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Literary Devices Practice

Define the Literary Devices; find examples from the text. Make it your continually upgraded
document. Always USE IT.

Literary device Definition Example 1 Example 2


An allegory is a story that is used to George Orwell's book -
Allegory represent a more general message about
real-life issues and events Animal Farm

Peter Piper picked a peck


of pickled peppers." In this
Alliteration is a series of words or
tongue twister, the "p"
Alliteration phrases that all start with the same
sound is repeated at the
sound.
beginning of all major
words.
A famous example of
Anaphora is when a word or phrase is
anaphora is Winston
Anaphora repeated at the beginning of multiple
Churchill's "We Shall Fight
sentences through a text.
on the Beaches" speech
Anastrophe is a figure of speech in which
Edgar Allen Poe - The
the normal word order of the subject, the The novel-1984, by George
Raven.
Anastrophe verb, and the object is changed. For
"Deep into that darkness,
Orwell. "In the face of pain
example, sentence - "I like strawberries" there are no heroes."
peering,
might be changed to "strawberries I like".
An antithesis is a rhetorical and literary device
Love is an ideal thing, “Folks who have no vices
with parallel grammar structure but which
Antithesis establishes a nearly complete or exact
marriage a real thing.” – have very few virtues.” –
opposition in ideas or characters. Goethe. Abraham Lincoln.
In "Romeo and Juliet", Juliet
An aphorism is a short statement or catch uses the aphorism - “That 'In three words I can sum up
Aphorism phrase containing a well-known or general which we call a rose / by everything I've learned about
truth or opinion expressed in a short any other name would smell life: It goes on.''
manner. as sweet.”
"O Romeo, Romeo, “Death, be not proud, though
As a literary device, apostrophe refers to a
wherefore art thou Romeo?" some have called thee
speech or address to a person who is not
Apostrophe present or to a personified object, such as
Juliet believes she is alone Mighty and dreadful, for thou
and addresses Romeo, art not so;” from "Death, be
Yorick's skull in Hamlet. not proud" by John Donne
thinking that he is absent.
The original pattern or model from which
all things of the same kind are copied or
Archetype on which they are based; a model or first
couldn't find any -
form; prototype.
"The Scholar-Gipsy" By
Matthew Arnold - Go,
shepherd, and untie the
wattled cotes!
"Othello" By William
No longer leave thy wistful
Shakespeare - “Call up her
flock unfed,
father.
Nor let thy bawling fellows
Asyndeton is a literary device that Rouse him. Make after him,
rack their throats,
Asyndeton excludes conjunctions (and, or, but, for, Poison his delight,
Nor the cropp’d herbage
nor, so, yet) to add emphasis. Proclaim him in the streets.
shoot another head…
Incense her kinsmen,
Thou hast not lived, why
And, though he in a fertile
should’st thou perish, so?
climate dwell…”
Thou hadst one aim, one
business, one desire;
Else wert thou long since
numbered with the dead…”
"The Mary Tyler Moore
"Northanger Abbey" By Show" - had an episode that
Jane Austen - In this novel, involved the death of the
Austen highlights the clown Chuckles, who was
ingenuous and imaginative killed very brutally by a
nature of the leading stampeding elephant.
character, Catherine Everyone on the station
Morland. She uses keeps making jokes about it
Catherine’s increasingly that Mary does not approve
active imagination to work of. Later on, when she
Bathos is the act of a writer making like bathos in order to attends the funeral, she
absurd metaphors, descriptions, or ideas parody the plot used in Ann starts laughing hysterically
trying to be increasingly emotional or Radcliffe’s Gothic novels, while the rest of the people
Bathos passionate. and the likes of her. stare at her exasperated.
The prodigal son’s father
calls for a fatted calf to be Judas was paid thirty pieces
killed for the welcoming of silver for betraying Jesus.
feast as his son was Judas was well known for
returning after squandering his weakness for money, so
his fortune. Killing the fatted he was tempted to accept
calf is now used as an the offer. Payment for any
The Bible is another frequently referenced expression for sparing no treacherous act is now
source for writers utilizing allusion as a expense on a celebration or referred to thirty pieces of
Biblical Allusion literary device. celebrate exuberantly. silver, or blood money.
"Gulliver’s Travels" By "Rime to the Ancient
Jonathan Swift - “And being Mariner" By Samuel Taylor
no stranger to the art of war, Coleridge - “With throats
I have him a description of unslaked, with black lips
cannons, culverins, baked,
muskets, carabines, pistols, Agape they heard me call.”
bullets, powder, swords,
bayonets, battles, sieges,
In literature, Cacophony means to use retreats, attacks,
words with sharp, harsh, hissing, and undermines, countermines,
unmelodious sounds – to achieve desired bombardments, sea-
Cacophony results. fights…”
"Mother and Poet" by
Elizabeth Barrett - Dead !
One of them shot by the sea
"The Winter Tales" by in the east…
William Shakespeare - It is What art can a woman be
for you we speak, || not for good at? || Oh, vain !
ourselves: What art is she good at, ||
You are abused || and by but hurting her breast
some putter-on With the milk-teeth of
“Caesura,” is a rhythmical pause in a That will be damn’d for’t; || babes, || and a smile at the
poetic line or a sentence. It often occurs in would I knew the villain, pain ?
the middle of a line, or sometimes at the I would land-damn him. || Ah boys, // how you hurt! ||
beginning and the end. At times, it occurs Be she honour-flaw’d, you were strong as you
with punctuation; at other times it does I have three daughters; || pressed,
Caesura not. the eldest is eleven And I proud, || by that test.
Originally, the term was used as a "Macbeth" by William
metaphor in Poetics by Aristotle, to Shakespeare - William
explain the impact of tragedy on the Shakespeare wrote two
audiences. famous examples of
catharsis. One of these
catharsis examples is his
tragic drama Macbeth. The
audience and readers of
Macbeth usually pity the "Romeo and Juliet" by
tragic central figure of the William Shakespeare -
play because he was “Here’s to my love! [Drinks]
blinded by his destructive O true apothecary! Thy
preoccupation with drugs are quick. Thus with a
Catharsis ambition. kiss I die. [Falls]”
"Othello" by William
Shakespeare - “But O, what
Chiasmus is a rhetorical device in which damned minutes tells he o’
two or more clauses are balanced against er "Essay on Man" by
each other by the reversal of their Who dotes, yet doubts; Alexander Pope) - “His time
structures in order to produce an artistic suspects, yet strongly a moment, and a point his
Chiasmus effect. loves.” space.”
Chremamorphism is the literary device of
comparing a person to an object in some
Chremamorphism way.
"Hamlet" by William
Shakespeare - “Then weigh
what loss your honour may "The Importance of Being
sustain Earnest" by Oscar Wilde - “I
If with too credent ear you was within a hair’s breadth
list his songs, of the last opportunity for
Circumlocution is a rhetorical device that Or lose your heart, or your pronouncement, and I found
can be defined as an ambiguous or chaste treasure open with humiliation that
paradoxical way of expressing things, To his unmast’red probably I would have
Circumlocution ideas, or views. importunity.” nothing to say…”
"To Kill a Mockingbird" by
Harper Lee - There was no
hurry, for there was
nowhere to go, nothing to An Essay on Criticism by
buy and no money to buy it Alexander Pope - Where’er
with, nothing to see outside you find “the cooling,
the boundaries of Maycomb western breeze,”
County. But it was a time of In the next line, it “whispers
vague optimism for some of through the trees”;
the people: Maycomb If crystal streams “with
County had recently been pleasing murmers creep,”
A cliché is an expression that is trite, told that it had nothing to The reader’s threatened
Cliché worn-out, and overused fear but fear itself. (not in vain) with “sleep.”
The Sun Rising (By John
Sonnet 18 (By William Donne)
Shakespeare)- Metaphors
are words that connote Similarly, John Donne says
meanings that go beyond in his poem The Sun Rising
their literal meanings. says:
Connotation refers to a meaning that is Shakespeare, in his Sonnet
implied by a word apart from the thing 18, says: “Shall I Compare “She is all states, and all
Connotation which it describes explicitly. Thee to a Summer’s Day…” princes, I.”
Consonance is a literary device that refers
to the repetition of the same consonant
Consonance/Assonance sounds in a line of text.
To Kill a Mockingbird by
Harper Lee

