https://www.youtube.com/ https:// http:// http:// http:// http://www.youtube.com/ http://www.youtube.

com/
watch? www.youtube.com/ www.youtube.com/ www.youtube.co www.youtube.c watch?v=z6JL-VTOksI (first watch?v=wqV5nrVtEwM
time_continue=17&v=9bm_8 watch? watch? m/watch? om/watch? 2 WARNING !!! (nudity &
WgqIvg&feature=emb_logo time_continue=818&v=l v=xFlklAmQQZw v=9xh8dLhDs54 v=n_VNoTW1 minutes)http://www.youtube. implied cruelty towards
WARNING! explicit jsUnsNcSjk&feature=em Qkw com/watch? animals)
language b_logo v=E6tQNULvfJQ (beginning
and 4’50’’)
Performance Forced Entertainment Forced Theatre de Eimuntas Kolyada Einar Schleef Jan Fabre
Traits Quizoola Entertainment Complicite Nekrošius Theatre Faust The power of theatrical
(GB) 12 am – Awake and The Street of Hamlet Hamlet (Germany) madness
Looking Down Crocodiles (GB) (Lithuania) (Russia) (Belgium)
(GB)
Parataxis

Simultaneity

Play with
density of signs

Plethora

Musicalization

Scenography
Visual
dramaturgy
Warmth and
coldness

Physicality

Concrete
theatre

Irruption of
the real

Event/
situation

Narrations

Forced Forced Theatre de Eimuntas Kolyada Einar Schleef Jan Fabre

Entertainment Entertainment Complicite Nekrošius Theatre Faust The power of
Quizoola 12 am – Awake and The Street of Hamlet Hamlet (Germany) theatrical madness
(GB) Looking Down Crocodiles (GB) (Lithuania) (Russia) (Belgium)
(GB)