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Synopsis 6 C
Synopsis 6 C
School of English
Faculty of Languages
Research Proposal
A Kafkaesque Study of Mohsin Hamid’s Novels The Last White Man and The Reluctant
Fundamentalist
Introduction
This research aims to analyze the novels The Last White Man (2022) and The Reluctant
Fundamentalist (2007) by Mohsin Hamid through postmodern theoretical lens. The conceptual
framework of intertextuality expounded by Julia Kristeva (1980) will be used for analytical study
of the selected texts. Kristeva coined the term by referring to Bakhtin’s notions of dialogism and
heteroglossia. She replaced the term heteroglossia with intertextuality and asserted that “each word
(text) is an intersection of word (texts) where at least one other (text) can be read” (Kristeva, 1986).
Still and Worton (1990) by further elaborating Kristeva’s concept avow that a text is not a
hermetic or self-sufficient whole because a writer is also a reader of previously written texts “and
therefore the work of art is inevitably shot through with references, quotations and influences of
every kind” (Still & Worton , 1990). Intertextuality in simple words means a text borrowing words
and concepts from other texts (Allen, 2000). Kristeva states that text is not a unique entity rather
it is the product of cultural, historical, social discourses and other texts. She considers writing
subject, addressee and exterior texts as the three dimensions of dialogue, from which a text itself
Franz Kafka’s The Metamorphosis (1915) that will be used as an intertext in this research,
physical transformation and becomes a giant bug. In Hamid’s novel The Last White Man (2022),
the white protagonist Anders such as Samsa also undergoes an appalling physical transformation
and becomes a brown person. Just like Samsa, Anders struggles with his new identity because his
transformation becomes the source of fear in a racist society. Besides this major reference, the
novel The Last White Man (2022) is replete with allusions and references from The Metamorphosis
(1915).
In The Reluctant Fundamentalist (2007) the protagonist Changez comes up against drastic
transformation such as the characters of Anders and Samsa. His transformation both at the physical
and abstract levels is the source of fear particularly for Americans. Like Kafka, Hamid introduces
the transformed figure of Changez with long beard and changed views about the Western world
right at the beginning of the novel. Later on, the whole novel traces the causes and impacts of
Changez’s transformation under the racist and oppressive corporate structure of American society.
This research is significant as it will trace out the relationship between The Last White Man
(2022) and The Reluctant Fundamentalist (2007) by Hamid and The Metamorphosis (2015) by
Kafka. In this regard the researcher is intending to analyze the intertextual devices e.g. allusions,
references, quotations and pastiche presented in the texts of The last White Man (2022) and The
Reluctant Fundamentalist (2007). The primary focus of the research will be to highlight how the
writer has adopted Kafkaesque philosophy and style in his texts to present new themes and discuss
the prevailing issues like racism and Islamophobia in response to new situations and
circumstances.
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Objectives
1. To critically evaluate intertextual devices for studying characters, literary devices and plots
of the selected novels to trace intertexual elements in them, using the lens of intertextuality
2. To explore the representation of prevailing social issues such as racism and Islamophobia
in the selected novels which reflects Kafkaesque style and philosophy particularly as
Rational/Significance
The current research will focus on intertextual devices e.g. allusion, pastiche, quotations
and references in the texts of The Last white Man (2022) and The Reluctant Fundamentalist (2007)
by Hamid. The researcher is interested in exploring the relationship between selected novels of
Hamid and Kafka’s novel The Metamorphosis (1915) which will be used as an intertext in the
research. The study will also highlight Hamid’s conscious or unconscious efforts of adopting
Kafkaesque philosophy and style in developing characters, plots, literary devices and certain
themes.
The research is significant because these works are counter narratives to prevalent social
issues such as racism and Islamophobia. Hence this sort of intertextual analysis will enhance
reader’s understanding about Hamid’s literary style in presenting them. It will also open up new
perspectives for conducting researches on the literature produced by Pakistani diasporic writers
like Hamid who are interested in depicting the current social issues.
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Research Questions
1. In what ways intertexual devices help in analyzing the development of characters, plots
intertextuality?