We know all men are not


created equal in the sense
some people would have us
believe- some people are
smarter than others, some
people have more
opportunity because they’re
born with it, some men
make more money than
others, some ladies make
better cakes than others-
The Sun Also Rises by some people are born gifted
Ernest Hemingway beyond the normal scope of
men.
You’re an expatriate. You’ve But there is one way in this
lost touch with the soil. You country in which all men are
get precious. Fake created equal- there is one
European standards have human institution that
ruined you. You drink makes a pauper the equal
yourself to death. You of a Rockefeller, the stupid
become obsessed with sex. man the equal of an
You spend all your time Einstein, and the ignorant
Denotation is an important literary device talking, not working. You are man the equal of any
that allows a writer to choose an exact an expatriate, see? You college president. That
word to describe or convey something to hang around cafes. institution, gentlemen, is a
Denotation the reader. court.
Dilemma is a rhetorical device in which a Hamlet (By William Dr. Faustus (By Christopher
conflicting situation arises for a person to Shakespeare) Marlowe)
choose between right and wrong, where
both seem of equal worth. In the play Hamlet, William We find a perfect example
Shakespeare’s leading of moral dilemma in
character, Hamlet, struggles Christopher Marlowe’s play,
with a dilemma in how to out Dr. Faustus. His major
the orders of his father’s moral dilemma is he desires
ghost to kill his stepfather; in to get extensive knowledge
order to exact revenge for for his benefit, but intends to
marrying his mother, and use it to exploit others. For
usurping the throne. Ophelia this, he sells his soul to the
also faces a dilemma in the representative of
play, as her brother and Mephistopheles. We see his
father believe that Hamlet is moral dilemma through his
not faithful to her, and would lust. He wishes to get things
rather use her; whereas her that were impossible to get,
heart is convinced that like power to rule an entire
Hamlet loves her. Neither of kingdom, but at heart he
them could reconcile the feels that he is doing wrong.
situation following the
ethical dilemmas they got
entangled in.
Dilemma
Ekphrasis
Enjambment is a literary device in which a Love Sonnet XVII (Pablo This Is Just To Say (William
line of poetry carries its idea or thought Neruda, translated by Mark Carlos Williams)
over to the next line without a grammatical Eisner)
pause. I have eaten
I Love You as the plant that the plums
doesn’t bloom but carries that were in
the light of those flowers, the icebox
hidden, within itself, and which
and thanks to your love the you were probably
tight aroma that arose saving
from the earth lives dimly in for breakfast
my body. Forgive me
they were delicious
so sweet
Enjambment and so cold
An epigraph is a literary device in the form Heart of Darkness (By The Brothers Karamazov
of a poem, quotation, or sentence, usually Joseph Conrad) (By Fyodor Dostoevsky)
placed at the beginning of a document or
a simple piece – having a few sentences, Many famous poems Epigraph examples are also
but which belongs to another writer. An provide good examples of found in philosophical
epigraph can serve different purposes, epigraph. For instance, novels. The epigraph used
such as it can be used as a summary, “Mistah Kurtz, he dead,” is a by Dostoevsky in The
introduction, example, or an association line from Heart of Darkness Brothers Karamazov is from
with some famous literary work, so as to by Joseph Conrad, which the Holy Bible, specifically
draw a comparison, or to generate a was used in the famous John 12:24. It says:
specific context for the piece. poem The Hollow Men by T.
S. Eliot to describe how “Verily, verily, I say unto
modern people have dead you, except a corn of wheat
souls, like the character fall into the ground and die,
Kurtz of Heart of Darkness. it abideth alone: but if it
It is because they have dies, it bringeth forth much
taken materialism as their fruit.”
demigod, and accepted its
domination, submitting their
Epigraph spirits to it like Kurtz did.
An epilogue, is a chapter at the end of a Romeo and Juliet (By As You Like It (By William
work of literature, which concludes the William Shakespeare) Shakespeare)
work. “A glooming peace this “… and I charge you, O
morning with it brings; men, for the love you bear
The sun for sorrow will not to women — as I perceive
show his head. by your simpering, none of
Go hence to have more talk you hates them — that
of these sad things, between you and the
Some shall be pardoned, women the play may
and some punished, please. If I were a woman, I
For never was a story of would kiss as many of you
more woe as had beards that pleased
Than this of Juliet and her me, complexions that liked
Romeo.” me, and breaths that I
defied not. And I am sure as
many as have good beards,
or good faces, or sweet
breaths will, for my kind
offer, when I make curtsy,
Epilogue bid me farewell
Epimone
Epithet is a descriptive literary device that Brendon Hills (A. E. Beauty and Beauty (By
describes a place, a thing, or a person in Housman) Rupert Brooke)
such a way that it helps in making its
characteristics more prominent than they “Here of a Sunday morning “The earth is crying-sweet,
actually are. My love and I would lie, And scattering-bright the air,
And see the coloured Eddying, dizzying, closing
counties, round,
And hear the larks so high With soft and drunken
About us in the sky." laughter…”
Epithet
It is defined as a rhetorical device in which Cymbeline (By William King Lear (By William
the words or phrases are repeated in Shakespeare) Shakespeare)
quick succession, one after another, for
emphasis. “Hark, hark! the lark at “And my poor fool is
heaven’s gate sings, hanged! No, no, no life!
And Phoebus gins arise, Why should a dog, a horse,
His steeds to water at those a rat have life,
springs And thou no breath at all?
On chaliced flowers that Thou’lt come no more,
lies; Never, never, never, never!”
And winking Mary-buds
begin
To open their golden eyes:
With everything that pretty
is,
My lady sweet, arise:
Epizeuxis Arise, arise!”
In rhetoric, ethos represents credibility, or “Doctors all over the world My three decades of
an ethical appeal, which involves recommend this type of experience in public service,
persuasion by the character involved. treatment.” my tireless commitment to
the people of this
People tend to believe the community, and my
opinions of doctors in the willingness to reach across
matter of medical the aisle and cooperate with
treatments. the opposition, make me the
ideal candidate for your
mayor.”

