BORED DS Tmo] \ — Yaryvs CHS, * YA#vHaFartVIFMES AD [AMID KSOPMICRIIT, TIYYA+EAET VW Faye YORE, COGRONEE 7 TNCRAHORD Cle) CAYFFALOPICBWTHS. KK. UAFWibY aU TYVAARE TY War oCHIN OT YEE LTH L, Ya VL TY ALDI ATS BMY UB ERVEBSS, TORY aVVTVALOMROAD CRS LE he AB EMMI TS, FEZ OD, eT, VoIY, TWA, Vy DACEMYAbL, PVEHK, HVE, VY, Yat ys [0—th LERIO-ROB-NHEBRONTHS—Elo ie, PPMAL LA MEM AMM OHS EAPOBNRE SIS, FARM AIBA LTH 9 fe < TEMAS MAMAS IL CH a LALNORWERTK'. TIDAL TW REED MM MO BE EV MIE, C OMFMID So Ae Mee Ae KDEP ORAL, TOORAK URROBRY 4 7+ FaNYOFHAL [S250 C BIFERIC HEE TE S_ ID VRHORE) CWA7V-AUS OAH LESORA, Yr VaR HV bVEERL CT, TORO CH SMMC CO KS te TA KMERUREDEEHN CIS, TOC ORRET UTE BGO Keay CHC ISY, CAMARA, MAMIE LTS) Ely DELMOABR—-MEKIC, TG bv YY + vy] BORMHIF AM CHP ENTS), MIE CORP AMEE, 19294, 19304 0 HOTA LO DGMMICMI TH So [] ARB, ETE SAGE 0 RHIC AMUL ENO OILY FILBWTCHY, COMMAS OOF RIE LAREN BILE MONTHS. ENiLGEOR FR, SDS HM OWED SELKEDOK, THS< OBR OVER RSIRVDBERL TSA, ChrAieh MAM tPF CHL T WEOIEV V2 Faye YORUM BW TTHO, FOIL Fayr VECO bis AMLTER.” FaNybERF ay + VOLERTEMS RMORH] ETT ORR BL CALA, SGI SAULIV2 D 5304 TO IGF 2 ds PRAM, FREBRTHS, LOKI, 1927 ERE LC SO ORR HHLABRYE > CME te — 9 — FERLEAN, RAMORRA SHIRA o Th oh. CNEMTTSK FIZ, CORMO S COPS ELAM BILERG TIS. Sikbb, YewDe Fan O@BE CHS BME HEISE AD S27 DIFC DAEK He RUE Hae BORD 5, AMDB IIL aNOBILTHS, HoT, SRE (Fi E ON OD EDR AMER TUS, FARO | EN Cet TERT OWAREMET SO EAA Seo FaSY OSE CIY. HE = BERAM= 395-7 aDRHLEELT. COBABISHEAU Sie A Bo LAL, Lo Chime MT OS SHH CHSI. NV O70 AGS MCS OOBIST bY EMA CHRMRT YE Le Ve YR, BAS Ya SVYUASOAEA KUL, (ARMOR) £9 7b Zk 6254 ONT TC. Ya TY A LMM ASH SI HIE LAREN nS b BRIE BoM I ADCHA’. bI-AOHEREAL, Y aL TV AAC BSIF—-Ya, ENDS» PR EWYLRE DEANE < TEM LTA * PIAL CHS. 1969, TF FIVISAOMMREE HO THE TITY AR) HORE Vea t om Wit) OPC. TOE OMELKORICAMT 4. ODY + Fa WES YeM* VU ADM CHK (SB) ICAWICTo Khe ANT YORI FO MUG, CRED. CBRE), CMMI =o 150 fea EILE oe < Mo CHS fPan REA BEI ATMEL CATH, KOBE RAE BLT. (A-SI E DUA), RRRO CF WVIVA YOUAR), APSMALIES RVEDLI RED CHS ICI COMM fe PEI ETE L OCHS, Ya TVARREADSDDUTHHLTVEDI, TIAYO CMS NE WABI, V7 7 Re LVAD VOR SLCTV bE YAY AVL TY AAEM [et CRAATNUL ES ted o kEWIWRARL THO ESIC, ZVAMKO BI CIEE) BO. EOF GE GMC LOY tiem ohEW SWHETCHS. ELTLIBEL, 192448 HOUMA Yah LYR KCC BOX (ARBRE OKGAM, MME SA r YNZLSAW ES HO EUA), BSW (OME MM CLD I RCAD, CAMS Eh RS Bo THI TEV IETH) LHRH THIS", DKY, vaWV TIA AMOOERCRET SHH ROMMIC BES FOO AAYC HI XLT CIL | EN iE MA HELE NCU. YaWV PY ALMHNL EE LEH Bi ULGO MURA 5 MEL THO, E OM LE, PORE CRB TCER ENS BIS, HIDE SUEARL Lith ohkEh SMHO—DILBFSNZESI. YaWVT VAL (LORE Mict—bhvF «AAC, EHEMCCOR, MI, COs SS HREM CRED ROME RMT BHA HRT SCAR COS ILE, Ae BRAWL OA—b VF 1 ALOMSEWRACUS SEG. RE 7 WYDRIM Ab VF 4 ALM), AI A XY EAE AT LT Vike WE Va Lte (BK > CLOVE) DIRE OWARE LT. (DOK DEX LAMKCHokKS, COMMMMRMLS SIT NLBOI tot ThS3. [+] BRE-KOMEMEINIL, COMB ETS ES ERTVKSI, MEREZOMED AT FFSO CL EEE TSEGOI ERDEDSIMERN TWD, HAVEN THOENST 1 VF % R-EDRRIZOW TOS EV ICBRTS [MAME ORBIE! Cio KAR BRUTISKIK, PEACE COMA bVF 1 ALE, BRUT A— LEM HPOROBCELMSTECHY, CORRE BMS VIC LEED CH