05 - Bhavik Bhoir - Rethinking The Traditional Interface in Design of Resort

UNIVERSITY OF MUMBAI
DESIGN DISSERTATION
FOR SEMESTER IX
SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS
OF THE DEGREE OF
BACHELOR OF ARCHITECTURE (B.Arch.)
RETHINKING THE TRADITIONAL INTERFACE IN

DESIGN OF RESORT
BY
BHOIR BHAVIK BALKRISHNA
SUBJECT GUIDE
PROF. NAYANA RAUT
VIVA SCHOOL OF ARCHITECTURE

VIRAR–(EAST)
ACADEMIC YEAR 2022-2023
CERTIFICATE
This is to certify that the Design Dissertation research project entitled- RETHINKING
THE TRADITIONAL INTERFACE IN DESIGN OF RESORT is a record of bonafide
studies carried out by Mr. Bhavik Balkrishna Bhoir a student of Final Year B.Arch. at
VIVA School of Architecture. This Design Dissertation is completed under my guidance
and supervision. This satisfies the requirements for submitting a partial fulfilment of
Bachelor of Architecture (B.Arch.) recognized University of Mumbai and approved by
Council of Architecture, New Delhi during the academic year 2022 – 2023.
________________ ____________________
Prof. Nayana Raut Prof. Chakor A. Mehta
Guide, I/c Principal
Design Dissertation VIVA School of
Architecture
__________________________________________________________________
This is to certify that we have conducted the viva-voce for this Design Dissertation,
Semester-IX as External Examiner on ______________
Signature: Signature:
___________________ ___________________
Ext, Examiner #01 Ext, Examiner #02
Name: Name:
DECLARATION
I hereby declare that this written submission entitled- RETHINKING THE