The public can easily be


persuaded by giving them
some knowledge about a
candidate’s past
experience, past actions,
and preferred policies.
Ethos
Euphemism is a figure of speech The Catcher in the Rye by Afterwards by Thomas
commonly used to replace a word or J.D. Salinger Hardy
phrase that is related to a concept that
might make others uncomfortable. ‘What’d you do?’ I said. If I pass during some
‘Give her the time in Ed nocturnal blackness, mothy
Banky’s goddam car?’ and warm,
When the hedgehog travels
furtively over the lawn,
One may say, “He strove
that such innocent creatures
should come to no harm,
But he could do little for
them; and now he is gone.”
Euphemism
A flashback is a device used in stories, The Holy Bible (By Various Birches (By Robert Frost)
films, television episodes, etc., that Contributors)
interrupts the flow of the plot to “show” “So was I once myself a
readers/viewers an event that happened The Bible is a good source swinger of birches. And so I
previously. Most flashbacks are utilized to of flashback examples. In dream of going back to be.”
provide background so that the audience the Book of Matthew, we
has a greater understanding of the story, see a flashback has been
characters, setting, etc., taking place in used when Joseph,
the chronological present. governor of Egypt, sees his
brothers after several years.
Joseph “remembered his
dreams” about his brothers,
and how they sold him into
Flashback slavery in the past.
Foil is a literary device designed to Mrs. Dalloway by Virginia Of Mice and Men by John
illustrate or reveal information, traits, Woolf Steinbeck
values, or motivations of one character Despairing of human “He ain’t no cuckoo,” said
through the comparison and contrast of relationships (people were George. “He’s dumb as hell,
another character. so difficult), she often went but he ain’t crazy. An’ I ain’t
into her garden and got from so bright neither, or I
her flowers a peace which wouldn’t be buckin’ barley
men and women never gave for my fifty and found.”
Foil her.
Foreshadowing is a literary device that Of Mice and Men (John Macbeth (William
writers utilize as a means to indicate or Steinbeck) Shakespeare)
hint to readers something that is to follow You seen what they done to By the pricking of my
or appear later in a story. my dog tonight? They says thumb,
he wasn’t no good to Something wicked this way
himself nor nobody else. comes.
When they can me here I
wisht somebody’d shoot me.
But they won’t do nothing
like that. I won’t have no
place to go, an’ I get no
Foreshadowing more jobs.”
The Historical Allusion is a reference to ? ?
Historical Allusion some historical events of the period.
Hubris is character trait that features pride Moby Dick (Herman Macbeth (William
or increased self-confidence, leading a Melville) Shakespeare)
protagonist to disregard a divine warning
or violate an important moral law Is, then, the crown too There is none but he
heavy that I wear? this Iron Whose being I do fear: and,
Crown of Lombardy. Yet is it under him,
bright with many a gem; i, My Genius is rebuked; as, it
the wearer, see not its far is said,
flashings; but darkly feel Mark Antony’s was by
that i wear that, that Caesar. He chid the sisters
dazzlingly confounds. ‘Tis When first they put the
iron –that I know–not gold. name of king upon me,
‘Tis split, too –that I feel; the And bade them speak to
jagged edge galls me so, him: then prophet-like
my brain seems to beat They hail’d him father to a
against the solid metal; aye, line of kings:
steel skull, mine; the sort Upon my head they placed
that needs no helmet in the a fruitless crown,
most brain-battering fight! And put a barren sceptre in
my gripe,
Thence to be wrench’d with
an unlineal hand,
Hubris No son of mine succeeding.
Hyperbole is a figure of speech and A Modest Proposal The Foreigner (Larry Shue)
literary device that creates heightened (Jonathan Swift) ELLARD. That’s my favorite
effect through deliberate exaggeration. I have been assured by a name. If I ever catch me
very knowing American of that chipmunk,
my acquaintance in London, that’s what he’s gonna be—
that a young healthy child Buddy the chipmunk.
well nursed, is, at a year CATHERINE. Ellard, you
old, a most delicious couldn’t catch a chipmunk if
nourishing and wholesome all its legs were
food, whether stewed, broken and it was glued to
roasted, baked, or boiled; the palm of your hand.
and I make no doubt that it
will equally serve in a
Hyperbole fricasie, or a ragoust.
Hypophora is a figure of speech in which Henderson the Rain King A Christmas Memory (By
a writer raises a question, and then (By Saul Bellow) Truman Capote)
immediately provides an answer to that “What made me take this “Thirty-one cakes,
question. trip to Africa? There is no dampened with whiskey,
quick explanation. Things bask on window sills and
got worse and worse and shelves.
worse and pretty soon they Who are they for?
were too complicated.” Friends. Not necessarily
neighbor friends: indeed,
the larger share is intended
for persons we’ve met
maybe once, perhaps not at
all. People who’ve struck
our fancy. Like President
Hypophora Roosevelt.”
Imagery is a literary device that refers to The Red Wheelbarrow The Yellow Wallpaper
the use of figurative language to evoke a (William Carlos Williams) (Charlotte Perkins Gilman)
sensory experience or create a picture so much depends The color is repellant,
with words for a reader. upon almost revolting; a
a red wheel smouldering unclean yellow,
barrow strangely faded by the slow-
glazed with rain turning sunlight.
water It is a dull yet lurid orange in
beside the white some places, a sickly
chickens sulphur tint in others. No
wonder the children hated it!
I should hate it myself if I