2. How have the current social issues such as racism and islamophobia been depicted in the
The themes of shifting identities and representation of hyperreality in the novel The
Reluctant Fundamentalist have been discussed by Nichole (2020) in the research thesis The
Reluctant Fundamentalist’s Depiction of the Postmodern. She has applied postmodern concept of
hyperreality by Jean Baudrillard on the text of the novel. The researcher while discussing about
the theme of shifting identities has talked about Changez identity which shifts throughout the
narrative. She further states that Hamid in this novel has tried to highlight America’s authority in
shaping the reality of 9/11. The researcher considers the firm Underwood Samson in which
nostalgia for Chris actually represents America’s nostalgia for a previous racist and hegemonic
Chandio (2017) in his research article The Reluctant Fundamentalist Negotiating Post
9/11 Muslim Identity, studies the theme of identity at multiple levels. He discusses the change in
Changez’s ethnical and religious identity at personal, professional and public level. At personal
level his relationship with Erica suffers. The element of intimacy and affection between them
vanishes. His professional life ruins because all the people in his surroundings start treating him
as hostile and “other” who is not part of their country. At public level he feels that people are
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suspicious of his identity and consider him as fundamentalist. After 9/11 he rejects the simulated
Bhat (2015) also highlights the theme of identity in his research article Re-complicating
identity in Mohsin Hamid’s The Reluctant Fundamentalist. He asserts that identity of characters
in the novel are linked with their culture and they are symbols of their American and Pakistani
cultures. Further the complex relationship between Erica and Changez actually symbolically
represents the relationship between America and Pakistan which is complex and remains at odds
due to distinct identities and differences. Changez’s identity is linked with his culture and people
consider him terrorist while Erica’s identity is associated with America which is caught in
nostalgia of his past glory. That’s why Erica prefers her dead American boyfriend Chris over
Salmeen (2019) identifies the theme of struggle for identity in The Reluctant
Fundamentalist in her research paper The Reluctant Fundamentalist: Hybridity and the Struggle
for Identity. After applying postcolonial perspectives of hybridity which results in fusion of two
culture and leads to existence of an in-between space, the researcher states that despite of his
utmost struggles to adjust himself in American society, Changez remains unable to fit in it and
becomes a stereotype. The feelings of being a foreign hunt Changez throughout the novel e.g.
during his visit to Philippines he struggles very hard to show himself a part of American culture
but unfortunately receives a discriminated treatment from the people (Salmeen, 2019).
colonial concepts of othering, hybridity and diaspora have been discussed by Pervez and Lashari
(2018) in the research paper Representation of Muslims’ condition in America after 9/11 incident:
Postcolonial study of the novel The Reluctant Fundamentalist. According to the reserachers,
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Changez is a postcolonial subject and like a colonized country he is entangled in the chains of
colonialism. He is patriotic and loves his native land Pakistan but for achieving success in
American society he adopts its culture and ways of life. After 9/11 he realizes that he is “other”
means inferior to the natives because he belongs to ex-colonized state and cannot be a part of
Reading of The Reluctant Fundamentalist, the researchers Ahmed and Malik (2019) have stated
that the theme of influential metropolitan hegemon is very prominent in the novel The Reluctant
Fundamentalist. In the above mentioned research the researchers have applied the postcolonial
concept of Metropolis and Non-Metropolis and state that the metropolitan hegemony of America
is very apparent in the text of the novel. They assert that the reader could perceive this hegemony
even right at the beginning of the novel because Changez is preoccupied with superiority of his
interlocutor who is an American. This unnamed American stands for metropolis and he possess
The themes of cultural prejudices, political and economic domination of Western countries
have been depicted Fatima (2020) in her research article Neo-Colonial Trends Power Dynamics
between East and the West: A Case Study of Mohsin Hamid’s novel The Reluctant Fundamentalist.
Fatima has applied the phenomenon of neo-colonial power relations which highlights the
hegemony of rich ex-colonial nations over the poor countries in the form of economic and cultural
dominance. The character of Changez lives and works for America which is a rich nation and
controls many poor countries of the world. However he realizes this through his encounter with
Juan Batista when he makes comparison of Changez with janissaries (Fatima, 2021).
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Mushtaq and Hayat (2016) in their research paper Marxist Critique of Disintegration of
Indigenous Value-System under Bourgeois Hegemony in Mohsin Hamid’s Novels have discussed
through its multinational corporations in The Reluctant Fundamentalist. The researchers have
explored the presence of hegemony of corporate structure in the firm Underwood Samson an
American Firm which allures Changez through good salaries and economic benefits. Changez
adopts that culture and becomes a part of that. However after resigning from the firm he actually
resigns from American culture and policies (Mushtaq & Hayat, 2016).
