Consolation

. No. 2
Franz Liszt

   
(released in 1850)

          
    

Un poco più mosso

        


      


            


   


      
   
     

    
5

    
        
 
             
 


smorz.

  
        
   
              
   
       

 
9





                       
     
    
   
           
       

  


13

  
             
       
    
 
  
    
          
      

 
17

         
              
      
rinforz.



       

Sushi Kuudere
        
  
      
  


 
21

 
   
          


            
 
dim.

 
       

      
 
    smorzando
25



                   



   


       

                
               
29

     

             
        

           
         

             
        
36 a tempo.


      
        
poco rit. ben marcato ed espressi

 


     
 
    

                 
    

41

           
 
   
       

2 Sushi Kuudere
     
        
  
    
    
45

 
     
                
cantando

     
 
smorz.

 


 
         
     
       

     
     
49

       
                       
 
appassionato

 
      
     

                   
      
52

        poco rit.       
           
      
 

 
     

  
           
accentuato ed espressivo


55
assai

   


  


 smorz.
             

 
     

          
 
     
58

   
     




  
               
       

Sushi Kuudere 3
      
        
  
 
62

    smorz.


  



      
    
  
 

   


 
       


  
      

     

66

 


 

           
       
   
   
         
       

       
 
70


 
             
         


 

    
       

      
       
        
  
74

 
   


                 

poco a poco più


ritenudo

   


           

       
    
80

 
   


       


       

4 Sushi Kuudere