RO) oy BHCLSSO ABHFTTY mannicitem ot. LAL, COMME L AF o + YE OMF 7 MARISM BHSNSOL ei TyaNV PTV AZLHAI With obt2 7 Ah Iya TUAZL Her] EMNSORDC, Vo 7A+EV—-Ald RRA CALE ERRL, Ya TVALE Rie OMICH * K Chit < aie HEL TS EVAL EME, KO FOALED SRBICIL, (EROMMD SKOM PRN EMR 6 th 7 IR MEE ARETE AR EF L TEAS HED XS EAT, BORE BEM ILTA RV. DEY, BEPSKLLS LCEPAORMO IME IRD HO LEMTERVENIOCHS, COMM, TY EV oy VEILEDE VEA-b VF 1 ALOWRKS AFOMCHHAENTVIE, Frys rt x WLKOK GIT S. PHBE BIC LT. FOb VTA ALES SEMICHMEILS DEPT AY tH TRAMETELE Ltd he (] Ve VY EYAL SOLE, POL F t AAERRI SICK 9 CLO ORM AMET SLLELOAVEMML TV. DK, KS MMIC A be Pte) MMA, KIA SMEORRA [1 A-Y | ELTHDA CK BINCBRS NS ABAD. BSWILT yy Y YORBER MOREY BODO, AMF » Hic ROMREMA TS. TWh ALGI, BOF o HIS hdd CME HE EA THE. Hh CUT. HARHOY a VV TYAAEBS EOS VALEHSARBDEESATHR. MHOMANY 7 MIS, BAG DF oF ASU LASRRO TE SMILE oC. KE ME SAFICBDNKOCHS. i VBL HIE LS E19 Ole WD. COKFIC, Raa IG RALTC BLE EMADF 9 HY OMK OBBECH ok. COMMOR RE Hdd CREME A COMI VAY bs 7 YYRATREE, MRD EMORAT EASY 2 VY TF A LAR OPK OE DOLD EMMETT TOS. TY aVVTYALOMMIL, SAUD te Ae PMS ALAA bt PP MLE DY aI TY AOA mE FEL TIS. be] LAL. HOBBIT < ON CHMIO FRE Cld— Baa be ILEBS SEL < ARH CHSICUL——_EC CH BAA IE LU, BPE AERC Ree MODEMBOIKVAAMLO IS EVA, ELA, PV YN-FOBHES KK, Ab LF ty PEA ORAORROMME RET A THORORA, LVYAbOIF—Fa CHWS ACODMMUTIL EO DUBEMOKEOTHY, IF—Y al AMOBSF » PVE STS OCHS. TITALIOL ERC L Med, [IF HP alk CS CaF E AO, MIC PU ALEMRTS¥ a EALOA SF all, HWE BI CH OKS METS PEMA TIS. FURS TABI, IR MRL BERMOT A —EL, Aa eek e SUA OUER EA Ofek e OWN Mime MEET SIV Y AbOAI—Y ald, YaWVTVALACEGS [FAT ALY (dépaysement) | £105 PLANO NAL BPAULTH KR, TUR YREREV YZ NEWT [HR ORD MED 5 itt BLES, HVVICP UREN LO OMRE SAC ENS EHEEE EL DEVEDORERBELDEY [--] Re OM REED, Ke ABHOR FED teh CAI HE USES BOY BRIE POS ECHS EWA, HS AE ML TS. Yall kWSCOKLIMAMOWRC I, ARNE ET VII ot a5HOME HIS LT SRB LTS. TITLE ARO A-7 WW DRBE LCI FY Y K+ CNET EF ayy YOUEEBIT, COLA BEROT A-LE MMC APIS HAAR BEE OTH OA HY Zo BE AFSEOONCHMTS™, MLILEWETIL (TX AR) (5) CHRO SOC 1 4-7 & 17 4 Arte (AMERICANE) | £3 a LEM De, TMI BAL IAS TR MA YO 7D PRA SIU A PRTEERO 4 X — VIS, TRO ALF 2 Ab ER EY EAM EMV TED OLY OLED DEN & BH SESNTHS™. CO CHMLERO HIM L THIS DCH, BRO 1 A— PPI MUL TS 5 EIRML CHSDU TRI, TIAVIE ST, Fa EALDONED + IVORMRKO A BHEUMESKT SD anf) (référentielle) “AEE AL TSA, DIY Ah ORM ILE POWAY LFS RBEMA, HRT SIL CAMO TARE EL ES EHV aWVVTIVALOF*A b EIBRIC, PSNR (métaphorique) Zc AHF DENCH S. AVF ¢AAOFOLACHWTC, SHRHCAPANOMRRLESO (UE) (Dk CHE LCHRA, TF—Y a OMILOO BANE / RYE E51 PCL TW BS, MICUKA A-YIAK, ASN WHILE AY ARF CT. AY ORRE NS KM CIES ZNENOWAT SHREW DRA OKETBRIET S Eb SQ YaWVTVARESLMA OER EHD ThADCHS, LOLS te (AME L TOR! IL, 7 YN 7AEICHIAL (MIT S ES te BORER (RENEE ESS) MSI I Ae b BE FOYER CNET TAN 1) 6 BRAG) 19174 Américane, Bibliotheque Paul Destribats, Paris 301LBS. FUbYikYaNL TU ALRMOREL GES SEL rT WA BE L THAR LIS Fy 2 VU TU ALE) DIAC. RHE BARS EON HMMS LIT S. TU b vicko Tt [OLDO9 Fa— EOLIDBE LTHHS EMANATE !