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Double

Bass Concerto No.2


In B minor for bass in solo tuning (F♯-B-e-a) Giovanni Bottesini
Ed. Isaac Trapkus Transcribed from the B minor manuscript for bass and piano
(b.1984) (1821-1889)
version: 2020/12/12 I

Allegro Moderato
Contrabass       

           
          
          

                           
Piano  

        
  
 
   
5

  
Solo espressivo 3

         
3

       
 
Cb.


 3 3

   
               











     
   

         
Pno.
     
   
     
  
    
8

   
3

    
3 3 3 3

           
  
Cb.

  

        


  

    

   
    
                       
Pno.

      
   
  
 
11

        
3 3

         
3 3 3

    
  
Cb.

 
dim.  3

  
 
         
   
            
    
   
    
Pno.
   
        
 
This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020.
 
14

  
3

       
3 3

       
   
Cb.

    
cresc.

            


                cresc. 
     
                 
Pno.
         
   

    
    
17

 
3

     
3 3

       
 
Cb.

 
3

   
3

                        
               
              
Pno.
      
     

         
20

   
 

      

Cb.


 3

 
3 3

           
3 3

 


                
  
  
3

       
Pno.
       
  

           
23

        
3 3

 
3 3 3 3
Cb.
   
cresc.

      
  

          
3 3

      
  
             
Pno. cresc.

 

 


  

2 This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020.
           
26

             
3

        
3 3 3 3 3 3
Cb.    

   
      
3  3 cresc.

   
          

    
         
3 3


Pno. 
        
 
 

       
     
3

 
29

        
3 3

 
3
Cb.
 

  
3


 cresc. 3

     
                       
             
      
cresc.
   
Pno.
 


     



                 
32

   
3 3

   
3
 
3 3

  
       
Cb.

  
3


3 3 3


 3 cresc.

          
 
 
  
      
  
     
    
cresc.
   
Pno.
   
      
           
        
     
       


35

Cb.   

  
           

  
(rall.)
    


        
 
   
       
Pno.  

 
    
 

This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020. 3
         
        
38

Cb.   

  
  
    


       
   
   
   
3

            


3
Pno. 
  
                


              
    
41

  
   
Cb.

  
 
   

      
cresc.

      

 
       
cresc.
          
3 3

    


      
Pno.

        

 
     
                    
44

  
    
 
     
Cb.

      
3 3

 
cresc. 


            
 
          
cresc.

           


Pno. 
         
   

   
             

       

47

            
Cb.

      
3 3 3 3 3 3
  

                  
                      
  
   
Pno.

   

4 This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020.
                
50

 
3 3

          
3 3 3 3 3 3 3

Cb.
             

        
3


 3 cresc.

        
            
  
         
cresc.
   
Pno.

     
       

 
   

            
    
   
53

   
3

   

3

     

Cb.

  
3

 


 
             

    
    
 
  
Pno.

     
     
  
  
 

 
 
      
   
56

Cb.          

    

        
3

 

           

Pno.
 

  
       3 
    

        
 

      
59

          
3

  

Cb.

   
cresc.


3

   
                   
 
  



 



        
       
 
Pno.
  
  

This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020. 5

            
62

              
            

Cb.

      
 3


3 cresc.

                     
      
  
Pno.   
     
cresc.

       
   
  

 
          3
    
66

        
3

 
3

     
 
Cb.

   


 
3 3 3

       





      
       
      

          
     
Pno. 

       
      

              
          
69

  
3

   

3

Cb.         
   
3 

     
3

                   


       
 
            
Pno.
 
     

  
3

        
3

 
72

     
Cb.
  

 

  
3

    
3 3

            
3 3

    
                  
      
        
Pno.
  
 

6 This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020.
      
     
         
75

   
3

Cb.              

   
3 3

 
3 3 3
3

                         


                
   
       
 
Pno.

      
      

 
            
 
       
79

     
    
       
Cb.

  
3

  
dim. 3

           
 

          
meno

      
Pno.
           
   

   

   
             
               
82

       
  
                  
Cb.


         
        

    
   
         
  
  
      

        
Pno.

    
     


              
85

                      


 
 
  
  
      
Cb.

        



  
 

       
  
            
           
 
  
   
                    
Pno. 
  
         
   

This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020. 7
   
      
89

  

  
 
Cb.

