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Santana - Guitar Anthology
Santana - Guitar Anthology
Uploaded by
victorCopyright:
Available Formats
from Santana - Blues for Salvador
Bella
Words and Music by Carlos Santana, Chester Thompson and Sterling Crew
A
Moderately q = 122
* D‹7
Gtr. 1 (clean)
(Kybd.)
3
3
3
mf
**w/ delay
5 4 4 5 7 9 7 7
7
*Chord symbols reflect overall harmony.
**Set for dotted eighth-note regeneration w/ 2 repeats.
Am A7
3
12
12 15 14 12 14 14 12 14
D‹7
***
3
3
5 4 4 5 7 9 10 7 7 12
7 12 15 14 12
***Played behind the beat.
Am A7
13
12 12 14
14 14 12 10 12 14
12
Copyright © 1987 Light Music and Urmila Music
All Rights for Light Music Administered by Wixen Music Publishing, Inc.
All Rights for Urmila Music Administered by Ruminating Music
All Rights Reserved Used by Permission 1
B
D‹7 Am
15 15 15 13 12 13
A7 D‹7
3
3
3
5 4 4 5 7 9 9 10 7 7
7
Am
3
3 3
5 7 7 5 5 4 5
A7
6 6 6
p mf
12 13 12 12 13 12 12 13 12 12 13 12 12 13
13 12 13 13 12 13 13 12 13 13 12 13
D‹7
6 6
3
p
12 12 13 12 12 13 12
13 12 13 13 12 13 13 15
10 14
2
Am
8 5 5
5
12 14
A7 D‹7
12 14 12 14 14
14 14 12 12 12 14 14 14 10 10 10 12 5 7
Am A7
5 5 8 5 8 10 12
5 5 5 5 5 X X
5 5 5 7 9
7 5
D‹7 Am
13 12 13 12
12 14 12 14
A7
3
3
3
1
15 13 12 13 12 13 12 13 12
15
D‹7 Am
5 5 5 5
12
15 15 15 13 15 13 13 12 13 12 12 12 12
14 14 14 14 14
3
A7
1
12
12 13 13 13 15 13
14 14
14
D‹7 Am
3
8 8 7 8 7 5 5
13 13 10 8
10 9
12 10 13 14 10
12
7
3 6
5
8 5 8 5 5
8 5 8 8 5 8 8 5 5 4
7 5 7 5 5
7 7 5 5 7
7 6 4 3 5 7
5
A7 D‹7
1 1/2
13 15 15 15 15 13
12 14 X 12 14
12 14
Am
14 12 12 12 14 12 12 12 14 12 12 12 14 12 12 12 14 12 12 12
Fmaj7
5
10 12 12 12 10 12 10 12 10
12 10 12 10
12 12 10 8
4
C
D‹7 Am
P.M. P.M. P.M. P.M.
5 5 7 0 3 5 5 7 0 0 3 5 5 7 0 3 5 5 7 0 0 3
A7 D‹7
P.M. P.M. P.M. P.M.
5 5 7 0 3 5 7 7 0 3 5 5 7 0 3 5 5 7 0 0 0 3
Am A7
P.M.
13 13 15
5 12 14
5 5 7
5 7 0 0 3 5 7
D
D‹7 Am
3 3
15 15 13 13 15 13 12 13 12
14 14
Fmaj7
12
12 13 13
14 12 14
14
5
D‹7 Am
1
13 12 13 12 15
12 14 12 14
A7 D‹7
8va
w/ dist.
1
1
15
15 15 13
14
Am A7
8va
3 3
3
1 1
15 15 12 15 15 12 17 19 20 19 17 17 19 20 19 17 19 20 20
D‹7
8va
loco
3
1 1 1 1 1
1 1
20 20 20 20 20 20 20 20 20 17
20 17
19 19 17 17 19 19 17 17 19
19
Am
1 1 1 1 1
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12
15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15
6
A7
3
1 1/2 1/2 dist. off
12 12 12 12 12 15 15 12 12
15 15 15 15 15 15 15 15 13 13 15
12 14 12 14
14
D‹7
12 14
12 12 12 14 12 14 12 14 10 10 10 12
Am FŒ„Š7
3 3
5 5 8 8 5 5 10 10 12 12 12
5 5 X 5 X X X X
5 7 5 5 7 7 9 9 9
7
D‹7 Am
12 12 12 11 10 9 8 5 8
X X X X X X X 8 10 X
9 9 9 8 7 6 5 8 X X 5
5 7
A7
8 5 8 5 8 5 5
5 8 10 X 8 10 X 8
5 X X 5 X X 5
5 7 5 7
D‹7
10 8 X 8 X 8 10 8 X 8 X 8 10 8 X 8 X 8 8 X 0 8 X 8 X 8 0
X X X X X X X X X X X X X X X X X 0 X X X X X
7 5 X 5 X 5 7 5 X 5 X 5 7 5 X 5 X 5 5 X 0 5 X 5 X 5
7
Am F
3
8 10 12 12 12 13 15
X 8 10 10 X X X
5 7 9 9 9 10 12
E
D‹7 Am
P.M. P.M. P.M. P.M.
5 7 0 3 5 5 7 0 0 3 5 5 7 0 3 5 7 0 0 3 0
A7 D‹7
P.M. P.M. P.M. P.M.
5 5 7 0 3 5 7 0 0 3 5 5 7 0 3 5 5 7 0 0 3 0
Begin fade
Am A7
P.M. P.M. P.M.
5
5 7
5 5 7 0 3 5 5 7 0 0 3 5 5 7 0 3 5 7
D‹7 Am
5 7 9
Fade out
6 6 6 6 6 6 6
12 13 12 12 13 12 12 13 12 12 13 12 12 13 12 12 13 12 12 13 12
12 13 13 12 13 13 12 13 13 12 13 13 12 13 13 12 13 13 12 13 13 12 13
8
from Santana - Blues for Salvador
Blues for Salvador
Words and Music by Carlos Santana and Chester Thompson
A
Slow q. = 50
* Cmaj9 Bm7 Bb7 Am7 B7#5
Gtr. 1 (dist.)
3 3 3
mf 3 3 3
3 3
**w/ wah-wah
1/2
12 12 12 12 12 12 12 12 14 12
14 12 12 14
13 12 10 12 12 10 10 12 14 12
12 12
*Chord symbols reflect overall harmony.
**Used as filter
B
Em7 D#+ Em7/D C#m7b5
*** †
3 3 3 3 3 3 3
1
15
12 12 12 12
14 14 12 12 13 14 14 14 12
12 14 12 13 14
***Played behind the beat. †Played ahead of the beat.
Cmaj9 Bm7 E7#9 Am7 Bm7
8va
loco
3
2
1
12 15 12
15 12
12 2 12 12 12 11 11
Cmaj9 B7#5 Em7
3
3
15
11 12 11 14 12 11 12 11 12
14 12 14 12 12 14
14 14 12 10 12 10 10 12 14 12 14
12
Copyright © 1987 Light Music and Urmila Music
All Rights for Light Music Administered by Wixen Music Publishing, Inc.
All Rights for Urmila Music Administered by Ruminating Music
All Rights Reserved Used by Permission 1
D#+
10 13
1 1 1 1 1 1 1
12 12 12 12 12 12 12 12 12 12 15 12 12 12 12
14 14 14 14 14 14 14
Em7/D
14
1 1 1 1 1
12 12 12 12 12 12 12 12
12 15 12 12 12 15 12 15 12 12 15 12 15 15 15 15
14 14
C#m7b5 Cmaj9
8va
loco
3
1 1
1/2 1
15 12 17 17 17 15 17 15 15 12 12 12
15
F#m7b5
3
3
3 3 8
3 3
1 1
15 15 12 15 12 12 12
14 14 14 12 12 14 14 14 14 12 14 12
14 14 12
12 10 12 10 12
C
B7#5 Em7 A/E
3
3 1
15 15
12 12 14
14
12 12 13 14
2
Em7 Dm7 G7 Cmaj9
3
3 3
3 3 3 3
let ring
1 1 1/2
15
14 14 14 14 12 12 14 12 12 14 12 12 11 12 12
14 14 14
14 12 10 12 12 10 12
Bm7 Am7 F#m7b5 B7#9 B7b9
3
15
12 12 14
12 14
12 14
D
Em7 D#+ Em7/D C#m7b5
3
3
1/2 1 1 1
14 15 15
15 15 15 15 15 15
Cmaj9
1 1 1
1 1 1
15 15 15 15 15 X 12 12 12 12 12 12 12
15 15 15 X 15 15 15
Bm7 E7#9
14 3
1 1/2
15 12 12 15 12
15 14 12 12 14 15 14 12 12 14 14 14
14 14
3
Am7 Am7/G
15
12 12
14 14 12 12 14 14 12 12 14 15 14 12 14 12
14 14 14 14 12
14 12 10
F#m7b5 B7#5 Em7
3 3
3
3
3 3 3 7
1/2
12 12
12 12 12
12 12 12 12 12
12 14 14 14 14 14 14 14 14
12 12 10 10 12 12 10 12 10 10 12 14
12 12
D#+
16
1 1 1 1
12 12 12 15 12 12 12 12 12 12 12 15 12 12 12 12 12 12 12
14 14 14 14 14
Em7/D C#m7b5
8va
3 3
13
1
1 1 1/2 1/2 1 1
12 12 12 12 15 12 12 12 12 15 15
15 12 15 12 15 12 15 12 12
14
Cmaj9 Bm7 E7#9
8va
3 13
loco
5
1/2 1/2
15 15
7 7 7 7 5 7 5 5
7 7 5 X 5 7
7 5 3 5 5 0
4
Am7 Am7/G F#m7b5 B7
3 3
5
let ring
8
7 9 9 9 9 9 11 11 12
7 9
Em7 D#+ Em7/D C#m7b5
3 3
15
14 16 12 12 12 12
14 12 14 12 11 11 11 14 14
Cmaj9 Bm7 E7#9 Am7 Gmaj7sus2
8va
5 4
3
1 1
15 17 17 17 17 17 17 17 17 17 17 17 17 17 17 15
17 17
F#m7b5 B7#5 Em7 D#+
8va
loco
3
P.S.
1 1/2
1 1/2
20
2 2 0 2 2 2 0 2 0 2 0 2
X 2
X 0
X 0
Em7/D C#m7b5 Cmaj9
1/2
12 12
14 14 14 14
12 14 12 10 12 12 10 12 12 14
5
Bm7 E7#9 Am7 B7#9 F7
15
mp
15 15
12
12 14
E
Em7 D#+ D#7b9
3 3
P.M.
14
15 12
12 11 14 15 14 14 12
14 12 14 14 14
14 16
Em7/D C#m7b5
*
3 3
14 15 14 12 14 15 14 12 14 15 14 12 14 15 14 12 14 12
*Played behind the beat.
Cmaj9 Bm7 E7#9
mf
1
14 15 14
15 15
Am7 G7 F#m7b5 B7#9 B7b9
3 3 3 5
1/2 1/2
15 14 12 14 12 12
15 15 15 12 15 12 12
14 14 14 12 12 14 14 14 14 14 12
14
6
Em7 D#+ D7sus2 C#m7b5
3 8va
3 3 3 7
17
15
12 7 9 7 9 7 9 7 9 7 9 7 9 7 9 12 12 14 16
14
12 14 12 10 10 12
Cmaj9 Bm7 E7#9 Am7 Am7/G
loco
8va
3
mp
1
17
12
14
F#m7b5 B7#5 Em7
3 3
mf
1
0
2 2 0 0
2 0 2
D#+ Em7/D
3
19
1 1/2 1/2
3 5 3 0 3 5 3 0 3 5 3 0 3 5 3 0 3 5 3 0 3 5 3 0 3
2 2 0 2 2 2 0
2 2
C#m7b5 Cmaj9
6 5
w/ bar
1 hold bend
5 3 0 3 5 3 0 3 5 3 0 15 15 15 0
14 14 14
-2
7
Bm7 E7#9 Am7 G7
8va
loco
8
3 3
4
P.M.
1 1/2
rake 1 1 1 1
19
0 12 12 12 12 12 12
X 12 12 14 12 14 14 14 14 14
14
F#m7b5 B7#5
16 15
1 1 1 1 1 1 1 1 1
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12
14 14 14 14 14 14 14 14 14
Em7
13 5
1 1 1 1 1 1 1 1 1
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 15
14 14 14 14 14 14 14 14
D#+
11 10
1 1 1 1 1 1
12 12 12 12 12 12
12 12 15 12 12 15 12 12 12 15 12 12
14 14 14
Em7/D
8va
14 15
grad. bend
1/4 1/2 3/4 1
1 1 1 1
12 12 12 12 12 12 12 12 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15
15 15 15 15
8
C#m7b5 Cmaj9 Bm7 E7#9
8va
loco
3
3
1 1 1 1
15 15 17 17 15 20 20 20
17
12 11
14
Am7 F#m7b5 B7#5 Em7
mp
1/4
12 12 14 12 12
14
12 10
D#+ Em7/D C#m7b5
3 3
3
3
mf
1 1 1/2 1
15 15
14 14 12 14 12
14 14
12
Cmaj9 Bm7 E7#9
3
1 1/2
15
14 14 12 12 14 14
14
14
Am7 G7 F#m7b5 B7#5
16
3 3 3
12 14 15 14 12 12
12 12 13 12 13 12 12 13 15 15 13 12 15 12 10 12
12 14 14 14
14
9
Em7 D#+
8va
3 3 3 3 3
1/2
14 17 17 17 21 21 21 21 21 19
15
Em7/D C#m7b5
8va
3
3
19 19 21 19 19 18 19 22
22 22 20 19 20 19 19 20 20 19 20 20 21 21 22 22
21 19 19 21
21
Cmaj9 Bm7 E7#9
8va
3 3
1 1 1 1 1 1 1 1 1 1 P.H.
22 22 22 22 22 22 22 22 22 22
15 15
Am7 G7
8va 15
loco
5
1
1 1
15 15 12 15 12 12 12 12 12
14 14 14 14 12 12 14 14 14 12 12 14 14
14 14 14 14
0
F#m7b5 B7#5
15 15
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12
14
10
F
Em7 D#+
*
5 mp
12
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 15 12 12 12 12 12 12
*Played ahead of the beat.
Em7/D A/E
*
3
7
3 3 3 3 5
1
15 14 12
12 12 12 12 12 15 12 12
14 14 14 12 14 14 12 12 14 12 12 12
14 14 14
Em7 A/E Em7
4
7
4
1
12 12 14
14 12 10 12 12 10 12 10 10 10 10 10
12 12
Asus4/E A/E Cº7 Em7 A/E
3 5 3
1/2 1/2
12
14 14 14 14 12 12 14
14 14 14
Em7/D A/E Em7
3 3 8
3
1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2
12
12 14 14 14 14 14 14 14 14 14 14 12 14 14
14 14 14
11
Eº Dm7 C#7#9
3 3 3 3 3 3 3
1/2 1/2 1/2 1/2 1/2
14 14 14 12 14 14 14 14 14 14 14 14 12 12 12
14 14
Cmaj9 Bm7 E7#9 Am7 G7
8va
17 19
19
12
F#m7b5 B7#5 Em7 D#+
8va
17 19 17
20 20
Em7/D C#m7b5
8va loco
5
3 11
mf
1 1/2 1
1
15 15 12 15 12 12
15 15 12 15 12 12
14 14 14 12
14
Cmaj9
3 3 3 14
1 1
12
12 14 14 14 12 14 12 12 14 14 14 14 14 14 14 14 14 14 X 13
14
12
Bm7 E7#9
grad. bend
1/4 1/2 3/4 1 1 1
12 12
14 14 14 14 14 14 14 14 14 14 14 14
Am7 G7 F#m7b5 B7#5
3 3 3 3
3 mp
1 1 1 1 1 1
12 12 12 12 12 12 12 15
12 15 15 15 15 15
14 12 12 11
X 12
Em7 D#+ D7sus2 G7
3 mf
12 12
12 12
12 12 11 12 11 12 12 12 14 14 15 16 16
C Bm7 E7#9 Am7 F7 µ
15ma loco
mp fdbk.
15 15 15
16 13 15 16
Pitch: A
Free time
Em7
3 3
11 12 11 12 11 12 11 12
11
13
from Santana - Supernatural
The Calling
Words and Music by Carlos Santana, Chester Thompson, Larry Graham Jr. and Freddie Stone Jr.
Intro
Free time
µ ** Em7
*Gtr. 1
(clean)
mf mp
w/ fingers
let ring
10 12 10 7 8 8 8 8 8 8 8 8
10 12 10 7 7 9 9 9 9 9 9 9 9 9
*Eric Clapton **Chord symbols reflect overall harmony.
A/E
***Gtr. 2 (slight dist.)
3 3 3
3
mf
1/2 1 1/2
12
14 14 12 14 14 12 12 12 14 14 12 14 14 12
14
***Carlos Santana
Gtr. 1
let ring 5 let ring
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 7
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 7
Em7
3 3
14 12 11 12 11 14 11 12 12 11
14 14 14 14
let ring let ring let ring
7 7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 7 7 7 7 7 12
Copyright © 1999 Stellabella Music, Divine Revelation Music and Graham O Tunes Music Inc.
All Rights for Stellabella Music Administered by Wixen Music Publishing, Inc.
All Rights for Divine Revelation Music Administered by Ruminating Music
All Rights Reserved Used by Permission 1
F/E
5
3
1/2 1 1 1
15 15 15 15 15 15 12 15
12 14 14
13 10 10 12 14
12 12
let ring let ring
12 12 12 12 12 12 12 10 10
12 12 12 12 12 12 12 10
Em7
1/2 1/2
12 15 12 12
14 14 14 12 14 14 14 12 14 12 14 12
let ring let ring
0
10 10 10 10 10 8 8 8 8 8 8 10
8 10 10 10 10 10 10 6 9 9 9 9 9 9
A/E
3 3 3 3 3
1 1 1/2
12 12
12 14 14 14 12 14 12 14 14 14 12 14
14 14
let ring
8 8 8 8
11 11
9 9 9
2
Gtr. 2 tacet
Em7
3
Gtr. 1
3
3 3
1
3 3
4 2 0 2 3 4 4 2 0 2 2 2 2 0 2 2 2 2 0
2
F/E
5
5
3 5 5 6 3 5 3
3 5
0 2 4
2 0 2 0 0
2 2 0 2 0 2 0 2 0
Em7
3 5
3 3 3
3 3 5 3 3 3 3 5 6 5 3 3
5 3 0 3 5 5 3 0 0 5 3 0 5
A/E
7
5 7
3
3
5
1/4 1/4 1/4
7
5 3 5 3 0 3 7 8 8
2 2 2 0 3 4 3 2 0 2 0
2 2 2 0 2 0 0 0
0 0
Em7
3
3
10 12 10 12 10 8
7 9 9
9 7
3
F/E F/G
Gtr. 2
5
12 15 13 12
14 14 12 14 16 14 12 14
Gtr. 1
10
7
Em7 G
1
3 3
5
12 15 12 15 12 12
15 12 15 15 15 12 15 12 15 12
12 14
let ring let ring
12 12 12 12 12 12 12 12 12 12 12 12 12 12 10
12 12 12 12 12 12 12 12 12 12 12 12 12 12 10 10
A A/G
3 5 5
1/2
12 15 12 15 12 12 12
14 15 14 12 12 14 14 14 12 12 14 12 12 14
14 14
3
5
let ring
10 10 10 10 10 10 10 10 10 10 10 10 10 8 8 10 8 10 8 10 8
10 10 10 10 10 10 10 10 10 10 10 10
4
Em7 G
8va
3
1
1
12 15 12
12 12 15
12 14 14 12 14
14
6
8
7 7
9 7 5 5 7 9 7 5 7 5 5
7 7 7 5 7 7
F/E
loco
3 5 3 5
15 12 15 12 12 12
15 15 15 12 12 15 12 15 12 12
14 15 14 12 14
14
3
6
7 8 5 7
7 5
F/G
3 6
12 14 12 14 12
14 12 12 12
14 12 10 13 14 12 11 10
12 12
3
4 7
9 8 7 5
7
5
Gtr. 2 tacet
Em7 G
Gtr. 1
3
3
3
P.M.
1/2 1/2
10 12 12 12 10 10 12 12 12 10
12 11
A/E A/G
3
1 1 1
0 12 12 12 12 12 12
10 12 15 15 15
12 14 12 14 14 14 12
14
Em7
1/2 1/2
1 1
12 12 12 12 12 14 14 14 12 14 14 12 12 14 14 12 12
15 15
G
6 7
7 6
1
0 15 12 15 12 12 15 12
14 14 16 16 14 12 12 14 14 14 14 12 14 12
14 14 14 14
F/E F/G
6
6
14 12 14 12 12
14 13 12 10 12 10 12 X 10 12 12 13 12 10 7
12 12 7 9 9 10 X 10 10 10 12 10 12
6
Em7 G A/E A/G
Gtr. 2
12 12 0 12 12
X 14 14 12 14 14 14 12 14 11 12 12 14
14 14 14 14 14 12
Gtr. 1
5 5 7 7 5
7
Em7 G F
3 3
3
12 14 15 14 12 14 12
14 14 12 12 12 11 12 10 10 12 14
6
p mf
4 2 2 0 2
7 9 9 7 5 5 7 7 7 9
Fsus2 Bsus4 B
5
3
let ring
12 12 14 16 16 16 8
16 16 16 13 7
15 14 12 10 9 10 12 14 9 9
7
2 7 9 8
7
Interlude
Moderately slow q = 97
Gtr. 1 tacet
µ
Gtr. 2
5 7
Interlude
Em7
Gtr. 2
12 12 12 12
12 12 12 12
12 12 12 12
7 7 5 7 7 7 5 7
Gtr. 1
w/ pick & fingers
1
1/4 1/4
0 3 5 3 5 3 5 3 5 5 7 3 5 5 3 5 0 0 3 0 3
3 3
2 4 2 4
Gtr. 3 tacet
Gtr. 2
1
12 12
12 12
12 12 7 5
7 7 5 7 7 7 7 7 7
Gtr. 1
0 0 0 0 0
3 0 3 0 0 3
3 4 2 0 3 4 0 1 X X 2 4 2 0 X X 0 2 4 2 4 0
X X X X 0 2 0 2
X X X X
0 0 0
Fill 1 End Fill 1
Gtr. 3 (clean)
mf
1
2 2 0
2
8
Interlude
Em7
Rhy. Fig. 1A
Gtr. 2
3 3
12 14 15 14 14 12 12 14 15 14 14 12
12 14 15 14 14 12 12 14 15 14 14 12
12 14 15 14 14 12 12 14 15 14 14 12 2 0
2
Rhy. Fig. 1
Gtr. 1
0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0
4 4
0 0 0 0 0
End Rhy. Fig. 1A
8va
3 3
1 1 1
12 14 15 14 12 14 15 14 12 14 15 14 14 12 17 17 17
12 14 15 14 12 14 15 14 12 14 15 14 14 17
12 14 15 14 12 14 15 14 12 14 15 14 14
End Rhy. Fig. 1
let ring
0 0
0 0 3
0 2 4 2 2 4 3 4 2 0
2
X
0 X X
loco
3 3
0
*
14
12 14 15 14 14 12 12 14 15 14 12
12 14 15 14 14 12 12 14 15 14
12 14 15 14 14 12 14 12 12 14 15 14 2 0
12
*2nd string bumped with pull-off finger.
1
X X 12 12
0 15
14 14
0 0 0
9
3
12 14 15 14 12 14 15 14 12 14 15 14 14 12
12 14 15 14 12 14 15 14 12 14 15 14 14 12
12 14 15 14 12 14 15 14 12 14 15 14 14 12
w/ pick
0 0
X
12 X 2 4 2 0 12
2 X X 12 14
X X
0 X X
Chorus
Gtr. 2 tacet
Em7
*
Peo - ple, peo - ple, peo - ple, peo - ple.
8va
Gtr. 1
1
1
15
14
*Choir vocs.
Peo - ple, peo - ple, peo - ple, peo - ple, hear me
loco
8va
1/2 Harm.
1
15 12 12 12
12 15 15 12 15
10
call - ing, hear me
Gtr. 2
1 1 1
12 15 12 12 12
15 15 15 15 15 15 12 14
15 14 12
14
Gtr. 1
w/ pick & fingers
P.M.
12 X 0
X 0 0 4 5 3
0 3 4 2
X
0 X
Gtr. 3
12 12 12 12 12 12
12 12 12 12 12 12
12 12 12 12 12 12
Gtr. 3: w/ Fill 1
call - ing.
loco
8va
Gtr. 2
3
grad. bend 1 1/2
1 1
1
12 15 15 15 12 15 12 12
12 15 15 12
14 14 12
14
Gtr. 1
let ring
0 0
0 0 3 0
0 2 4 2 2 0
2 0 2
0 0
11
Peo - ple, peo - ple, peo - ple, peo - ple. Peo - ple, peo - ple, peo - ple, peo - ple, hear me
12
14
let ring 1/4
1/2 1/2
12
0 12 0
0 12 0 12 14 12
2 14 2 12 12 12 14 14 14 14
12 14 12 14
0 0 0 0
call - ing, hear me
8va
Gtr. 2
1
15 15 15 15 15 17 15 17 15 17 15 17 15 15
15 17 17 17 17 17 17
Gtr. 1
3
12
15 12
12 3 4 2 0 2 0 2
4 4
Gtr. 3
4 5 4 5 4 5 2 4 5 5
5
12
call - ing. One love.
8va
grad. release
(cont. on lower staff)
1 3/4 1/2 1/4 1
15 17 17 17 17 17 17 17 17 17 17 17 17 17 17 15 17 15
17 17 17
3 3 3
(cont. on upper staff)
4 2 0 4 2 0 2 4 0 4 2 0 4 4
4 4 4
4 4 5 4 5 2 4 5 5 5
5
Interlude
Gtr. 3 tacet
Em7
One love. Lord, God al - might - y. One love.