* C59, SORE [MURMC PNY ee FIV (modéle purement intérieur) "=z 5 CHD TNS. YavVV TVA DiC h tie b PPE CoD B BIT EE ITIL EP ITER Vo bbRA 4 A-VEMEMASHEY CMLED CE SEDELTRRL TS (W6). HRI LYOSSDLVGMOBEADFSIEMCAMUIEE, ROLERMEE Lo PV ERE ES THSDUTIEN™, DPSAME VCORE 5 Bld, KELLY ALO [HEE SE OPACHSETNL, 2F— a6 SHOUMTIEA M5 SRY, KUOF IAF a RVI ( L-VOMBE ¥ FO—HSoPRLTHS« DF—YaOMMOWWTRA BE, EHULMBHO ¥ 7O— EAR KK, KA OBATM GBM SIME) AMOR RETO BWEWS RKB CHMLER< SORIATHSERDNS, Fo] © ObestIc. SAGER LIEBE, DEO MRRP TT ya, QVAY, AYIAF ab, D9 7A, KBB, D. AF—-V ake EWoKLEM, BELTESRAI OF PRMORM CHATSLE @CK” RG VR eI yb [MEL A (Fy AWLP VAL Mes WA SEL) 19290F “Les mots et les images’, Le revolution surréaliste, no. 12.Hd CRORES EI, SIU oy RRB FU Eo ERR AE BAAS, YN— 7 IX [FoF a | HRSA, Yaw sr) ZLOWBCII—Y 2 OWE, HIF —Y a EL CHMREN TSO TCHS. ULSD [AME LC ORM) BULL HAMM CUE ERAN IC LEOME 5 MEMS LILTSNARTS, Ya TVALOFHRL DAI EFA D OA RORE BIEL TIE DEG. (BS OMT F YARED) SEABRELAMCMEFS CUVEE SUC, RAIMI SLC BEAM EMIT % E UH BW ROMES Di VIULID te ote, Ya VL TV ALOT¥ A ORBEA VS DP OAM ERE THOMMA DBUN TIS te < PMLAD Mea Cit S RHE ASABE OMNIA WHY) > CH < (PR CHoORETIUE, Ya LIV AADAMIE SVT BBE EV 5 END Te EF HCE LI DAT CORA CMEORMENAED AV OHMS VCS OCHS. VyDA+ EWA LM CEORE) (U7) Ci > CHORE WTAE I WUT E Dd BMAD LeAri7e, AG, BH, MN, MA HEE VY < DORM ABU SH THS. COPS, FAT OF RBH D LOD S— HE, MED A YEWERUTCTT 7 Ya CRIOETEWS FOU ACETROLL TOS (Bl 8). MIRIEO ML O4 ASAE, GAME ONT SLIP OBES MZ SNTHOF, MBSBWSN TCV, 1 4-2 OFADHIC His RTT & eA RAN y FU LEWD AY FHA bATEMEN, [V7 FAs EMA ORE, ECIMEMIT IMTS) EVI-KLMRABNTOS. DVYA bid, BR 215 RAR APS RAMS 1 AT, REE Go CBS Fn to a FICS tc FOB mmer des meisters — la chamber & coucher de mar Ernst, Private collectionDA A-YEBSORRERM LEMS, (UG CL OBOE & > CRHET BAL -VEDRRABUNE CS MED D BIL HSAD te, MVYIMMANE ME MORMOMENCRLRLTHS™, COLT He OMIM TA E (INO, BURRITO 1 a2 a EOS, BUWOMAIMA LT SOTHS. VI 7 bRLM YA bOMBRRORMEIL, SD SATA L MELT WSDOKI (GW) CSHAMAAIL HEN e728 0 ASHE LSE, PARAM & OMI TRE EAMT OCHS, Yall FY ALB CHAM LY YEO LY 2 F ¢ TAURI NTIS Od, DIDNATF LEH O RBCS GUE HE LCR CS ESI, MME SRM OARCHSMDSKEBRONS 15 OW (Fd, GOO RRE NEE D [ERA DORA Lt aM AS Heal BIN PFO MS 3 ELTISNCHS. EBL Ae (EA EIEBET S SAT LDU [MCh Be AMF HY OMB BA HL AUR, BE yo te ARR RE HOW TH OMRONA, PEMRM ETS, LOAM OE MIELT KH KRTMCHS, CO AMINE Ei bdo HAAS HOR, AWAD, & L CHL TEHE MECH S. FHME LC OREM) EF LO PEUAERAIC Eo C. SAUL ted oA. LF ot ORI BIC NGOMME FAM S cE CMMI IEA AM LT Se wit aa =e192A G27EIL OTT TOMEAE BORMD HPI BI MONO lh, MMERS HOS YYHOLIAMR, FRM EVohY YT Tie SIR, FIA MONET UT 7X9 b CHS. CNOMACHHEALTHSEW SHUNT, CC Clk GAME (AO AWE MORET)) (M9) EMO TKI. [Un oiseau (£4) | OMPILA + YNAOLA, HME MOOT ENTS TPH O, Ubaisse (FES) | (EMF YNAD EH, MIS EERIE L THSo lune abeille (ie) | [LAS NE REACHES. CALA ARO MORAY Me DA AEHMRLTIS, COP AFI-IBWT, a SPO MM Me (ie LO BR (2, EM OTRAS AAT SDT CHRO Fo hI-FAIEBAL TIN Ho WMP RAKETT S Cpoursuit GAS) ) BA. MICRO DAE RAE LMIOVAN MD OHARL TS. lpoursuit! £ Mito TS, Fa- Ti DUES ¥ VAIO WENA LE DNS REOHPIIL, FO Ip] OF C EIED RAE K oC. SAV AT 2 OMA TS CE BAL TH So | poursuit | DTAOEBL—-AHOBTCHSI EDS, REOMALMO MERE ESAS DOBBS. HIS BA ot [r) & fs) OHVWE TAMA ENTS pl. fpal fi, fui) Wl, Tt] OLNENOMPCHIREARIN