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  • Armonicocontrapuntistico 4

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    Miguel Valcer
    8 views1 page
    This document is a musical score titled "Armónico Contrapuntístico" composed by Miguel Valenzuela. The score contains 7 sections with changing time signatures and key signatures. It features multiple melodic lines occurring simultaneously in different voices or instruments. The composition utilizes various musical elements such as repetition, sequence, and modulation between different keys to develop the themes contrapuntally.

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    armonicoContrapuntistico_4

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    This document is a musical score titled "Armónico Contrapuntístico" composed by Miguel Valenzuela. The score contains 7 sections with changing time signatures and key signatures. It features multiple melodic lines occurring simultaneously in different voices or instruments. The composition utilizes various musical elements such as repetition, sequence, and modulation between different keys to develop the themes contrapuntally.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    8 views1 page

    Armonicocontrapuntistico 4

    Uploaded by

    Miguel Valcer
    This document is a musical score titled "Armónico Contrapuntístico" composed by Miguel Valenzuela. The score contains 7 sections with changing time signatures and key signatures. It features multiple melodic lines occurring simultaneously in different voices or instruments. The composition utilizes various musical elements such as repetition, sequence, and modulation between different keys to develop the themes contrapuntally.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 1

    Armónico

    Contrapuntístico

     
      
    Miguel Valenzuela

                   
              

         
     = 60 P. Ap. Ap. F.

     
             
        
        
     

    I V7+ I IIM V I

                    
                
    Ret.


    4
    Ap

         
                  
            
    I7 IV II I V I V

                            
     
        
             
       
    7 Esc.

        
        
         
            
             
    I IV I

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