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Definition and Examples of Literary Terms
Ode to a Nightingale
Ode to a Nightingale
by John Keats
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Ode to a Nightingale Analysis - Literary devices and Poetic devices https://literarydevices.net/ode-to-a-nightingale/
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tries to seek comfort and harmony in his imaginative world, but the pull of his
consciousness brings him back to confront the heart-wrenching realities of life.
Ultimately, he realizes that only death can offer a permanent escape from pain.
Disturbed by the misfortune of his life, he wants the finest wine and his poetic
imagination to throw away the horrific realities of life. His desire to be drunk or
unconscious shows that he does not to remember his hardships and sufferings.
However, what enchants the reader is his flight of imagination that temporarily
takes him away from the odds of life.
• Major Themes: Death, immortality, mortality and poetic imaginations are some of
the major themes of this ode. Keats says that death is an unavoidable
phenomenon. He paints it in both negative and positive ways. On the one hand,
its presence sucks the human spirit, while on the other hand, it offers the realm of
free eternity. The poet also presents the life and melodious song of the nightingale
in juxtaposition. To him, life is mortal, but the song of the nightingale is immortal. It
has been a source of enjoyment for centuries and will stay so even after his
demise. Though he keeps himself engaged in the beautiful and charming world of
imaginations, he cannot stay there for good. Therefore, he accepts that
imagination is just a short source of peace.
Readstanza,
else to make its meaning clear. Keats has used simile in the second Next Story
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“Forlorn! the very word is like a bell.” Here the poet is comparing forlorn to a bell.
3. Enjambment: Enjambment refers to the continuation of a sentence without a
pause after the end of a line in a couplet or stanza. For example:
1. Imagery: The use of imagery makes the readers visualize the writer’s feelings,
emotions or ideas. Keats has used images to present a clear and vivid picture of
his miserable plight such as, “though of hemlock I had drunk,”, “Past the near
meadows,”, “Fast fading violets cover’d up in leaves.”
2. Assonance: Assonance is the repetition of same vowel sounds in the same lines
of poetry such as the sound of /o/ in “In some melodious plot” and /i/ sound in
“The voice I hear this passing night was heard.”
3. Metaphor: There are two metaphors in this poem. The first one is used in line
eleven, “for a beaker full of the warm south”. Here he compares liquid with the
southern country weather.
4. Personification: Personification is to give human qualities to non-human things.
Keats has used personification inBorn between 1956 “where
line twenty-nine, to 1996?beauty
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lustrous eyes” as if the beauty is human and can see. The second example is in
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line thirty-six, “The Queen moon is on her throne.” Read Next Story
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the whole stanza or even the poem. Keats has repeated the word “where” in the
following lines to emphasize the existence of his imaginative world. For example:
6. Apostrophe: An apostrophe is a device used to call somebody from afar. The poet
has used this device in line sixty-one, “Thou wast not born for death, immortal Bird.”
The literary analysis shows that this poem successfully describes Keat’s deep
meditations about death under cover of these literary devices.
1. Stanza: Stanza is a poetic form of some lines. There are eight stanzas in this
poem with ten lines in each stanza.
2. Rhyme Scheme: The poem follows ABABCDECDE throughout the poem with
iambic pentameter.
3. End Rhyme: End Rhyme is used to make the stanza melodious such as in the
first stanza the rhyming words are, “pains”, “drains”, “drunk”, “sunk.”
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4. Internal Rhyme: Internal Rhyme potential
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me back from thee to my sole self” two words “me” and “thee” rhyme with each
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other.
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Quotes to be Used
These lines can be used in a speech when discussing the power and pull of the
imaginative world that offers a peaceful escape from the heavy odds of life.
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1. O Nightingale
2. To Autumn
3. When I Have Fears That I May Cease to Be
4. Ode on a Grecian Urn
5. Bright Star, Would I Were Stedfast as Thou Art
6. La Belle Dame sans Merci: A Ballad
7. From Endymion
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8. On First Looking into Chapman’s Homer
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9. Mother to Son
10. My Last Duchess Read Next Story
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Ad Hominem Adage
Allegory Alliteration
Allusion Ambiguity
Anachronism Anagram
Analogy Anapest
Anaphora Anecdote
Antagonist Antecedent
Antimetabole Antithesis
Aphorism Aposiopesis
Apostrophe Archaism
Archetype Argument
Assonance Biography
Cacophony Cadence
Caricature Catharsis
Characterization Cliché
Climax Colloquialism
Comparison Conflict
Connotation Consonance
Denotation Deus Ex Machina
Dialect Dialogue
Diction Didacticism
Discourse Doppelganger
Double Entendre Ellipsis
Epiphany Epitaph
Essay Ethos
Eulogy Euphemism
Evidence Exposition
Fable Fallacy
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Foreword
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Genre Haiku
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Half Rhyme Homage
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Hubris Hyperbaton
Hyperbole Idiom
Imagery Induction
Inference Innuendo
Internal Rhyme Irony
Jargon Juxtaposition
Limerick Line Break
Logos Meiosis
Memoir Metaphor
Meter Montage
Mood Motif
Motto Narrative
Nemesis Non Sequitur
Ode Onomatopoeia
Oxymoron Palindrome
Parable Paradox
Parallelism Parataxis
Parody Pathetic Fallacy
Pathos Pentameter
Persona Personification
Plot Plot Twist
Poem Poetic Justice
Point of View Portmanteau
Propaganda Prose
Protagonist Pun
Red Herring Repetition
Rhetoric Rhyme
Rhythm Sarcasm
Satire Simile
Soliloquy Sonnet
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Superlative Syllogism
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Symbolism Synecdoche
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Synesthesia Synonym
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Syntax Tautology
Theme Thesis
Tone Tragedy
Tragicomedy Tragic Flaw
Transition Utopia
Verisimilitude
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