TIS. K FEMS MHC BOG > CU SO TRS BELT, NERNEY te FERMATF SI ECHGELTHS, CO CHM SNTHSRFIL, FHT T HELEBILDSLE MS, ABR AYE LCOMT RAO BME BRE L Ho = CMY —HORAMERIBET)) 192741 2A, TWEE + ACHES BB 76% 83.5 102.2em Peinture-Poeme (Un Oiseau powrsuit une abeille et la haisse), Private collection 18ChEDCHS. LOKI MTR, CFV YK 257 AML EAI, AYSIL AMS MEAS, TAK AA TRY RB IVAOLBEE TTT LEH PD Y7FAL EMUT, COAG AMIK< MONSCELMOK™. Ty xM- Fra kML, AVTFIALIS (AREBRORMIC MS, Fo HUMR BUTE EDEF 7 AERKELS I BOCHS. THY AMO [HABE %) (B10) Clk, ED GHNE MTT SKLOWRET YZ PSE. barb FRE DS BAL DEBRA AE F 3 A b OME MDE THIS. F FARSI ERD TORIES ST, BHOERAE REMAANT SOCHS. AYSF LOBE Dials aI TE FEIS DC BD LPAI acy CHD, MO SHAT MEH KOOEMEPELYY PREBLE AETE L 7a). PRD RE IED BAIS EO LETH EY SHRM AO ADE te BET SC ELOEKA ey ROMBET 1-7 4 FJ ORO FATE LIE CH SD EMT BC ETE UID CHB FAVAODRELHRVY Y + Fo KVL, Feil (repleteness) £\» > BEA AWC OMR A LO MRIAEZ KIETS, BAO: FAL + TARY RW CHAARBESDD 191THHARGL, RIMES STOUMAS HUES OLEH HALT >t FRB LTS. HAIL, AF FITOWA, RLOBM DEBE CE SRO EAR E b. MRO ASP EILITMLIS Ze BteVo LAL ADA CHD NT ARIE & 2 li'F — 85 Fe, BROKE DP LPE OD (MHORATA TA OT, PMR AY B35 BCHS—KEA, UBM, HOWACIRME LT, KKH SM FCAT UV CHAET SEL Cho AGL MEIC HIE IC FEI Me B EHS.” AYA NAT K CREF (HORAMEEVGBED)) (Atk, EH SORIL COKE, BEV cKBAN BARE 2 TBO, FM LT (1S. ROMS (RAMS (62) (E11) KBHSOEASCES, [AmouR| & WO RFIL, 77 Y Aah AS eVGA ICS MUE EC Cat CET SCH Hey LEMUR ADK CHRENTIS. EVI (A) Re MME LER 5 RoC), 1hO 4 KREAMIMUINEL BAT SX CIEL. Fei LE RIL, MF OMAR E Ll CORITIRG Tel, 192540 (HRI) (ER 12) OMIM AFORE ACHES NEBR OWIBIL fa < 19254FD (y rAY) (B13) IGT SIRE MLL CO, HICMMRERRLTSEBDNS", COMMIS, BR CHENABANKEPER CHUM EME Bet CECKIEFTS. LL. (itt) Omit Clk, COM MBROA LH & ait an 9262-6 H. Fe yN% MG6x Idem Peinture-poeme CAmouR ), Museum Ludwig, Cologne 20ik, FY VHF OUMERL EAA + rey LTS, COARSE Ms 1 A ADSTOLSAECEBIYL L 72S PAOD HI ME Ae AT AG MRT IV — 27 OE | ASHE SE 0 LLY SOOM Y/N ARTEL CHS TVD, PHINEAS see RIDE BE & LEAD ERIS HEME LCV Feb, Vy 9 HELE ROUND CEE LIRR AECHICHO TH GS", Baie : CHI) 1925"E, RE, Bar 7/6 97 130em, Peinture, Aichi Prefectural Museum of Art Is: (7229) 1927-9 A, ME, 276% 113.6% 46m La Sieste, Centre Georges Pompidou, Musée national d'art modeme, ParisSARUM te, PEL CHES OAL» PLM LTT LB UC CERMLI. WHC PI-V alk oEDEOKS RAMOS E CHiN CHEDESID. TITVOMIAEI KC. Ya TV AANMBCII— 2 a BREF EMO TAMAS SH CH ORM § OATEMDA IAT a ANICHES SOILED OS ECS. 930, TIFVETW RY DA ME CHL 99 RL IC, TOL (ANA YORIOT), GH (aid : (see) 9244124, We aye OV Ay IF oo x, He A9X6I.Sem Sans te, Centre Georges Pompido, Musée national d'art moderne, Pais : et Co baime 1S : HRM (-—-HOMAMEMOBED)) OHOKU-1 77, 307%, BE 19.8% 21.6em Funda Joan Miré, Barcelona 2OF), GH) ENS 3ROAI-Ya EMM LTOS, CORBACHERT FAO y e— RES AAMH| IL, MAE DSP TI Y 2 bMRROMLE ATHUSLOD, FUDIAF—L aN oUF HHI ARLHS. 