Gtr. 1
w/ pick
1/4
3 5
5
Gtr. 2 8va
17 17
13
Guitar Solo
Em7
3
3
let ring
1/4
3 6 7 6 7 X 5 7 5 5 3 3 5
5 3 0
2 0
2 2
0
0
loco
5 7 7
3 3
3
1/2
5 3 5 3 0 2 3 2 0 0
5 3 0 2 0 3 3
0 0
5 7 7 7 7 7 5 7 7 7 7 7 X 0 0
0 0 0 0 0 0 0 0 0 0 X
14
1/4
1/4
0 3 5 3
5 0 5 3 0
2 0 2
2 2 0
7
7 9
7 7 7 7 7 5 7 X 5 7 0 7
0
*
3 3 3
3 3
1/4
3 5 5 6 3 5 3 5 5 5 5 5 3 5 5 3
3 5 5
2 4
*Played behind the beat.
7 9 9
7 9
7 7 7 X 5 7 X 5 7
5 X 0
*
3 3
3
let ring
5 5 3 5 5 3 5 6 5 3 3
3 5 5 3 5 3 0 0 3
2 2 0 2 0 2 4
2 2
7 7 0 7 X 5 0 5
X X
15
5 3
3
3
3 0 0
4 3 2 0 2 0 3 4 2 0 0 0 0
2 2 2 0 2 0 0 2 0 2
2 0 1 0
3
P.M. P.M.
7 5 7 5 7
X 7
12 12 12 12 12 12 12 12 12
12 12 12 12 12 12 12 12 12 12
5 7 7 5 7 X
0 0 X
let ring
12 12 12 12 15 15 13 12
12 12 12 12 12 16 16 14 12 12 0
14 12 14 14 12 14 14
let ring
1 1/2
0
0 2 2 0 0
2 X 0
5 7 7 X 0 7 7 7
0 0 0
16
8va
loco
mp mf
P.H. w/ pick & fingers
(cont. on lower staff)
1 1
0 0
14 14 14 12 6 4 4 2 2 0 0 2 4 2 0 0
2 0 2 2 0 2
0
(cont. on upper staff)
1
12 15 15
14 14 12
5 7 X X
0 X X
Guitar Solo
Em7
Gtr. 2
grad. release
1 3/4 1/2 1/4
15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 14 12
14
Gtr. 1
let ring
0 0
0 X 0 0 0
X 0 0 0 0
X 2
0 0 0
1
1 1
12 14 12 12 14 12
16 16 14 16 16 16 16 14
17 14
0 0 0 0
0 12 12 0
0 12 12 0 3 4 2 0
0 2 0 2
X
0 X
17
8va
3
dist. off
1
1 1 1 1 1
12 12 12 12 12 12 12 15 17
12 14 12 12 15 15 15
14 12 14 14 14 12 12 14
14 14 14
let ring let ring let ring
0 0 0 0 0 0 0
0 0
0 2 4 2 0 2 2 0
2 2
0 X X
loco
8va
1 1 w/ slight dist.
17 17 17 17 17 17 15 12
let ring
0
2 0 0 2 X
2 X
0 0 0 0 0 X
12 12 12 15 15 12 12 15
2 4 2 0 2 0 0 2
2 0
0 X 0 0 0
18
8va loco
Gtr. 2
dist. off
1 1/4
1
12 12 15 15 12 15 12 12 12
15 15 15 15 15 14 12 12
14 14 14
Gtr. 3
12 16 12 14
14
Gtr. 1
0
3
2 0 2 2 4
X 2
0 0 X
Gtr. 2 tacet
Riff A
Gtr. 3
1/4
14 12 14 14 12
14
12 16 12 14
14 12
14
12 16 12 14
Rhy. Fig. 2
Gtr. 1
0 0 0 0
0 0 0 12 12 14 12 14 12 0
0 0 0 12 12 14 12 14 12 0
12 14 12 14 12
X 0 0 X
19
End Riff A
1/4 1/4
12 12
12 14 14 12 14 12 14 12 14 12 14 12
14 12 16 12 14
14
End Rhy. Fig. 2
let ring
0 0 0 0 0
0 0 0 0 0 0
0 0 2 4 2 0 0 0
2 2
0 0 0 0
Chorus
Gtr. 1: w/ Rhy. Fig. 2 (4 times)
Gtr. 3: w/ Riff A (3 1/2 times)
Em7
Peo - ple, peo - ple, peo - ple, peo - ple. Peo - ple, peo - ple, peo - ple, peo - ple, hear me
call - ing, hear me
8va
Gtr. 2
w/ slight dist. grad. bend 2
1 1
1 1 1 1
12 12 12 12 15 15 15
12 12 15 15 12 12 12
14 14 14 14
call - ing.
8va loco
3
1/2 1/2 1/2
15 12 15 12 12 12 12 12 12
15 15 15 15
20
1 1 1
12 12 12 12 12 12 12 12 12
15 15 15 15 15 15 15 15 15 15 12
12 14 12
14
Peo - ple, peo - ple, peo - ple, peo - ple.
1
14 14 12
14 14 14
Peo - ple, peo - ple, peo - ple, peo - ple, hear me
14
call - ing, hear me
8va
loco
1 hold bend 1 hold bend 1
12 12 12 12 12 12 15 17 17 17 15
15 15 15 17 17 15 12
14 12
21
call - ing.
Gtr. 2
1 1
12 12 12 12 12 0 14 14 14 14 14 14 14 X 0
15 15 15 15 15 0 17 17 17 17 17 17 17 X 0
0 X 0
Gtr. 3
12 14 14 12
14
8va
1 1 1/2 1
15 15 15 15 17 17 17 17
18 18 18 18 X 0 20 20 X 0
X 0 X 0
1/4 1/4
12 12
14 12 14 12 14 12 14 12
12 16 12 14
14
22
Interlude
Gtr. 1: w/ Rhy. Fig. 1 (2 times) Gtr. 2 tacet
Gtr. 3: w/ Rhy. Fig. 1A (1 1/2 times)
Em7
8va
Gtr. 2
17 17
One love.
Gtr. 3
3
12 14 15 14 12 14 15 14 12 14 15 14 14 12
12 14 15 14 12 14 15 14 12 14 15 14 14
12 14 15 14 12 14 15 14 12 14 15 14 14
Outro
Em7
One love.
Rhy. Fig. 3A
Gtr. 3
1/4 Harm. Harm.
12 12
12 12 X X 12 12 12 12 14 12 12 X 12 12 X X
12 12 X X 12 12 12 12 14 12 12 X 12 12 X X
12 X X 12 12 12 12
12 14
Rhy. Fig. 3
Gtr. 1
X 0 0
X 0 0 0 0 12 X X
X 0 0 12 X X
0 12
23
Lord, God al - might - y. One love.
End Rhy. Fig. 3A
Harm. Harm. Harm.
P.M.
12 12
12 12 X 12 12 12 14 12 12 12 12 12
12 12 X 12 12 12 14 12 12 12 12 12 14 12
0 12 X 12 12 14 0 14 12
0 12 12 14
0 12 12
End Rhy. Fig. 3
0 0
0 0
2 4 2 0
2 2 X
0 2
0
Gtrs. 1 & 3: w/ Rhy. Figs. 3 & 3A (till fade)
One love. One love.
One love. Lord, God al - might - y. One love.
Begin fade
One love.
One love. One love.
Segue to “Day of Celebration”
Fade out
Lord, God al - might - y. One love.
24
from Santana - Supernatural
Corazon Espinado
Words and Music by Fher Sierra
Intro
Moderately q = 120
* Bm Em/B F#/A# Bm Em/B F#/A#
Vá-mo - nos!
Gtr. 1 (elec.)
f
w/ dist.
7
7 9 9 7
9
*Chord symbols reflect overall harmony.
Bm Em F# Bm Em F#
1 1
7 7 6 7 10 7
7 7 7 10 10
7 9 7 9 9 9 9 9 6 7 9
9 9
Bm Em F# Bm Em F#
8va loco
1/2 1/4 1
1/2 1
7 14 18 18 14 14 14 14 14 14 14 14 14 14 14 14
15 X 17 15 17 17 17 17 17 14 15 17 15 14 15 14
Verse
Bm Em F# Bm Em F#
1. E - sa mu - jer me e - stá ma - tan - do, me ha es - pin - a - do el cor - a - zón.
10
1
14 10 7
16 16 16 16 9 9 9 7 7
9
Copyright © 1999 EMI April Music Inc. and Yelapa Songs
All Rights Administered by Sony/ATV Music Publishing LLC, 424 Church Street, Suite 1200, Nashville, TN 37219
International Copyright Secured All Rights Reserved 1
Bm Em F# Bm Em F#
Por más que tra - to ol - vi - dar la, mi al - ma no da ra - zón.
7 6 7 9 9 7
9 9 0
Bm Em F# Bm Em F#
Mi cor - a - zón a - plas - ta - do, mo - li - do y a - ban - do - na - do. A ver, a
3 3
10 8 7
9 7 9 11 9 11
Gtr. 1 tacet
Bm Em F# Bm Em F#
ver, tu sa - bes, di - me mi a - mor, por fa - vor. He que do - lar nos que - dó.
6 7
9
9
Chorus
Bm Em F# Bm Em F#
Ah, ah, ay, cor - a - zón es - pi - na - do. Co - mo due - le, me
Riff A
Gtr. 2 (elec.)
mp
w/ slight dist.
7 6 7
9 9 8 9 9 8
9 9 9 9 9 9 9 9
2
Bm Em F#
due - le, ma - má. Ah, ah, ay, co - mo me due - le el a - mor.
End Riff A
6 7 6
8 9 9 8
9 9 9 9 9 9 9 9 9 9 9 9 9
Bm Em F#
Gtr. 1
1 1 1 1
7 7 7 7 7 7 7 7 7 7 7
10 10 10 10 10 10 10 10 10 10 10 10 7 7 7
9 9 9
Gtr. 2
7 6
9 9 8 8
9 9
Verse
Bm Em F# Bm Em F#
3 3
2. Co - mo due - le, co - mo due - le cor - a - zón cuan - do nos - tie ne - tre - ga - dos. Pe - ro no ol -
9 9
6 7 9 7
Riff B End Riff B
5 4 5 4
5 5 7 4 4 5 5 7 4 4
7 6 6 7 6 6
3
Gtr. 2: w/ Riff B
Bm Em F# Bm Em F#
vi - des, mu - jer, que al - gún di - a di - rás, “Ay, ay, ay! Co - mo me due - le el a-mor.”
Gtr. 1
1
1 1 1
7 7 7
9 9 9 9 9 7 9 7
9 9
Chorus
Gtr. 1 tacet
Gtr. 2: w/ Riff A (3 1/2 times)
Bm Em F# Bm Em F#
Ah, ah, ah, cor - a - zón es - pi - na - do. Co - mo due - le, me
Bm Em F#
due - le, ma - má. Ah, ah, ay, co - mo me due - le el a - mor.
Bm Em F#
Gtr. 1 *
3
3 3 3
1 1
7 7 7
10 7 10 7 10 7 7 10 7 7
9 9 9 9 7 7
9
*Played behind the beat.
Bm Em F# Bm Em F#
Ah, ah, ay, cor - a - zón es - pi - na - do.
1/2
17 15 17 15 17 15 17 15 17
7 6 6 7 6
9 9 9
4
Bm Em F#
Ah, ah, ay, co - mo me due - le el a - mor.
14
1
14 14
1/2
17 17 15 15 17 15 15 14 14 14 14
16 16 15 16
Bm D F# Bm D F#5/C# F#
Gtr. 1
steady gliss. steady gliss. P.S.
7 5 2 3 19
7 5 2 3 19 0
16 16 11 0
0 7 9 7 9
X
Gtr. 2
4 4 4 4 4 4 4 4 4 4 4 4
2 5 5 4 4 2 2 2 5 4 4 1 4
2 2 2
Guitar Solo
Gtr. 2: w/ Riff A (3 1/2 times)
Bm Em F# Bm Em F#
Gtr. 1
1
1/2
1/2
1 1
7 9 9 7 7 7 7 7 7 7 0
10 10 7 7 10 10 0
9 9 9 7 9 9 3 19 0
0
0
Bm Em F#
7 10 10 7 10 10 7 10 7 10 10 7 10 10 7 10 7 9 12 12 9 12 12 9 12 12 9 12 12 12 12 12 12 10
14
5
Bm Em F# Bm Em F#
8va
3
15 14 15 14 15 14
1 1 1 1
14 14 15 14 15 14 15 14 15 15 15 14 17 17 17 17 14
17
Bm Em F#
8va
loco
1/2 1
1 1 1
1
17 17 17 17 14 14 14 7
17 17 17 17 17 15 17 15 17 15 14 7
16
Bm Em F#
8va
3
6 6 3 6 3 3
steady gliss.
7 10 9 7 10 9 7 10 9 7 10 9 7 10 9 7 10 9 7 9 12 10 9 12 10 9 12 10 9 12 10 9 12 X 14 12 10 9 6
12 6
6
Bm Em F#
8va
loco
Gtr. 1
9 13 16 19 24
9 13 16 19 24
9 13 16 19 24
24
24 24
Gtr. 2
7
7 9 7
9 9 8
9
6
Bridge
Gtr. 2 tacet
Em Bm
Co - mo me duele el ol - vi - do.
Gtr. 3 (nylon-str. acous.)
mp
let ring throughout
9 10 9 7 7 9 7
8 8 8 8 7 7 7 7 7
9 9 9 9 7 7 7 7
Gtr. 1 *
3 3 3
mf
10 8 7 7 7
9 7 9
*Played behind the beat.
Gtr. 4 (elec.)
mp
w/ clean tone & chorus
let ring throughout
2 0
5 5 5 3 3 3
4 4 4 4 4 4 4 4 4
5 5 4 4 4
Em Bm
Co - mo duele el cor - a - zón.
9 10 9 10 7 9 7
8 8 8 8 7 7 7 7
9 9 9 7 7 7 7
7 9 10 9 7
7 7
7
9
2 0
5 5 5 3 3 3
4 4 4 4 4 4 4
5 5 5 4 4 4 4
7
D A
Co - mo me duele es - tar vi - vo
5 7 5 2 0 0
7 7 7 2 2 2 3 2
7 7 7 7 7 2 2 2 2
7 8 7
9 9 7 9 9 11 9
7 9 11
2 3 2
3 3 3 3 2 0 2
2 2 2 2 2 2 2
0 2 2 2 2
0
Gtrs. 3 & 4 tacet
Em9 F#7 µ
sin te - nerte aún la - do a - mor. Cor - a - zón es - pi -
3 2 0 2 2 2 2
3 3 3 3 2 2 2 2
0 0 0 3 3 3 3
2 2 2 2
4 4 4 4
0 2 2 2 2
9 7
7 9 7 9 7 9 7 9
2 0 2 2 2 2
3 3 3 2 2 2 2
0 0 0 0 3 3 3 3
4 2 2 2 2
4 4 4 4
0 2 2 2 2
8
Interlude
Bm Em F#7 Bm Em F#7
na - do. Cor - a - zón es - pi - na - do. Cor - a - zón es - pi -
Gtr. 1
f
7
7 9 9 9 7 7 6 6 6 7 6
9 9 7 9 7
9
Gtr. 2
p
4 4 4 4
2 5 4 4 4 4 2 5 4 4 4 4
2 2 2 2 2 2 2 2
Bm Em F#7 Bm Em F#7
na - do. Cor - a - zón es - pi - na - do.
1
7
1
1
7
1
7 7 7 7
7 10 7 7 7 7 7 7
7 9 11 9 9 9 9 7 7 9 9
7 9 9 7 9
3
4 4 4 4 4 4 4 4 4 4
2 5 4 4 4 4 2 2 2 2 5 5 5 5 4 4 4 4 4 4 4
2 2 2 2 2 2 2 2 2 2 2
Outro-Guitar Solo
Gtr. 2: w/ Riff A (till fade)
Bm Em F#7 Bm Em F#7
Gtr. 1
10
1 1 1 1
12 12 10 12 12 12 12 10 12 10 10 12
12 12 12 12 12 12 14
9
Bm Em F#7
8va
12 12 12 12 12 14 14 14 17 14 17 14 17 14 17
14 14 15 15 15 14 15 17
Bm Em F#7
8va
1 1 1 1
1/2
17 17 17 17 17 17 17 17 17 17 17 17 17 17 14 14
17 17 17 17 17 15
Bm Em F#7 Bm Em F#7
Cor - a - zón es - pi - na - do. Cor - a - zón es - pi - na - do.
loco
8va
let ring
1/4
14 14 14
15 15 15 15 15 15 14 17 15 14 15 14 14 14 15 14
16 16 16 14 14 16 16 14 16
16
Bm Em F#7 Bm Em F#7
Cor - a - zón es - pi - na - do. Cor - a - zón es - pi - na - do.
1
1
7
1
1
7 10 7
16 16 9 7 9 9 9 7 9 9 9 7 7 7 9 9 9 7 9
9
10
Bm Em F#7
1 1 1
7 7 7 7 7 7 7 0 9
10 10 10 10 10 10 10 10 10 12
1 1 1
9 9 9 9 9 9 9 9 9 9 9 9 0
12 12 12 12 12 12 12 12 12 12 12 12
Bm Em F#7
1 1
10 10 10 10 10 10 10 10 10 10 10 10 0 12
13 13 13 13 13 13 13 13 13 13 13 13 15
Bm Em F#7
8va
3 3
1 1 1 1 1 1 1 1
12 14 14 14 14 14 14 14 14 14
15 0 0 17 17 17 17 17 17 17 17
0 0
Bm Em F#7
loco
8va
8va
3
3 1/2
1 1
14 19 19 21 21
17 17 17 15 17 15 15 15 14 17 17 14 17 17 19 19
16 16 16 16 16 16
11
Begin fade
Bm Em F#7
loco
loco
*
8va
8va
8va
3
3
1/2 1/2
**let ring 1 1
21 21 19 19 19 18
20 17 22 19
21 19 19 21 19 16 19 21 21 21 19
21 21 12
0
*Played behind the beat. **Applies to 5th string only.
Bm Em F#7
8va
6 6 3
1/4 1 1
1
19 22 21 19 22 21 19 22 21 19 22 21 19 22 21 19 22 22 22 22 22 19 19 19 19 19
22
Bm Em F#7 Bm Em F#7
loco 8va
8va
1
1
19 19 19 18 19 22 19 19 22 19 19 22 19 19 22 19
22 21 20 19 19 22 19 22 23 23 22
21 21 19
21 0
Bm Em F#7
8va
loco
1/2 1
21 21 21 22 17 7 7 10 7 7 7 7 2 7
17 10 7 2 7
0
Fade out
Bm Em F#7
7 10 7 7
9 9 9 7 7 7 7 7 7 7 7 7 7 7
9 4 9 9 9 9 9 9
12
from Santana - Amigos
Europa
By Carlos Santana and Tom Coster
A
Moderately slow q = 76
* Fm7/Bb Bb7 Eb,7
Gtr. 1 (dist.)
mf
8 10 10 11 10 8 8 8 10 8
8 11 8 9 9 9 11 11
10 12
*Chord symbols reflect overall harmony.
Ab,7 Dm7b5/G G7 Cm7
8 9 11 11 13 11 9 8 8 8 9 9 11 9 8
8 10 8 10 10 10 8 10
10 8
10 8 6 8 10 6
8
Gtr. 2 tacet
µ Fm7/Bb Bb7 Eb,7
**
Gtr. 1
8 10 10 11 10 8 8 8 10 8
8 11 8 9 9 11 11
10 12
8
**Played behind the beat.
Rhy. Fill 1 End Rhy. Fill 1
Gtr. 2 (slight dist.)
mf
3
4
5
5
Ab,7 Dm7b5/G G7 C,7
Gtr. 1
3
8 9 11 11 13 11 9 8 8 9 9 11 9 8 9 8
8 10 8 10 10 10 12
Copyright © 1976 Light Music
Copyright Renewed
All Rights Administered by Wixen Music Publishing, Inc.
All Rights Reserved Used by Permission 1
B
µ Fm7 Bb7
Eb,7
f
1 1 1 1/2 1
8 13 13 13 11 13 13 10 13 13 11 13 13 11 13 11
8 11
12
Ab,7 Dm7b5/G G7
3
3
1 1 1 1 1
1
11 13 13 13 13 13 13 11 13 11 10 10 11 10 11 11 11 8
13 8 11 8
10 8 7 10 10 8
10
Gtr. 2: w/ Rhy. Fill 1
Cm7 µ
Gtr. 1
let ring
8
8
10 8
10 8 6 10
8 8 8
Gtr. 3 (clean)
mf
w/ chorus
7 8
10
C
Gtr. 1 tacet
Fm7/Bb Bb7 Eb,7
Gtr. 3
3
8 8 8 7 8 11 7 8 11
8 10 8 10 8 10 10 8 10 8
8 8 8 8 8
2
Ab,7 Dm7b5/G G7
1 1 1 1/2
8 8 8
8 11 11 8 11 11 11 11 8 8 8 11 8 8
10 10 8 8 10 10 10 10 10 8 10 8
10 10 10 10
Cm7 µ Fm7/Bb Bb7
3
8 8 8
8 10 8 7 8 8 10 8 10 8 10 10 8 10 8
10 8 7 10 10 8 8 8
10 8 6 8 10 6 10
8
Eb,7 Ab,7 Dm7b5/G
1 1 1
8 8 8
7 8 11 7 8 11 8 11 11 8 11 11 11 11 8 8 11 8 8 8
10 10 10 8 8 10 10
8 8 10
G7 C,7 µ
Gtr. 1
1
8 13
8
Gtr. 3
3
1 1
8
8 11 8
10 10 10 10 8 8 10 12 12 12 14 12 12 14 12
10 10 12 14
10 12
3
D
Gtr. 3 tacet
Fm7 Bb7 Eb,7 Ab,7
Gtr. 1
3 3 3
1 1 1 1 1
13 13 13 11 13 11 13 13 13 11 13 11 13 13 13 13 11
Dm7b5/G G7 Cm7
1/2
1
1
13 13 13 11 13 11 10 10 11 10 11 11 11 8
11 8 8
10 10 8 8
10 10 8
Fm7 Cm7 Fm7
1/4
8 8 8 11 9 8 11 9 8
8 8 10 12 10 8 10 8
10 8 10 10 10 8
Cm7 Fm7 Cm7
3 3 3 3
1
11 8 11 10 11 10 8 11 10 11 10 8 11 10 11 10 8 11 10 8 11 10 11 10 8 11 10 8 11
8 8 8 11 13 13 8
10
Fm7 Cm7 Fm7
3
3 1 1 1 1 1 1 1
11 11 10 8 11 10 8 11 13 13 13 13 13 13 13
9 8 13
10 8
10
Cm7 Fm7 Cm7
13 13 13 11 11 11 11 11 11 11 11
4
Fm7 Cm7
3
1 1
11 8 8 8
11 11 8 8
10 10 8 8 10 8 7 8 10
10 10 8 8 10 10
10 8 6 8 10
Fm7 Cm7 Fm7
8 8 11 9 8 9 8 9 8 8 8 8 11 9 8 9 6 8
10 10 10 8 10 7 8 10 10 10
10
Cm7 Fm7 Cm7
8 9 8 8 8 8 11 9 8 9 6 8 9 8 8
10 8 10 7 8 10 10 10 10 8 10 7 8 10
10 10
10
Fm7 Cm7 Fm7/Bb
fdbk. 3
1
11 11 11 13
8 8 11 9 8 8 9 6 8 8 8 11 13 13 13
10 10
Cm7 Fm7/Bb Cm7
1 1 1 1
1
13 13 13 13 13 13 11 11 11 11 13 13 11 13 11
Fm7/Bb Cm7
8va
1 1 1
1 1 1 1 1
15 18 18 15 18 18 18 18 15 15 18 15 15 18 15 15 18 15 15 18 15 15 18 15 15 18
18 18 18 18 18 18
5
Fm7/Bb Cm7
8va
1 w/ wah-wah
1 1
1 hold bend 1 sim. 1 1 1
18 18 18 18 18 15 18 18 18 18 18 18 18 18 18 18 18 18 18 18
18 18 18 18 18 18
Fm7/Bb
8va
9 9 9 9
1 1 1 1 1 1 1 1 1 1 1 1
18 18 18 18 18 18 18 18 18 18 18 18
18 18 18 18 18 18 18 18 18 18 18 18 18 18 18 18 18 18 18 18 18 18 18 18
Cm7 Fm7/Bb
loco
8va
3
1 1 1
1 1 1 1
18 11 11 11 11 8 8
18 18 18 11 8
10 10 8 10 8 10 10 8
10 10 8
10 8 6
8
Cm7 Fm7/Bb
1
1 1 1 1 1
11 11 8
8 11 8 8 8 11 8 8 8 11 11 8 0 11 8
10 10 10 10 8 10 10 8 8
10 8 8
10 8 6 6 8 9
8
Cm7 Fm7/Bb
8va
1
18 18
16 16 18 18 20 20 21 20
8 10 10 8 10 17
8 8 8 8 8 8 8 8 8 10 10
Cm7 Fm7/Bb
8va
loco
grad. bend
1 1/2 1 1/2 1 1/2 1 1/2 1 1/2 1 1/2 1
20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 11
6
Cm7 Fm7/Bb
1 1
1
11 11 11 11 8
11 8 8 15 16 18
10 10 8 10 8 7 8 10 17
10 10 10 10 10
Cm7 Fm7/Bb
18 20 8 15 16 18
17 15 17 15 15 7 8 10 17
10 10 10
Cm7 Fm7/Bb Cm7
8va
1 hold bend 1
15 18 18 18 18 18 18 18 18
8 15 16 18 18 18 18
17 17 15 17 15 7 8 10 17
10 10 10
Begin fade
Fm7/Bb Cm7
8va
1 hold bend 1 sim. 1 1 1 1 1 1 1
18 18 18 18 18 18 18 18 18 18 18 18 18 18 18 18 18 18 18 18 18 18 18
18 18 18 18 18 18 18 18 18
Fm7/Bb
8va
9 9 9 9
1 1 1 1 1 1 1 1 1 1 1 1
18 18 18 18 18 18 18 18 18 18 18 18
18 18 18 18 18 18 18 18 18 18 18 18 18 18 18 18 18 18 18 18 18 18 18 18
Fade out
Cm7
loco
8va
3 3
3
1 1 1
18 18
18 18 18 18 16 15 16 18
17
7
from Santana - Santana III
Everything’s Coming Our Way
Words and Music by Carlos Santana
Intro
Moderately fast q = 133
D Bm Am
Rhy. Fig. 1
*Gtrs. 1, 2 & 3
(Drums)
mf
10 7 5 5 5 5 5 5 5 5
10 7 5 5 5 5 5 5 5 5
11 7 5 5 5 5 5 5 5 5
12 9 5 7 7 7 7 7 7 7 7
12 9 5 7 7 7 7 7 7 7 7
10 7 5 5 5 5 5 5 5 5
*Gtr. 1 (elec.) w/ slight dist.; Gtr. 2 (elec.) w/ clean tone; Gtr. 3 (acous.)