Imagery 5 types had to live in this room long.
In Medias Res means narrating a story Iliad by Homer Dostoyevsky’s novel The
from the middle after supposing that the “Sing, O goddess, the anger Gambler can also be cited
audiences are aware of past events, of Achilles son of Peleus, as an example of In Medias
that brought countless ills Res. The novel starts forth
upon the Achaeans. Many a as “At length, I returned
brave soul did it send from two weeks leave of
hurrying down to Hades, absence to find that my
and many a hero did it yield patrons had arrived three
a prey to dogs and vultures, days ago in Roulettenberg. I
for so were the counsels of received from them a
Jove fulfilled from the day welcome quite different to
on which the son of Atreus, that which I had expected.
king of men, and great The General eyed me
Achilles, first fell out with coldly, greeted me in rather
one another.” haughty fashion, and
dismissed me to pay my
respects to his sister. It was
clear that from
SOMEWHERE money had
been acquired. I thought I
could even detect a certain
shamefacedness in the
In Media Res General’s glance.”
Irony is a literary device in which A Modest Proposal Not Waving but Drowning
contradictory statements or situations (Jonathan Swift) (Stevie Smith)
reveal a reality that is different from what A child will make two dishes Nobody heard him, the
appears to be true. at an entertainment for dead man,
friends; and when the family But still he lay moaning:
dines alone, the fore or hind I was much further out than
quarter will make a you thought
reasonable dish, and And not waving but
seasoned with a little drowning.
pepper or salt will be very
good boiled on the fourth
Irony- 3 TYPES day, especially in winter.
Jargon is sometimes wrongly confused Hamlet (By William
with slang, and people often take it in the Shakespeare)
same sense but a difference is always Hamlet to HORATIO:
there. Slang is a type of informal category “Why, may not that be the
of language developed within a certain skull of a lawyer? Where be
community, and consists of words or his quiddities now, his
phrases whose literal meanings are quillities, his cases, his
different than the actual meanings. tenures, and his tricks? Why
Jargon, on the other hand, is broadly does he suffer this mad
associated with a subject, occupation, or knave now to knock him
business that makes use of standard about the sconce with a
words or phrases, and frequently dirty shovel, and will not tell
comprised of abbreviations. him of his action of battery?
Hum! This fellow might be
in’s time a great buyer of
land, with his statutes, his
recognizances, his fines, his
double vouchers, his
recoveries: is this the fine of
his fines, and the recovery
of his recoveries, to have
his fine pate full of fine dirt?
Will his vouchers vouch him
no more of his purchases
and double ones too, than
the length and breadth of a
pair of indentures? The very
conveyances of his lands
will scarcely lie in this box;
Jargon/slang and and must the inheritor
colloquialism himself have no more, ha?”
Juxtaposition is a literary device that Naming of Parts (Henry Animal Farm (George
implies comparison or contrast. Reed) Orwell)
This is the safety-catch, Twelve voices were
which is always released shouting in anger, and they
With an easy flick of the were all alike. No question,
thumb. And please do not now, what had happened to
let me the faces of the pigs. The
See anyone using his finger. creatures outside looked
You can do it quite easy from pig to man, and from
If you have any strength in man to pig, and from pig to
your thumb. The blossoms man again; but already it
Are fragile and motionless, was impossible to say which
never letting anyone see was which.
Any of them using their
Juxtaposition finger.
Literary Allusion
Litotes is a figure of speech featuring a The Love Song of J. Alfred Hamlet by Shakespeare
phrase that utilizes negative wording or Prufrock by T.S. Eliot Horatio says ’tis but our
terms to express a positive assertion or i am no prophet — and fantasy,
statement. here’s no great matter; And will not let belief take
I have seen the moment of hold of him
my greatness flicker, Touching this dreaded sight,
And I have seen the eternal twice seen of us. (1.1.17)
Footman hold my coat, and
snicker,
Litotes And in short, I was afraid.
Derived from a Greek word, Logos means The Art of Rhetoric (By Of Studies (By Francis
“logic.” Logos is a literary device that can Aristotle) Bacon)
be described as a statement, sentence, or “All men are mortal. “Reading maketh a full man;
argument used to convince or persuade Socrates is a man. conference a ready man;
the targeted audience by employing Therefore, Socrates is and writing an exact man.”
reason or logic. mortal.”
Logos
Malapropism means “inappropriate.” It is The Rivals (By Richard Much Ado About Nothing
the use of an incorrect word in place of a Brinsley Sheridan) (By William Shakespeare)
similar-sounding word, which results in a In his novel, The Rivals, William Shakespeare uses
nonsensical and humorous expression. Richard Sheridan introduces malapropism in his plays as
a character, Mrs. Malaprop, well. Look at the following
who habitually uses words example of malapropism
that mean quite the opposite uttered by Constable
to the words she intends to Dogberry in Act III, Scene 5
use, but which have similar of Much Ado About Nothing:
sounds to the words she “Our watch, sir, have indeed
replaces. It becomes a great comprehended two
source of humorous effect in auspicious persons.”
the play. For example, in
Act III, Scene 3, she tells
Captain Absolute:
“Sure, if I reprehend
anything in this world it is
the use of my oracular
tongue, and a nice
derangement of epitaphs!”