2p, POIAREAI—Y a WIS RSR< Rok, TODHT UA hOMkOEEAVOIF-YaeEWTWS, MIZAML 09 EMMO AIS NTH: MILHOSNTHEST, FE LAY RAT > TIS. 1929ED 3 ODBACAVORHOOE DEF AT 7 WKS ,uMHs EME WIT SOD, CESK GS PRICK LORE AF—YaOBRE, BM BHSHDCHUBCTHEOD, € TEATS D DIRECT HS. HE UTILRE OMAR FL” WLCAF— 3 2 eH L CART IAS, We LMR AS Ria a > —VakIWITHKA, bIPS AI-—VatOLOAEBoK EWI MRE AUTH, BRILL, TODA VAAL MON SMO NIT SNE FRCL 19174EO (E.C.U AV hOMIK) OPAL RM, 19184 (a—-E— + TWO Dif) ORAL AK, 19244 O CM) OAEKTRMRE CAE ONDA, CHSMMOP MEH SALE 2 EALOANE T+ TVOMRO RACH, Wi OAM SAA RIL BIT BEV BRIER AT LTH. LAL, 1924 EOC A) (BM) OMFOLIMONTSNEGOHC, LUDIG—Y al RR¥ a EXAAOMURD OMNES LEMS. COMM, BORED MFO MITE ICA LUCHA SNE BRIE LIES ¢ OMAME 6 ie < OAS BICOL Cit EF (AOL AKEE URED) (VT, [Un oiseau! OMIC BOA OMA HUET Bo OPFOR Ka—4 7 (M15) Cla, FERC E (SETA UAHA Ue ERMAN COSA, AOMPNCL FORMS MOEA LEO EDD *E% SS EXT S, [plume coltée / peinte HOH EA)! ENG IO*E, BH SMO AT Sao SD LV BRIS PRL C Ode ESI, MEL KOERMLTHIS. ORM, MAME RIEE &WSROLOKS ID, LA Lit 2 LD COAORAEIL, © OME HEL THISLICBDNS COHO WMA, DVYAbOAZ—VY asi TAME) CBMBIS [OFO7) OLD, DADNAH BMI BIEDA 6 BOWEL OWS DME AT SF —Ya (BIG), EROBORMMEDEOLMYSIF—Ya (Bl7) UsSMO, PNR AEE SATIS. DED, BO-MCHVEAS, BEDEODOIECOHLBLTIS LE C3 OAT > TH SPRPF ELL, RHE 5 EMO EBLE E95 EEA SU SRIFL ING KOS, HREOGOI So CHORRAA LAT 5 Meas WAR EID CHB. CFO LHI DA YN—-O-ACHoKVY Ald, TOOMMOC OK te BC SHERI EA 19264F OD ELEC BLEU TUS. cee WIT: vo 7% EMR D7aFEELM visite) [61 19 yD HeLa SadBIL-MOA, RHORA, HSV ido ¥X MOMMCHE NTS. KPC AICO CH KOO LIC RPME DRAM TOS. tel, KCVKOEA rH Dt S. SL CEO EMT E LC ORREFIL, ROK CMI RAEI A BITS. BIOWTLINETHTAA COM (HORA ULM SD CHS. HBOM BUCA TIL, BLS ¢ 19247EMED (HEIN) (HA 18) OW COBRCHS5. SHUCMA, VV AIL [WO LOL 5H BEC ABRIL FIL UC BAT a a NT EE CHI LT OMEF ASUS, 19294 MOS OIL CHS ILI OMI ORE RVI MA CHS ETT S, BL & OOM AS SD SAMMONS HER ORB = Mt = AV, A Be, BUR Hee oHHEA, PITH OKELED, 4 (died EO ODtitm HED 2 TBD, BK NEUE L te CHF.” OF HA MLCT ORR ED SS SIE AS OM LAY OM IS FEL TDS TAOORBEKROD LTS. TYE + Vy Y YRIIED BIE, HL OWES BA tev] HEME FELL EvVTLT. TOBEKRIO, HS ais : (ae Le Baiser RRA TEXWEI FI-ZOLOOMMAI A iti OB + 192645 9H Ibi EE OFM [AML MRI BAN CHEF IEE HAD, LOL EER TS. TOME F Oe x * FAM TPA AVERL Ke [RASA 3 5 — VaR) EVIMEDH SHY UHV AN, MMILEN TSI ER DENS, SOOWAM KO 1 SOBRE EEDA OY FF FH, TOMS THASMPMADSMOMMNE AMET SEC, ROW RET WEED SO LEMA TI SIVEMNAS, FR FFF —-SHBL TH SEY, 192848 7 Am S1ZA IAT CHIPS IU RRIF CU eV) (N19) 1S, FAI < 19284 RAC IFSP CAS4 YOR) (R20) EAH ROTMORRK fag: (b aw Pomme de rere ‘The Jacques and Natasha Gelman Collection \B) 92st, 7-12 YSA Ox Blem B20: CAN4 YORK FD 19284 2 FH — HB HYEAA1 +H ST IID fre DFO 7 2A HEM 2 A! 109.5 71.tem Danseuse Espagnole, Private collection 26SHALTHYO, ELM PROD SOA AH < MRE TI AONE OHUSNKME, COLERTKLILGA WE CEMMHEERU SUS. HB (Ue BWS) OMB PFICERL CT. HSDAF-Y alFieSMLT CEILEEINBRE Zc 5 ES AEM COET 1 -7TOPOLY-PRIROBAIL, TF CMMI MR ROE TES, ULS HORM MRICS VT Hi CHURIE UTHSRRERRLS. COMFOT A CH bed BHM Ae fhe LC BE Bis (GH, CHAMMOwOE))> (B21) & CAR GEG (B22) EV — Fa SMENEO OOP ILL, HR OWB) O heb ID OO TU ACA S CAME, LODEHLEF Fe ADM MINC AL TWS ACHH So (ABI GERD) (25S [345678903-/4) EV SBI, MOAT SD OHMERLTSEBASNSA, MRE UCIRER CHO, RE MEILREMV CV. FLYFF UWI OD KU 1 YAR ARLE RR, CIV SOKFORREES MOKA SBAMLTHOS. Cie GH) DMO FE o-4Y7ik, (ei (FH, CHAROBOE)) OLOOKU-fY7 ER C/—b OMT SAC ENENMADNTHS. CNS