Sonata

No. 16


2nd Movement Wolfgang Amadeus Mozart

  
K. 545

  
(1756 - 17

       
Andante

 
                                   
 
p dolce


Piano


legato

             

4

                

    


                               
        

7

   

       


legato

                
           
  

11

               
                      


   
            
         
 
14

        dolce
    
   
              
dim.

              
    
18


                             
       


                         

21

                 

      
   
  


                     
         

24

        
       


  


                
           
  

27

               
                      


  
       
           
30

               

        
       

  


                
 
34

                        
             

            
            
  
37


                            
          


                          
 
40

           
                  



 
               
    
 
43

                                     


    
       
                
46

                                


       
       

49

               
                      



legato

      
          
52

               
               

                               
        

55

    

      


                
           
  

59

               
                      


      
         
               
62

 
                        


        
     


  

          
               
66

  
        
dim.

   



      
       
69

                                 
  
   

 


        
 
         
             
72


 


    


         
dim.

   