Composite arrangement
D Bm Em
let ring
5 5 5 5 5 10 7 0 0 0 0 0
5 5 5 5 5 10 7 0 0 0 0 0
5 5 5 5 5 11 7 0 0 0 0 0 0
7 7 7 7 7 12 9 2 2 2 2 2
7 7 7 7 7 12 9 2 2 2 2 2
5 5 5 5 5 10 7 0 0 0 0 0
D Bm Am
0 0 0 0 10 7 5 5 5 5 5 5
0 0 0 0 10 7 5 5 5 5 5 5
0 0 0 0 11 7 5 5 5 5 5 5
2 2 2 2 12 9 7 7 7 7 7 7
2 2 2 2 12 9 7 7 7 7 7 7
0 0 0 0 10 7 5 5 5 5 5 5
D Bm Em
let ring
5 5 5 5 10 7 0 0 0
5 5 5 5 10 7 0 0 0
5 5 5 5 11 7 0 0 0 0
7 7 7 7 12 9 2 2
7 7 7 7 12 9 2 2
5 5 5 5 10 7 0 0
Copyright © 1971 by Universal Music - Careers
Copyright Renewed
International Copyright Secured All Rights Reserved 1
1. O - pen your eyes, let it be -
Gtr. 2
3
mp mf
0 5 7 5
0 5 7 8 8 7 8 7 5
0
2
2
0
End Rhy. Fig. 1
Gtrs. 1 & 3
mp
0
0
0
2
2
0
Verse
Bm7 Am7 Bm7 Am7
gin with me. Brand new day, fresh new way to live. The
Gtr. 1
3
mp
let ring
5 5 5 5 5 5 7 5 5 5 5 5
5 5 5 5 5 5 7 7 7 5 5 5 5 5
7 9 7 5 5 5 5 5 5 7 7 7 5 5 5 5 5
9 5 5 5 5 5 5 7 7 7 7 5 5 5 5 5
7 7 7 7 7 7 0 9 9 0 7 7 7 7 7 0
5 5 5 5 5 5 0 7 7 0 5 5 5 5 5 0
Rhy. Fig. 2 End Rhy. Fig. 2
*Gtrs. 2 & 3
let ring
7 7 7 7 7 5 5 5 5 5 5 7 5 5 5 5 5
7 7 7 7 7 5 5 5 5 5 5 7 7 7 5 5 5 5 5
7 7 7 7 7 5 5 5 5 5 5 7 7 7 5 5 5 5 5
7 7 7 7 7 5 5 5 5 5 5 7 7 7 7 5 5 5 5 5
9 9 9 9 9 7 7 7 7 7 7 0 9 9 0 7 7 7 7 7 0
7 7 7 7 7 5 5 5 5 5 5 0 7 7 0 5 5 5 5 5 0
*Composite arrangement
2
Bm7 Am7 Bm7 Am7
morn - ing is call - ing, walk with me in - to the sun.
*Gtrs. 1, 2 & 3
f
let ring let ring
7 7 7 7 7 7 5 5 5 5 5 5 5 7 7 7 7 X 5 5 5 5 5 X X
7 7 7 7 7 7 5 5 5 5 5 5 5 7 7 7 7 7 X 5 5 5 5 5 5 X X
7 7 7 7 7 7 5 5 5 5 5 5 5 7 7 7 7 7 X 5 5 5 5 5 5 5 X X
7 7 7 7 7 7 5 5 5 5 5 5 5 7 7 5 5 5
9 9 9 9 9 9 7 7 7 7 7 7 7 0 9 7 7 7
7 7 7 7 7 7 0 5 5 5 5 5 5 5 0 7 5
*Composite arrangement
Chorus
G D Am G D Am
Ev -’ry - thing is com - ing our way Ev - ’ry - thing is
Rhy. Fig. 3
3 3 3 3 X X 2 2 2 0 0 0 0 3 3 3 3 X X 2 2 2 X X 0
0 0 0 0 X X 3 3 3 0 1 1 1 1 0 0 0 0 X X 3 3 3 X X 1
0 0 0 0 X X 2 2 2 0 2 2 2 2 0 0 0 0 0 0 0 X X 2 2 2 X X 2
0 0 0 0 X X 0 0 0 0 2 2 2 2 0 2 0 0 0 0 0 0 X X 0 0 0 X X 2
2 2 2 2 X X 0 0 0 0 0 0 2 2 2 2 X X 0
3 3 3 3 X X 3 3 3 3 X X
G D Am
com - ing our way. Ev -’ry - thing is com - ing our way.
End Rhy. Fig. 3
0 0 0 0 3 3 3 3 X X 2 2 2 X X 0 0 0 0 0 0 0 0
1 1 1 1 0 0 0 0 0 X X 3 3 3 X X 1 1 1 1 1 1 1 1
2 2 2 2 0 0 0 0 0 0 0 X X 2 2 2 X X 2 2 2 2 2 2 2 2
2 2 2 2 0 2 0 0 0 0 X X 0 0 0 X X 2 2 2 2 2 2 2 2
0 0 0 0 0 0 2 2 2 2 X X 0 0 0 0 0 0 0 0
0 0 3 3 3 3 X X
Guitar Solo
Gtr. 1 tacet
Gtrs. 2 & 3: w/ Rhy. Fig. 1
D Bm Am D Bm
3
Em D Bm Am
8va
Gtr. 1
f
3
w/ dist.
1 1 1
1 1
12 12 17 17
15 15 12 12 15 12
14 14 14 12
14
0 14
D Bm Em
8va loco
1
1
17 17 17 17 17 17 17 12 12 12
12 12 12
12 12 12 12 12
14 12
14 14 12 10
Verse
Gtrs. 2 & 3: w/ Rhy. Fig. 2
Bm7 Am7 Bm7 Am7
2. Here’s my hand reach - ing out to you.
mp 3
w/ slight dist.
let ring let ring let ring let ring let ring
7 7 7 7 7 5 5 5 5 5
7 7 5 7 5 5 7 5 5 7 7 7 7 5 5 5 5 5
7 5 5 5 5 7 7 7 7 7 5 5 5 5 5 5
0 7 9 0 7 0
0 7 0 5 0
G Am7 Bm7 Am7
Take it, dar - ling, and lead me on, yeah.
*Gtrs. 1, 2 & 3
f
let ring let ring
3 5 5 5 5 5 5 7 7 7 7 7 7 7 X 5 5 5 5 5 5 5 X X
3 5 5 5 5 5 5 7 7 7 7 7 7 7 X 5 5 5 5 5 5 5 X X
4 5 5 5 5 5 5 7 7 7 7 7 7 7 X 5 5 5 5 5 5 5 X X
5 5 5 5 5 5 5 7 7 7 7 7 7 7 7 X 5 5 5 5
5 7 7 7 7 7 7 0 9 7 7
3 5 5 5 5 5 5 0 7 5 5
*Composite arrangement
4
Chorus
Gtrs. 1, 2 & 3: w/ Rhy. Fig. 3 (1st 4 meas.)
G D Am G D Am
Ev - ’ry - thing is com - ing our way Ev - ’ry - thing is com - ing our way.
G D Am
Ev - ’ry - thing is com - ing our way.
Gtrs. 1, 2 & 3
3 3 3 3 X X 2 2 2 X X 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 X X 3 3 3 X X 1 1 1 1 1 1 1 1 1 1 1
0 0 0 0 X X 2 2 2 X X 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 X X 0 0 0 X X 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 X X 0 0 0 0 0 0 0 0 0 0 0
3 3 3 3 X X
To Coda
2nd time, Gtr. 1: w/ Rhy. Fig. 4
D
Oo.
Gtr. 1
6 6 3 6 6 6
5 5
p mf
3 0 5 3 0 5 3 0 5 3 0 3 0 5 3 0 5 3 0 5 3 0 5 3 0 5 3 0 5 3 0
Rhy. Fig. 4 End Rhy. Fig. 4
Gtrs. 2 & 3
2
3
2
0
Organ Solo
G Am7
Voc. Fig. 1 End Voc. Fig. 1
*Gtrs.
1, 2 & 3
3 3 3 3 3 3 3 3 X X 5 5 5 5 5 5 5 5 5 X X
3 3 3 3 3 3 3 3 X X 5 5 5 5 5 5 5 5 5 X X
4 4 4 4 4 4 4 4 X X 5 5 5 5 5 5 5 5 5 X X
5 5 5 5 5 5 5 5 X X 5 5 5 5 5 5 5 5 5 X X
5 5 5 5 5 5 5 5 X X 7 7 7 7 7 7 7 7 7 X X
3 3 3 3 3 3 3 3 X X 5 5 5 5 5 5 5 5 5 X X
*Composite arrangement
5
Bm7 Am7
Play 4 times
7 7 7 7 7 7 7 7 7 X X 5 5 5 5 5 5 5 5 5 5 X X
7 7 7 7 7 7 7 7 7 X X 5 5 5 5 5 5 5 5 5 5 X X
7 7 7 7 7 7 7 7 7 X X 5 5 5 5 5 5 5 5 5 5 X X
7 7 7 7 7 7 7 7 7 X X 5 5 5 5 5 5 5 5 5 5 X X
9 9 9 9 9 9 9 9 9 X X 7 7 7 7 7 7 7 7 7 7 X X
7 7 7 7 7 7 7 7 7 X X 5 5 5 5 5 5 5 5 5 5 X X
G Am7
f
3 3 3 3 3 3 3 3 3 3 3 3 X X 5 5 5 5 5 5 5 5 5 5 5 5 X X
3 3 3 3 3 3 3 3 3 3 3 3 X X 5 5 5 5 5 5 5 5 5 5 5 5 X X
4 4 4 4 4 4 4 4 4 4 4 4 X X 5 5 5 5 5 5 5 5 5 5 5 5 X X
5 5 5 5 5 5 5 5 5 5 5 5 X X 5 5 5 5 5 5 5 5 5 5 5 5 X X
5 5 5 5 5 5 5 5 5 5 5 5 X X 7 7 7 7 7 7 7 7 7 7 7 7 X X
3 3 3 3 3 3 3 3 3 3 3 3 X X 5 5 5 5 5 5 5 5 5 5 5 5 X X
1.
Bm7 Am7
7 7 7 7 7 7 7 7 7 7 7 7 X X 5 5 5 5 5 5 5 5 5 5 5 5 X X
7 7 7 7 7 7 7 7 7 7 7 7 X X 5 5 5 5 5 5 5 5 5 5 5 5 X X
7 7 7 7 7 7 7 7 7 7 7 7 X X 5 5 5 5 5 5 5 5 5 5 5 5 X X
7 7 7 7 7 7 7 7 7 7 7 7 X X 5 5 5 5 5 5 5 5 5 5 5 5 X X
9 9 9 9 9 9 9 9 9 9 9 9 X X 7 7 7 7 7 7 7 7 7 7 7 7 X X
7 7 7 7 7 7 7 7 7 7 7 7 X X 5 5 5 5 5 5 5 5 5 5 5 5 X X
2.
Coda
D.S. al Coda
Verse
Bkgd. Voc.: w/ Voc. Fig. 1
G Am7
Am7
3. Feel it in
5 5 5 5 5 5 5 5 5 5 5 X X 3 5
5 5 5 5 5 5 5 5 5 5 5 X X 3 5
5 5 5 5 5 5 5 5 5 5 5 X X 4 5
5 5 5 5 5 5 5 5 5 5 5 X X 5 5
7 7 7 7 7 7 7 7 7 7 7 X X 5 7
5 5 5 5 5 5 5 5 5 5 5 X X 3 5
6
Bm7 Am7
my bones, no man stands a - lone.
5 5 5 5 5 5 7 7 7 7 7 7 5 5 5 5 5 5
5 5 5 5 5 5 7 7 7 7 7 7 5 5 5 5 5 5
5 5 5 5 5 5 7 7 7 7 7 7 5 5 5 5 5 5
5 5 5 5 5 5 7 7 7 7 7 7 5 5 5 5 5 5
7 7 7 7 7 7 0 9 9 9 9 9 9 0 7 7 7 7 7 7 0
5 5 5 5 5 5 0 7 7 7 7 7 7 0 5 5 5 5 5 5 0
G Am7
Sis - ter, broth - er,
3 3 3 3 3 3 5 5 5 5 5 5
3 3 3 3 3 3 5 5 5 5 5 5
4 4 4 4 4 4 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 7 7 7 7 7 7 0
3 3 3 3 3 3 5 5 5 5 5 5 0
Bm7 Am7
3
we’re all the same seed.
7 7 7 7 7 7 X X 5 5 5 5 5 5 5 5 5 5 X X
7 7 7 7 7 7 X X 5 5 5 5 5 5 5 5 5 5 X X
7 7 7 7 7 7 X X 5 5 5 5 5 5 5 5 5 5 X X
7 7 7 7 7 7 X X 5 5 5 5 5 5 5 5 5 5 X X
9 9 9 9 9 9 X X 7 7 7 7 7 7 7 7 7 7 X X
7 7 7 7 7 7 X X 5 5 5 5 5 5 5 5 5 5 X X
Chorus
Gtrs. 1, 2 & 3: w/ Rhy. Fig. 3
G D Am G D Am
Ev - ’ry - thing is com - ing our way Ev - ’ry - thing is
7
G D Am
com - ing our way. Ev - ’ry - thing is com - ing our way.
Outro
Gtrs. 1, 2 & 3: w/ Rhy. Fig. 1 (1st 6 meas.)
D Bm Am
D Bm
Em D Bm Am
Free time
D Bm Em(add9)
Gtr. 2
rit. let ring
5 5 5 5 5 10 7 2
5 5 5 5 5 10 7 0
5 5 5 5 5 11 7 0
7 7 7 7 7 12 9 2
7 7 7 7 7 12 9 2
5 5 5 5 5 10 7 0
Gtr. 3
rit.
let ring
5 5 5 5 5 10 7 2
5 5 5 5 5 10 7 0
5 5 5 5 5 11 7 0
7 7 7 7 7 12 9 2
7 7 7 7 7 12 9 2
5 5 5 5 5 10 7 0
Gtr. 1
rit. let ring
5 5 5 5 5 10 7
5 5 5 5 5 10 7
5 5 5 5 5 11 7 0
7 7 7 7 7 12 9 2
7 7 7 7 7 12 9 2
5 5 5 5 5 10 7 0
8
from Santana - Santana’s Greatest Hits
Evil Ways
Words and Music by Sonny Henry
Intro
Moderately q = 118
* Gm C Gm7 C Gm C Gm
Gtr. 1 (clean)
(Timbales)
let ring
mf
let ring
3 3 3 3
3 3 3 5 5 5 3 3 3 3 3 5 5 5 3 3 3 3 5 5 3
3 3 3 5 5 5 3 3 3 3 3 5 5 5 3 3 3 3 5 5 3
5 5 5 3 3 5 5 5 5
5 5 5
*Chord symbols reflect overall harmony.
Verse
3rd time, Gtr. 1: w/ Rhy. Fill 3
C Gm C Gm C Gm7 C
1. You got to change your e - vil ways, ba - by, be - fore I start
(2., 3.) home, ba - by, my house is dark and my
33 3 3 33 33 55 55 XX 33
let ring let ring let ring
55
3 3
3 3 5 5 5 3 X 5 5 3 3 5 5
3 3 5 5 5 3 X 5 5 3 3 3 5 5 0
3 3 5 5 X 5 5 5 X 5 5 3 3 5 5 5 5
5 5 5 3 5 5 5
3 3
Gm C Gm C Gm C Gm C
lov - in’ you. You got to change, ba - by, and ev - ’ry word that I
pots are cold. You hang - in’ ’round, ba - by, with Jean and Joan and, a,
3 3 3 3 3 3 3 3
3 3 5 5 5 3 3 3 5 5 X 3 3 3 5 5 X 3 3 3 3 5 5 5
3 3 3 5 5 5 3 3 3 3 5 5 X 3 3 3 5 5 X 0 3 3 3 3 5 5 5 0
5 5 5 5 5 5 5 5 5 X 0 5 5 5 5 5 5 5 0
5 5 5 5 5 5 5
3
Rhy. Fill 3
Gtr. 1
let ring
3
3 5
3 5 3
5 5 3
5 3 5
Copyright © 1967 UNIVERSAL - SONGS OF POLYGRAM INTERNATIONAL, INC. and RICHCAR MUSIC CORP.
Copyright Renewed
All Rights Controlled and Administered by UNIVERSAL - SONGS OF POLYGRAM INTERNATIONAL, INC.
All Rights Reserved Used by Permission 1
2nd time, Gtr. 1: w/ Rhy. Fill 2
3rd time, Gtr. 1: w/ Rhy. Fill 1
Gm C Gm C7 Gm7 C7
say is true. You got me run - nin’ and hid - in’ all o - ver town. You got me
who knows who. I’m get - tin’ tired of wait - in’ and fool - ing a - round. I’ll find some -
let ring
3 3 3
3 3 3 5 5 5 3 5 6 5
3 3 3 5 5 5 3 3 3 3
5 5 5 5 5 3 5
5 5 3 5 3
To Coda
Gm C7 Gm7 C7 D7 µ
This can’t go
sneak - in’ and, a, peep - in’ and run - nin’ you down.
on. Lord knows, you got to
bod - y that won’t make me feel like a clown.
Rhy. Fill 1 End Rhy. Fill 1
3
3 5 6 5 3 3 3 3 3 3
3 3 3 3 5 5 5 5 5 5 5 5 5 5 5
5 5 3 5 4 4 4 4 4 4 4 4 4 4 4
5 3 5 3 5 5 5 5 5 5 5 5 5 5 5
1.
Interlude
Gm C Gm C Gm C Gm('9) C
change, ba - by, ba - by. 2. When I come
let ring
3 3 3 3 5
3 3 3 5 5 3 3 5 5 5 3 3 3 5 5 3 3 5 5 5
3 3 3 5 5 3 3 5 5 5 3 3 3 5 5 3 3 5 5 5 0
5 5 5 5 5 5 5 5 5 5 3 5 5 5 3 3 5 5 5 0
5 5 3 5 5 5 5
Rhy. Fill 2
Gtr. 1
5
3 3 6 5
3 3 3 3
5 3 3
5 5 5
3
2
2.
Organ Solo
Gm C Gm9 C Gm C Gm7 C Gm
change.
Rhy. Fig. 1 End Rhy. Fig. 1
Gtr. 1
5 3 5 3 3
3 3 5 X 3 3 5 5 3 3 3 X 3 5 5 5 3 3 3 3 3 5 5 5 3
3 3 3 5 X 3 3 5 5 3 3 3 X 3 5 5 5 3 3 3 3 3 5 5 5 3
5 5 5 X 3 3 5 5 5 5 5 X 5 5 5 3 3 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5
3
*Gtr. 2
f
5 7 7 7 7 5 7 8 7 8 7 5 3
*Hammond B3 arr. for gtr.
Gtr. 1: w/ Rhy. Fig. 1 (6 times)
C Gm7 C Gm C Gm7 C Gm
Gtr. 2
5 5 3 3 5 7 7 5 7 8 7 8 7 5
5 5
C Gm7 C Gm C Gm7 C Gm
3
3 3 3 3
3 3 3 3 3
5 7 6 7 5 6 6 5 3 3 5 6
5 5 5 5 5 5 5 5 5
Hey, ya!
C Gm7 C Gm C Gm7 C Gm
3
14 15 15 15 15 17 18 17 17 17 18 17 18 17
15 17 15 17 18 17 15 15 15 15 18 19 17 17 18 19 18 19 17 15
15 17 17 17 17 15 17 17 15 17 17 17
15
3
C Gm7 C Gm C Gm C Gm
Gtr. 2
17 18 17 17 18 17 18 17 15
18 19 17 18 19 18 19 17 15 9 10 8 9 9 9 9 9 9 9 9 9
17 11 12 9 10 10 10 10 10 10 10 10 10
17
Gtr. 1
* f
3 5 3 3
3 3 3 3 5 5 3 3 3 3 5 3 3 5 3 5 5 5 3 3
3 3 3 3 5 5 3 3 3 3 5 3 3 5 3 5 5 5 3 3
5 5 5 5 5 5 3 3 3 5 5 5 5 5
5 5 5 5 5 5 5 3 0
3
*Vol. swell
Coda
D.S. al Coda
C Gm C Gm D7
3. When I come on.
Gtr. 1
3
10 10 9 9 9 9 9 9 5
12 12 10 10 10 10 10 10 4
5
mf
3
3 5 3 5 5 5 3
3 5 5 5 5 3
5 5 5
5 3
3
D5 C5 Bb5 G5 F5 Gm C7 Gm C7 Gm7 C7
Yeah, yeah, yeah!
(Yeah, yeah, yeah.)
f
X 3 X X 3 3 3 3 3 3 3 X X 3 3 3 3 3 5 3 X X 3 3 3 3 3
X 3 3 X X 5 5 5 5 5 3 3 X X 5 5 5 5 5 X 3 3 X X 5 5 5 5 5 X
X 3 3 X X 3 3 3 3 3 3 3 3 X X 3 3 3 3 3 X 3 3 X X 3 3 3 3 3 X
X 5 5 X X 5 5 5 5 5 5 5 5 X X 5 5 5 5 5 X 3 X X 5 5 5 5 5 X
5 5 3 3 1 1 1 1 5 5 5
3 1 3
4
Outro-Guitar Solo
Gm7 C7 Gm C Gm C
Hey, hey, hey, now come on. You’ve got me, got me, got me, got me, got me, got me, got me, got me, got me,
let ring
3 3
3 3 6 6 6 6 6 6 6 6 5 3 5 3
3 6 6 6 6 X X 5 6 5 6 3
3 3 3 3 X X 3
3 3 3 3 X X 5
5 5 5 5 X X
3
Begin fade
Gm C Gm C Gm C
ba - by, ba - by. Yeah, yeah.
3
3 5 6 8 8 8 6 8 8 6 8 8 6 8 10 8 10 10 6
8 8
Gm
C Gm C Gm C
3
3 3
8 10 12 13 13 13 13 12 12 10 10 3 5 6 3 5 3
13 13 11 11 8 6 5 6 3
Fade out
Gm C Gm C Gm C
3
1 1
3 3 6 5 3 6 5 3 6 5 3 6 5 3
3 6 3 6 6 6 6
5 5 5 3 5 3
5
5
from Santana - Shaman
The Game Of Love
Words and Music by Rick Nowels and Gregg Alexander
Em(add9) Dmaj9/A Em G5 Gmaj7 Asus4 A7 F#5 F#m
12 3 23 12 2 2 1 124 2 3 13 134111
Moderately q = 120 Gtr. 1 tacet
Em7sus4 Dsus2 E Em(add9)
Intro 6
open
Rhy. Fig. 1
Gtr. 3 (acous.)
mf
*Gtr. 1
mp
10 12
10 10
9 X
12
*Keyboard arr. for gtr.
Gtr. 2 (elec.)
mf
w/ dist.
14 16 16 14
14
Dmaj9/A Em Em(add9) Dmaj9/A
Gtr. 2
15 15 15 15 15 17
14 11 14 16 14 16 14 16 14 14 16
Em Em(add9) Dmaj9/A G5 Gmaj7
rake
16
1 1
12 15 15 15 15 15 17 17 17
X 14 14 11 14
12 14 16 14 16 X
© 2002 EMI APRIL MUSIC INC., FUTURE FURNITURE MUSIC, WARNER-TAMERLANE PUBLISHING CORP. and KEEPIN’ IT REAL HOW ’BOUT YOU MUSIC
All Rights for FUTURE FURNITURE MUSIC Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 1
Verse
Gtr. 2 tacet
Gtr. 3: w/ Rhy. Fig. 1 (1st 4 meas.) (2 times)
A Asus4 A7 *Em Em(add9) Dmaj9
5
open End Rhy. Fig. 1
3
1. Tell me just what you
1
17 17 17 15 17 15 15 17
*Chord symbols reflect overall harmony.
Em Em(add9) Dmaj9 Em Em(add9)
want me to be. One kiss,
Dmaj9 Em Em(add9) Dmaj9
3
and boom you’re the on - ly one for me. So please tell me
Gtr. 2
7
7
5 5
5 5
9 7 7
Pre-Chorus
Gtr. 2 tacet
Gtr. 3: w/ Rhy. Fig. 1 (last 4 meas.)
Em Em(add9) Dmaj9 G5 Gmaj7
why don’t you come a - round no more.
Asus4 A7 Em Em(add9) F#5 F#m
Rhy. Fig. 2
Gtr. 3
’Cause right now I’m cry - ing out - side
Gtr. 2
3
3
16
7
12 14 14 14 14 16 14 16 16 14 12 7 9
14 17 14 7 9
2
Chorus
Gtr. 3: w/ Rhy. Fig. 1 (1st 4 meas.)
Gmaj7 A Asus4 A7 Em Em(add9)
5
open End Rhy. Fig. 2
the door of your can - dy store. Just takes a lit - tle bit of this, a
Gtr. 2
7
1
7
5
5
7 9 9 9 9 7 7 7 7
9 7 9
Gtr. 4 (elec.)
