60 Contemporary Voicings for the Jazz Combo Guitarist by Mike DiLiddo “Te chor farms procenied hore provide a vay of voings froighou he feboard, Nboush introduced from a roo of C they are movanblo and canbe tans. TRSPEEUST weer any tot (eee Teanepettion en tack) Al fons aie placad on by top fur slings (1, 8-2. 0-9, D-) 30 a9 not to ans the range ol ho Baan These vocdygo ae modern, easy implomented, an can ofarharmonic intrest 9 one's eying, Application: nnn enexuntng 2 base rt aynbo yay ound on ad sheets sche hoe in he Jmoy Aer pay aon book) as Application: fs conecourary stsvas fresarins net be Rg bras chore syn. For exarae, te chen symbol 6G en he Sr trepondty cheer ay bo payed Basic Chords -————_ Contemporary Voicings ——————— (Symbol) Te) (a af ca) (ot Minor 7 (c+) ‘Cater Gane an mode tor) fi abs 4 6 6 or ea) Dominant 7 (c7) Mba Sein moss et ma) R234 65 ooo om Major 7 (ca) mae Sete M2a4e 67 an Half Diminished (co) toate Seale mde of mao) Tine bo 4 us ne or i) ty Altered Dominant (C7AIt or C7+9) ager erin di) Suzan 3.44 ue wr cone) fet —_ —Major 7#11 (Ca+a) pan Sata re te) = 2am s 07 & "ety oy an) Dominant 7b9 (c7bs) : Died Sea tanh) fie 2 3 64 6 607 wanes) ey 19) {age pl Sari! az ta e tardcmrng ay off eeby ncit iar yap tes) For oxampie, C78(411) hel positon fs af ths two above) Becomes C1IBO im tho V poston, G7 tha Vt Diminished 7 - 5 ' (co) (Oink Seal ola “Age aeons 7 | ges || ees || eS Ne Niger Vireereeensil Set einiaaa” te endo rt cnb urd eager Pep A vaRSTATI at Tam) He om bose TO ‘nthe | potion becemes CP (add b'3)m tha IV postion, CO(aas mai) r the Vi postion, snd C8 ho ® pasion are) (ea) (eR (oT Augmented 7 an (C745) We Tm Se pa | SE ae, ‘ctona augmented chords can be found by mann ay of axe Tora up by iar vary wo hol) For examgie GTVert) ‘ne I pain becamas Gsee(ert) the It poston, C9*BIn be V poston, C7¢1) me VI Po ( ts ea) (eT) (aT (AY ga Dominant 7#11 | (C7+4) ‘Clan Dom (6h moc of ml in) chy £5 )\8 Transpositan: 1 chow ems pseniod are reveals aa canbe layed tom meat Torrence avian, pera mt en poston bom meaty Fo Sian Ont mo poston be ‘wponscned © bc Pat ath bins Saito poston Purpose of the Scales: Below each basic chord symbol isthe scale form title chou corshveat (baton ens € Many beer ae) Toate Sringoan bac hoy conn fe roto fet wae ues crit a eompcrry ‘Sango by sooo tanya atte sees and he See yu ad eo ee Sty layne sly Cr te o