nn I [* 1 ll ci ?46 Masquerade I Milan Tesat Allegro (ben ritmico) J=76 Valse (poco meno) re ©1994 by Gendsi Guitar Co, Ld = FI48 Masquerade IT Milan Tesat (© 1904 by Gendai Gute Co, Lidy D.C. al} ¢ poi CodaGG105 TEfM2,060F] (Ax#*2,000F9) ISBN4-87471-108-1 C3073 P2060E