Riff A
mp
w/ clean tone
let ring
5
3 3
4 4
Gtr. 4: w/ Riff A (2 1/2 times)
Dmaj9 Em Em(add9) Dmaj9
lit - tle bit of that. It start - ed with a kiss now we’re up to bat. A
1
7 7
1
7 10 7
7 9 9 7 7 9 9 9 7 9 9 7
9
End Riff A
let ring
5
5 5
6 6
Gtr. 3: w/ Rhy. Fig. 1 (1st 3 meas.)
Em Em(add9) Dmaj9 Em Em(add9)
lit - tle bit of laughs, a lit - tle bit of pain. I’m tell - ing you, my babe, it’s all
Gtr. 2
7
7 7 7 9 7 7 7 9 7 7 9 9 11 11 12 14
7 9 7 9 7 9 7 9
3
Verse
Gtr. 3: w/ Rhy. Fig. 1 (1st 4 meas.) (2 times)
Gtr. 3: w/ Rhy. Fig. 1 (last meas.) Gtr. 4 tacet
Asus4 A7 Em Em(add9) Dmaj9
3
in the game of love. 2. Is, what - ev - er you
Gtr. 2
1
15 12
14 14 14 14
Fill 1
Gtr. 4
End Fill 1
let ring let ring
5 0
3 2 2
4
Em Em(add9) Dmaj9 Em Em(add9)
make it to be. Sun - shine
Gtr. 2
3 3
1
9 9 7 9 7 7 7 9 7
7 9
Dmaj9 Em Em(add9) Dmaj9
3
3
3
set on this cold, lone - ly sea. So please ba - by
10 12 10 12 12 10 12
7 9 11 9 11
9 7
9
Pre-Chorus
Gtr. 3: w/ Rhy. Fig. 1 (last 4 meas.)
Em Em(add9) Dmaj9 G5 Gmaj7
try and use me for what I’m good for.
10
12 10 12
9 11 9 11 9 7 9
4
Gtr. 3: w/ Rhy. Fig. 2
Asus4 A7 Em Em(add9) F#5 F#m
3
It ain’t say - ing good - bye. It’s knock - in’ down
14 15 17
9 7 9 7 14 16 14
7 9 9
Chorus
Gtr. 3: w/ Rhy. Fig. 1 (1st 4 meas.)
Gtr. 4: w/ Riff A (3 1/2 times)
Gmaj7
Asus4 A7 Em Em(add9)
the door of your can - dy store. Just takes a lit - tle bit of this, a
1 1
10 7 7
9 9 7 9 7 9 9 9 7 9 7 7 7
7 9
Dmaj9 Em Em(add9) Dmaj9
lit - tle bit of that. It start - ed with a kiss now we’re up to bat. A
1
7 7
1
7 10 7
7 9 9 7 7 9 9 9 7 9 9 7
9
Gtr. 3: w/ Rhy. Fig. 1 (1st 3 meas.)
Em Em(add9) Dmaj9 Em Em(add9)
lit - tle bit of laughs, a lit - tle bit of pain. I’m tell - ing you, my babe, it’s all
7
7 7 7 9 7
7 9
5
Gtr. 3: w/ Rhy. Fig. 1 (last meas.) Gtr. 3: w/ Rhy. Fig. 1 (last 4 meas.)
Gtr. 4: w/ Fill 1 Gtr. 4: w/ Riff A (1 1/2 times)
Asus4
A7 Em Em(add9) Dmaj9
in the game of love. It’s all in this game of love.
1
19 21
19
19 21
21 21 21
21 21 19
21
19 21 23
Bridge
Gtr. 4: w/ Fill 1 Gtr. 2 tacet
Gmaj7 Asus4 A7 Bm
You roll me, con -
Gtr. 2
3 3 3
3
1
7
7 10 7 7
9 9 7 9 7 7
9 7 9
7 7 9
Gtr. 3
2 2 2 2 2
3 3 3 3 2
4 4 4 4 2
4 4 4 4
2 2 2 2
F#m Gmaj7 G5 Asus4 A7
trol me, con - sole me. Please hold me. You
Gtr. 3
2 2 2 2 0 2 2 2 0 0 0 0 0 0 0
2 2 2 2 0 0 0 0 3 3 3 2 2 2 2 2 0
2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0
4 4 4 4 0 0 0 0 0 2 2 2 2 2 2
4 4 4 4 X X X X X 0 0 0 0 0 0
2 2 2 2 3 3 3 3 3
Em F#m Gmaj7
guide me, di - vide me in - to one
0 0 0 0 2 2 2 2 0 2 2 2 2 2
0 0 0 0 2 2 2 2 0 0 0 0 0 0
0 0 0 0 2 2 2 2 0 0 0 0 0 0
2 2 2 2 4 4 4 4 0 0 0 0 0
2 2 2 2 4 4 4 4 X X X X X
0 0 0 0 2 2 2 2 3 3 3 3 3
6
Guitar Solo
Gtr. 3: w/ Rhy. Fig. 1 (2 times)
Asus4 A7 Em Em(add9) Dmaj9
all night long. Woo, hoo.
Gtr. 2
f
1 1
21 21 21 21 21 21 21 21 19 21 19 19 19
Gtr. 3
0 0 0
3 2 2
0 0 0
2 2 2
0 0 0
Em Em(add9) Dmaj9 Em Em(add9)
Gtr. 2
20 19 20 19 19
21
19 21 19 19 19 19 21 21
19 21 21
19 17 17 19
19
Dmaj9 G5 Gmaj7 Asus4 A7
8v a
6 3
3 3
1 1 1
22 22 22 22 19 22 19 22 22 19 22 22 19 22 19 22 19 22 19 22 19 22 19 22 19 22 22 22 22
18 19 18 19 18 19
Em Em(add9) Dmaj9 Em Em(add9)
loco
8v a
1 1 1 1 1
22 22 22 22 22 22 19 22 19 19 19
21 19 19 19 21 19 21 18 19
21 21
7
Dmaj9 Em Em(add9) Dmaj9
8v a
6 3 3
19
1
19 19 21 22 21 22 21 19 22 21 19 22 21 19 22 21 19 22 22 22 19 19
18 19 19 21
21 19 21 21 21
Pre-Chorus
Gtr. 3: w/ Rhy. Fig. 1 (last 4 meas.)
G5 Gmaj7 Asus4 A7 Em Em(add9)
So please tell me why
8v a loco
1
19 19 22 19 19 19
22 19
21 21 19 21 19 19 19
19 21
Dmaj9 G5 Gmaj7 Asus4 A7
don’t you come a - round no more? ’Cause right now I’m
mf
1
7
9 9 7 9 7
21 19
Gtr. 3: w/ Rhy. Fig. 2
Em Em(add9) F#5 F#m Gmaj7
dy - ing out - side the door of your lov -
19 19 18 19 18
21 19
8
Chorus
Gtr. 3: w/ Rhy. Fig. 1
Asus4 A7 Em Em(add9) Dmaj9/A
ing store. Just takes a lit - tle bit of this, a lit - tle bit of that. It
1
19
19 21 21 19 21 19 19
21
Em Em(add9) Dmaj9/A Em Em(add9)
start - ed with a kiss now we’re up to bat. A lit - tle bit of laughs, a
mp
6 7 6
9 7 7 7
9
Dmaj9/A G5 Gmaj7 Asus4 A7
lit - tle bit of pain. I’m tell - ing you, my babe, it’s all in the game of love.
(A
8v a
mf
19 20 19 20 22
19 19 21 19 19
19 19 21 21
17 19
9
Outro-Chorus
Gtr. 3: w/ Rhy. Fig. 1 (till fade)
Gtr. 4: w/ Riff A (3 1/2 times)
Em Em(add9) Dmaj9
Em Em(add9)
It’s all in this game of love. It’s all
Voc. Fig. 1
lit - tle bit of this, a lit - tle bit of that.
loco
1
7 7 9 9 9 7 7 9
7 9
Dmaj9 Em
Em(add9)
Dmaj9
in the game of love. Let’s play the game of love.
A lit - tle bit of laughs, a lit - tle bit of pain.
loco
8v a
8v a
17 19 17 17
22
19 21 19 19
19 21 19 21
Bkgd. Voc.: w/ Voc. Fig. 1 (till fade)
Gtr. 4: w/ Fill 1 Gtr. 4: w/ Riff A (3 1/2 times)
G5 Gmaj7 Asus4 A7 Em Em(add9)
Roll me, con -
End Voc. Fig. 1
A)
8v a loco
8v a
3 3
3
1 1 1 1
22 19 22 19 22 22 19 19 19 19 19 19 19
21 21 19 21 19 21 21 21 21
21 21 21
10
Dmaj9 Em Em(add9) Dmaj9
Em Em(add9)
trol me, please hold me. (Make me feel good.)
8v a 8v a
3 3 3
1 1 1 1
19 19 22 19 19 22
21 21 21 21 19 21 19 19 19 21 19 21 21 19 21 19 19 19 21 21 21 19 21
21 21
Gtr. 4: w/ Fill 1
Dmaj9 G5 Gmaj7 Asus4 A7
Now you’re all my own, all my own.
loco 8v a
8v a
19
3
1 1
19 19
22 19 19 19
21 21 21 19 21 19
19 21 19 21 19 21 19
Gtr. 4: w/ Riff A (3 1/2 times)
Em Em(add9) Dmaj9
8v a
6
3
1 1 1/4
19 22 19 22 22 19 22 19
22 19 19 19
21 21 19 19 21 21 21 19 21
21
Begin fade
Em Em(add9) Dmaj9 Em Em(add9)
8v a loco
3
grad. bend 2
1 1 1 1 1 2 2 1/2 2 1/2
21
19
21
19
21
19
21
19
21 21 21 21 21 19 X 19 19 21
21 21 21
19
19 21
Fade out
Gtr. 4: w/ Fill 1
Dmaj9 G5 Gmaj7 Asus4 A7
8v a
1
17 19 19 19 22 22
19 22
18 19 19 21 21
21 19 21 19 19 21
21 21 21 12 21 19 21
11
from John Lee Hooker - The Best of Friends
The Healer
By John Lee Hooker, Roy Rogers, Carlos Santana and Chester Thompson
Intro
Moderately q = 102
* Dm/F G/D Dm/F G Dm/F G
Gtr. 1
(clean)
mf
w/ fingers let ring
w/ chorus
**T T T
1 1 1 1 3 1 1 3 3
2 2 4 2 2 2 4 2 2 4
0 0
0 3
1 1 1
*Chord symbols reflect implied harmony.
**T = Thumb on 6th string
µ Dm/F G Dm/F G Dm/F G6
let ring
1
T T T
1 3 1 1 1 3 1 1 3 3
5
2 2 4 2 2 2 4 2 2 4
3 3 0 0 0 0 0
3 0 3 3 0 3
0 3 1 1 1
Gtr. 1 tacet
b9
µ ***Dm9 G F G Dm9 G Bb9 A7 ¨13
1
3 3 0 0
3 0
0 3
***Chord symbols reflect overall harmony.
1., 2. 3.
b9 b9
Dm9 G F G Dm9 G Bb9 A7 ¨13 Bb13 µ A7 ¨13 µ
Copyright © 1988, 1989 Boogie One Music, Chops Not Chaps Music, Light Music and Urmila Music
All Rights for Chops Not Chaps Music Administered by BMG Rights Management (US) LLC
All Rights for Light Music Administered by Wixen Music Publishing, Inc.
All Rights for Urmila Music Administered by Ruminating Music
International Copyright Secured All Rights Reserved 1
Guitar Solo
Dm9 G F G Dm9 G
Mm, mm. Mm, mm, mm. Oh, oh.
*Gtr. 2 (dist.)
f
1/4
10
10 12 10 12 10 12 12 10 12 10 12 10 12
12 12 12 12 12
*Carlos Santana
b9
Bb9 A7 ¨13 Dm9 G
Mm, mm. Mm, mm.
9 10
10 12 12 10 10 12 10 12 10 12
11 10 8 8 10 12 12
F G Dm9 µ A7b13
Mm, mm.
grad. release
1 1 1 1 1
X
X 13 10
10 12 12 12 10 12 10 12 12 12 X 12 12 10 12 10 12
Dm9 G F G Dm9 G
10 10 10 10 13 10 10 10
10 13 13 10 13 10 10 13 13 13
2
b9
Bb9 A7 ¨13 Dm9 G F G
8va
1/2 1/2 1
1
12 12 10 12 10 13 13 15 15 15 13 15 13
13 15 15
12 12 10 14 14
12
b9
A7 ¨13 µ A7b13
8va
grad. bend
1 1 1 1 1
17 20 20 17 17 20 20 17 17 20 20 17 17 20 20 17 17 20 17 20 20 20 20 20 20 20 17 17
20 18 18
Verse
Gtr. 2 tacet
b9
Dm9 G F G Dm9 G Bb9 A7 ¨13
3
1. Blues, the heal - er, all o - ver the world.
Dm9 G F G Dm9 G
3
3
Blues, the heal - er, heal - er, all o - ver the world, all o - ver the world.
b9
Bb9 A7 ¨13 Dm9 G F G Dm9 G
It healed me, it can heal you.
b9
Bb9 A7 ¨13 Dm9 G F G
3
It healed me, it - ’ll heal you ear - ly one morn - in’. It can heal you, the blues can heal you.
b9
Dm9 G Bb9 A7 ¨13 Dm9 G
3
Yeah, yeah. It healed me, healed me, it - ’ll heal me.
3
b9
F G Dm9 G Bb9 A7 ¨13
I was down, I was down. It healed me.
Dm9 G F G Dm9 G
3
Lord, Lord, Lord, Lord, Lord, yes, it did, yes, it did. Look, now.
b9
Bb9 A7 ¨13 Dm9 G F G Dm9 G
A wom-an left me. The blues healed me. My wom-an left
b9
Bb9 A7 ¨13 Dm9 G F G
3
me, left me ear - ly one morn - in’, mm. The blues healed me, healed me, healed me.
b9
Dm9 G Bb9 A7 ¨13 Dm9 G
Yeah, yeah. Lord, Lord, Lord, Lord, Lord, Lord, Lord, Lord.
b9
F G Dm9 G Bb9 A7 ¨13 Dm9 G
Mm. Al- right. The blues, the blues is a heal - er.
b9
F G Dm9 G Bb9 A7 ¨13
3
Blues, blues is a heal - er, heal - er. It heals,
Guitar Solo
Dm9 G F G
heals. Heals.
loco
Gtr. 2
6
w/ wah-wah
1 1
10
13 10 13
12 12 12 10
12 10
4
b9
Dm9 G Bb9 A7 ¨13
Heal, heal, heal, heal.
8va
3
3 1 1 1
1 1/2
10 15 15
13 10
12 12 10 12 10
12 12 10
11 10
13 10
Dm9 G F G
3
3
All, all o - ver the world, all, all o - ver the world. The heal - er.
loco
3
6 3
1 1/2
10 10 10 10
13 13 13 13 13 10 15
10 12 12 10 12 10
12 12 12
b9
Dm9 G Bb9 A7 ¨13
Now.
8va loco
1 1
1/2 1/2
13 13 15 15 13 15 13 13
15 13 13
Dm9 G F G
let ring
1 hold bend 1 hold bend 1/2 hold bend 1
13 13 13 13 13 13 10 13 10 10
13 13 13 13 13 13 13 13 10
12 12 10
12
5
b9
Dm9 G Bb9 A7 ¨13
One night, I was lay - in’ down.
6 6 6 6
6 3 3
1/2 1 1 1 1 1
10
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 13 10 10 10 10 10 13 10 10 13 10
12 12 12 12 12 12 10 10 12 10
12
Dm9 G F G
It was so bad, so, so, so, my wom - an had left me.
8va
8 10 10 10 13 13 13 15 15 15 17 20 20
8 10 10 10 13 13 13 15 15
b9
Dm9 G Bb9 A7 ¨13
Blues come a - long, heal me.
8va
3 3
1 1 1 1 1 1 1
20 17 17 20 17 20 20 20 20 20 20 20
20 18 18
Dm9 G F G Dm G
Heal. Heal.
8va
loco
wah-wah off
1
20 20 20 17 17 10 10
20 18 20 18 20 13 13 13 10
6
b9
Bb9 A7 ¨13 Dm9 G F G
I knows it healed me, Car - los. Car - los.
1 1 1 1 1 1 1 1 1
10 13 13 10 13 13 13 13 13 13 13 13 13 13
13 13 13 13 13
b9
Dm9 G Bb9 A7 ¨13 Dm9 G
It healed me. The blues.
1
1 1 1 1 1
13 13 10 10 10 10 10 10 10 10
X 13 13 13 13 13 13 10 10 10 13 13 10
13 12 10 12 12 10 12 10
12 12 12 12
b9
F G Dm9 G Bb9 A7 ¨13
3
It -’ll heal me, heal me, heal me. Hey, hey. Heal me.
1/2 1/2
1
10 10 13 10 10 10 12 12 12 10
13 10 10 13 13 13
12 12 10
12
Dm9 G F G Dm9 µ
Heal me. Heal.
8va
3
1/2
10 10 13 15 15 15 13 15 13 13 20 17 20 17 20 17 20 17 20 17
10 10 13 13 18 18 18 18 18
12
7
A7b13 Dm9 G F G
Hey.
8va
*
loco
grad. bend 1 1 1 1
1
20 20 20 20 20 17 17
20 18
19 17 12 10 12 10
12
*Played behind the beat.
b9
Dm9 G Bb9 A7 ¨13 Dm9 G
Come on, oh.
8va loco
P.H.
let ring
1 1 1 1 1 w/ pick & finger
10
12 10 12 12 10 12 12 10 12 12 10 12 12 10 12 10 12 12 10 10 12
12 10
12
b9
F G Dm9 G Bb9 A7 ¨13
3 3
The blues, a heal - er, all o - ver the world, all o - ver the world.
let ring let ring mf
w/ pick & finger w/ pick & finger
10 10 10 10
12 10 10 12 10 10 12 10 12 10 12 10
12
7 8 10
Outro
Dm9 G F G Dm9 G
Mm.
10 10 12
10 12 10 12
8
b9
Bb9 A7 ¨13 Dm9 G F G
12 10 10
8 10 10 12 10 12
b9
Dm9 G Bb9 A7 ¨13 Dm9 G
12 14 14 12 14 10
8 10 10 12
b9
F G Dm9 G Bb9 A7 ¨13
1/2
12 10 12 10
10 10 12 12 10 12
12 12
Dm9 G F G Dm9 G
1 1/2
13 13 13 10 10 10
12 12 10 12
b9
Bb9 A7 ¨13 Dm9 G F G
1
1/2
13 13 10 10 10
12 12 12 12 10 12 10
12 10
12 12
9
b9
Dm9 G Bb9 A7 ¨13 Dm9 G
Lord, Lord, Lord. The blues, a heal - er,
let ring
10 10 10 10 10
12 12 12 12 12 12 12 12 12 12 12 12 12
10 12
F G Dm9 G
all o - ver the world, all o - ver the world.
3
8 10 8 10
10 8 10 8 10
13 12 10 12 10
12 12 10 12 10
12 12 11 10 8 10
10
Gtr. 2 tacet
b9
Bb9 A7 ¨13 Dm9 G F G
Lord, Lord, Lord, Lord, Lord, Lord, Lord. Heal me, heal me. It - ’ll
w/ pick & fingers
10 10 10 10 10 10 10 10 10
10 12 10 12 10 12 10 12 10 12
Begin fade
b9
Dm9 G Bb9 A7 ¨13 Dm9 G
heal, heal, heal, heal me. Heal me, heal me. Can heal you, can heal you.
Fade out
b9
F G Dm9 G Bb9 A7 ¨13
10
from Santana - Ultimate Santana
Into the Night
Words and Music by Chad Kroeger
A‹ C G5 D
231 32 1 2 34 132
Intro
Moderately fast q = 128
*Am C G5 D
Rhy. Fig. 1 End Rhy. Fig. 1
Gtr. 2
(acous.)
mf
Gtr. 3 (elec.)
mf
**w/ dist. & wah-wah
12 14 14 14 12 8 7 5 5 5
10 10 9 10 12 14 12 12 10 11 14
12 10
**Wah-wah used as filter.
Riff A
Gtr. 1 (acous.)
mf
let ring throughout
0 0
1 1 3 1 3 1 1 3
2 0 2 0 2 0 2 0
*See top of page for chord diagrams pertaining to rhythm slashes.
Gtr. 2: w/ Rhy. Fig. 1
Am C G5
Gtr. 3
let ring
10
9 7 7 7
14 14 14 17
12 15
12
Gtr. 1
0
1 1 3 1 3 1
2 0 2 0 2 0
© 2007 WARNER-TAMERLANE PUBLISHING CORP. and ANAESTHETIC PUBLISHING
All Rights Administered by WARNER-TAMERLANE PUBLISHING CORP.
All Rights Reserved Used by Permission 1
Verse
Gtr. 2: w/ Rhy. Fig. 1 (2 times) Gtrs. 1, 3 & 4 tacet
D Am C
1. Like a gift from the heav - ens, it was eas - y to tell, it was love
Gtr. 3
13 15 15 13 12
14 14 14 12
Fill 1 End Fill 1
Gtr. 4 (elec.)
mf
w/ dist.
5 7 7 5 4
7 7 7 5
End Riff A Fill 2 End Fill 2
Gtr. 1
0
1 3
2 0 2
G5 D Am
from a - bove that could save me from hell. She had fire in her soul. It was eas -
C G5 D
- y to see how the dev - il him - self could be pulled out of me. There were drums
Gtr. 3
12 14 12 10
2
Am C
Rhy. Fig. 2
Gtr. 2
in the air as she start - ed to dance, ev - ’ry soul
Gtr. 3
13
14 14
10 10 12 14 14
Riff B
Gtr. 5 (acous.)
pp mp
0 0 0 0 0 0 0 0 0 0
3 1 3 1 3 1 3 1 3 1 3 1
2 2 2 2 2 2
G5 D
End Rhy. Fig. 2
(cont. in notation)
in the room keep - ing time with their hands. And we sang,
let ring
14 12 12 12 12 14
12 14 14 14
End Riff B
0 0 0 0 0 0 0 0 0 0
3 1 3 1 3 1 3 1 3 1 3 1
2 2 2 2 2 2
3
Chorus
Gtr. 5 tacet
Am C
“Ay, oh, ay, oh, ay, oh, ay.” And the voic -
Gtr. 3
14
Riff C
Gtr. 6 (elec.)
mf
w/ slight dist.
let ring throughout
5 5
5 8 5 5 8
Rhy. Fill 1 End Rhy. Fill 1
Gtr. 5
0
1
2
Rhy. Fig. 3
Gtr. 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
2 2 2 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 3 3 3 3 3 3 3 3 3 3 3
4
G5 D
- es rang like the an - gels sing. We’re sing - ing,
Fill 3
Gtr. 3
13 13 13 13
12 14
Gtr. 6 End Riff C
5 5
5 8 5 5 8
End Rhy. Fig. 3
Gtr. 2
3 3 3 3 3 3 3 3 3 3 3 2 2 2 2 2 2 2 2 2 2 2
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
X X X X X X X X X X X
3 3 3 3 3 3 3 3 3 3 3
Gtr. 2: w/ Rhy. Fig. 3 (2 times)
Gtr. 6: w/ Riff C (2 times)
Am C G5 D
“Ay, oh, ay, oh, ay, oh, ay.” And we danced on in - to the night.
Voc. Fig. 1
(Ay, oh, ay,
End Fill 3
Gtr. 3
15
14 12 12 12
11 14
5
Gtr. 1: w/ Riff A (1st 4 meas.) Gtr. 4: w/ Fill 1
Am C G5 D
And we danced on in - to the night. 2. Like a piece
End Voc. Fig. 1
oh. Ay, oh, ay, oh.)
Riff D End Riff D
1 1 1/2
13 13 13 13 13 13 15 15 13 15 15 13 12
12 14 14 12 12 14 14 12 14 14
Verse
Gtr. 1: w/ Fill 2
Gtr. 2: w/ Rhy. Fig. 1 (2 times)
Am C G5 D
to the puz - zle that falls in - to place, you could tell how we felt from the look on our fac - es. We were spin-
14 12 7 9 7 5 7
Am C G5 D
- ning in cir - cles with the moon in our eyes. No room left to move in be - tween you and I. We for - got
19 17
7 5 19
7
6
Gtr. 2: w/ Rhy. Fig. 2
Gtr. 5: w/ Riff B
Am C G5 D
where we were and we lost track of time, and we sang to the wind as we danced through the night. And we sang,
loco
8va
1 1/2
17 17 19 19 17 17 17 17
19 19 19 17 17 19 17 17
19 12 12 12 10
Chorus
Gtr. 2: w/ Rhy. Fig. 3 (4 times)
Gtr. 3 tacet
Gtr. 5: w/ Rhy. Fill 1
Gtr. 6: w/ Riff C (3 times)
Am C G5
“Ay, oh, ay, oh, ay, oh, ay.” And the voic - es rang like the an -
Gtr. 3: w/ Fill 3
D Am C
- gels sing. We’re sing - ing, “Ay, oh, ay, oh, ay, oh, ay.” And we danced
Bkgd. Voc.: w/ Voc. Fig. 1
G5 D
on in - to the night.
Gtr. 3
17 17 15 15 15 17 17
17
Gtr. 1: w/ Riff A (1st 6 meas.)
Gtr. 3: w/ Riff D
Am C G5
And we danced on in - to
7
Bkgd. Voc.: w/ Voc. Fig. 1
D Am C
the night. And we danced
Riff E End Riff E
Gtr. 3
let ring
12
13 15 15 13 12 13 13 13 13 13 13 15
14 14 12 14 14 12 12 14 14 14
Riff E1 End Riff E1
Gtr. 4
5 7 7 5 4
7 7
Gtrs. 1 & 4 tacet
G5 D µ
on in - to the night.
