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EL Sela bolita Uo edes ae d sua flmern so en ot nos aes de Sotonta Stas narenete ei aires sth ee tenet Sama Sacaaais or pascal on BIERP. — Modo de empleo 17 Serer a wai de ot labios Guz) con el mismo dngulo que oor A — lec peat Te Rake far linerumeioaaboesyeforar ie Tea Be snon : — fee erences oman gene a yoo eh rs poe oe AER He T)Ukaterpecsoc| BER P rela boquita yaaa, sepa uted CBee ieee emnaenrat FAS cer ge eta ps re re eta {obre i bos eon @ raz enaedas rae See a eer ‘hig nena cone iP ates sler atl om enon eae a ieee anmaraatinarrt: ‘Respir eos ais macadon Sie falta le, aprovece los a poner san ‘ela sda Bj todo gue puri ene eit reno {Be Ride tie nade anpoo bea 5) Depa etc nsGeeor con @ EAP, vusa tocar, Sac se omnes Comite enar wa vo can BER ‘semen com es Semen vex En ep SRR aia ae ent a mane de clorioy ‘lear misma pelea (opens dela a) goren ot ‘ips Recs evan einen dee ee Sinker dence todo d posdencie nn ‘barr elanormal Satan spac Se pope Se er .° WARM-UP AND RANGE EXERCISES for trumpet/cornethorn ‘by Mario Guarneri” Cr nascae TS 4.LIP SLURS Perfomance Keys: BOLD/FULL-BODIED {cis fa font 6.TRIAD FLEXIBILITY Perfomance Ker: SMOOTHFLOWING E62 sok in tront 8.0PEN STHS perfomance Kgs SPUMEERICNL SIE OFEASE fee at oa waar Bae eras ue 9.CHROMATIC FLEXIBILITY ‘perfomance Keys: BALANCEDIFLOATING ae 11.UPPER REGISTER Peafomance Keys CLBARURELAXED ‘kop ells in from Lo : : — Do 4 te be = ee = pe <4 1, & == a ae e waira 4 82, ; ye SS Ss a eet, —— 4 {EPS aH be & fs i e ean fs = mf] E a, EE Bes | TAA | id (hte Se AR hr ES Pale epee, FE A self ee

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