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  • POROMPOMPERO Clarinete

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    alvaro
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    This document appears to be a musical score containing musical notation written in an unfamiliar style. It includes symbols that likely represent notes, rhythms, and performance instructions for an unspecified woodwind instrument, such as a clarinet. The score contains multiple lines of these musical symbols arranged on a musical staff with bar lines and other markings common in musical notation.

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    This document appears to be a musical score containing musical notation written in an unfamiliar style. It includes symbols that likely represent notes, rhythms, and performance instructions for an unspecified woodwind instrument, such as a clarinet. The score contains multiple lines of these musical symbols arranged on a musical staff with bar lines and other markings common in musical notation.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    15 views1 page

    POROMPOMPERO Clarinete

    Uploaded by

    alvaro
    This document appears to be a musical score containing musical notation written in an unfamiliar style. It includes symbols that likely represent notes, rhythms, and performance instructions for an unspecified woodwind instrument, such as a clarinet. The score contains multiple lines of these musical symbols arranged on a musical staff with bar lines and other markings common in musical notation.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 1

    POROMPOMPERO

    Clarinete
    alvarito

                                                               
     

                                       
    3

       
                      
             
    10

          
    3


                                              
       
    17

                  
    3

                                                   
           
    27

                                        
    3

               
           
    35


    molto rall. A TEMPO

                             
                                    

    45


    3 3

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