Gtr. 3
13 15 15 13 12
14 14 14 12
14
Gtr. 4
5 7 7 5 4
Fill 4 End Fill 4
Gtr. 1
0
1 3 1 1 3
2 0 2 0
8
Guitar Solo
Gtr. 2: w/ Rhy. Fig. 3 (4 times)
Gtr. 6: w/ Riff C (4 times)
Am C G5 D
Gtr. 3
1
5 5 5 5 5 5
8 8 5 10
9 7 5 7 5 7 7 5 5 7
7 3 0 7 7 5 5 7 5
7 6 5 3 0
Am C G5 D
3
1 1 1 1 1
8 8 5 8 5 10 10 10 8 8 8 8 8 10 5 5 5 8 5 8 5 10 10 10 8
10 8 10 8 10 8 10
Gtr. 1: w/ Riff A (1st 7 meas.)
Am C G5 D
8va
8va
loco
1
1
1 1
20 20 17 17 22 20 22 20 17 17 20 20 20 20 20 22 17 17 17 17
20 20 20
19 19 17 17
18 17 15 17 15
Am C G5
loco
8va 8va
3 3 3
steady gliss. 3
8 8 8 8 10 8 17 17 17
20 20 20 19 20 19 17 19 19 17 17 17 10 10 X X X X
19 19 17 19 17 17 5 14 14 14
0
0
Gtr. 1: w/ Fill 4 Gtr. 3 tacet
D µ
3. Like a gift
8va
loco
steady gliss.
17 X X X 9 17 24
X X X X 9 17 24
14 X X X 9 17 24
15
9
Verse
µ
from the heav - ens, it was eas - y to tell, it was love from a - bove that could save me from hell. She had fire
Gtr. 1: w/ Riff A
Am C G5 D
in her soul. It was eas - y to see how the dev - il him - self could be pulled out of me. There were drums
8va
Gtr. 3
/0
* grad.
bend 1
1/2
15 15
15 15
*Vol. swell
Gtr. 2: w/ Rhy. Fig. 1 (1st 3 meas.) Gtr. 2: w/ Rhy. Fig. 2 (last meas.)
Gtr. 5: w/ Riff B
Am C G5 D
in the air as she start - ed to dance, ev -’ry soul in the room keep - ing time with their hands. And we sang,
loco
8va
3
1/2 1 1
15
15 19 19 17 17
19 19 19 19
Chorus
Gtr. 1: w/ Fill 2
Gtr. 2: w/ Rhy. Fig. 3 (4 times)
Gtr. 5: w/ Rhy. Fill 1
Gtr. 6: w/ Riff C (4 times)
Am C G5 D
“Ay, oh, ay, oh, ay, oh, ay.” And the voic - es rang like the an - gels sing. We’re sing - ing,
17 13 13 13 13
19 12 14
10
Am C
“Ay, oh, ay, oh, ay, oh, ay.” And we danced
15
14
Bkgd. Voc.: w/ Voc. Fig. 1
G5 D
on in - to the night.
3
let ring
1 1 1 hold bend
17 17 20 20 20
19 19 19 19 19 19 19 19 19 19 19 19 19 19 17
Gtr. 1: w/ Riff A
Gtr. 3: w/ Riff D
Am C G5
“Ay, oh, ay, oh, ay, oh, ay.” And we danced on in - to
And the voic - es rang like the an -
Bkgd. Voc.: w/ Voc. Fig. 1
Gtrs. 3 & 4: w/ Riffs E & E1
D Am
the night. “Ay, oh, ay, oh, ay,
- gels sing. We’re sing - ing...
11
C G5 D
oh, ay.” And we danced on in - to the night.
8va
Gtr. 3
3 3 3 3
1
17 17 17 17 17 20 20 17 17
13 13 13 15 12 17 17 17 17 17
12 14 14 14
Gtr. 1: w/ Fill 2
Gtr. 3 tacet
Am C G5
“Ay, oh, ay, oh, ay, oh, ay. Ay, oh, ay, oh, ay,
Voc. Fig. 2 End Voc. Fig. 2
(Ay, oh, ay, oh. Ay, oh, ay, oh. Ay, oh, ay,
Bkgd. Voc.: w/ Voc. Fig. 2 (1 1/2 times) Gtr. 5: w/ Riff B (1st 2 meas.)
D Am C
oh, ay.” Sing - ing, “Ay, oh, ay, oh, ay, oh, ay.” And we danced
Bkgd. Voc.: w/ Voc. Fig. 1 (last meas.)
G5 D Am
on in - to the night.
loco
Gtr. 3
13 15 15 15 13 12
14 14 14
Gtr. 5
0 0 0 0 0 0 0 0 0 0 0
3 1 3 1 3 1 3 1 3 1 3 1 1
2 2 2 2 2 2 2
12
from Santana - Santana
Jingo
(Jin-Go-Lo-Ba)
By Michael Olatunji
Intro
Moderately fast q = 129
µ * Bm
Gtrs. 1 & 2 (dist.) (Bass, organ & percussion)
(Percussion)
12
*Chord symbols reflect overall harmony.
Interlude
Bm
Gtr. 1
1
12 12 12 12 12 10 12 10
10 12
Gtr. 2
1 1
12 12 12 12 12 10 12 10
10 12
**Gtrs.
1&2
1 1
12 12 12 12 12 12 10 12
12 12 12
**Composite arrangement
Copyright © 1961 EMI Blackwood Music Inc.
Copyright Renewed
All Rights Administered by Sony/ATV Music Publishing LLC, 424 Church Street, Suite 1200, Nashville, TN 37219
International Copyright Secured All Rights Reserved 1
1
10 10 10 10 7 10
1
7 7 10 7 7 10 7 7 10 7 10 7 10 10
7 7 7
3
3
1/2
7 7 10 7 7 10 7 7 10 7
7 7 7 10 7
9 9 7
9
1 1
7 7
9 9 9 9 9 7 9 7 7 7
7 9 9
Gtr. 2 tacet
Gtr. 1
mp
7 X X 7 X X 5 7 7 X X 7 X X 7 7 X X 7 X X 7 X 7 7
7 X X 7 X X 7 10 7 X X 7 X X 7 7 X X 7 X X 7 X 7 7
7 X X 7 X X 7 7 7 X X 7 X X 7 7 X X 7 X X 7 X 0 7 7
9 9
7 X X 7 X X 7 7 X X 7 X X 7 7 X X 7 X X 7 X X X 7
7 X X 7 X X 7 7 X X 7 X X 7 7 X X 7 X X 7 X 9 X X 7
7 X X 7 X X 7 7 X X 7 X X 7 7 X X 7 X X 7 X 9 X X 7
9 9 9 9 9
2
mf
7 7 X 7 7 7 X 7 X 7 X 7 X X 7 7 7 7 X 7 X 7 7
7 7 X 7 7 7 X 10 X 10 7 X 7 X X 7 7 7 7 X 7 X 7 7
7 7 X 7 7 7 X 7 X 7 7 X 7 X X 7 7 7 7 X 7 X 7 7
9 9 9 9
7 X X 7 7 7 X 7 X 7 7 7 X X 7 7 7 X 7 X 7 7
7 X X 7 7 7 X 10 X 7 7 7 7 X X 7 7 7 X 7 X 7 7
7 X X 7 7 7 X 7 X 7 7 7 7 X X 7 7 7 X 7 X 7 7
9 9 9 9 9
9 9 9 9 9
Chorus
Bm
Jin - go. Jin - go
Rhy. Fig. 1
let ring
*T T
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
9 9 9 9 9 0
9 9 9 0
7 7 7 0
*T = Thumb on 6th string
ba.
End Rhy. Fig. 1
7 7 7 7 7
7 X X 7 X X 7 7 X X 7 X X 7 7 X X 7 X X 7 7 X 9 X 0 7
7 X X 7 X X 7 7 X X 7 X X 7 7 X X 7 X X 7 7 X 9 X 0 7
9 X X 9 X X 9 9 X X 9 X X 9 9 X X 9 X X X 9 X 9
9 X X 9 X X 9 9 X X 9 X X 9
Gtr. 1: w/ Rhy. Fig. 1
Jin - go. Jin - go ba.
3
Gtr. 1: w/ Rhy. Fig. 1 (last 2 meas.)
Lo, ba, ba, lo, ba, ba, lo, ba, ba, lo, ba. Lo,
ba, ba, lo, ba, ba, lo, ba, ba, lo, ba. Jin -
Gtr. 1
7 X X 7 X X 7 7 7 X X 7 7 7 7
7 X X 7 X X 7 7 7 X X 7 X X 7 7 X 9 X 7 X 7 X 9 9 7
7 X X 7 X X 7 7 7 X X 7 X X 7 7 X 9 X 7 X 7 X 9 9 7 7
9 X X 9 X X 9 X X 9 X X X 9 X X X 9 9 9
0
go. Jin - go
f
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
7 X X 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
7 X X 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
9 X X 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
9 9 9
0
ba, ba.
mf
let ring
7 X X 7 X X 7 7 7 X X 7 7 7 X X 7 7 7 7
7 X X 7 X X 7 7 7 X X 7 X X 7 7 7 X X 7 X X 7 7 X 9 7 7
7 X X 7 X X 7 7 7 X X 7 X X 7 7 7 X X 7 X X 7 7 X 9 7 7
9 X X 9 X X 9 X X 9 X X 9 X X 9 X X X 9 9 7
0
0
4
Percussion Solo Interlude
Gtr. 1 tacet
Bm µ Bm
Gtr. 1
Play 4 times
7
7
7
9
9
Gtrs. 1 & 2
12
Guitar Solo
Bm
Gtrs.
1&2
1 1
12 12 12 12 12 10 12 10
10 12 12 12 12
Gtr. 2 tacet
loco
8va
Gtr. 1
1 string 1
noise
15 12 12 12 10 7 9 8 9 8 9 9 9
X 10 12 12
X
8va
Gtr. 2
1
15
*
Gtr. 1
10 9 7 10 9 7 10 9 7 10 9 7 10 9 7 9 10 10 9 7 10 9 7 10 9 7 10 9 7 10 9 7
*Played ahead of the beat.
5
rake rake 1 let ring
7 7 7 7 7 7 7 7
10 10 X 10 10 X 10 10 10 10 7
X X 9 9 7
9
*
6 6 6 3
3
1 1
10 9 7 10 9 7 10 9 7 9 7 7
10 9 7 10 9 7 10 9 7 10 10 7 7 10 7
9 9 9 7 7 7
9 9
*Played ahead of the beat.
Gtr. 1
3
3
1 1 1 1 1 1 1 1 1/2
7 7 7
7 7 7 7 7 7 10 10 10 10 7
9 9 9 9 9 9 9 7
9
Gtr. 2
1
1 1/2
1
9 9 9 9 9 7 9
1 1/2 1
9 9 9
6
Gtr. 2 tacet
Gtr. 1
7 7 3 6
7 7 7 3 6
7 9
Interlude
Bm
mp
X 7 X X 7 X X 7 7 7 X X 7 X X 7 X 7
X 7 7 X X 7 X X 7 7 7 X X 7 X X 7 X 7
X 7 7 X X 7 X X 7 7 7 X X 7 X X 7 X 7
9 9 9
X X X X X X 7 7 7 X X 7 X X 7 7 X X 7 X X 7 X X 7
X X X X X X 7 7 7 X X 7 X X 7 7 X X 7 X X 7 X 9 X 7
X X X X X X 7 7 7 X X 7 X X 7 7 X X 7 X X 7 X 9 X 7
9 9 9 9 9
9 9 9 9
7 X X 7 7 X 7 X 7 7 7 X 7 X X 7 7 7 X 7 X 7 7 7
7 X X 7 7 X 7 X 7 7 7 X 7 X X 7 7 7 X 7 X 7 7 7
7 X X 7 7 7 X 7 X 7 7 7 X 7 X X 7 7 7 X 7 X 7 7 7
9 9 9 9
9 9 9
7 X X 7 7 7 X 7 X 7 7 7 7 X X 7 7 X 7 X 7 7
7 X X 7 7 7 X 7 X 7 7 7 7 X X 7 7 X 7 X 7 7
7 X X 7 7 7 X 7 X 7 7 7 7 X X 7 7 X 7 X 7 7
9 9 9 9
9 9 9
7
Outro-Chorus
Gtr. 1: w/ Rhy. Fig. 1 (2 times)
Bm
Jin - go. Jin - go ba.
Jin - go. Jin - go ba. Lo,
Gtr. 1: w/ Rhy. Fig. 1 (last 2 meas.)
ba, ba, lo, ba, ba, lo, ba, ba, lo, ba. Lo,
Begin fade
ba, ba, lo, ba, ba, lo, ba, ba, lo, ba. Lo,
3
Gtr. 1
3
7 X X 7 X X 7 7 7 X X 7 X X 7 7 X X 7 X X 7 7 X
7 X X 7 X X 7 7 7 X X 7 X X 7 7 X X 7 X X 7 7 X 9 7
7 X X 7 X X 7 7 7 X X 7 X X 7 7 X X 7 X X 7 7 X 9 7 9 7
7 9 7 0
0
0
ba, ba, lo, ba, ba, lo, ba, ba, lo, ba. Lo,
7 X X 7 X X 7 7 7 X X 7 X X 7 7 7 X X 7 X X 7 7 X
7 X X 7 X X 7 7 7 X X 7 X X 7 7 7 X X 7 X X 7 7 X X 7
7 X X 7 X X 7 7 7 X X 7 X X 7 7 7 X X 7 X X 7 7 X 9 X 7
X 0 9 7
0
8
ba, ba, lo, ba, ba, lo, ba, ba, lo, ba. Lo,
7 X X 7 X X 7 7 7 X X 7 X X 7 7 X X 7 X X 7 X X 7
7 X X 7 X X 7 7 7 X X 7 X X 7 7 X X 7 X X 7 X X 7
7 X X 7 X X 7 7 7 X X 7 X X 7 7 X X 7 X X 7 X 9 X 7 0
9 0
0
ba, ba, lo, ba, ba, lo, ba, ba, lo, ba. Lo,
7 X X 7 X X 7 7 X X 7 X X 7 7 X X 7 X X 7 X X 7
7 X X 7 X X 7 7 X X 7 X X 7 7 X X 7 X X 7 X X 9 7 7 7
7 X X 7 X X 7 7 X X 7 X X 7 7 X X 7 X X 7 X X 9 7 7 7 0 X
0 X
ba, ba, lo, ba, ba, lo, ba, ba, lo, ba. Lo,
7 X X 7 X X 7 7 X X 7 X X 7 7 X X 7 X X 7 X 7
7 X X 7 X X 7 7 X X 7 X X 7 7 X X 7 X X 7 X 9 X 7
7 X X 7 X X 7 7 X X 7 X X 7 7 X X 7 X X 7 X 9 X 7 0
0
Fade out
ba, ba, lo, ba, ba, lo...
7 X X 7 X X 7 7 X X 7 X X 7
7 X X 7 X X 7 7 X X 7 X X 7
7 X X 7 X X 7 7 X X 7 X X 7
9
from Santana - Supernatural
Love of My Life
Words and Music by Carlos Santana and Dave Matthews
Intro
Moderately slow q = 91
µ
(Drums)
Spoken: What ya got is called Car - los San - tan - a. Khe - ah, khe - ah, yeah.
* Gm D7 Gm
Gtr. 1 (dist.)
mf
w/ fingers
6 4
2 3 5 7 5 2 2 3 2
5 5
*Chord symbols reflect overall harmony.
D7 Cm Bb Eb
4 3
2 2 3 5 3 5 3 5 7 5
5 5 5 5 4 5 7
Verse
D7 Gm Cm7 D7
3
1. Where you are, that’s where I wan - na be.
1
14 15 15
5 7
Copyright © 1999 Stellabella Music and Colden Grey Ltd.
All Rights for Stellabella Music Administered by Wixen Music Publishing, Inc.
All Rights Reserved Used by Permission 1
Gm Cm7 D7 Gm
And through your eyes all the things I wan - na see. And in the night
3
3
1
1 1
15 18 16 15
15 15 15 17 17 17 17 15
17
Cm9 D7 Gm Cm7 D7
3
you are my dream. You’re ev - ’ry - thing to me.
3
3
w/ pick
w/ fingers
1 1/4
15
17 17 15 17 15 2 3 5
17 17
Cm Bb Eb D7
4 3
3 5 3 5 7 5 2 3
5 5 5 5 4 5 7 5 7 5
Verse
Gm D7 Gm
2. You’re the love of my life and the breath
6 4
3 5 7 5 2 2 3 2
5
2
D7 Cm Bb
in my prayers. Take my hand and lead me there.
3 3 4 3 4 4 3
2 2 3 5 3 5 3 5 7 5
5
Verse
Eb D7 Gm
What I need is you here. 3. I can’t for - get the taste
w/ pick
15
13 15
5 5 5 5 4 5 7 5 7
Cm7 D7 Gm Cm9 D7
of your mouth. From your lips all the heav - ens pour out.
8va
3
1
1/2 1 1/2
15
15 18 18 18 18
17 17 15 17 15
17 17
Gm Cm7 D7 Gm
I can’t for - get when, ah, we are one. You a - lone, I am
8va loco
3
1 1 1
18 18 15
17 17 15 17 15 15
17 17
3
Cm9 D7 Cm Bb Eb
free.
4 3
2 3 5 3 5 3 5 7 5 2
5 5 5 5 4 5
Chorus
D7 Gm G7/F Cm D7 Eb D7
Ev - ’ry - day, ev - ’ry night, you a - lone, you’re the love of my
w/ fingers
6 4
2 3 4 5 2 5 7 5 3
5 5 4 5 5 7 5
Guitar Solo
Gm µ Gm D7
life.
Gtr. 2 (dist.)
mf
1
10 11 13 13 10
10 12
Gtr. 1
2 3 5 7 5 2 2 3
5 5 5
4
Gm D7 Cm Bb
1
13 11 10 11 10
10 11 10 10 11 13 13 11 11 13 13
10 12 12
6 4 4 3
3 3 2 2 3 5 3 5 3 5 7 5
5
5
Eb D7 Gm D7
3
Oh, ho, oh, yeah. Al - right, al - right.
1
10 11 13 13 10
12 12 12 12 11 12 14 12 14 12 10 12
2 3 5 7 5 2 2 3
5 5 5 5 4 5 7 5 7 5 5
Gm D7 Cm Bb
1
13 11 10 11 10 11 10 10 11 10
10 11 10 10 10 11 13 12 13 11 11 11 13 13
10 12 12 12
6 4 3 4 3 4 3 3 4 3
3 3 2 2 3 5 3 5 3 3 3 5 7 5
5 5
5
5
Chorus
Eb D7 Gm G7/F Cm D7
Ev - ’ry - day, ev - ’ry night, you a -
1
11 13 11
10 11 12 13 10 13 13
12 12 12 12 11 12
6 4
2 3 4 5 2 5 7 5
5 5 5 5 4 5
Bridge
Faster q = 102
Gtrs. 1 & 2 tacet
Eb D7 Gm Gm
- lone, you’re the love of my life. We go danc - in’ in the
10 11 11 10
12 12 11 12 12 10 12
5 4 5 7 8 5 7 5 5
Cm7 D7 Gm['9] Cm7 D7 Gm['11]
moon - light, with the star - light in your eyes. We go danc - in’ till
Gtr. 3 (dist.)
* mp
15
*Vol. swell
6
Cm7 D7 Gm7 Cm7 D7
*
the sun - rise. You and me we’re gon - na dance, dance, dance.
8va
loco
f
fdbk.
15 15 15
5
*Gradually increase tempo to q = 112 bpm over next 2 meas.
Outro-Guitar Solo
Faster q = 112
Gm Cm7 D7 Gm Cm7 D7
3 4 3 4 3
3 5 2 3 5 3 3 0
7 5 4 5 7 6 7 5
5
Gm Cm7 D7 Gm Cm7 D7
3
1/2
10 10
3 5 5 7 5 5 7 7 7 8 8 10 12
7 5 7 5 4 5 7 6 7
5
Gm Cm7 D7 Gm
1/2
P.M.
10 10 10 11 10 13 10 11 10 11 10
12 12 12 12 12
12 10 8 10 12 10 12 12 10 8 10
Cm7 D7 Gm Cm7 D7 Gm
3
10 11 10 13 10 10 13 11 11 10 11 10
X 10 12 12 12 12 12
12 8 10 10 X
7
Cm7 D7 Gm Cm7 D7
3 3
1
10 13 10
13 13 10 13 10 11 10 11 10 13 10 11 11
12 12
Gm Cm7 D7 Gm
3
1/4
10 10 10 11 10 10 11 10 11 10 11 10 11 10 11 10 11 10 11 10 11
11 10 11 10 11 13 13
12 12 12
Cm7 D7 Gm Cm7 D7
8va
1/2
10 11 10 11 10 11 11 12 10 12 11 10 15 17 17
11 10 15
12 10 10
12 10 8 10 12 10 8 10 8 10 10
Gm Cm7 D7
8va
6 6 6 6
1 1
17 17 15 18 17 15 18 17 15 18 17 15 18 17 15 18 17 15 18 17 15 18 17 15 18 17 15 18 17 15 18 18
Gm Cm7 D7 Gm
8va 8va
loco
3
1 1 1/2 1 1 1/2
1 1 1
18 18 15 15 15 18 20 18 20
18 18 15 15 20 20
17 17 15 15 17 17 17 15 17 17 15 17
17
8
Cm7 D7 Gm Cm7 D7
8va
loco
1 1 1 1 1 1 1 1
20 18 20 20 20 20 20 20 20 20 20 18 20 20
20 11
12
Gm Cm7 D7 Gm Cm7 D7
rake
3 3
10
11 8 10 10 10 13 11 13
10 12 12 12 12 12 12 10 12
12 11 10 8 10 12 10 8 10 10 X
Gm Cm7 D7 Gm Cm7 D7
8va
3
1
10 10 10 10 11 12 13 13 15 15 18 20
10 11 10 11 10 9 10 13 20
12 11 12
Gm Cm7 D7
8va
/ 0
grad. release 1
1 1/2 1
3/4
20
20 20 20 20 20 20 20 20 20 20 20 20 20
Gm Cm7 D7 Gm
8va
1 P.M.
1 1/2 1
18 15 15 18 18 15 15 15 18 15 15 15
20 20 20 20 15 16 18 18 15 18 18 X 18 15 18
9
Cm7 D7 Gm Cm7 D7
8va
loco
2
1
15 18 18 15 15 15
18 18 18 17 16 15
17 15 17 15
17 17 15
15 13 15 13 15 17 15 13 15 13 15 9 0
Gm Cm7 D7 Gm
3
10 10 10 10 10 10 10 10 10 10 10
11 10 11 10 13 11 10 11 11 11 11 11 11 11 11 11 13
12 12 12 10 12
10 8 10 12
Cm7 D7 Gm Cm7 D7
3
1/2 1 1/2
13 10 10 11
12 12 12 7 12
10 10 10 10 8 10 8 10 10 12 10
Gm Cm7 D7 Gm
3
10 10 11 12 13 13 14 14 15
11 11 11 11 11 11 13 13 X X X X X X X X X
12 12 12 12 12 12 12 14 7 7 8 9 10 10 11 11 12
Cm7 D7 Gm Cm7 D7
8va
grad. release
1 1
15 17 17 18 18 18 20 20 20 20 20 18
X X X X X 20
12 14 14 15 15
10
Begin fade
Gm Cm7 D7
8va
1 1/2 1 1 1 1 1 1
15 18 15 15 18 15 15 15
20 18 18 18 18 18 18 18 18 18 18
Gm Cm7 D7 Gm
8va
loco
slight 6
P.H.
1 1 1 1 2 1/2 2 1/4
18 18 15 18 18 15 18 18 15 18 18 15
17 17 15 15 17 17 17 17
Cm7 D7 Gm
grad. release
2 1 3/4 1 1/2 1 1/4 1 3/4 1/2 1/4
17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 15 15 15
Cm7 D7 Gm
let ring
15 15 15 15 15
13 16 13 15 13 15 13 15 13 15
15 14
17 15 15 17
17 15 13 13 15 17
Fade out
Cm7 D7 Gm Gm
8va
3 3 3
15 15 15 15 15 13 15 15 15 17 17 17 18 18 18 20 20 20 20
13 15 13 15 15 15 13 15 15 15 17 17 17 18 18 18 20 20 20 20
12 12 10 12 12 12 14 14 14 15 15 15 17 17 17 17
11
from Santana - Supernatural
Maria Maria
Words and Music by Wyclef Jean, Jerry Duplessis, Carlos Santana,
Karl Perazzo, Paul Rekow, Marvin Hough and David McRae
Intro
Moderately slow q = 99
* Am
Wyclef Jean: La - dies and gents,
Gtr. 1 (nylon-str. acous.)
3
mp p
5 7 8 7 7 8 7 5 5
5
*Chord symbols reflect implied harmony.
3
turn up your sound sys - tem to the sound of Car - los San - ta - na and the G ’n’ B.
Sur - pra - da.
3 3
mf
5 5 5 8 7 10 8 7 8 7 8 7 8 7 5 5 5
5 5 5
5 7
Chorus
Dm
G&B: Oh, Ma - ri - a, Ma - ri - a,
3 3
Ghet - to blues from the Re - fu - gee Camp.
3 3 p
mp mp
5 8 6 5 5 5 5 5 5 5 5 5 5 5 5 6
5 7 7 5 7 7
Copyright © 1999 Sony/ATV Music Publishing LLC, EMI April Music Inc., EMI Blackwood Music Inc., Ghetto & Blues, TE-Bass Music Inc.,
Hempstead Live, Huss-Zwingli Publishing Inc. and Stellabella Music
All Rights on behalf of Sony/ATV Music Publishing LLC, EMI April Music Inc., EMI Blackwood Music Inc., Ghetto & Blues, TE-Bass Music Inc.,
Hempstead Live and Huss-Zwingli Publishing Inc. Administered by Sony/ATV Music Publishing LLC, 424 Church Street, Suite 1200, Nashville, TN 37219
All Rights on behalf of Stellabella Music Administered by Wixen Music Publishing, Inc.
International Copyright Secured All Rights Reserved 1
Am
she re - mind me of a west - side sto - ry, grow - in’ up in Span - ish Har -
3
3 3
5 8 5
6 5 6 8 5 8 6 5 6 5
5 7 7 5
7
Em E7 Am
- lem, she liv - in’ her life just like a mov - ie star. Oh,
3 3
5 7 8
5 5 5
4 7 5 4 5 5 4 5 7
A7 Dm
Ma - ri - a, Ma - ri - a, ah, ah, she fell in love in East L. -
Yo, Ma - ri - a.