Malapropism
Merism
Fire and Ice by Robert Dreams by Langston
Frost Hughes

Some say the world will end Hold fast to dreams


in fire, For if dreams die
Some say in ice. Life is a broken-winged bird
From what I’ve tasted of That cannot fly.
desire
I hold with those who favor Hold fast to dreams
fire. For when dreams go
A metaphor is a figure of speech But if it had to perish twice, Life is a barren field
that makes a comparison between I think I know enough of Frozen with snow.
hate
two non-similar things. As a literary
To say that for destruction
device, metaphor creates implicit ice
comparisons without the express Is also great
Metaphor use of “like” or “as.” And would suffice.
Metonymy is a figure of speech in which A Midsummer Night’s All’s Well that Ends Well
one object or idea takes the place of Dream (William (William Shakespeare)
another with which it has a close Shakespeare)
association. In fact, metonymy means I know a man that had this
“change of name.” As a literary device, it And as imagination bodies trick of melancholy sold a
is a way of replacing an object or idea with forth goodly manor for a song.
something related to it instead of stating
what is actually meant. The forms of things
unknown, the poet’s pen

Turns them to shapes and


gives to airy nothing

A local habitation and a


Metonymy/Synecdoche name.
Motif is an object or idea that repeats itself Hamlet by William To Kill a Mocking Bird by
throughout a literary work. Shakespeare Harper Lee

In Shakespeare’s Hamlet, The central idea of the co-


we find a recurring motif of existence of good and evil
incest, accompanied by in Harper Lee’s To Kill a
incestuous desires of some Mocking Bird is supported
characters. Laertes speaks by several motifs. Lee
to his sister Ophelia in a strengthens the atmosphere
way that is sexually explicit. by a motif of Gothic details,
Hamlet’s obsession with in recurrent images of
Gertrude’s sexual life with gloomy and haunted
Claudius has an underlying settings, supernatural
tone of incestuous desire. events, and a full moon.
Another motif in the
narrative is the small-town
life of Maycomb, which
depicts goodness and
Motif pleasantness in life.
Nemesis is a literary device that refers to Oedipus Rex (By
a situation of poetic justice, where the Sophocles)
good characters are rewarded for their
virtues, and the evil characters are In a famous Greek tragedy
punished for their vices. Oedipus Rex, by Sophocles,
the nemesis of King
Oedipus is his hubris or
excessive pride. He is so
proud that he does not even
shrink from defying
prophecies of the gods. We
see that the king ends up
doing what he fears and
Nemesis tries to avoid.
Oxymoron is a figure of speech pairing Romeo and Juliet (William The Catcher in the Rye (J.
two words together that are opposing Shakespeare) D. Salinger)
and/or contradictory. This combination of I’m the most terrific liar you
contrary or antithetical words is also Good night, good night! ever saw in your life.
known in conversation as a contradiction parting is such sweet
in terms. sorrow,