 
                       
 

              
               
  
      
Pno.   

     
     

    

    
      

   
                          
94

    


  
    
Cb.

  
Cadenza 

     
 

    
Pno.

 
  
 
3
3

         
3


3

    
98

  
      
        
                   
Cb.

3 3


  
        
       
  
     
101

        
  
  
Cb.


          

         
    
         
           
103

             

  
Cb.


                       
108

Cb.                     

        
 
             
111

 
              
           

Cb.
   

8 This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020.
   
a tempo

  
 
116

   
   

  
 
Cb.


*)               
        
 



 
 
                
a tempo
 
  

     
3

  
  3 3
Pno. 3 3  3
3 3

   

  
                               
120

                            
 
Cb.

         
        

 
          
       
          
 

   
Pno. 

                 
         
   


       
                                 
123

 
(stretto)

                  

Cb.

      
           
cresc.


(stretto)

                     
      
  cresc.      
             
Pno.

          
    


  
   
       
126

Cb.            
      
        
        
 
     
Pno.
          
                


     
 

*) Measures 118 and 119 of the solo line differ in Bottesini's other transcriptions of this concerto. Some bassists may
prefer to play m.118 an octave higher and then m.119 an octave lower with varying pickups into m.120.
This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020. 9
II
 
Andante
     
Contrabass 

  
          
               
             
   
    


Piano    

                                 
             
    
    
6


           

Cb.

    
   

 
            
                 


      
 
          

            
Pno.
       
          
      
           
11

             

Cb.
cresc.

      
                 
       

Pno. cresc.

          
      

   
15

        
Cb.
       

     

   
         

  
          
        

      
Pno.

    
 
     

        
  
 

10 This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020.
    
             
19

  
Cb.               
  
 

             
               
 
 
                  


Pno.

      
 

       
23

                  
Cb.
     
       
cresc.

   
           
            

              
cresc.

       
Pno.

           


          
        

       
27

   

    
 
Cb.

              

  
cresc.

                          


          
                          
           

Pno. cresc.

           

        
                   
31

Cb.           
  
   
cresc.

    
  
 
     

cresc.
         
Pno.

       
 
This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020. 11

         
34

              

Cb.

 
 dim.

           
       
              



Pno.
                 
    
   

 diminendo 

   
       
37

        
Cb.
 

  

 
                
        
        
          


    
Pno.

          
  

             

    
40

         
Cb.

           
      
           


   
   
  
dim.
     
Pno.
    
      
    
     
   

 
             
43 poco rall. a tempo

Cb.                 
 

   
poco rall. a tempo

   
        

        
Pno.  

   
   
  

12 This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020.
    
46


Cb.                
  

 
               
       
Pno.

        
  
  

 
        
49

Cb.     

      
cresc. 

           
         



           

    
Pno.

  
cresc.
   


     
    
   
 
           
  
      
52

Cb.      

 
   


    
 

             
       
  


       
Pno.

   
 
  
 
  

This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020. 13
     
          
 
  
 

 
 
55

  

Cb.

   
        

       
       
                  
          

      
 dim. 
 
cresc.

Pno.

    
           
   

                
58

    
Cb.
 
     
  
 

          
              
       
   
                         
Pno.

   
  



     
61 dim.

rall.

Cb.                
 

            
rall. . . . .
                 
           


     
Pno.
         
dim.

   
     
 
    
  
64

Cb.

      
         

 
 
   
      
Pno. 
 
  
 
14 This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020.
         
   
rall.
    
66

Cb.        

       
    
rall.

         
    

 
      
colla parte
   
Pno. 
     
     
    
III

Allegro
     
Contrabass   

                 


  
     
               
  
 
         
   
     

      
Piano
            
       
 

    
    
         
 
                   
              
7

            
     
Pno.
      
            
            
            

     
13

         

Cb.

     
    
 
      

            
   
              

          
                        

   
Pno.
 
      

This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020. 15
        
20

       
           
Cb.

 

                     


                     




   
Pno. 
  

  
 

     
   
26

Cb.                          


                              
                           
       
Pno. cresc.
        
   

     
       
32

Cb.                 


                             
            
             
   
Pno. 
     
 
 

     
38

Cb.            
           
   
      
 


cresc.

                          


     
  
    
     
     
Pno.

          
cresc.
  

16 This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020.
             
44

                   
     
Cb.