3 3 3
p mp
10 12 12 12 12 12 12 13 12 13 12 15 13 12 13 13 12
5 15 15
Am Em
A. to the sounds of the gui - tar, yeah, yeah,
3
mf
5 7 8 7 10 7 8 8 7 7 5 5 5
5 5 6 5 5 8 6 5
7 5 4 5 7
2
Interlude
Gtr. 1 tacet
E7 µ Am
played by Car - los San - ta - na.
8va loco
Gtr. 2 (elec.)
3 f
w/ dist.
12 12 13 12 12 12 17 12
6 5 13 13 13 13
7 14 14
1. Stop the loot -
3
12 12 12 13 12 12 12 12 12 12 12 12
15 13 13 13 13 13 13 13 13 13 13 13 15 13
14 14
Verse
Gtr. 2 tacet
Am G
- in’, stop the shoot - in’, pick pock - in’ on the cor - ner. See as the rich
Voc. Fig. 1 End Voc. Fig. 1
Oh, yeah.
14
Bkgd. Voc.: w/ Voc. Fig. 1
F G E7/G#
is get - ting rich - er, ah, the poor is get - ting poor - er. Se mir - a Ma - ri -
Gtr. 1
let ring
5 5
2 5 5
3
Bkgd. Voc.: w/ Voc. Fig. 1
Am G
- a on the cor - ner, think - in’ of ways to make it bet - ter. In my mail -
let ring
5
5
5
7
Gtr. 1 tacet
F G E7/G#
- box there’s an e - vic - tion let - ter. Some - bod - y just said see you lat - er.
Carlos Santana: A -
7
Bridge
Am
Yeah.
Voc. Fig. 2
ho - ra ven - go ma - ma cho - la, ma - ma cho - la. A - ho - ra ven - go ma - ma cho - la. A -
Wyclef Jean: East Coast.
Ma - ri - a, Ma - ri -
End Voc. Fig. 2
ho - ra ven - go ma - ma cho - la, ma - ma cho - la. A - ho - ra ven - go ma - ma cho - la.
West Coast.
4
Chorus
Dm Am
3
a, she re - mind me of a west - side sto - ry,
Gtr. 1
3 3
3 3
p mp
5 7 7 8 8 8 7 10
5 6 5 8 8 6 6 6 5 8 5
5 7
Em E7
3
grow - in’ up in Span - ish Har - lem. Oh, oh. She liv - in’ her life just like a
3
3 3
p 3
10 8 7 5
5 6 5 8 6 6 5
7 7 5 7
Am A7 Dm
mov - ie star. Oh, Ma - ri - a, Ma - ri - a, ah,
(Oh.)
3
mf 3
mp
5 5 4 5 7 7 8 8 8 10 10 10 10 5 5
6 5
7 7
7
Am
ah, she fell in love in East L. - A. I said a to the sounds of the gui - tar,
3 3 3
3
5 9 10 10 12 15 15 13 12 12 12
6 15 13 15 13
14 14 14
5
Interlude
Gtr. 1 tacet
Em E7 µ Am
3
yeah, played by Car - los San - ta - na.
(By who?)
Gtr. 2
3
3
p
7 10 8 7 8 7 8 7 8 7 7 7 12 12 13 12
8 10 13 13
14
2. I said a la fa - vel -
loco
8va
3 3
12 12 12 12 13 12 12 12 12 17 12 12 12 12 12
13 13 13 15 13 13 13 13 13 13 15 13
14 14 14 14
Verse
Bkgd. Voc.: w/ Voc. Fig. 1
Am G
- la los co - lor - es, the streets are get - ting hot - ter. There is no wa -
mp
7 12 12 12
Bkgd. Voc.: w/ Voc. Fig. 1
F G/E E7
- ter to put out the fire. Mi can - to es - per - an - za. Se Mi - ra Ma - ri -
5 5 5
3 5 5 3 5 5
6
Bkgd. Voc.: w/ Voc. Fig. 1
Gtr. 2 tacet
Am G
- a on the cor - ner, think - in’ of ways to make it bet - ter. Then I look
5
F G/E E7
up in the sky hop - in’ of days of par - a - dise.
(I.)
Carlos Santana: A -
Bridge
Bkgd. Voc.: w/ Voc. Fig. 2 (1st 2 meas., 2 times)
Am
Wyclef Jean: North side. South side.
Bkgd. Voc.: w/ Voc. Fig. 2
World Wide. O - pen up your eyes.
Gtr. 1
3
5
4 5
7
7
Verse
Am G
3
3. Ma - ri - a you know your my lov - er,
mp mf
5 3 3 5 6 5
5 5 5 5 5 4 2 4 7
7
F G/E E7
when the wind blows I can feel you through the weath -
3
p mf
5 5 6 5 5 5 5
5 7 7 5 7 5 7 5 5 5
7 7
7
Am G
3 3
- er. And e - ven when we are a - part,
5 7 8 7 5
5 5 5 5 8 8 8 8 6 6 5 6 5 5
5 7 7
7
F G/E E7
3
3
still feels like a we’re to - geth - er. Ma - ri -
5 5 5 7 7 8 8 10 10
5 3 5 X X X X X
7 7 5 7 7 7 5 4 5 5 7 7
Chorus
Dm E7b9/D
a, oh, yeah, she re - minds me of a west - side
10 12 12 12 12 10 12 10 8 10
8
Am
sto - ry, ah, grow - in’ up in Span - ish Har -
12 12 12 12 12
13 13 13 13 13
14 14 14 14
14 12 10 12 12 10
Em E7
- lem, she liv - in’ her life just like a
3
3
7 8 7
8 5
9 7 9 9 7 5 7 7
Gtr. 1 tacet
Am
mov - ie star, oh, Ma - ri - a, Ma - ri -
Gtr. 2
let ring
12 12 12 12 12 12 12 12 12
13 13 12 13 13 13 12 13 13 13 15
14 14 14 14 14
Dm
3
a, oh, she fell in love in East
8va
1 1 1 1 1
15 15 15 15 15 15 12 15 15 12 12
15 15 13 15
9
Am
L. - A. to the sound of the
loco
1 1
12 12 12 12 15 15 12 12 12 12 12
15 15 15 13 13 15
14
Em E7 µ
gui - tar played by Car - los San - ta -
12
12 13 12 15 13 12 13 13 12 12 13 12
12 14 14 12 14
12 14
Outro
Am
- na.
Wyclef Jean: Put ’em up y’all, Car - los San - ta - na with the
12 13 12 12 12 13 12 12 12 12 13 12
13 13 13 13 13 13 13
14 14 14
Re - fu - gee Camp, Wy - clef, Jer - ry Won - der
8va
loco
3
3
12 12 12 17 12 12 12 12 12 12
15 13 13 13 13 13 13
14 14 14 14 14 14 14
10
Mis - ter San - ta - na, G ’n’ B.
8va
12 12 13 12 12 12 12 17 12
13 13 15 13 12
14 14
Begin fade
3
Yo, Car - los, man you mak - in’ that gui - tar cry, cry,
8va
Gtr. 2 loco
13 12 12 12 12 12 12 17 12
13 13 15 13 13
14 14
Gtr. 1
10 8 10 12 13 10 10 8 10
Fade out
cry.
3
12 12 12 13 12 12 12 12 12 12
15 13 13 13 13
14 14 14 14 14 14 14 12
14
5 10 10 10 10 12 12 12 13 13 13 15 15
5 5 X X X X X X X X X
7 7 7 7 7 7 9 9 9 10 10 10 12 12
11
from Santana - Santana III
No One to Depend On
Words and Music by Gregg Rolie, Michael Carabello and Thomas Escovedo
Intro
Moderately q = 109
µ ** C Gm C
*Gtr. 1
(Percussion) Riff A End Riff A
mf
5 5 5 5
3 3 3 3
3 5 1 3 3 5 1
*Bass arr. for gtr. **Chord symbols reflect overall harmony.
Gtr. 1: w/ Riff A (4 times)
Gm C/G C C7sus2 Gm C/G C C7sus2
***Gtr. 2 (slight dist.)
mf †p mf p mf
w/ heavy reverb
5
5 3 3 5 6 3
***Doubled by vibes, next 8 meas. †Vol. swells
Gm C/G C C7sus2 Gm C/G C C7sus2 Gm C/G
heavy reverb off
5 6 5
3
Copyright © 1971 by Universal Music - Careers and Love Pirate Music
Copyright Renewed
All Rights Administered by Universal Music - Careers
International Copyright Secured All Rights Reserved 1
C C7sus2 Gm C/G C C7sus2 Gm C/G
Gtr. 2
f
w/ dist.
5 6 5 6 5 3 5 6 5 6 5
3 3 3
5 5 5
5 5
Gtr. 3 (dist.)
f
1 1 1 1
0 5 5 0 5 5 3 2 5 5 0 5 5
C C7sus2 Gm C/G C C7sus2 Gm C/G
3
1/2
3
5 5 5 6 5 6 5 6 5 5 6 5 6 5
3 5 5 3
5 5
Riff B
5 5 5 5
6 8 6 6 5 8 8
5 3 2 7
C C7sus2 Gm C/G C C7sus2 Gm C/G
3
1
3
1 1 1 hold bend 1 hold bend 1
3 5 6 6 7
5 6 18 18 18 18
17 17 17 17 17 15 15 17 17 17 17
17 17
3
8 6 5 6 6 5 3 5 3 3 6 6 6 5
7 3 3 7 7
2
Chorus
C C7sus2 Gm C/G C C7sus2
*
I ain’t got no - bod - y that I can de -
mf
15 3
15 15 3 3 3 5 X 5 5 3 3
17 15 3 3 3 5 X 5 5 3 3
17 5 5 5 5 X 5 5 5 3
0 3 5
End Riff B
3 mf
5 3 5 3 3 3 3 5 5 5 3
5 3 3 3 5 5 5 3
5 5 3
5
*Lead Voc. doubled throughout.
Gm C/G C C7sus2 Gm C/G
pend on. I ain’t got no - bod - y
3 3 3
X 3 3 5 X 5 5 3 3 X 3 3 5
X 3 3 5 X 5 5 3 3 X 3 3 5
X 5 X 5 5 X 5 5 5
3 5
3
3 3 5 5 5 3 3 3 5
3 3 5 5 5 3 3 3 5
5 5 5 5 3 5 5
5
3
C C7sus2 Gm C/G C C7sus2
that I can de - pend on.
let ring
3 X
X 5 5 3 3 3 3 5 X 5 3 X
X 5 5 3 3 3 3 5 X 5 X 5 3 X
X 5 5 5 5 5 5 X 5
3 5
5 5 5 3 3 3 5 5 5 3
5 5 5 3 3 3 5 5 5 3
5 5 3 5 5 5 5 3
5 5
Gm
3 3 3 12 14 15 15 15 15 15 15 15
3 3 3 3 3 3 3 3 12 14 15 15 15 15 15 15 15
3 3 3 3 3 3 3 3 12 14 15 15 15 15 15 15 15
5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3
Rhy. Fig. 1 End Rhy. Fig. 1
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
Chorus
Gm C/G C C7sus2 Gm µ
Ain’t got no - bod - y
8va
f *w/ delay delay off
6 18 18 18 20 20 20
3 15 15 15
*Set for dotted eighth-note regeneration w/ 1 repeat.
let ring
3 3 3
3 3 5 5 5 3 3 3
3 3 5 5 5 3 3 3
5 5 5 5 5 5 5
4
C Bb/C C µ Gm7 C
that I can de - pend on. Ain’t
loco
mf
3
5 5 3 5 3 5 3 3
5 5 3 5 3 5 3 3
5 5 3 5 3 5 5 5 3
5 3 5
3
3 X X 3
5 5 5 5 3 X X 3 5
5 5 5 5 3 X X 5
5 5 5 5 5 X X 5
Gm µ C Bb/C C µ Gm C
got no - bod - y that I can de - pend on.
3 3
3 5 5 3 5 3 X 5
3 5 5 3 5 3 X 3 5
5 5 5 3 5 5 X 5 3 5
5 5 3
3
3 3
3 5 5 5 5 3 X X X 5
3 5 5 5 5 3 X X X 5
5 5 5 5 5 5 X X X 5
5
Guitar Solo
Gm C/G Gm
f
5 5 6 5 3 3 5 6 5 6 5 3
5 3
5
3
3 X 3
5 3 X X 5 5 5 3
5 3 X X 5 5 5 3
5 5 X X 5 5 5 5 3
5
C/G Gm
Ain’t got no
1/2 1/2
3 6 5 3 3 5 5
3
3 3 5 5 5 3
3 3 5 5 5 3
5 5 5 5 5 5 3
5
Chorus
Gm C/G C C7sus2
one, no ten - go a na - di - e, that I know
mf 1/4
X X 5 5 5 3
X X 5 5 5 3
5 5 5 5 3
5
3
3 3 5 5 5 3
3 3 5 5 5 5 3
5 5 5 5 5 5 3
5
6
Gm C/G C C7sus2
of, no ten - go a na - di - e, that I can de -
Rhy. Fig. 2 End Rhy. Fig. 2
1/4
3 3 5 5 5
3 3 5 5 5 3
5 5 5 5 5 3
5
Rhy. Fig. 2A End Rhy. Fig. 2A
3
3 3 5 5 5 3
3 3 5 5 5 5 5 3
5 5 5 5 5 5 5 3
5
Gtrs. 2 & 3: w/ Rhy. Figs. 2 & 2A (4 times)
Gm C/G C C7sus2 Gm C/G C C7sus2
pend on, no ten - go a na - di - e. Ain’t got no one, no ten - go a na - di - e, that I know
Gm C/G C C7sus2 Gm C/G C C7sus2
of, no ten - go a na - di - e, that I can de - pend on, no ten - go a na - di - e.
Interlude
Gm µ C5 G5
Gtr. 2
Play 8 times
3
3
3
5
5 1 1 1
3 1 3 3 3 3
Gtr. 3
3
3
3
5
1 3 3 1 3 1 3 1
3 3
7
Guitar Solo
C6 Gm
P.S.
f
steady gliss.
w/ wah-wah wah-wah off
1
15
0
18
0 0 1 2 2 3 7 X
0 0 1 2 2 3 7 X
0 0 1 2 2 3 7 X
Riff C End Riff C
3 3 1 3 1 3 1 1 1 1
1 3 3 3 3
Gtr. 3: w/ Riff C (6 times)
C6 Gm
Gtr. 2
1
1
15 15 15 15 15 15 15 15 15
18 18 18 18 18 18 18 18 18
17 17 15 15
C6 Gm
8va
loco
3
2 1 1
1
18 18 18 18 18 15 15
18 15
17 17 15 15
17
C6 Gm
6 3 3 3
1 1 1 1/2 1 1 1 1 1
15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15
15 17 15 17 18 18 18 18 18 18 18 18 18
8
C6 Gm
3 3
1/2
15
18 15 15 17 17 15 17 17 15 17 17 17 17 17
17 17 15 17 17 15 15 17 17 15 17 17 15 17 17 15 17 17 15 17 17 15
17 3 17
C6 Gm
7 6
15
15
15
15
15
15
15
15
15
15
15
15
15
15
15
15
15
15
15
15 3 2
3 2 3 2 0 3 2 0 3 2 0 3 2
17 17 17 17 17 15
17
C6 Gm
7 5
*
1
0 3 2 0 3 2 0 3 2 0 3 0 3 0 3
3 2 3 3 2 3 3 2
3 5 5 5
*Played ahead of the beat.
C6 Gm
Gtr. 4 (dist.)
f
15 17
17
*
Gtr. 2
1
3 5 6 8 8
2 3 5
2 3 3 2 3 5
5
Gtr. 3
3 3 1 3 1 3 1 1 1
1 3 3 3
9
Guitar Solo
Gtr. 3 tacet
C6 Gm
Gtr. 4
3
1
1 1
1
15
15 18 15 15
17 17 15 17 15 15 17 17 17 15 17 15 15 17 15 17
17 17 17 17 17
Gtr. 2
mf
5 5 3 5 3 5 5 3 3 3 3
5 5 3 5 3 5 5 3 3 3 3
3 5 5 5 5
C6 Gm
3
let ring
1 1 1 1 1 1 hold bend 1 1
15 15 15 15 15 15 15
18 15 15 15 15 15 15 15 15 15 15 15 15 15
17 17 17 17 17 17 17 17 17 17 17 15 17 15
Riff D End Riff D
5
5 5 3 5 3 5 3 3 3 3
5 5 3 5 3 5 3 3 3 3
5 5 5 5
5
C6 Gm
15 17 15 17 15
17 15 15 17 15 17 15 17 15 17 15
17 15 0 15 17 15 15 17 17 17 17 17 17 17 17
17 15 13 13 13 15 17
5 5 3 5 3 5 3 3 3 3 X 3 3
5 5 3 5 3 5 3 3 3 3 X 3 3
5 5 5 X 5 5
3 5
10
Gtr. 2: w/ Riff D (5 times)
C6 Gm
8va
Gtr. 4
3
3
1
1 1
15 20
15 X 15 15 15 18 15 18 20 18 18
15 X 15 15 15 17 17 17 15 17 15 15 17 19 19
17 17 17 17
C6 Gm
8va loco
3
let ring 3
1 1 1
1 1/2
20 20 20 20 18 20 18
20 20 20 18 20 18 15
19 17 17 15 17 15 17 17 17 15 17 15
17 17 6
C6 Gm
3
1/2 1 1 *1
3
3 6 3
5 5 3 5 5 3 3 5 5 5 5 5 5 3 5 3
6 5 5 5 3
*4th string unintentionally bumped while performing bend.
C6 Gm
5
1/4 1 1
3
3 6 3 3 6
3 5 3 5 5 5
3 5 3 5 5
5 4 3 1 3 3 1 1 3 5
3
C6 Gm
3
3
1 1 1
3
6 6 3 6 6 6 6 6 6 6 3
5 5 3 5 3 3 5 5
5
11
C6 Gm
Gtr. 4
3
1 1
1/2
8 8 8 6 8 6
6 8 6 6 8 8 8 8 10 10 8
3 5 5 3 3 5 7 7 7 9
5
Gtr. 2
5 5 5 5 5 3
5 5 3 5 3 5 3 3 3 5 5 5 5 5 3
5 5 3 5 3 5 3 3 3 5 5 5 5 5 3
3 5 5 5
Gtr. 3
1 3 3 1 3 1 3 1 1 1 1
1 3 3 3 3
Gtr. 3: w/ Riff C (4 1/2 times)
C6 Gm
Gtr. 4
3 3
1/2 1 1 1
10 8 8 10 10 8 10 8 15 17 18 18
9 9 10 12 15 17 17 15 17 17 17 17
17 17 17
Gtr. 2
5 5 3 5 3 5 5 5 5 5 5
5 5 3 5 3 5 5 3 3 3 3 3 3 3 5 5 5 5 3
5 5 3 5 3 5 5 3 3 3 3 3 3 3 5 5 5 5 3
5 5 5 5 5 5 5 5 3
3 5
/ 0
C6 Gm
/ 0
6
3 3/4 1
1 1 1 1 1/4 1 1/2 1
18 18 15 18 15 15 18 18 18
15 17 17 17 17 15 17 15 17 15 0 17 17 17 17 17 17
17 17 X 17 17 17 17 17 17 17
5 5 3 5 5 3 5 3 5 5 5 5 5 3 3 3 3 3 3 3 3 3 3 3
5 5 3 5 5 3 5 3 5 5 5 5 5 3 3 3 3 3 3 3 3 3 3 3 3
5 5 5 5 5 5
12
C6 Gm
3
3
1 1 1 1 1 1 1 1
18 18 18 18 18 18 18 18
17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 15 17 15
X 17 17
1/2 1/2 1/2
5 5 5 5 3
5 5 5 5 3 5 5 5 5 3 5 5 3 3 3 3 3 3
5 5 5 5 3 3 3 3 3 3
5 5 5 5 5 5
Gtr. 4: w/ Riff C (1 1/2 times)
C6 Gm C6
Gtr. 2
let ring
5 5 3 3 3 5 5 5 5 5 3 5
5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 3 3 3 3 3 3 5 3 5 3 5 5 5 5 5 3 5
5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 3 3 3 3 3 5 5 3 5 5 5 5 5 5 3 5
5 5 5 5 5 5 5 5
3
Gtr. 4 tacet
Gm µ
Gtr. 2 3 3
3
5 5 5 5
5 5 5 5
5 5 5 5
5 5 5 5
Gtrs. 3 & 4 Gtr. 3
0
1 1 1
3 3
13
Interlude
Gm C/G C C7sus2 Gm C/G
Gtr. 2
f 3
1
3 5
5 6 5 6 5 5 6 6 5
5 5 3 3
5 5
Gtr. 3
f
1 1 1 1
5 0 5 5 3 2 5 5 0 5 5
C C7sus2 Gm C/G C C7sus2
3 3
1 1
3
5 6 5 6 5
5 5 3 5 5 3
5 5
5 5
8 6 5
5 3 2
Gtr. 3: w/ Riff B
Gm C/G C C7sus2 Gm C/G
Gtr. 2
3
1 1
3 5 6
6 5 6 5 6 18
17 17
14
C C7sus2 Gm C/G C C7sus2
I ain’t
3
3
w/ pick
& finger
1 1 1 1 1
15 15 15 15
15 18 18
17 17 15 15 17 17 17 15 15 17 17 17 15
17 17 17 17
Chorus
Gm C/G C C7sus2 Gm C/G
got no - bod - y that I can de - pend on, no ten - go a na -
Gtr. 2
mf
3 3 5 5 5 3 3 X 5
3 3 5 5 5 3 3 X 5
5 5 5 5 3 5
5
Gtr. 3
mf
3 3 5 5 5 3 3 3 5
3 3 5 5 5 5 3 3 3 5
5 5 5 5 5 5 3 5 5 5
5
C C7sus2 Gm C/G
- di - e. I ain’t got no - bod - y
3
f
w/ pick & finger
15 15 15
5 5 3
5 5 3 3 15 17
5 5 5 17
5
1
5 5 3 5 3 X 5
5 3 X 5
5 3 1 5
3 X
15
C C7sus2 Gm C/G C C7sus2
that I can de - pend on, no ten - go a na - di - e.
3 3 3 3
w/ pick & finger mf
1 1/2
15 15 15 15
17 15 17 17 15 15 17 17 17 17 17 17 15 X 5 5 5 3
17 X 5 5 5 5
3
3
5 5 5 3 3 3 5 5 5 3
5 5 5 5 5 3 5 5 5 5 5
5 3 5
3
Outro
Gtr. 3: w/ Rhy. Fig. 1 (1 1/2 times)
Gm
8va
Gtr. 2
3 3 3 3 13 15 15 15 15 15 15 15 15 15 18 18 18 18 18 18 18 18 18
3 3 3 3 13 15 15 15 15 15 15 15 15 15 20 20 20 20 20 20 20 20 20
3 3 3 3 3 13 15 15 15 15 15 15 15 15 15 19 19 19 19 19 19 19 19 19
5 5 5 5 5 5 5 5 5 20 20 20
5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3
µ Gm µ
Gtr. 2 loco
*w/ delay
5 5 5 5
6 6 5 3 3 3
3 3 3
5 5
5 5
3 3
*Set for quarter-note
regeneration w/ 7 repeats.
Gtr. 3
**w/ delay
3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3
5 5 5 5 5 5 5 5 5 5 5
**Set for quarter-note
regeneration w/ 7 repeats.
16
from Santana - Abraxas
Oye Como Va
Words and Music by Tito Puente
Intro
Moderately fast q = 128
Gtr. 1 tacet
**Am7 D9 Am7 D9 Am7 D9
*Gtr. 1 Play 4 times Gtr. 2 (dist.)
mf mf p mf
555 5 5 7 8 10 7
5
5 5 5 5 5 5 5 7 8 10 7
5 5 5 5 5 8 10 10
5 5 5 5 5 7 5
5 5 4 4 4
*Organ arr. for gtr.
**Chord symbols reflect overall harmony.
Am D6 Am D Am
mp mf
1
7 5 5 5 5 5 5 5 5 5 5 7 5 5 5 5 5 5 5
8 5 5 5 5 5 5 5 5 5 7 5 5 5 5 5 7 5 5
7 7 7 5 5 5 5 5 5 5 5 5 5 7 5 5 5 5 5 7 5 5
5 7 7 7 7 7 7 7
Verse
Am7 D7 Am7 D
Oy - e co - mo va, mi rit - mo. Bue - no pa go - zar, mu - la - ta.