That I shall say good night


till it be morrow.
Oxymoron
Pathos is a literary device that is designed Funeral Blues by W.H. Romeo and Juliet by
to inspire emotions from readers. Auden William Shakespeare

He was my North, my Two households, both alike


South, my East and West, in dignity
My working week and my In fair Verona, where we lay
Sunday rest, our scene
My noon, my midnight, my From ancient grudge break
talk, my song; to new mutiny
I thought that love would Where civil blood makes
last forever: I was wrong. civil hands unclean.
From forth the fatal loins of
The stars are not wanted these two foes
now; put out every one, A pair of star-cross’d lovers
Pack up the moon and take their life
dismantle the sun, Whose misadventured
Pour away the ocean and piteous overthrows
sweep up the wood; Do with their death bury
For nothing now can ever their parents’ strife.
come to any good.
Pathos
Parallel structure is a stylistic device, and Good Faith (by Jane Goodbye to Forty-Eighth
a grammatical construction having two or Smiley) Street (by E.B. White)
more clauses, phrases or words, with
similar grammatical form and length. “I had been short, and now I “The wheels wheeled, the
was tall. I had been skinny chairs spun, the cotton
and quiet and religious, and candy tinted the faces of
now I was good-looking and children, the bright leaves
muscular. It was Sally tinted the woods and hills. A
Baldwin who brought me cluster of amplifiers spread
along, told me what to wear the theme of love over
and do and think and say. everything and everybody;
She was never wrong; she the mild breeze spread the
never lost her patience. She dust over everything and
created me, and when she everybody. Next morning, in
was done we broke up in a the Lafayette Hotel in
formal sense, but she kept Portland, I went down to
calling me.” breakfast and found May
Craig looking solemn at one
of the tables and Mr.
Murray, the auctioneer,
Parallel Structure looking cheerful at another.”
Parataxis can be defined as a rhetorical Life of Caesar (By Plutarch) Bleak House (By Charles
term in which phrases and clauses are Dickens)
placed one after another independently, “Veni, vidi, vici” (“I came, I
without coordinating or subordinating saw, I conquered”) “Dogs, undistinguishable in
them through the use of conjunctions mire. Horses, scarcely
better–splashed to their
very blinkers. Foot
passengers, jostling one
another’s umbrellas, in a
general infection of ill-
temper, and losing their
Parataxis foothold at street corners…”
A parody is an imitation of the style of Sonnet 130 (By William Robinson Crusoe (By
something that is deliberately exaggerated Shakespeare) Daniel Defoe)
to create a comedic effect.
William Shakespeare wrote Daniel Defoe’s Robinson
Sonnet 130 in parody of Crusoe was a travel
traditional love poems narrative. Swift adopted a
common in his day. He similar mode to describe
presents an anti-love poem Gulliver’s travels to the
theme in a manner of a love strange land of Lilliput, and
poem, mocking the other such places where he
exaggerated comparisons meets “Lilliputians,” and the
they made: giant “Brobdingnagians.” He
also meets other strange
“My mistress’ eyes are creatures like “Laputians”
nothing like the sun; and “Houyhnhnms,” and the
Coral is far more red than “Yahoos”. The parody for
her lips’ red; Swift was intended as a
If snow be white, why then satire on English society.
her breasts are dun;
If hairs be wires, black wires
grow on her head.
I have seen roses
damasked, red and white,
But no such roses see I in
Parody her cheeks…”
Periphrasis is a stylistic device that can be David Copperfield (By Sonnet 74 (By William
defined as the use of excessive and Charles Dickens) Shakespeare)
longer words to convey a meaning which
could have been conveyed with a shorter “‘Under the impression,’ “When that fell arrest
expression, or in a few words. said Mr. Micawber, ‘that Without all bail shall carry
your peregrinations in this me away.”
metropolis have not as yet
been extensive, and that
you might have some
difficulty in penetrating the
arcana of the Modern
Babylon in the direction of
the City Road—in short,’
said Mr. Micawber, in
another burst of confidence,
‘that you might lose
yourself—I shall be happy to
call this evening, and install
you in the knowledge of the
nearest way …'”
Periphrasis
Personification is a figure of speech in The House on Mango Street How Cruel Is the Story of
which an idea or thing is given human (Sandra Cisneros) Eve (Stevie Smith)
attributes and/or feelings or is spoken of
as if it were human. Personification is a But the house on Mango It is only a legend,
common form of metaphor in that human Street is not the way they You say? But what
characteristics are attributed to nonhuman told it at all. It’s small and Is the meaning of the
things. red with tight steps in front legend
and windows so small you’d If not
think they were holding their To give blame to women
breath. most
And most punishment?
This is the meaning of a
legend that colours
All human thought; it is not
found among animals.

