Egon

Noxa Pathos
1 for saxophone and piano
D. Palamidas

    


 = 160
Bbmin Bbmin7 F6,7,9b
Baritone Saxophone

                     
  
    
    
  
  
                      
 
     
Piano

 


            
  
 
   


4 F6,7,9b Cdim G#min Ab min7
Bar. Sax.

                   

                         

                
Pno.


 
         
 
            
  
      
7 Emin7 (V/VII 7) F Bbmin  = 112


      
Bar. Sax.

      


      
                     
                  
          
  
Pno.  

       
   
          
 
                
            
17

         

                       
Bar. Sax.


                       

 
      
Pno.

           
                
        
 
     
             
     
20


                       
Bar. Sax.

                
        
           
Pno.

           

                 
                                            
   
2


23

                       
    
Bar. Sax.

                   
  
      
Pno.

         
                   
                 
     
26 solo piano or sax?

             


     

Bar. Sax.

       
                  
      
      
          
      
Pno.

        
           
                            


       
  
  
34 B  = 102

  
gliss.

    
Bar. Sax.

                   
         
gliss.

            
3

                     
     
     
Pno.

 



          
      

 
              
      
    



41

      
Bar. Sax.

          
 
     
                
3

                     
  


                 
Pno.

        


      
          
               


        
44 C

 
         
gliss.


   
Bar. Sax.

              
     
3

               
  
     
          
Pno.

     
    
     
     
       
               
  


                          
48


  
Bar. Sax.

                           
               
           
       
                  
Pno.

      
                   
 

 
 
                    
3

        
52



Bar. Sax.

               

 
        
         
          
a piacere

   
         
  
      
       
          
Pno.

    
                  



           
      
 
        
55




Bar. Sax.

                           

    
 6 6

                
 
         
          
Pno.

       
                
                
 
   



58 D

Bar. Sax.


    
   
3

    
   

            
            
         
     
          
Pno.

       
 
      
         
     
         
    
gliss.


  
62 6

Bar. Sax.

     
      
3 3

        

            
  
       
                   

Pno.

    
       
   

                   

68


Bar. Sax.


                     

                     

Pno.