Rhy. Fig. 1 End Rhy. Fig. 1 Rhy. Fig. 2 End Rhy. Fig. 2
mp
5 5 5 5 5 5
5 5 5 3 3 3 5 5 5 7 7 5
5 5 5 5 5 5 0 5 5 5 7 7 5
5 5 5 4 X 4 4 0 5 5 5 7 7
5 X 5 5 0
Guitar Solo
Am7 D9
mf
5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 7 5 5 8 5 8 6 7
5 5 5 5 5 5 5 5 7 5 7 7 5 7 5
7 7 5 7 0 7 7 5
7
Copyright © 1962 EMI Full Keel Music
Copyright Renewed
All Rights Administered by Sony/ATV Music Publishing LLC, 424 Church Street, Suite 1200, Nashville, TN 37219
International Copyright Secured All Rights Reserved 1
Am7 D9 Am7 D9 Am7 D9
let ring
let ring let ring
5 5 5
5 8 5 8 6 7 5 5 8 5 8 6 7 5 8 5 8 6 7
5 5 5 7 5 7 7 5 5
7 7 7 7 7
Am7 D9 Am7 D9
5 5 6 7 8 8 5 5 8 5 8 8 5 5 8 8 5 5 8 5 5
7 6 7 6 7 5
5 7 7 5 5
6 7 7
Am7 D9 Am7 D9
3
8 8 5 5 8 5 8 8 5 5 8 8 5 7 5 5 8 5 5 5 12
6 7 5 6 7
5 7 5
6 7 7
Am7 D9 Am7 D9
3
1/2
8 5 8 5 8 5 8 5 8 5 8 12 8 8 5 8 5
10
7 7 7 5 7 5
Interlude
Am7 D9 D7/F# G5 G#5 A5 Am7 D
Play 3 times
5 5 5 5 5 5 5 5 5 7
let ring
5 5 5
5 5 5 7 7 7
5 5 5 7 7 7
4 5 6 7 5 5 5 7 7 7
Am Am (,7)/G# D9/G D9/F# Am Am (,7)/G# D9/G D9/F#
let ring let ring let ring let ring
mp
let ring let ring let ring
5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5
7 6 5 4 5 6 7 6 5 4 4
2
Am Am (,7)/G# D9/G D9/F# Am Am (,7)/G# Am7/G
3
let ring let ring let ring let ring mf
5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
7 6 5 4 5 6 7 7 7 7 6 6 6 5 5 5 5 5 5 5 5
Organ Solo Bridge
Gtr. 2: w/ Rhy. Fig. 2 (11 times) Gtr. 2: w/ Rhy. Fig. 2 (2 times)
Am7 D Am7
Gtr. 2
5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 7 5
5 5 5 5 5 5 5 5 5 7 5
5 5 5 5 5 5 5 5 5 7 5
Verse
1st time, Gtr. 2: w/ Rhy. Fig. 1 (2 times)
2nd time, Gtr. 2: w/ Rhy. Fig. 2 (2 times)
Am7 D7 Am7 D7
Oy - e co - mo va, mi rit - mo. Bue - no pa go - zar, mu - la - ta.
Bridge
D7
Gtr. 2
5 10 12
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
Guitar Solo
Am7 D9 Am7 D9
3
f 1/2 let ring
8 5 5 8 5 8 8 5 5 8 8 5 7 5 5 8 5 5
6 7 6 7 5
5 7 7 5 7 7 7 5 5 7 5
7 7
Am7
D9
Am7 D9
3
8 8 5 5 8 5 8 8 5 5 8 8 5 7 5 5 8 5 5 5 12
6 7 6 7
5 7 7 5 6 7
7
3
Am7 D9 Am7 D9
8va
loco
1 1 1
1
1
1
1
1 1/2
17 5 5 5 5 5
20 20 20 20 17 18 19 X 8 8 8 8 8 5
17 17 17 7
Am7 D9 Am7 D9
let ring
1/2
hold bend
1/2 1
5 5 5 0 5 5 5 5 5
7 5 5 5 7 7 7 7 5 5 5 5 5
7 7 7 5 5 7 5 7 5 7 5
7 5 3 5 3
Am7 D9 Am7 D9
5 8 5 8 5 8 5 12 5 8 5 10
5 7 5 5 7 7 5 5 5
5 7 5 5 7 7 5 5 5
7 5
7
Am7 D9 Am7 D9
5 8 5 8 8 5 8 5 8 5 8 5 8 5 8 8 8 8 5 8 5 8 5
Outro
Am D Am D Am
Uhh!
mf mp p mf
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 7 5 5 5 5 5 7 5 5
5 5 5 5 5 5 5 5 5 7 5 5 5 5 5 7 5 5
7 7
4
from Santana - Abraxas
Samba Pa Ti
Words and Music by Carlos Santana
A
Moderately slow q = 88
G Bm
Gtr. 1 (elec.)
mf p mf p
w/ thumb
w/ dist.
4 5 8 6 7 7 8 7
4 5 7 5 7 7 4 4 7
7 5 9
Gtr. 2 (acous.)
p
let ring throughout
*T
3 3 3 3 3 3 3 7 7 7 7 7 7
4 4 4 4 4 4 4 7 7 7 7 7 7 9 7
5 5 5 5 5 5 5 9 9 9 9 9
5 5 5 5 5 5 5 9 9 9 9 9
3 3 3 3 3 3 3 7 7 7 7 7
*T = Thumb on 6th string
Em Am G
3
3 3
mf p
4 5 8
4 5 7 5 7 7 4 4 7
7 5
T
0 0 0 0 0 0 0 5 5 5 5 5 5 5 3 3 3 3 3 3 3
0 0 0 0 0 0 0 5 5 5 5 5 5 5 4 4 4 4 4 4 4
2 2 2 2 2 2 2 7 7 7 7 7 7 7 5 5 5 5 5 5 5
2 2 2 2 2 2 2 7 7 7 7 7 7 7 5 5 5 5 5 5 5
0 0 0 0 0 0 0 5 5 5 5 5 5 5 3 3 3 3 3 3 3
Copyright © 1970 by Universal Music - Careers
Copyright Renewed
International Copyright Secured All Rights Reserved 1
Bm Em Am
p mf
mp w/ pick
1
5 7 5 7 5 5
6 7 7 7 8 7 8 8 5 8
T T
5
7 7 7 7 7 7 7 0 0 0 0 0 0 0 5
7 7 7 7 7 7 7 0 0 0 0 0 0 0 5
9 9 9 9 9 9 7 2 2 2 2 2 2 2 7
9 9 9 9 9 9 9 2 2 2 2 2 2 2 7
7 7 7 7 7 7 7 0 0 0 0 0 0 0 5
D Am D
6 3
mp
1 1
5 7 5 7 5 7 5
8 10 8 8 5 8 8 5 5 7 5
7
T
5
5
7 5 7
7 7 7
9 7 9
10 5 10
Am Bm
5 5 4 5 7
7 7 5 4 5 7 4 7 4 4 7
7
T
5
5 5 5 5 5 7 7 7 7 7 7 7 7
7 5 5 5 5 5 7 7 7 7 7 7 7 7
7 7 7 7 7 7 9 9 9 9 9 9 9 9
9 7 7 7 7 7 9 9 9 9 9 9 9 9
10 5 5 5 5 5 7 7 7 7 7 7 7 7
2
Am D
mf mp
1 w/ thumb
5 7 5 7 5 5 5
8 8 5 8 8 4 5 8
4 5 7
7
T
5 5 5 5 5 5 5
5 5 5 5 5 5 5 7
7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 9
5 5 5 5 5 5 5 10
B
G Bm Em
3 3
p
6 7 7 7 8 7
5 7 4 7
9
T 3
7
3 3 3 3 3 3 3 7 7 7 7 7 7 7 0 0 0 0 0 0 X X X X
4 4 4 4 4 4 4 7 7 7 7 7 7 7 9 7 0 0 0 0 0 0 X X X X
5 5 5 5 5 5 5 9 9 9 9 9 9 2 2 2 2 2 2 X X X X
5 5 5 5 5 5 5 9 9 9 9 9 9 2 2 2 2 2 2 X X X X
3 3 3 3 3 3 3 7 7 7 7 7 7 0 0 0 0 0 0 X X X X
Am G Bm
3
mp p
4 5 8 6 7 7 7 8 7
4 5 7 5 7 4 7 7 9 7
7 9
T
5
5 3 3 3 3 3 3 3 7 7 7 7 7 7
5 4 4 4 4 4 4 4 7 7 7 7 7 7 9 7
7 5 5 5 5 5 5 5 9 9 9 9 9
7 5 5 5 5 5 5 5 9 9 9 9 9
5 3 3 3 3 3 3 3 7 7 7 7 7
3
Gtr. 3 tacet
Em Am7 D
Gtr. 1
3 mf
1/2 w/ pick 1 1
5 7 5 7 5 5 7
8 5 8 10
14 14 14 12
14
Gtr. 3 (elec.)
mf
3 3
1 1
12 12
12 15
12 14 14 12 12 14
14
Gtr. 2
T 3
0 5 5 5 5 5 5 5
0 5 5 5 5 5 5 5 7 7 9 7
2 7 7 7 7 7 7 7 7 9
2 7 7 7 7 7 7 7 9
0 5 5 5 5 5 5 5 10
Am D
Gtr. 1
6
mp
5 7 5 7 5 3 5
8 5 5 5 7 5 5 5
7 7 5 4 5 7
Gtr. 2
T
5 5 5 5 5 5 5
5 5 5 5 5 5 5 7
7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 9
5 5 5 5 5 5 5 10
Am Bm Am
3
p mf
1
5 7 5 7 5 5 5
8 8 5 8 8
7 7 8 9 7 7
7 7 8 9 9 9
3
T T
5
5 5 5 5 5 5 7 7 7 7 7 7 7 5 5 5 5 5 5
5 5 5 5 5 5 7 5 7 7 7 7 7 7 7 5 5 5 5 5 5
7 7 7 7 7 9 9 9 9 9 9 9 7 7 7 7 7 7
7 7 7 7 7 9 9 9 9 9 9 9 7 7 7 7 7 7
5 5 5 5 5 7 7 7 7 7 7 7 5 5 5 5 5 5
4
C
D G
*p mp mf
1
5 5 7 3 3 3 5 7 7
8 10
*Vol. swell
T
3 3 3 7 7
7 4 4 4 7 7
7 5 5 5 9 9
9 5 5 5 9 9
10 3 3 3 7 7
Bm Bbm Am D
Gtr. 1
1
7 5 7 5 7 5 5
10 7 8 7 7 8
9
Gtr. 3
1 1
10 12 12 5 7 5 7 5 5
13 15 15 8 7 7 8
Gtr. 2
T
7 7 7 7 6 5 5 5 7 7 7 7 7 7 7
7 7 7 7 6 5 5 5 7 7 7 7 7 7 7
9 9 9 9 8 7 7 7 7 7 7 7 7 7 7
9 9 9 9 8 7 7 7 5 5 5 5 5 5 5
7 7 7 7 6 5 5 5
5
G Bm Bbm Am
grad. release
1 1
3 3 3 5 7 7 5 7 5 7 5
10 7 8 7
9 9
grad. release
1
1
3 3 3 5 7 7 8 8 5 7 5 7 5
10 8 7
T
3 3 3 7 7 7 7 7 7 6 5 5 5 7 7
4 4 4 7 7 7 7 7 7 6 5 5 5 7 7
5 5 5 9 9 9 9 9 9 8 7 7 7 7 7
5 5 5 9 9 9 9 9 9 8 7 7 7 5 5
3 3 3 7 7 7 7 7 7 6 5 5 5
Gtr. 3 tacet
D G Am
Gtrs.
1&3
Gtr. 1
5 3 5 5 7
7 7 8 3 3 3 5
Rhy. Fig. 1 End Rhy. Fig. 1
Gtr. 2
T
7 7 7 7 7 3 3 3 3 3 3 3 X 5 5 5 5 5 5 5
7 7 7 7 7 4 4 4 4 4 4 4 X 5 5 5 5 5 5 5
7 7 7 7 7 5 5 5 5 5 5 5 X 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5 5 5 5 5 X 7 7 7 7 7 7 7
3 3 3 3 3 3 3 X 5 5 5 5 5 5 5
Gtr. 2: w/ Rhy. Fig. 1 (till fade)
G Am G Am
Gtr. 1
3 5 3 5 5 7 7 5 3
3 3 3 5 3 5 3 3 5 3 3 3 5
6
G Am G Am
3
3 5 9 10 10 10 10 10 10 8 7 7 5 5 7
3 3 3 5 3 5 3 3 8 7 8
G Am G
let ring
3
1 1 1
3 0 7 10 10 10 10 10 7 10 7 10 10
3 5 3 5 3 3 0 0 3 0 10
2 2 2 0
2
Am G Am G
3
1
1
10 8 7 7 5 5 7 3 12
8 7 8 3 5 3 15 15 15 15 15 15 15 15 15 15 12
14 14 12
14
Am G Am
1
1 1
1 1
12
15 15 12 15 15 15 12 15 15 15 12 15 15 15
12 14 14 14 14 12
14
G Am G
8va
3
1
1 1 1 1 1 1
12 15 15 12
12 15 12 15 15 12
12 14 14 14 14 14 14 12 14 14 14 12 14 14 12
14
7
Am G Am
loco
8va
1
12 14 14 15 15 17 17 15 15 14 14 12 12 10 12 12
12 12 13 12 10 12 10 8 10 8 8 7 5 5
7
G Am G
8va
3
3 3
1
1 1 1 1 1 1 1 1
5 12 12 17
5 15 12 12 15
7 7 7 7 5 5 14 14 14 12 14 14 12 12 14
14
Am G
loco
8va
6
1/2
17 17 15 17 12 14 15 14 12 14 12 10 12 10 8 7 5 3 5
17 17 5
Am G
3 3
3
let ring let ring
1
5 5 7 5 5 5 11 12 12 10 10 10 8 8 7 7 5 5 3 3
5 7 8 8 7 5 5
7
Am G Am
3
let ring
1 1
3 2 2 0 3 5 7 7 10 10 6 7 5 7
3 1 1 0 0 10 5 3 3 5 3
2 0 7 7
8
G Am
3 3 3
7 12
5 3 0 3 5 3 0 3 5 3 0 3 5 3 0 3 5 3 0 3 5 3 0 3 5 3 0 3 5 3 0 3 5 3 0 3 5 3 0 3 5 3 0
G Am
8va loco
1 1
22 22 21 21 20 20 19 19 17 17 15 14 12
15 15 12
14
G Am
8va
loco
6 3
1
1 1 1 1 1
12 12 12 15 15 12 15
12 15 12 12 15 12 12 15 12 12 15 12 12 15
14 14 14 14 14 12 14 14 12
G Am G
1
8
14 12 12 7 8 7 7
15 12 15 3 10 10 8 10 8 10
14 14 12 12 12 1
14
Am G Am G
let ring
1/2 1/2
5 0 0 12 10 12 12 14 12 14 12
5 5 5 5 15 12 15 15 15
9
Begin fade
Am G Am
1
1 1 1 1
12 14 12 14 12
15 15 12 15 12
14 14 12 14 14 12 14 14 14 12 14 14 14 12
G Am
6 3
1 1 1 1 1 1 1 1/2
12 12 12 12
12 12 12 12 12 15 12 15 12 12 12
14 14 14 14 14 14 14 14 12 12 12 X X X
14 X
X
G Am G
8va
w/ heavy reverb 1/4
3 2 0 3 5 0 5 3 0 2 22
3 0 3 5 0
0
4 0 2
0 2 2 2 0
3 0 3
Am G Am
loco
6
1 1 1 1 1
12 12 10 10 7 7 5 5 3 3 5 0 0
3 3 0 0 3 0
14 14 12 14 14 12 2 2 0 2 2
2
Fade out
G Am G
8va
loco
3
3 3
1 1 1
1 1 1
11 12 12 15 17 20 20 22 7 7
15 12 15 12 10 8 7 10
14 14 12 14 12 12 9 7 9
12 12
10
from Santana - Supernatural
Smooth
Words by Rob Thomas
Music by Rob Thomas and Itaal Shur
Intro
Moderately q = 116
µ **Am F E7 Am F E7
*Gtr. 1 & 2 (dist.)
3
3 3
mf 1/2
12 12 12 12 13
12 14 13 14 14 14 14 14
12 14 14
*Gtr. 2 w/ octaver set for an octave above.
Composite arrangement **Chord symbols reflect overall harmony.
Am F E7 Am F E7
1. Man, it’s a
1 fdbk.
1/2 1 1/2 1
8
7 7 7 5 7 5 4
7 6 7 7 9 7 7
Verse
Gtrs. 1 & 2 tacet
Am F E7 Am F E7
hot one, like sev - en inch - es from the mid - day sun.
Dm7 Dm7/C Bm7b5 E/G#
Well, I hear your whis - per and the words melt ev - ’ry - one, but you stay so
Am F E7
cool. 2. My Mu - ñe -
Gtr. 1
3
12 13 12 15 13 12 12
14 12 13 12 12 14
10 12
10 12
12
Copyright © 1999 EMI April Music Inc., EMI Blackwood Music Inc., U Rule Music, Warner-Tamerlane Publishing Corp. and Itaal Shur Music
All Rights on behalf of EMI April Music Inc., EMI Blackwood Music Inc. and U Rule Music Administered by
Sony/ATV Music Publishing LLC, 424 Church Street, Suite 1200, Nashville, TN 37219
All Rights on behalf of Itaal Shur Music Administered by Downtown DMP Songs
International Copyright Secured All Rights Reserved 1
Verse
Am F E7 Am F E7
qui - ta, my Span - ish Har - lem Mo - na Li - sa. Well, you’re my rea - son for
1 1 1
15 15 13 15 15
14
Dm7 Dm7/C Bm7b5 E/G# Am F E7
rea - son, the step in my groove, yeah. And if you said
1 1 1
12 15 12 12
15 15 15 13 15 15 15 15
Pre-Chorus
Gtr. 1 tacet
Am F E7 Am F E7
this life ain’t good e - nough, I would give my world to
Am F E7
lift you up. I could change my life to bet - ter suit your mood
Dm7 Dm7/C Bm7b5 G7
be - cause you’re so
Gtr. 1
let ring
12 13 12
14 14
12 12 12 14 15
12
2
Chorus
F#7sus4 E7 Am F E7
smooth. Well, and it’s just like the o - cean
1 1 1
12 12 15 12 12
15 15 15 15 15 13 15 13 15 13 15 13
14
Gtr. 1 tacet
Am F E7 Am F E7
un - der the moon. Well, it’s the same as the e - mo - tion that I get from you. You got the kind of lov - in’ that can
Dm7 E µ
be so smooth, yeah. Gim - me your heart, make it real or else for - get a - bout it.
Gtr. 1
10 0
10 0
10 1
X 10 2
X 2
0
Interlude
Am F E7 Am F E7
3. Well, I’ll tell you
Gtrs. 1 & 2
3 3
1/2
1
12 12 12 12 13 15 15
12 14 13 14 14 14 14
3
Verse
Gtr. 2 tacet
Am F E7 Am F E7
one thing, if you would leave it’d be a cry - in’ shame. In ev - ’ry breath and ev - ’ry
Gtr. 1
1
15 15 13 13
14 14 14 7 9 7 9
Dm7 Dm7/C Bm7b5 E/G# Am F E7
word I hear your name call - in’ me out, yeah. 4. Well, out from the
12 13 12 15 13 12 12
12 14 14 13 14 13 14
12 14 12 14
Verse
Am F E7 Am F E7
bar - ri - o, you hear my rhy - thm on your ra - di - o. And you feel the turn - ing of the
14 14
Dm7 Dm7/C Bm7b5 E/G# Am F E7
world so soft and slow, turn - in’ you ’round and ’round. And if you said
mp mf
* 1 1 1
12 15 12 12
13 15 15 15 15 13 15 15 15 15
14
12 15
12
10 13
*Roll tone control off.
4
Pre-Chorus
Gtr. 1 tacet
Am F E7 Am F E7
this life ain’t good e - nough, I would give my world to
Am F E7
lift you up. I could change my life to bet - ter suit your mood
Dm7 Dm7/C Bm7b5 G7 F#7sus4 E7#9
be - cause you’re so smooth.
Gtr. 1
3
1 1 1
12 12 15 12 12
12 13 15 13 15 13 15 15 15 15 15
14
12 14 15
Chorus
Am F E7 Am F E7
Well, and it’s just like the o - cean un - der the moon. Well, it’s the same as the e - mo - tion that I
15 13 15 13 15 13 15 13 12 12 13 15
14 14
Am F E7
get from you. You got the kind of lov - in’ that can be so smooth, yeah.
12 13 12 12
13 15 13 15 15 15 13 13 15 13 15 13 15 13 13
5
Dm7 E µ Eº7 Fº7 F#º7 Gº7 G#º7
Gim - me your heart, make it real, or else for - get a - bout it. Yeah!
10 0
10 0
10 1
10 2
0
Guitar Solo
Am F E7 Am F E7
Gtrs. 1 & 2
1/2
7 7 7 7 8 7
8 10 9 9 10 10 9 9 10
9
Am F E7 Am F E7
7 7 8 8 7 7 8 7
10 9 8 10 10
0 7 9 7 9 7 9
Gtr. 2 tacet
Am F E7 Am F E7
8va
Gtr. 1 3
3
1 1 1 1/2
15 15 15 15 12 12 12 19 19 17 17 17 19 20 19
15 17 19 17 17 17 17
19 17 19 19 19
Am F E7 Dm7 Dm7/C Bm7b5
8va
3
3 3 3 3
1 1
1 hold bend 1 hold bend 1
20 19 20 19 20 19 20 19 20 19 20 19 20 20 20 20 20 20 17 17 17 17 17 17 17 17 17
20 20 20 20 20 20 20 18 17 17
0 19 19
6
G7 F#7sus4 E7
And it’s
8va
8va loco
1
13 14 16
17 12 12 13 14 15 15 16 17 18 19 20
17 20 17 0 X X X X X X X X X X X
19 19 17 17 19 0 9 9 10 11 12 12 15 17
19 0
0
Chorus
Am F E7 Am F E7
just like the o - cean un - der the moon. Well, it’s the same as the e - mo - tion that I get from you. You
loco
12 12 13 15 13 15 15
14 14
Am F E7 Dm7 E5 µ
got the kind of lov - in’ that can be so smooth, yeah. Gim - me your heart, make it real or else for - get a - bout it,
12 13 12 12 10
15 13 13 15 13 15 13 15 13 13 10
10
10
14 14
12 12 12
Outro-Guitar Solo
Am F E7 Am F E7
or else for - get a - bout it, or else for - get a - bout it.
Gtrs. 1 & 2
3 3
1/2 1
12 12 12 12 13 15 15
12 14 13 14 14 14 14
7
Am F E7 Am F E7
Ah, let’s all for - get a - bout it. Ah,
(Gim - me your heart, make it real
3
3
1/2
12
12 12 12 12 13 13 12 13 12
12 14 X 0 13 14 14 14 12 14 14 14 12
X 0 14
Gtr. 2 tacet
Am F E7
let’s all for - get a - bout it, yeah. Let’s all for - get a - bout it.
Or else for - get a - bout it. Ah, let’s all for - get a - bout it.)
Gtr. 1
12 12 12 12 12 12
13 13 13 13 13 13 12 15
12 14 14 14 14 12 14 14 14 14
Am F E7 Am F E7
Yeah, ah, no. Oh, let’s all for - get a - bout it. Oh, no, no. Oh,
*
3
1
12 12 12 12 12 12 12 11 12 15 12 15 12 12
0 13 13 13 13 13 13 12 15 15 15
*Played behind the beat.
Am F E7
let’s all for - get a - bout it. Hey, ah. Oh, let’s all for - get a - bout it.
8va
3
3 3 3
1/2 1/2
1
17 17 17 17 17 17 17 17 19 19 19 19 19 19 19 19 19 17
15 15 15 17 15 17 15 17 15 17 17 17 17 17 17
8
Am F E7 Am F E7
8va
3 3 1 1
1 1 1 1 1
17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 19 20 20 20 20 17
20 20 20 20 17 20 17
19 19 19 17 17 19 19 17
19
Am F E7 Am F E7
8va
loco
3 3
13 12 12 13 12 15 12
19 17 19 17 19 17 19 14 14 14 14 14 14
0 14 12 14 15 14
0
Begin fade
Am F E7
8va
6 6
3
12 12 17 19 20 19 20 19 17 20 19 17 20 19 17 20 19 17
12 13 15 15 17
12 14 12 14
14 12 14 12 14 15 15
12 12 15
Am F E7
8va
6 6 6 6 3
3 1
20 19 17 20 19 17 20 19 17 20 19 17 20 19 17 20 19 17 20 19 17 21 22 20 19 22 20 19 22 20 19
22 22
Am F E7 Am F E7
8va
1 1 3
1/2
22
22
22
22 22 20 22
22 20 22 22 20 22 22 20 22 20 19 18 17
19
Fade out
Am F E7
8va
3
20 22 20 19 19 20 19 20 19
17 22 22
19 17 14 14 21 21
9
from Santana - Santana
Soul Sacrifice By Carlos Santana
A
Moderately fast q = 136
*Am
(Percussion) Gtr. 1 (clean)
mp
5
5 5 5
5 7 5
7 5
*Chord symbols reflect overall harmony.
5 5
5 5 5 5
5 0 5 5 5
7 0 7 7 7
7 7 7 7
C6 D C6 Am µ
mf
w/ slight dist.
5 5 5 5 5 5 5 5 5
5 5 5 5 5 7 5 5 5 5 5
5 5 5 5 5 7 5 5 5 5 5
7 7 7 7
7 7
Am C6 D C6 Am µ Am C6 D C6
5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 7 5 5 5 5 5 5 5 5 7 5 5
5 5 5 7 5 5 5 5 5 5 5 5 7 5 5
7 7 7 7 7
7 7 7
Copyright © 1970 by Universal Music - Careers
Copyright Renewed
International Copyright Secured All Rights Reserved 1
B
Am Am7
5
5 7
5 5 5 8 5 7 5 5 5 5 8 5
5 5 5
7 7
7
1/2
8 8 8 8 5 8 8 8 5
7 5 5 5
5 5 7 7
7
8 8 8 8 5 5 X 5 8 5 8 8 12 8
5 5 8
5
8 5 8 5 8 11 12 8 12 8 5 8 5
5 5 8
5 12 12 15 12 5 X 5 8 5
5 8 5 5 8 5
2
Bm7 Am7
8va
5 7 7 8 8 10 10 10 12 12 12 17 17 12 17 12 17 14 17 12 17 14 17
7 5 7 8
4 5 7
Bm7 Am7 Bm7
8va
P.M. P.M.
17 14 17 X 17 14 17 12 17 X 17 14 17 17 X 17 17 X 17 17 X 17 17 X 17 17 14 17 17 X 17 17 X 17 17 X 17 17 14 17 17 14 17
0
Am7 Bm7 Am7
8va loco
P.M. P.M. P.M. P.M. P.M. P.M. P.M.