How cruel is the story of


Eve,
What responsibility it has
Personification/anthropomorp In history
hism For misery.
Point of view is utilized as a literary device nvisible Man (Ralph Ellison) The Story of an Hour (Kate
to indicate the angle or perspective from Chopin)
which a story is told. I was never more hated
than when I tried to be She said it over and over
honest. Or when, even as under her breath: “free, free,
just now I’ve tried to free!” The vacant stare and
articulate exactly what I felt the look of terror that had
to be the truth. No one was followed it went from her
satisfied. eyes. They stayed keen and
bright. Her pulses beat fast,
and the coursing blood
warmed and relaxed every
Point of View inch of her body.
Portmanteau
A pun is a literary device that is also The Importance of Being Romeo and Juliet William
known as a “play on words.” Puns involve Earnest Oscar Wilde Shakespeare ask for me
words with similar or identical sounds but To lose one parent, Mr. tomorrow and you shall find
with different meanings. Worthing, may be regarded me a grave man.
as a misfortune; to lose both
Pun looks like carelessness.”
Repetition is a literary device that involves Macbeth (William The Ballad of the Sad Cafe
intentionally using a word or phrase for Shakespeare) (Carson McCullers)
effect, two or more times in a speech or
written work Tomorrow, and tomorrow, But the hearts of small
and tomorrow, children are delicate organs.
Creeps in this petty pace A cruel beginning in this
from day to day, world can twist them into
To the last syllable of curious shapes. The heart
recorded time; of a hurt child can shrink so
And all our yesterdays have that forever afterward it is
lighted fools hard and pitted as the seed
The way to dusty death. of a peach. Or again, the
heart of such a child may
fester and swell until it is a
misery to carry within the
body, easily chafed and hurt
Repetition by the most ordinary things.
Reverse Syntactic Structure
Sarcasm generally takes the form of an The Catcher in the Rye by Resume’ by Dorothy Parker
ironic remark, somewhat rooted in humor, J.D. Salinger
that is intended to mock or satirize Razors pain you,
something. When I was all set to go, Rivers are damp,
when I had my bags and all, Acids stain you,
I stood for a while next to And drugs cause cramp.
the stairs and took a last Guns aren’t lawful,
look down the goddam Nooses give,
corridor. I was sort of crying. Gas smells awful.
I don’t know why. I put my You might as well live.
red hunting hat on, and
turned the peak around to
the back, the way I liked it,
and then I yelled at the top
of my goddam voice, ‘Sleep
Sarcasm tight, ya morons!’
Satire is a literary device for the artful Lysistrata (Aristophanes) A Midsummer Night’s
ridicule of folly or vice as a means of Dream (William
exposing or correcting it. LYSISTRATA: May gentle Shakespeare)
Love and the sweet Cyprian
Queen shower seductive Ay me! for aught that I could
charms on our bosoms and ever read,
all our person. If only we Could ever hear by tale or
may stir so amorous a history,
feeling among the men that The course of true love
they stand firm as sticks, we never did run smooth
shall indeed deserve the
name of peace-makers
Satire among the Greeks.
A simile is a figure of speech in which two Horseradish (Lemony A Red, Red Rose (Robert
essentially dissimilar objects or concepts Snicket) Burns)
are expressly compared with one another
through the use of “like” or “as.” A library is like an island in O my Luve’s like a red, red
the middle of a vast sea of rose,
ignorance, particularly if the That’s newly sprung in
library is very tall and the June;
surrounding area has been O my Luve’s like the
flooded. melodie
That’s sweetly play’d in
Simile tune.
The literary device stream of Mrs. Dalloway by Virginia Ulysses by James Joyce
consciousness is the continuous flow of Woolf
thoughts of a person and recorded, James Joyce successfully
thereof, in literature as they occur. “What a lark! What a employs the narrative mode
plunge! For so it always in his novel Ulysses, which
seemed to me when, with a describes a day in the life of
little squeak of the hinges, a middle-aged Jew, Mr.
which I can hear now, I Leopold Broom, living in
burst open the French Dublin, Ireland. Read the
windows and plunged at following excerpt:
Bourton into the open air.
How fresh, how calm, stiller “He is young Leopold, as in
than this of course, the air a retrospective
was in the early morning; arrangement, a mirror within
like the flap of a wave; the a mirror (hey, presto!), he
kiss of a wave; chill and beholdeth himself. That
sharp and yet (for a girl of young figure of then is seen,
eighteen as I then was) precious manly, walking on
solemn, feeling as I did, a nipping morning from the
standing there at the open old house in Clambrassil to
window, that something the high school, his book
awful was about to happen satchel on him bandolier
…” wise, and in it a goodly hunk
Stream of Consciousness of wheaten loaf, a mother’s
Technique thought.”
Symbol
Synecdoche is a figure of speech in which The Great Gatsby – F. I heard a Fly buzz–when I
a part of something is used to signify the Scott Fitzgerald died (Emily Dickinson)
whole, or vice-versa. As a literary device,
synecdoche allows for a smaller It was the kind of voice that I heard a Fly buzz – when I
component of something to stand in for the ear follows up and died –
the larger whole, in a rhetorical manner. down, as if each speech is The Stillness in the Room
an arrangement of notes Was like the Stillness in the
that will never be played Air –
again. Between the Heaves of
Storm –
The Eyes around – had
wrung them dry –
And Breaths were gathering
firm
For that last Onset – when
the King
Be witnessed – in the Room
Synecdoche –
Tautology is a literary device used by Hamlet (William To Kill a Mockingbird
writers to say something more than once, Shakespeare) (Harper Lee)
using the same words or synonymous To be, or not to be, that is Now, gentlemen, in this
words. the question: country, our courts are the
Whether ’tis nobler in the great levelers. In our courts,
mind to suffer all men are created equal. I’
The slings and arrows of m no idealist to believe
outrageous fortune, firmly in the integrity of our