         
 

 
 dim.

                 
       
    
         
Pno.  
    


   

  

    
50

      
                  
     
      
Cb.


cresc.

                        


          
      
Pno. cresc.

    
 
 

  
    
56

    

       
Cb.

  
   
 

            
        
  
Pno.
       



 
 

   
 



  
  
    
60

Cb.  

 
            
         
        
   
            
Pno. 
    
 
 

This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020. 17
    
     
  
    
64

Cb.   

            
    
             
           
Pno.
        
  
 
     
  

   

        
   
69

     
  
Cb.  

                  

     
                       
 
        
Pno.   
  

      
 
 

 ♮  ♯
                
75

Cb.        
 

 
cresc.


 cresc. cresc.


                                   
  
 
                  
cresc.
 
() cresc.
   
Pno.

    
  
   
       
   

      
           
    
83

Cb.

    
  

          
   
 

                 
   
    
        
         
Pno.

     
  


18 This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020.
    
   
     
89

  
          

  

  
 
Cb.

         


           

         
    
     

        
Pno. 


    
      

        

    
          
94

Cb.      



              
                    
     
     
Pno.
       
 
 
99

          
         
Cb.



         
         


               
     
Pno.

       
 
 

          
104

           
 
Cb.



                    


 
Pno.
     
   

 

This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020. 19
  
                 

    
109

     
        
Cb.

       

  
 cresc.

                
 
                    
 
     
 
       
Pno.
  
cresc.

 


115

   
                 

Cb.

     
      
     
 
  
      

         
Pno.
  
        
       
      
 
   
  
     

119
  
Cb.                 
               


 cresc.

    
       


  
      
Pno. 

cresc.

   



 
   
       
123

    
 
  

 
   
Cb.


 

                



                       

             
    
Pno.

     
  

20 This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020.


128

                         


Cb.


    
            
           

                
 
          
Pno.

    
 

 
134

                 
             
Cb.


             
    
       
                    
Pno.
    
   
 
 

 
139

             
              
 
Cb.

 
cresc.

                             


                    
   
Pno. cresc.
    
  

         
       
    
144

Cb.     
   


                         


     

  


             
Pno.
   
   

 
    
  

This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020. 21

150

Cb.                    

 
         
       
   
               
   
   
Pno.

     

 
    
     
155

Cb.                




cresc.

                

         
    
Pno.
 
cresc.

             

     
159

    
            
  
Cb.

    



dim.

            
    
     
       
Pno. dim.
    



 

     
163

     
              
  
Cb.

   
 cresc.

                    
            
   
      

          
Pno.
    
cresc.

  

22 This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020.
        
   
168

 
Animando
    
Cb.
     

   
 

  
Animando

        

       
   
      
  
   
 
Pno. 
      
 
    
 




   
172

    
  
 
Cb.

          
   
 
Pno.
       
         
  
  

   
175

  
    
  
Cb.

              
       
               
Pno.
      
      

    
 
  
                
179

Cb.           

 
 

   
                   
        
   
Pno. 

  
  

 

This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020. 23
 
183

                         
          
Cb.



  
             

    

       
       
Pno.
        
     

         
                        
188

Cb.   

            

  
cresc.

      
                      
 cresc. 

         
Pno.

            
   
 
     
   


              
193

   



Cb.

        
            
     
       
                
Pno.

       
      

            
   
198

  


Cb.

       
           
  
       
             
  

Pno.
       
      

24 This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020.

          
203

Cb.   
      
                

 
                
          

               
Pno. 

    
     


         
209

Cb.                   
 
 

             
   
  

   





 

   
   
  
        
Pno.

   

 
    
215

Cb.                             


      
    






   





 
Pno.
     
   

This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020. 25
        
219

            
                         
 
Cb.

   

  
  

            
     
        




   
           
                            
Pno.  

 
    
  
   

         
                                   
226

Cb.   

               
       
     
 
                
Pno.
  
 

     
   
                   

  
230

Cb.   
 

             

          
   
     
 
 

                         


Pno.

    

    
  
 
238

Cb.    
  *)    
                

  



Pno.
     
       
  
  
*) Bottesini later penciled in D♮s to replace all the D♯s in the last five measures, changing the ending from major to minor.
However, this arrangement of the concerto is the only version in which Bottesini made such a notation. The performer may
decide which version they prefer.
26 This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020.

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