OKO KO-4 Fe HESSERM (R23) eLSEM SPA DIC, Ceibh GEID) OHO Fa— ALTOEFOMIR OR BRIS, Cit (FH, CO—-A5aCU—-A5Ca— A) YOULL CDMBA GEN THSEALTD, MOMMA ENT VBERRFTDEOSMUVIEM LT, Ya TVA KOSS HB ESA, LORE EM SMMICHS. WH. Fu b I 4 TRH, DEO b- Fe MALT SH, b-7YBEKENEMICIAG AMEE RAL THIS™, ESS DLE EBT SAIEICARR ERC db B28, h- 2 YOROFIK, Mie et WAR DERE TERED Bo COKER SOWAN » ANI ZR OUTIL, YaWV TP VAAOBGAK BOS < IE TTR REDCH aK. MLL inbb HEEWI TH PLERM MEY a VET UZAONMAMML, PIE RAGES SRT ORACILMWE CH aL, MAREK S, Ampaeake ABT o tYARIU CHIE TS SESS E15 RAR fe BL B.C OMSK MWA OME MISRA LC SE Ro CRANES. ~HCON-Ws FAIA oli ME 79 7A, 4 YSZ 195%129.2em Peinture (L'Addbtion), Centre Georges Pompidou, Musée national d'art modeme, Paris 28PP aw VUZE ok MOBARSPAMF 9 ¥ YOMREBICE oT WS, SIUdHiod CHES OCH > PUA RAMS E, AMT ye HY ORK EOMKOMIML GTO HREM CHS ADMIN THSDEL Cd, Wa LORMIEKE te BOMHSHU TLE. WFNOMRL, Ya TVALCBWS [ARE LCORMI) MEV oKAUERZGE RC. NEN KBAR RH CAO HOR Heo CWRIME UV, KEVF LW AOMVM GS, MAE 7 7A WYAbDIDZI-~FaDKI, MHOMRESICERAENTHE (Elk VALI A MEPL EEE RINT BOTCHED) © ELT TaO KML a Fa E OMG & Vesey ere, CBE) OED Hebb te MEL EIA MV, FOMIF—7aeBAL THEO, HEV SWRI LARD TEI. ULSI ICIERO KB, ROMANE FULKICT OMAN SNZDCHS. HCE, TBH) O BASSE SAS eee eee eee 3 OILED IS AS OF Fa— pelt Cld tev = & eats LE HE CHSOERRLTO HEIEULEM Ke BMORHIL, BLY ARE a ERBOMRCHoK OCHS. LOOM, MVOMMN AEN, RRENAO ARAMA TONS, SOB SNK [REOLIWDERA, DEY, HHS ew, HK RDEOAMEVDITIV bh YOMIRIL, RHE IC ILA IC PE DBANEBRD 5 THBDCH So B23: SHAM= CMT (YH, CHMKOBOW)) Oho Ka—1 FE Ubi GHD) DRO KO 1 y 7A LALO10 ae 30 PHEBEISIS, 1927181 dS 2 HICH (HOLAEE BEF) (BI9) & : Adolphe Basler, Les Marges, 15 février 1927. Mau La Licome, Paris, 1921 Raynal, “Joan Miré,’ preface, exhib. cat, Exposition de peintures et dessins de Joan Miré, galerie Maurie Rayna, Anthologie dela peinare en France de 1906 nos jours, Pris, Eitons Montagne, 1927, p34 id, p36. FUTARICLB FHA PIODBES ALHD BISA ISDE CY 9 VY a AVR LEC MSHA COMMON CONCH S. MTEC PE CORRH, ANF YORE) MER EN SOREN, MRT STEM TS. OPC CRORE ERS Chote SERA AACE CS BIPEDAL, MXROMME HORE. § Olt FRITH S = EN OMA CEL LI ETS, HALOS TE RIMLABHEL ET > EVEL TE t2| OCHS |. E-Térinde, ‘On expose: Joan Mini,” L'Iniransigeant, Pari, 7 May 1928, reprinted in Berit sur Uart, Pars, p. 143, Jacques Dupin, Joan Mid: Life and Work, New York, Abrams, 1962, p.199, 21. 1 bIVIZA Sai ZEARARILS I )— + ¥O— hOB FAA DBOM IM] OLHOELO MAE EBT S, Nathalie Sarraute, Porirait d'un inconny, Paris, Robert Marin, 1948, p. 8 William Jeffet, “Homage to 45 rue Blomet,’ Apollo, no, 313, March 1988, p. 189. :Louis Aragon, “Barcelone a 'aube,” Les Letres francais, Paris, 11 June 1969, p. 1. TF =f y LACBRHO HEALY OWT TH EOAMOM) EWNCH BA, WCRI OKMBAGTHS. TIF OR ED, E/ 70 - LORE Lic OWE WEL TOS LOEMDNS. EO AOMARIO VGN THY, SAMO LCRA D (ED) (BHA) DMD BEHOMMOET SNS, HIELO HON, LOMIORMEMA CH WTS LAMA Se SOETM YOR aT HWE oY aL TY ALOE eo Mat EP OEE BE, OAH MIOT bY CHAS x VU AL OF U+ Fath TMEY FIOM, TY EL Te I LOEREDS RII FERRL To RET bE BLOO MME OMRA TENTS GEISHD. TWA CY aWV TY AAR BCAMRL CH [a TALE) BRED, iAH L CORB FRIST Fy a VL FY RA ERB EL TAT