Or to take arms against a courts and of our jury
sea of troubles system – that’s no ideal to
And by opposing end them. me. That is a living, working
To die—to sleep, reality! Now I am confident
No more; and by a sleep to that you gentlemen will
say we end review, without passion, the
The heart-ache and the evidence that you have
thousand natural shocks heard, come to a decision
That flesh is heir to: ’tis a and restore this man to his
consummation family. In the name of GOD,
Devoutly to be wish’d. To do your duty. In the name of
die, to sleep; God, believe… Tom
To sleep, perchance to Robinson.
dream—ay, there’s the rub:
For in that sleep of death
what dreams may come,
When we have shuffled off
this mortal coil,
Must give us pause—there’s
the respect
That makes calamity of so
Tautology long life.
Tmesis which means “to cut.” It is a Romeo and Juliet (By Hymn to Christ (By John
rhetorical device that involves the William Shakespeare) Donne)
breaking down of a phrase or a word into “This is not Romeo, he’s “In whattorn shipsoever I
two parts. some other where.” embark,
That ship shall be my
emblem
Whatseasoever swallow
me, that flood
Shall be to me an emblem
Tmesis of thy blood.”
Tragic flaw is a literary device that Macbeth (William The Legend of Sleepy
represents a flaw or deficiency in Shakespeare) Hollow (Washington Irving)
character that results in the downfall of the I have no spur to prick the He could not help, too,
hero in a tragic literary work. sides of my intent, but only rolling his large eyes round
vaulting ambition, which o’ him as he ate, and
erleaps itself and falls on th’ chuckling with the possibility
other. that he might one day be
lord of all this scene of
almost unimaginable luxury
and splendor. Then, he
thought, how soon he’d turn
his back upon the old
school-house; snap his
fingers in the face of Hans
Van Ripper, and every other
stingy patron, and kick any
itinerant pedagogue out of
doors that should dare to
call him comrade!
Tragic Flaw
Othello (Othello by William Victor Frankenstein
Shakespeare) (Frankenstein by Mary
Shelley)
When you shall these
unlucky deeds relate, It was the secrets of heaven
Speak of me as I am. and earth that I desired to
Nothing extenuate, learn; and whether it was
Nor set down aught in the outward substance of
malice. Then must you things or the inner spirit of
speak nature and the mysterious
Of one that loved not wisely, soul of man that occupied
but too well. me, still my inquiries were
Tragic hero is a literary device utilized to Of one not easily jealous, directed to the
create a protagonist for a tragic work of but being wrought, metaphysical, or in its
literature. A tragic hero is a character that Perplexed in the extreme. highest sense, the physical
represents the consequences that come Of one whose hand, secrets of the world.
from possessing one or more personal Like the base Indian, threw
flaws or being doomed by a particular a pearl away
Tragic Hero fate. Richer than all his tribe
Vignette is a small impressionistic scene, In Our Time (By Ernest An American Childhood (By
an illustration, a descriptive passage, a Hemingway) Annie Dillard)
short essay, a fiction or nonfiction work “Maera lay still, his head on “Some boys taught me to
focusing on one particular moment; or his arms, his face in the play football. This was fine
giving an impression about an idea, sand. He felt warm and sport. You thought up a new
character, setting, mood, aspect, or sticky from the bleeding. strategy for every play and
object. Each time he felt the horn whispered it to the others.
coming. Sometimes the bull You went out for a pass,
only bumped him with his fooling everyone. Best, you
head. Once the horn went got to throw yourself
all the way through him and mightily at someone’s
he felt it go into the sand … running legs … In winter, in
Maera felt everything getting the snow, there was neither
larger and larger and then baseball nor football, so the
smaller and smaller. Then it boys and I threw snowballs
got larger and larger and at passing cars. I got in
larger and then smaller and trouble throwing snowballs,
smaller. Then everything and have seldom been
commenced to run faster happier since.”
and faster as when they
speed up a cinematograph
Vignette film. Then he was dead.”
Zeugma, is a figure of speech in which a The Holy Bible, Exodus 20: Of Studies (By Francis
word, usually a verb or an adjective, 18 (By the Prophet Moses) Bacon)
applies to more than one noun, blending “And all the people saw the “Histories make men wise;
together grammatically and logically thundering, and the poets, witty; the
different ideas. lightning, and the noise of mathematics, subtle; natural
the trumpet, and the philosophy, deep; moral,
mountain smoking: and grave; logic and rhetoric,
when the people saw it, they able to contend.”
removed, and stood afar
Zeugma off.”
Zoomorphism is a literary technique in Barn Burning (By William A&P (By John Updike)
which animal attributes are imposed upon Faulkner) “You never know for sure
non-animal objects, humans, and events; “The two sisters got down, how girls’ minds work (do
and animal features are ascribed to big, bovine, in a flutter of you really think it’s a mind in
humans, gods, and other objects. cheap ribbons; one of them there or just a little buzz like
drew from the jumbled a bee in a glass jar?) but
wagon bed a battered you got the idea she had
lantern, the other a worn talked the other two into
broom. His father handed coming in here with here,
the reins to the older son and now she was showing
and began to climb stiffly them how to do it, walk slow
over the wheels … There and hold yourself straight …
was something about his The sheep pushing their
wolf-like independence and carts down the aisle – the
even courage when the girls were walking against
advantage was at least the usual traffic (not that we
neutral which impressed have one-way signs or
strangers, as if they got anything) – were pretty
from his latent ravening hilarious…”
ferocity not so much a
sense of dependability, as a
feeling that his ferocious
conviction in the rightness of
his own actions would be of
advantage to all whose
Zoomorphism interest lay with his …”

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