17 12 17 17 12 17 17 12 17 17 12 17 17 12 17 17 12 17 17 12 17 17 12 17 17 17 5 X 5 X 5 X 5 X 5 X X
17 5 X 5 X 5 X 5 X 5 X X
5 X 5 X 5 X 5 X 5 X X
5 X 5 X 5 X 5 X 5 X X
C
3
(Percussion)
3
5 X 5 X 5 7 5 5
5 X 5 X 5 7 5 7 5 5
5 X 5 X 5 7 5 7 5 5
5 X 5 X 5 7 5 7 5 5 7
5 7
D
Am C6 D C6 Am µ Am C6 D C6 Am µ
5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 7 5 5 5 5 5 5 5 7 5 5 5 5 5
5 5 5 5 7 5 5 5 5 5 5 5 7 5 5 5 5 5
7 7 7 7 7 7
7 7 7 7
3
Am C6 D C6 Am
5 5 5 5 5
5 5 5 7 5 5 5
5 5 5 7 5 5 5
7 7 7
7 7
E
Am D6 Am
5 5 7 7 5 5 5 5 5 5
5 5 7 X 7 7 7 7 5 5 5 5 5 5
5 5 X X 7 X 7 7 7 7 X X X X 5 X X X 5 X 5 5 5 5 X X
7 7 X X 7 X 7 7 7 7 X X X X 7 X X X 7 X 7 7 7 7 X X
7 7 X X X X X X 7 X X X 7 X 7 X X
D6 Am
5 5 5 7 7 5 5 5 5 5 5 5
5 5 5 7 X 7 7 7 7 5 5 5 5 5 5 5 5
X X 5 5 5 X X 7 X 7 7 7 7 X X X X 5 5 X X 5 X 5 5 5 5
X X 7 7 7 X X 7 X 7 7 7 7 X X X X 7 7 X X 7 X 7 7 7 7
X X 7 7 7 X X X X X X 7 7 X X 7 X 7
D Am D Am
8 5 7 7 5 5 8 5 7 7 5 5
7 7
D Am D Am
3 3
5 7 5 7 5 0 7 5 7 5 0 0
8 8
4
D Am D Am
3 3
3
f
12 10 12 10 0 12 10 12 10 7 12 12
13 13
F
Am D Am D
8va
3
3 3
P.M. P.M. P.M. P.M.
17 12 17 12 17 12 17 12 17 14 17 17 17 17 17 17 17 17 12 17 17 12 17 19 19 17 17 17 15 15 15 14 14
0
Am D
loco
12 12 10 10 8 8 7 7 5 8 7 5 5 8 7 5 5 8 7 5 5
8 8 8
Am D Am
3
3 3
3 3
7 8 7 5 7 5 5 7 7 8 8 10 10 10 12 12 12 12 12
8 8 7 6 5 5 7 8
7 5 4 5 7
7
D Am D
3 3
11 12 0 0 11 12 12 0 11 12 0 0 11 12 12 0 11 12 0 0 0 12 0 0 0 10 0 0 0 8 0 0 0 7 0 0 5 7
8 5 7 8 7
7
5
Am D Am D Am
3 3 3 3
5 7 5 7
5 5 8 5 7 8 7 5 5 5 8 5 7 8 7 5
7 7
Am7 Am13 Am D
Play 24 times
mf
5 5 5 5 5
8 8 7 7 5 5 7 7 7 5 X X
5 5 X X X 5 5 X X X 5 5 7 7 7 5 X X
5 5 X X X 5 5 X X X 7 7 X X X X 7 7 7 5 0
7 7 X X X 7 7 X X X 7 7 X X X X 0
0
Am7 Am13 Am D
Play 4 times
grad. dim.
5 5 5 5
8 8 7 7 5 X X X 7 5 X X
5 5 X X X 5 5 X 5 X X X 7 5 X X
5 5 X X X 5 5 X 7 X X X 7 5 X X
7 7 X X X 7 7 X 7 7
5 0
Am7 Am13 Am D Am7 Am13 Am
p pp
1
5 5 5 5
8 7 5 5 7 7 5 X 8 7 5
5 X X 5 X 5 5 7 7 5 X 5 X X 5 X 5 7 7 5
5 X X 5 X 7 5 X X 5 X 7 7
7 7 7
Am7 D7 Am
5
mp
3
4 5 7
5 7 8
5 5 7 7 8 8 10 10 10 12
12
12
5
5
5
5
5
5
5
5
5
5
5
7 7
7
6
I
Slower q = 116
Am
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
A tempo
Am C6 D C6 Am µ Am C6sus4 D C6sus4
mf
5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 7 5 5 5 5 5 5 5 6 6 7 6 6
5 5 5 5 7 5 5 5 5 5 5 5 5 5 7 5 5
7 7 7 7 7 7
7 7 7 7
Am D Am D Am D
5 5 5 5
5 7 7 7 5 5 7 7 7 5 5 7 7 7 5
5 X 7 7 X 7 5 5 X 7 7 X 7 5 5 X 7 7 X 7 5
7 X 7 7 X 7 5 7 X 7 7 X 7 5 7 X 7 7 X 7 5
7 X X 7 X X 7 X X
Am µ Am
5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5
7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 7
Am['9]
5 5 5 5 5 5 7 7 7 7
5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5
7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 7 7
7
from Santana - Santana III
Toussaint L’Overture
Words and Music by Michael Shrieve, Gregg Rolie, Michael Carabello, Carlos Santana, Jose Areas and Michael Brown
Cm
8fr
13411
A
Moderately fast q = 135
(Drums)
Cm Bb Ab G
*Gtr. 1 (dist.)
f
1 1 1 1 hold bend 1
8 10 8 10 10 11 10 8
11 11 8 11 8 11 11 11 11 11 8 11
10 10 10 8 8
10
*Carlos Santana
Rhy. Fig. 1 End Rhy. Fig. 1
**Gtr. 2 (dist.)
mf
8 8 6 6 4 3 3
8 8 7 7 5 4 4
10 10 8 8 6 5 5
10 10 8 8 6 5 5
8 8 6 6 4 3 3
**Neal Schon
Gtr. 2: w/ Rhy. Fig. 1 (2 times)
Cm Bb Ab G
8va
loco
Gtr. 1
mp mf
***
1 1
13 13 13 13 13 13 13 10 11 10 11 10 11 10 11
13
13
***Vibrato and release bend simultaneously.
Copyright © 1971 by Universal Music - Careers
Copyright Renewed
International Copyright Secured All Rights Reserved 1
Cm Bb
11 11 10 9 8
1
8
1
X
11 10 9 8 8 11 8 X
10 10 10 8 10 8 X
Ab G
1 1
1
10 10 10 8 10 8 10 8 8 10 10 8 7 8 10 8 10 8 10 8
10 10
Cm Bb
Gtr. 1
8 8 8 8 8 8 8 8 8 8
8 10 8 10 8 10 8 10 8 10 8 10 8 10 8 10 8 10 8 10 8 10
Gtr. 2
8 8 8 8 8 6 6 6
8 8 8 8 8 6 6 6
8 8 8 8 8 7 7 7
10 10 10 10 10 8 8 8
10 10 10 10 10 8 8 8
8 8 8 8 8 6 6 6
Ab G µ
mf
8 8 8 8 8 8
8 10 8 10 8 10 8 10 8 10 8 7
8 10
4 4 4 4 3
4 4 4 4 3
5 5 5 5 4
6 6 6 6 5
6 6 6 6 5
4 4 4 4 3
2
B
Cm Bb/C Cm G9 Cm Bb/C Cm
Rhy. Fig. 2 End Rhy. Fig. 2
8 8 8 8 10 8 8 8 8 8
8 8 8 8 10 10 8 8 8 8 8 8
8 8 8 8 10 10 8 8 8 8 8 8
10 8 10 10 10
8 10
Rhy. Fig. 2A End Rhy. Fig. 2A
mp
8 8 6 6 X 8 8 8 6 6 X 8
8 8 6 6 X 8 8 8 6 6 X 8
8 8 7 7 X 8 8 8 7 7 X 8
10 10 8 8 X 10 10 10 8 8 X 10
10 10 8 8 X 10 10 10 8 8 X 10
Gtr. 1: w/ Rhy. Fig. 2 (8 times)
Gtr. 2: w/ Rhy. Fig. 2A (19 times)
Bb/C Cm G9 Cm Bb/C Cm Play 8 times
Bb/C
Bb/C Cm G9 Cm Bb/C Cm Cm G9 Cm Bb/C Cm
Gtr. 1
*T T T
8 8 6 X 8 8 8 X 8 8 8 6 6 X 8 8 8 8 8 8 8
8 8 6 X 8 10 10 10 10 8 8 X 8 X 3 X X 8 10 8 6 6 X 8 10 10 8 8 8 8 8 8
8 8 7 X 8 10 10 10 10 8 8 X 8 X 3 X X 8 10 8 7 7 X 8 10 10 8 8 8 8 8 8
10 10 8 X 10 10 10 10 10 10 10 8 X 10 X 5 X X 10 10 10 8 8 X 10 10 10 10 10 X 10
X X X X
6 6 6 6
*T = Thumb on 6th string
Bb/C Cm G9 Cm Bb/C Cm Bb/C Cm G9 Cm Bb/C Cm
P.M.
8 8 X 8 8 8 8 8 8 8 8 8 8 8 8 8 8
8 8 X 8 10 8 8 8 8 8 8 8 8 8 10 10 8 8 8 8 8
8 8 X 8 10 8 8 8 8 8 8 8 8 8 10 10 8 8 8 8 8
10 10 X 10 10 10 10 X 10 10 10 10 10 10 10 10 X
3
Gtr. 1: w/ Rhy. Fig. 2 (3 times)
Bb/C Cm G9 Cm Bb/C Cm
Play 3 times
Bb/C Cm G9 Cm Bb/C Cm Bb/C Cm G9
Gtr. 1
T
8 8 6 X 8 8 8 X 8 8 8 X 8
8 8 6 X 8 10 10 10 8 8 X 8 8 8 8 8 10 10 X 8 10 10 10
8 8 7 X 8 10 10 10 8 8 X 8 8 8 8 8 10 10 X 8 10 10 10
10 10 8 X 10 10 10 10 10 10 X 10 8 8 8 10 10 10
X 8 10
6
Cm Bb/C Cm Bb/C Cm G9 Cm Bb/C Cm
8 8 X 8 8 10 8 10 10 8 10 10 8 X 10 X 8 10 10 8 10 10 8 10 X 8 10 8 8
8 8 X 8 8 8 8 10 8 10 10 8 10 10 8 X 10 X 8 10 10 8 10 10 8 10 X 8 10 8 8
8 8 X 8 8 8 8 10 8 10 10 8 10 10 8 10 X 10 X 8 10 10 8 10 10 8 10 X 8 10 8 8
10 10 X 10 10 8 8 8 7 7
8 10
Bb/C Cm G9 Cm Bb/C Cm
P.M.
8 8 8 8 8 8 8 8
8 8 8 8 8 8 8 8
8 8 8 8 10 10 10 10 X 8 8 8 8 8 8
10 10 10 10 10 10 10 10 X 10 10 10 10 8 8
8 10 10 10
Gtr. 1
let ring
* f
8
8 8 8 10 10 10 10 11 11 11 11 11 10 10 8 8 8
8 8
*Vol. swell
Gtr. 2
mf
X X X 8
X X X 8
10 X X X 10
10 X X X 10
8 8
4
C
Cm
1 1
11 11 8 8
10 10 10 8 8 10 10 8 10 8 0
10 10
11 11 8 X 11
8 8 8 X 8
8 8 8 X 8 10 10 10
10 10 10
8 8 8 8
3
1 1 1
10 13 10 10 8
11 11 11 8 11 8
10 10 10 8 10 10 10 8 10 8 10 8
10
10 10 10 10
10 10 10 10
8 8 8 8 8
Cm
**Gtrs. 1 & 2
10 10
1
8
8 10 11 10 10 8 8 7 7 11 8 10 11 10 10
8 10 11 10 10 8 8 8 7 7 8 10 11 10 10 8
**Composite arrangement
3 3
10
1
8 8 7 7 8 8 8 7 7 8 8 8
8 8 7 7 8 8 10 11 10 10 8 8 7 7 8 10 10 8 8
8 8 7 7 8 8 10 10 10 8 8 10 11 10 10 8 8 8 7 7 8 10 10 8 8
10 10 10 10
5
Gtr. 2 tacet
C5 D5 Eb5 Bb5 C5 Bb5 Ab5 G5 C5 D5 Eb5 Bb5
Gtr. 1
mf
Gtr. 1
Gtr. 2
divisi
8
10 0 1 1 8 0 1 1 8
10 3 3 1 3
15 3 3 4 3 3 3
C5 Bb5 Ab5 G5 C5 D5 Eb5 G5 C5 Bb5 Ab5 G5 Cm µ
slight
P.M.
8 8 8
8 8 8
8 8 8
0 1 1 5 10 10 10 10
3 1 3 3 1 10
4 3 3 3 4 3 3 8
E
* Cm
Rhy. Fig. 3 End Rhy. Fig. 3
Gtr. 2
Los cuer - os me lla - man.
Gtr. 1
slight P.M.
8 8 8 8 X X
10 12 10 8 8 10 12 10 X X
10 10 10 10 10 10 10 10 8
*See top of first page of song for chord diagram pertaining to rhythm slashes.
6th time, w/ Bkgd. Voc. ad lib.
Play 9 times
Los cuer - os me lla - man.
slight P.M.
10
8
10
12 10
8
10 10
8 10
8
10
12 10
8
10 10
8
8
6
Gtr. 2: w/ Rhy. Fig. 3 (19 times)
Ev - ’ry -
Gtr. 1
8 8 8
8 8 8 8
10 8 12 10 8 8 10 8 12 10 8
10 10 10 10 10 10 10
2nd - 16th time, w/ Bkgd. Voc. ad lib.
Play 16 times
bod - y. Ev - ’ry - bod - y.
8
8 8 8 7
10 8 12 10 8 10 7 8
10 10 10 10 10
11 10
Cm Bb Ab G
Gtr. 1
3
f
1 1 1/2
8 10 11 10 11 10 8 8 8 8
11 11 11 11 9 11 11 8
0 7
10
Rhy. Fig. 4 End Rhy. Fig. 4
Gtr. 2
mp
8 6 4 3
8 6 4 3
8 7 5 4
10 8 6 5
10 8 6 5
8 6 4 3
Gtr. 2: w/ Rhy. Fig. 4
Cm Bb Ab
Gtr. 1
3
3
3 3 3 3 3
1/2 1 1
8 8
8 8 11 11 8
8 7 8 7 7 8 10 10 10 10 8 10 8 7 7 8 10
10 10 8 10
7
G Cm Bb
Gtr. 1
3 3
P.M. P.M. P.M.
1/2 1 1/2 1/2 1/2 1
8
8 8 8 8 8 8 8
10 10 10 10 10 10 10 10 10 10 10 10
10 10 10
Gtr. 2
mf
3
3 8 6
4 8 7
5 10 8
5 10 8
3 8 6
Ab G Cm
8va
3
3 3
1
1 1 1 1 1
8 8 10 11 13 15 15 18 18
8 11 11 13 14 16 18
12 10 8 7 8 10
f
4 3 3 8
5 4 4 8
6 5 5 10
6 5 5 10
4 3 3 8
Bb Ab G
8va
1 1 1 1
18 18 18 18 18 18 18 18 18 18 18 20 20 20 20 20
6 4 3
7 5 4
8 6 5
8 6 5
6 4 3
8
Gtr. 2: w/ Rhy. Fig. 1
Cm Bb Ab
loco
Gtr. 1
3
3 1
1
8 8 8 10 8 10 10 11 10 8 11 11 11
11 11 8 11 11
Gtr. 2: w/ Rhy. Fig. 1 (1st 3 meas.)
G Cm Bb Ab
3
1
3
mp
10 9 8 8 8 8 8 6 6 6 6 4 4 4 4
11 10 9 8 8 8 8 8 6 6 6 6 4 4 4 4
10 10 8 8 8 8 7 7 7 7 7 5 5 5 5
10 10 10 10 8 8 8 8 8 6 6 6 6
H
G7 Cm Bb
Gtr. 2
1
1 1 1
8 11
11 11 8 11 8 8 8
4 4 10 10 8 8 10 8 10
5 5 10 8 10 10 10
5 5
3 3
Gtr. 1
8 8 6 6 6 6 6
8 8 8 8 8 6 6 6 6 6 6
10 10 10 8 8 7 7 7 7 7 7
9 9 9 10 10 8 8 8 8 8 8
10 10 10
Ab G7
1 1 1/2 1 1/2 1 1/2 1
1
11 11 8 0 13 13 13 13 13
11
4 4 4 4 4
4 4 4 4 4 8 8 8 8 8
5 5 5 5 5 5 10 10 10 10 10
6 6 6 6 6 6 9 9 9 9 9
10 10 10 10 10
9
*Gtr. 2: w/ Rhy. Fig. 1 (2 times)
Cm Bb Ab G
Gtr. 1
3 3
f
1 1 1 1 1 hold bend 1 1
11
10 10 8 8 10 10 8 8 10 10 8 8 10 10 8 8 10 10 10 8 10 10 10 8 8 7 7
10 10 10 10 10 10
*Played mf.
Cm Bb Ab G
Voc. Fig. 1
End Voc. Fig. 1
Va - mo- nos, ne - gra, a bai - lar mi Gua - guan - co.
1 1 1 1 1 1 1
1
8 8 8 10 10 10 11 11 10 13 X 8
11 11 11 13 13 13 13 14 14 13 X 8
X 8
I
Gtr. 2: w/ Rhy. Fig. 1 (1 3/4 times)
Bkgd Voc.: w/ Voc. Fig. 1 (2 times)
Cm Bb Ab G
Rhy. Fig. 5 End Rhy. Fig. 5
mf
8 X 8 X 8 8 8 8 6 6 X 6 X 6 6 6 6 4 X 4 X 4 4 4 X 3 X 3 X 3 3 3
8 X 8 X 8 8 8 8 6 6 X 6 X 6 6 6 6 4 X 4 X 4 4 4 X 3 X 3 X 3 3 3
8 X 8 X 8 8 8 8 7 7 X 7 X 7 7 7 7 5 X 5 X 5 5 5 X 4 X 4 X 4 4 4
10 X 10 X 10 10 10 10 8 8 X 8 X 8 8 8 8 6 X 6 X 6 6 6 X 5 X 5 X 5 5 5
Gtr. 1: w/ Rhy. Fig. 5
Cm Bb Ab
J
Bkgd. voc.: w/ Voc. Fig. 1 (8 times)
Gtr. 1: w/ Rhy. Fig. 5 (2 times)
G Cm Bb
8va
3 3
Gtr. 2
steady gliss.
f
7 7
1 1 1 1 1 1 1 1
3 16 18 18 18 18 18 18 18 18 16 16 18
4 17 17
5
5
3
10
Ab G Cm
8va
3
3
3
1 1 1 1
1 1 1
16 16 16 16 16 16 16 18 18 18 15
18 18 16 18 X 18 18 18 16
0 17 17
Bb Ab G
8va
loco
3 3
1
mf
1 1 1/2 1 1/2 1/2
18 16 19 19 19 19 19 19 19 19 22 22 22
17 17 22 22 22 22
8va
Gtr. 2: w/ Rhy. Fig. 1 (5 times)
Cm Bb Ab G
Gtr. 1
3
1
f 1 1 1 1 1
8 10 11 13 15 18 18
8 11 11 13 14 16 18
7 8 10
10
Cm Bb
8va
1 1 1 1 1
18 18 18 18 18 18 18 18 18 18 18 18 18 18 18 18 18 18 18 18 18
Ab G Cm
8va
loco
5
3 3
1 1 1 1 1 1 1
1
18 18 18 18 18 18 18 18 18 10 13 13 11 13 13 11 13 13 11 13 13 11
13
11
Bb Ab G
loco
8va
1/2 1/2 1/2
1/2 1
13 13 11 10 17 13 13 11 10 11 10
17
10 10 10 8 10 8 10 8 10 8
Cm Bb Ab
8va
1
1
8 13 13 13 13 13 13 13 13 13 13 13 13
11
G Cm Bb
loco
3
1 1
10 11 10 11 10 11 10 11 10 8 8 10 8 10 10 11 10 8
11 11 8 11 8 11 11 11
10 10 8
10
Ab G
3
1 1 hold bend 1
8 8
11 11 8 11 8
10 10 10 8 10 8 10 8 10 8
Cm Bb
Gtr. 1
8 8 8 8 8 8 8 8 8 8
8 10 8 10 8 10 8 10 8 10 8 10 8 10 8 10 8 10 8 10 8 10
Gtr. 2
8 8 8 6 6 6
8 8 8 7 7 7
10 10 10 8 8 8
10 10 10 8 8 8
8 8 8 6 6 6
12
Ab G Cm
Va - mo - nos,
9 9
1
8 8 8 8 8 8 8 8 8 8 8 8
8 10 8 10 8 10 8 10 8 10 10 8 10 8 10 8 10 8 10 8 10 8 10 8 10
3 3
4 4 3 3 3 8 8 8 8 8
5 5 4 4 4 8 8 8 8 8
6 6 5 5 5 10 10 10 10 10
6 6 5 5 5 10 10 10 10 10
4 4 3 3 3 8 8 8 8 8
Bb Ab G µ
ne - gra, a bai - lar mi Gua - guan - co.
9 9 6 6 9
8 8 8 8 8 8 8 8 8 8 8 8 8 8
8 10 8 10 8 10 8 10 8 10 8 10 8 10 8 10 8 10 8 10 8 10 8 10 8 10 8
3 3 3 3
6 6 6 6 6 4 4 4 4 4 3
7 7 7 7 7 5 5 5 5 5 4
8 8 8 8 8 6 6 6 6 6 5
8 8 8 8 8 6 6 6 6 6 5
6 6 6 6 6 4 4 4 4 4 3
13
from Santana - Shaman
Victory Is Won
By Carlos Santana
A
Moderately slow q = 81
** Fmaj7 Cmaj9 C9
*Gtr. 1 (elec.)
mf
w/ dist.
w/ fingers
12 12 14 14 14 12 14 12 12 12 14
14 14 12 14 12 14 14 14 14 14
*w/ neck pickup and vol. control set to 3/4 volume
**Chord symbols reflect overall harmony.
Fmaj7 Cmaj9
12 14 12 14 12 12 14 12 7 9 7
12 14 12 14 14 5
Dm9 C/E F Am9
7 7 7 5 7 7 9 7
7
5 5
14 14
12 12 14
Fmaj7 Cmaj9 C9
3
14 14 14 12 14 12 14 12
12 14 12 14 14 14 14 14
12 12 14
Copyright © 2002 Stellabella Music
All Rights Administered by Wixen Music Publishing, Inc.
All Rights Reserved Used by Permission 1
Fmaj7 Fm(maj7)b5 Cmaj9
12 14 12 14 12 12 14 12 7 9 7
12 14 12 14 14 5
Dm9 C/E F Am9
3 f
w/ pick
*
7 7 7 9 7 5 7 7 9 7
7
5 5 12
13 12 13 12
14
*Full vol.
B
Fmaj7 Fm(maj7)b5 Cmaj9
14 14 14 12 12 14 12
12 14 12 14 14
C9 Fmaj7 Fm(maj7)b5
3
14
1
13 12 13 12 13 13 13 13 13 15 15
12 14 14 14 14 14 14 12
14
Cmaj9 Dm9 C/E
3
mf
1 w/ fingers
12 12 15 12 12 12
15 15
12 14 12 7 9 7 7 7 9
5
2
F Am9 Bbm7b5/Ab
3
7 5 7 7 9 7
7
5 5
C
Gtr. 1 tacet
D
Fmaj7 Fm(maj7)b5 Cmaj9
Gtr. 1
f
w/ pick
13 12 13 12
12 14 14 14 12 14 12 12
12 14 12 14 14 14 12 14
C9 Fmaj7 Fm(maj7)b5
3
3
12
12 13 12 13 12 13 13 13 13 13 15
12 14 14 14 14 14 14 14 14 12 14 14 12
14 14
Cmaj7 A7/C
8va
3 3 5
13 12 15 12 12 12 12 12 12 12 12 12 12 12 13 13 13 13 15 15 15 17 17 17 17 20 17 20 17 20 17 20 17 20
3
Dm9 C/E F
loco
8va
3
3
grad.
bend
w/ wah-wah 1
1 1/2
17 20 17 17 12 15 12 15 12 15 12 12 12 15 12 12 5 8 5 8 5 5 5 8 7 5 5 8 7
15 13 12 13 5 8 8 8
7
0
0
Am9 Bbm7b5/A
3
11
3
1
8 7 5 7 8 7 5 8 7 5 5 5 5 5 5
8 8 5 8 5 5 8 8 5 5 5 8
7 5 7 7 5 7 5 5 2 7 5 7
5 7 7 5 5 7 7 7
7 5 3
Fmaj7 Fm(maj7)b5
3
5 7 7 8 8 10 10 12 12 12 12 12 12 12 13 13 13 13 13 14 14 14 15 15 15
0 X X X X X X X X X X X X 12 13
9 9 10 10 10 10 10 11 11 11 12 12 12
Cmaj9 C9
3 3 3 3 3 3 3 3
*fdbk. w/ slide
wah-wah
3
off
13 12 12 13 12 12 13 12 12 13 12 12 12 15 15 17 19
X
13 12 13 13 12 13 13 12 13 13 12 13 X X X X
0 12 12 14 16 X
*Microphonic fdbk., not
caused by string vibration.
Gtr. 1: w/ random slide effects (next 11 meas.)
4
E
Cmaj7 µ Dm9 C/E F
Gtr. 1
3
12 14 12
5
7 9 7 7 7 5 7 7 9 7
7
5 5
Am9 Bbm7(b5)/A Dm9 C/E
5 5 12 14 12 7 9 7 7 9
5 7 5 7 7 5
F Am9 Gº7
rit.
7 9 7 5 7 7 9 7
7
5 5 12 14 12
5
7 9 7
Free time
Dm9 C/E F Am9
3
3 3
7 7 7 9 7 5 7 7 9 7 5
7
5 5 5 5 7
5 7 5 7 5 7 5 7 5 7 5 7 5 7 5
Fade out
Gtr. 1 tacet
(Drums, bass & piano)
13 sec.
7 5
7 6 5 3 5 3 3
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