LTS. ONDAEECO RMP GENTS. Fa FZ SOOTHE, BRULEE ote MOP DAT LAY STONES I, AMMA FS OMMC LOATH THSEWIO, SAMO RSCRELDRW CSI a TY + SOOKE, REAEOLMICI, REOLIOUH, O RO, HS RD, HC ROLOA (ME oT, KSA MS FEMS CR SEO KCB PERETSRDIOS), MEME hLT Ah BEVIS RMEIRESO BF, WILT, COMMIT hLTALELOE LERPITHBELMYH RUTEROEK, HIRSH LOOT, BNC, SOMME, TRVHUE, S< IIE YE18 20 23 24 + Louis Aragon, “Max Em, peintre des illusions,’ inédit, 1923, repris dans Les Collage EL TEROTIEL pb. BABE, RSALOKD SLC, HI SRMLBEA DRDTHUBIEAD [y aVVTIARCHS! EARENTHOAL LAK. EMIELT DE BIL RIED [MULOMGE) 5, the, SERS | André Breton, Le Surréaliome et la peinmure, Paris, Gallimard, 1965, pp. 36-37[ [2 a ULF) 2 XH HEE + HORAN, SERIE = WCHL: © ACH + HN MNLPA + ENTER, ASCE, 19974, 60-6110. ALO NT WHE IL TAREE 2 EAD MORIA 4 45 HOMES ET, YAW TY KLAR DIT —WORAEEMETS = EALCE MY) LVI HB TY av LF YX LAM DBBAK SC ALCL. William Rubin, “Toward a Critical Framework,’ Ariforum, vol. V, no. 1, September 1966, p. 36. A Michel Leiris, Montroig, 31 octobre 1924, Joan Miré: Ecrits et entretiens, Margit Rowell ed., Danie! Lelong éditeur, Paris, 1995, p.98. TYEY FURY CRUSE RICE EMER, PICASA MHL, 190%, 43FL. rele, 370%, Dawn Ades, André Masson, Academy Editions, London, 1994, pp. 13-14. 7 + André Masson, cité par Georges Bernier, ‘Le Surréalisme et aprés. Un entretien au magnétophone avec André Masson,’ L'il, No. 5, 15 Mi 1955, pp. 14-15. Clement Greenberg, The Collected Essays and Criticism, Volume 1: Perceptions and Judgements, John (O’Brian ed., The University of Chicago Press, 1986, p. 226-227. BPEL, TIF 2A —MOVIRIE AM S REA ZIUEL hyo LIU CHLAe le ARLE ARLE 4 ROR Th, A146 zt REALMS EI MASUR TeymFOOny{S ZOMELIZ A818 4 219 - cae LI TORE HL Chath LTB. Pa OME EMS TY a 97, 20074 HARRILME, AB, 7T 9 Ya, KOT, Rell, TILEY BRIDES, BIWUKIIA~F 2 Chol. Littérature, no. 19, Paris, Mai 1921, p. 19. Paris, Hermann, 1933, p29 Mid, Ibid, André Breton, ‘Max Emst,* ures completes, tome 1, Paris, Gallimard, 1988, pp. 245-46. Louis Aragon, *La Peinture au défi” preface, exhib. eat, Collages, galerie Go Les Collages, op. cit, pp. 48-50. in, Paris, 1930, repris dans 3138: Hs 36 8 39 32 YW PRA RILEMIE, EU TUM 9 9 7d & 9 ERO NMED E19 77» ya EMCMRLE LC, BORN) & (MME) LS MAEM EAATHS, EAETRIOT, GOT AY AKA OMME LTLOL A FHI TIS, Michel Sanouillel, Francis Pieabla et 391", tome Il, Pars, Erie LosFeld, 1966, p. 79. + André Breton, Le Surréalisme et la peinture, op. cits p.2. 2 Mid, pA + René Magritte, *Les mots et les images,” La Révolution surréaliste, No. 12, December 1929, pp. 32-33. : Max Emst, Eevitures, Gallimard, Paris, 1970, p. 256. + Letter to Bosmans, 10 July 1963 in René Magrine, Ecrits complets, p. 566, reprinted in Elza Adamowiez, Surrealist Collage in Text and Image: Dissecting the Exquiste Corpse, Cambridge University Press, 1998, p. 1 AAILON 6 FA APY a VY AILAMANeT 7O —F CHORALE EK BIB. THE SHR OWM OTE SHEE ORL CMEL ICY a VU FY AAICEUT, FLOM CME ES ULI E19 MILAM CH SA, MONA Blk SECT FSLOCE I CBEBAR ED. EV YX b OBO FUN YL “CL, Pepe Karmel, “Terrors of the Eneyelopedia: Max Emst and Contemporary Ar,” in Max Ernst: a retrospective, ed. Werner Spies, Sabine Rewald, Metropolitan