: . es 3 6 mehrstimmige Etiiden enreatae Fklurung der Zeichen: Explanation of signs: #10 1Ni Nizza Asien ‘© Stumnes Mitgufeetzen eines down bow © finger strikes string V Auistrich Fingers als Vorbereting V p= bow ‘without sound as prepaenion GM, Ganger Hagen fines folgenden Tntervales GB, sthote bow Of subsequent interval Hut Halber Bogen « Siene Vorwort HLM. hal bow reler to preiace ML Mite (4) Siene Vorwore M. mide (9) refer to preface Sp. Spitze © Sp. pot (©) reler to prevace Fr. Frosch Fr nut lez pazieato with right hand 1 Finger legen essen c “ Tager rests on string + Hrsiesto with left hand 1 Pate Der jeweilge Finger ret beim 1. frst sing (HBA respective finger twangs string Plaseatoderlinken Hand dieSattean | 1 second sting ‘with pizzicato of left hand 4 AkKord soll von oben nach unten HL thn sting 4 chord to beplayed arpeegio s anpenier JV, fourth sting Atoenward restez In der Lage belben 4] Akkord sol von unten noch oben} reste same position + chord to be played arpego ind dann zur arpegateet Siceossvely upward and werden downer Rondino scherzo Con spirito . m ink Der Gesangs- und melodische Tell muss soviel wie miglich hervorgehoben werden. Singing. and melody parts to be stressed as much as possible, Copyright 1954 by Musikverlag Hans Sikorski Hamburg Enlbwann.Macnech,1 aussie sas "sd ds si agueenes yedeyd wqildyae syd & a = —He— Hom oF : — 5 crese, -o-- fF - . _- 3 1 6 ¢ 39, . Ry cH tat ds ® oF 3 & Bozo© ei sempre crese. s ue a a 3, S a. 2 p> Te dolciss. Tet 2 Gee . 2 pesnie —~ Efe « aofisiess ri 2 1 12\ Sainton Etiide II Allegretto Con grazia y Aa bg PR oi hr r PG ‘ vor ye Dy oe # = . mm i tempo " fn. = uy waa 4 peas LS ane Ps n ° Qin w 4s Rn ve 12 1 = vt = + * 2 wT oe Se a te ST & f= eet my gar 7 rr on rs rr : 3 z pt ; 3 6 6ri? ao t 3 a. @ ar Enter han man Taki 525 ep eat wees, und Tak 3-02 bere Zoe pen or grene lye plata bre 28 he png ay PyeSaxy 3 zone 3 4 o = ® z a D crese. 3 * 3 2 sot yo Bt 4 v v aon @ a yo 2779 «3 yoke TTS st pee EEE eae?A Vieuxtemps Etiide IV Allegro risoluto ten, te . = Gore 5 4 Loy te ney "y 1 eee oe oat tettiteeitese £ o na at - 13 a | ttt /> Mie oz lll tet et eEspgettle SROiNED Sebyritn i333 2 OR a se be as_$ ae SaSa=-==} wees es F yp eee Pp f ee& 4 Zz # ° Of. QP” re~ ee 32 ee erese. ‘mem aet t Etat SEESA Hellmesberger 19 Air de Ballet Etiide V Allegretto con giusto eR on ae a oem - -SP (arena eaeoo =e Os 1 wt moet” pesante a. ae pis es = 3-5 D Gay eS = t r220 3 42138 1 es2 °A Bazin} Etiide VI Moderato (Die letzte Rose) a a v 5 OY —— Vi Introduzione w erese. 1 y m4 Andante non troppo arco 4 Vo t v 3 vata M: ry eres, “molto riten. 2) * _ atempoPoco pit vivo @ a g A T. < Mud hs = ; = o + i * s ZZ 1 Die Pizzcatl und Flagedler-Tone msson soviel wie moglich vibreren DS.al Fine. The plzziati and harmonks should vibrate to the utmost possible28 Finale10 sef yo me o = O Vian 2 £4 60,:2 EE £ PrestissimoFo riten. molto