Woltmann (2018) in her research article “She Did Not Me”: Gender, anxiety and Desire
in The Reluctant Fundamentalist talks about the themes of gender, anxiety and desire in the novel
The Reluctant Fundamentalist. She considers Changez love for Erica as a projection of many of
his intricate desires e.g. she could adjust herself into Princeton collegiate society and she belongs
to luxuriant cosmopolitan center of city which is also the dream of Changez. His desires to seek
recognition and sense of belonging are directly related to his love with Erica. Erica’s acceptance
of his love clearly reflects his successful and accepted life in America and later on her rejection
becomes the representation of Changez failed social and financial life after 9/11 (Woltmann, 2018)
. The theme of trauma and effects of 9/11 on Changez as well as on the whole diasporic
intellectual community living in America has been discussed by Hosseini and Baghaei (2020) in
Mohsen Hamid’s The Reluctant Fundamentalist. The researchers discuss the traumatic experience
of Erica after the death of Chris her boyfriend, on her relationship with Changez. Later on her own
disappearance leaves traumatic effects on Changez. One clear effect of trauma on Changez is that
he remains in the memories of past. After 9/11 he remains concerned about his future and keeps
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showing his likeness for his past life. The researchers due to Hamid’s nationality of being Pakistani
have pointed out that Changez trauma is actually the trauma of all Pakistani experienced after 9/11
Research Gap
The research gap of Kafkaesque study of Hamid’s two novels The Last White Man (2022)
expounded by Krestiva (1980) has been found. The researcher will foreground the interrelatedness
among the selected novels of Hamid and Kafka’s novel The Metamorphosis (1915). Kafkaesque
study of Anders and Changez’s transformation in a racist and oppressive society will enhance
understanding of a common reader about Hamid’s literary style to present prevailing issues like
racism and Islamophobia in his novels. Both the novels bear striking similarities with Kafka’s The
To the best of my knowledge The Last White Man (2022) by Hamid has not been analyzed
yet by any other researcher while the novel The Reluctant Fundamentalist (2007) has undergone
a massive critical analysis. Such as the researchers, Mishra and Panigrahi (2015) have highlighted
the themes of infatuation and disenchantment with American dream in it. Similarly the researcher
scholars Tiwari and Sharma (2018) have identified references and allusions of The White Tiger
(2008) in it, but none of them has interpreted it in the light of Kafkaesque philosophy by applying
The research will be chiefly based on qualitative research paradigm. The method of
analytical textual analysis will be used by the researcher in order to generate the desired results of
the research. The elements of plots, characterization, themes and literary devices will be critically
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analyzed in the novels The Last White Man (2022) and The Reluctant Fundamentalist (2007) by
Hamid and The Metamorphosis (1915) by Franz Kafka by applying postmodern concept of
intertextuality formulated by Kristeva (1980), in order to highlight the relationship among these
text’s borrowing words, ideas and concepts from other texts (Allen, 2000).
The intertextual devices e.g. allusions, references, pastiche, and quotations devised by
Kristeva in her essay Word, Dialogue and Novel (1986) and explained by the critics such as Allen
(2000), Still and Worton (1990) and Zengin (2016) will be under discussion for achieving the
desired objectives of the research. The Kafkaesque philosophy and style consciously or
unconsciously adopted by Hamid to depict the prevailing social issues of racism and Islamophobia
will be highlighted through the close reading and analysis of the selected texts.
The research will be mostly content based and will focus on themes, literary devices,
characters and plots of the selected novels. The primary sources of data for research will be the
texts of the selected novels while the secondary sources will be the research articles published in
different well acknowledged research journals, books on Kristeva’s concept of intertuality and
The delimitations of the study will be the two selected texts of novels The Last White Man
(2022) and The Reluctant Fundamentalist (2007) by Hamid. The researcher has selected these
specific texts of novels to apply Kristeva’s concept of intertextuality (1980) to show their
relationship with Kafka’s novel The Metamorphosis (1915). The research will be qualitative in
The study will be limited to the critical analysis of the selected texts. Furthermore the
research will be limited to the analysis of certain specific elements of the texts like characterization,
References
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References
Ahmed, S., & Malik, M. A. (2019). Investigating the metropolitan hegmon: a postcolonial
Allen, G. (2000). Intertextuality (1st ed.). London and New York: Routledge Publishers.
Baghaei, E., & Hosseini, S. (2020). Representation of trauma in post-9/11 fiction: revisiting
Chandio, M. T. (2017). The relutant fundamentalist negotiating post 9/11 muslim identity.
International journal of Humanities and Cultural Studies, 4(3), 62-87. Retrieved from
http://www.ijhcs.com/index.php/ijhcs/index/
Chaudhary, & Zahid. (2021). The interplay of simulacrum, hyper-reality and distorted identity in
Fatima, A. (2021). Neo-colonial trends power dynamics between east and the west: a case study
1005035558
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Hamid, M. (2007). The reluctant fundamentalist (2nd ed.). Lahore: ILQA Publication.
Hamid, M. (2022). The last white man (1st ed.). London: Hamish Hamilton.
Khan, M. (2022). Postmodernist analysis of mohsin hamid's novel the reluctant fundamentalist.
Kristeva, J. (1986). The kristeva reader (1st ed.). New York: Columbia University Press.
Mushtaq, T., & Hayat, D. M. (2016). Marxist critique of disintigration of indigenous value-
system under bourgeous hegemony in mohsin hamid's novels. Journal of social Sciences,
http://digitalcommons.bucknell.edu/honours_theses/516/
Panigrahi, S. M. (2015). A reading of mohsin hamid's the reluctant fundamentalist through the
Pervez, W., & Lashari, M. A. (2018). Representation of muslims' condition in america after 9/11
Salmeen, A. S. (2019). The reluctant fundamentalist: hybridity and the struggle for identity.
International Journal of Liberal Arts and Social Science, 7(3), 31-37. Retrieved from
http://www.ijlaas.org/
Still, J., & Worton , M. (1990). Intertextuality: theories and practices (1st ed.). Manchester:
Tiwari, R., & Kumar, S. (2018). Theory of intertextuality in the reluctant fundamentalist and the
white tiger. International Journal Research in Humanities, Arts and Literature, 6(3).
Woltmann, S. (2018). "She did not me" : gender, anxiety and desire in the reluctant
doi:10.5505/PAUSBED.2016.96729
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Research Scholar