Museum of Ant, New York, 2005, pp. 80-105(= 38 LL, 15 + Rosalind Krauss, ‘Magnetic Fields: The Structure’ in Rosalind Krauss and Margit Rowell, Joan Miré: Magnetic Fields, New York, Solomon R. Guggenheim Foundation, 197 pp. 21-2: POORER, TAY RIE C79 AI AIFTDLITA DBE A 7 PDL EPEBRU TEEN I. To 2] BET RY ROOKIE Las TVS W LOK ESRMLTOLI Hi, TRY, KINASE ON TED, OMA SMES CAM BWI LIAN SNS, Tyee PX1 xT IAYOSH | Bie + TERI) + OSLER, EYRE, 20078, 72-738, By 21 Ima [NINA TCIM £7, He + BLA « HST LATER, SHRED, 2006, 1 DSRYHEWIT BW BAS, MAREN RO LDC OVD vir te HG ESL EN. KEI ODO FADNIC > CENMED EI HE CHADERRT = EMTS EDI AIOAMA ETH, 20; (REED AMEET SEALS. TUT 7X9 REL ORKEEEMKTUL ABA LMF BERTH El <, AL IRE OWR FA PRBS NTE, LFEEAEO MEM ELEOTSS EMLSNTOS. 4D SEER oT, MEV CEM THES MICA CH= LAMA OTHEE fe. WERT Sa MEMES BI SNARE, 1999tF, 127-28. Heo cr VIVO Fo RCL, He OL PYM, 200K, 177EL. IVEY CREEK AROMA MIA) TEPER. AM0: SOIR CY EAI) DFO FY FEWTROE SEWN CHS, (ESCH, SNBHHD BVRRENTEEAIMCH, ASV, UAH, HL CHS MALT, ABA TIS EF |4 Joan Mit’, Catalan Notebooks: Unpublished Drawings and Writings, presented by Ga8tan Picon, trans, Dinah Harrison, Rizzoli, New York, 1977, p. 73. ALS SOILD eA BIR HEL. BO LAS x oy EPA A te CH TOS, Yeo TORTIE ED IU HSE ITY YORE ES te HPL NAHE ASHEN EAE LCL, Isabelle Monod-Fontaine, “Mir6’s Coloured Grounds, 1925-1927,” in Joan Miré 1917-1934: I'm Going to Smash Their Guitar, exhib. et. ed., Agnes de la Beaumelle, Centre Georges Pompidou, 2004, pp. 70-75 42 : Louis Aragon, “La Peinture au d pris dans Les Collages, op. elt. pp. 67-68. 13 : Michel Leiris, trans Malcolm Cowley, “Joan Mir6,” Liale Review, New York, vol. 12, no. 1, spring-summer 1926, pp. 8-9. ME AIR TB ae] CS OME I CREAM LUT. TSCA AO TOO IMPPRL, ONO, BLIALA LD MLOMM OME TEL TIS. Ty + SOURS dS AML ECM, MO AMOS OI ECHRL TL EDEL ER PEMORGA GBT. LDR, LOST Y -HHHENZHC, HDMI ABAD, HRLATKORNOLIC, SHCMATHSOSANOLI CMSB OCHS. DIE, LA ARMOR) LI RMEERU TSE, iM FFOROAL (HAMEL LPTSERHOADLAMUTEDY [3 BO BEBO IGE AUARENTIS L5H CH LIED ON. SUCHE SPIT, Bok tert HORACIO DOD, AGCRFHCH HORI LA CHOWML, 20 BDA ARH OMA RT DCH S |. Georges Bataille, “Joan Miro: peintures récentes,” Documents, vol.2, 10.17, Patis, 1930, p. 399. 45 : Michel Leitis, Joan Miré,’ Documents, Paris, vol. 1, no. 5, 1929, p. 264, 46 : Joan Mi oars Miré 1917-1934: I'm Going to Smash Their Gudtar, op. cit. 6, Letter to Pierre Loeb, San Hilario Sacalm, 27 November 1926, Archive Albert Loeb, reprinted in 326, 47 : Carolyn Lanchner, ‘Peinture-Poésie, ts Logic and Logist ib. cat, Joan Miré Museum of Modern ‘Art, New York, 1993, p. 51. LIFAU AREY (FM, CRAMOBDG) OHA CR ALLER C9 CGE BD DID -HIHELTLD BO KO 1 YO REH METS) EATS. Mid, p. 29, 49 : Gertrude Stein, “Sacred Emily,” in Geography and Plays, Boston, Four Seas Co., 1922, reprinted in phy and Plays, University of Wisconsin Press, 1993, p. 187. Geogr 50: LORE TMILF 4K AY TAK NA AE LSLO CHS, [the” £03 Mie HADI KOMYEE FEDS A KORDA, FL -OiG, OE OM CRM ILOFA THE, TAERNTHSOTH, LOM OMMRADLNANAL II ATHS] EWNTOS. CSA % T= EID GEE SIRES, SMUG, 19864", 11, 51: André Breton, Le Surréalisme et la peimure, op, cit. pp. 36-37. 3