CULTURAL INTERFACE IN DESIGN OF RESORT represents my ideas in my
own words and has not been taken from the work of others (as from books, articles,
essays, dissertations, other media and online); and where others’ ideas or words have
been included, I have adequately cited and referenced the original sources. Direct
quotations from books, journal articles, internet sources, other texts, or any other
source whatsoever are acknowledged and the source cited are identified in the
dissertation references. No material other than that cited and listed has been used. I
have read and know the meaning of plagiarism and I understand that plagiarism,
collusion, and copying are grave and serious offences in the university and accept the
consequences should I engage in plagiarism, collusion or copying. I further declare
that I have adhered to all principles of academic honesty and integrity and have not
misrepresented or fabricated or falsified any idea/ data/ fact source in my submission.
This work, or any part of it, has not been previously submitted by me or any other
person for assessment on this or any other course of study.
Signature: ___________________
Name of the student: Bhavik Balkrishna. Bhoir
Place: Virar
Date:
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DEDICATION
I would like to dedicate this Design Dissertation to my parents, Mr. Balkrishna Bhoir, Mrs.
Rohini Bhoir, my sister Ms. Jagruti Bhoir and my grandfather Mr. Bhaskar Bhoir with all my
family members for their guidance, motivation, and support throughout the
whole process.
I would also like to dedicate the thesis to my friend Ms. Gauri Choudhari for believing me in
every aspect over the last five years and helping me throughout the research programme.
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ACKNOWLEDGEMENT
The progress of the research work took place under the supervision of Prof. Nayana Raut. I am
grateful to them to guide me with the research format, hierarchy of topics, and supporting at all
levels of research. I extend my deepest gratitude to my parents who supported and encouraged
me throughout the year. I am thankful to my principal, Prof. Chakor Mehta, who has been
patient and understanding throughout the year.
I would like to thank Mr. Ashish from Goa, Mr. Kulkarni from Goa, Mr. Ghnyanesh for helping
me with my case studies at Goa.
I would like to express my gratitude to Ar. Raj Patil, for helping out with research work
and area statement.
I am thankful to my friends Tanay Gosavi, Swapnil Gosavi. Saurav Gaikwad, Sadanand Kudav,
Pratik Monde, Divesh Pimple, Omkar Patil, Harsh Jadhav for helping me out through the
discussions for the research programme.
iii
ABSTRACT
Tourism has been immensely helping to increase the economy of the region. India is known for
its unity in diversity focusing on the culture and heritage of our country. Indian also well known
for the history and historical elements which have been preserved till now.
The understanding of the benefits of tourism in India and how culturally we can attract more
tourists around the region has been carried out in this region.
Culture and tourism can be clubbed together to improvise the tourist attraction and perspective
of the people. As Tourism is a never-ending industry and which goes on increasing day - by -
day.
In India, one of the majorly populated states is Maharashtra. Maharashtra has many districts
who have very rich culture and are known for it. All the districts of Maharashtra have major
tourist places. One of the newly formed districts is Palghar. Palghar district has cultural and
heritage background which is known by very few of them. There are many places and things in
Palghar district which are known only to the locals of particular region.
And hence, the research focuses of the culture and improvisation of the tourist’s places within
the region of Palghar district.
This project will be a very good opportunity for the future planning of the region. The project
will also help in improving the economy of the region and providing a source to make their own
money.
iv
Rethinking the traditional interface in design of resort.
Table of Figures
Figure 1- Tourism in India ................................................................................................................... - 3 -
Figure 2 - – Investment opportunities in tourism & hospitality in India............................................. - 4 -
Figure 3 – Types of tourism................................................................................................................. - 5 -
Figure 4 – Preserving old heritage ...................................................................................................... - 6 -
Figure 5 – Transport Facilities ............................................................................................................. - 7 -
Figure 6 – Topic Justification Screenshot 1 ......................................................................................... - 9 -
Figure 7 - Topic Justification Screenshot 2........................................................................................ - 10 -
Figure 8 - Topic Justification Screenshot 3........................................................................................ - 10 -
Figure 9 – Tamil Nadu Map ............................................................................................................... - 14 -
Figure 10 – Maharashtra Map .......................................................................................................... - 14 -
Figure 11 – Tourist Attractions Map of Maharashtra ....................................................................... - 15 -
Figure 12 – Hill Station Map of Maharashtra.................................................................................... - 16 -
Figure 13 – Maharashtra National Park Map.................................................................................... - 17 -
Figure 14 – District Map .................................................................................................................... - 18 -
Figure 16 – Mumbai City Collage 2 ................................................................................................... - 22 -
Figure 15 – Mumbai City Collage ...................................................................................................... - 22 -
Figure 17 – Mumbai illustration........................................................................................................ - 23 -
Figure 18 – Palghar District Detailed Map ........................................................................................ - 23 -
Figure 19 – Palghar District Map ....................................................................................................... - 23 -
Figure 20 – Kelva Beach .................................................................................................................... - 24 -
Figure 21 – Arnala Beach .................................................................................................................. - 24 -
Figure 22 – Dahanu-Bordi Beach ...................................................................................................... - 25 -
Figure 23 – Jawhar Rajwada.............................................................................................................. - 25 -
Figure 24 – Arnala Fort...................................................................................................................... - 26 -
Figure 25 – Vasai Fort........................................................................................................................ - 26 -
Figure 26 – Gambhirgadh.................................................................................................................. - 27 -
Figure 27 – Tarapur Fort ................................................................................................................... - 27 -
Figure 28 – Kaldurga Fort .................................................................................................................. - 28 -
Figure 29 – Kelva Fort ....................................................................................................................... - 28 -
Figure 30 – Kamandurg Fort ............................................................................................................. - 28 -
Figure 31 – Shirgaon Fort .................................................................................................................. - 29 -
Figure 32 – Jivdani Temple................................................................................................................ - 29 -
Figure 33 – Mahalakshmi Temple ..................................................................................................... - 30 -
Figure 34 – Saint Peters Church Arnala............................................................................................. - 30 -
Figure 35 – St. James Church, Agashi ................................................................................................ - 30 -
Figure 36 – Gausia Masjid, Vasai....................................................................................................... - 31 -
Figure 37 – Tourism Circuit of Palghar District ................................................................................. - 32 -
Figure 38 – Challenges and Problems at Palghar .............................................................................. - 33 -
Figure 39 – Accommodation Used by Tourist at Palghar.................................................................. - 34 -
Figure 40 - Transportation Used by Tourist at Palghar ..................................................................... - 34 -
Figure 41 - Hotels .............................................................................................................................. - 35 -
Figure 42 – Villa ................................................................................................................................. - 35 -
Figure 43 – Guest house ................................................................................................................... - 35 -
Figure 44 – Resort (Water Park)........................................................................................................ - 35 -
v
Bhavik Balkrishna Bhoir - Design Dissertation - Viva School of Architecture
Figure 45 – Resort illustration ........................................................................................................... - 36 -

Figure 46 – Golf Resort ..................................................................................................................... - 36 -
Figure 47 – Beach Resort .................................................................................................................. - 37 -
Figure 48 – Island Resort................................................................................................................... - 37 -
Figure 49 – Lake Resort ..................................................................................................................... - 37 -
Figure 50 – GK Bali Resort (Example of cultural resort).................................................................... - 38 -
Figure 51 – The Amanpuri Hotel ....................................................................................................... - 39 -
Figure 52 – Example for Interpretation and Expression of Local Architectural Heritage ................. - 40 -
Figure 53 - Example for Use of Indigenous Building Material .......................................................... - 41 -
Figure 54- Example for Use of Indigenous Skills and Construction Techniques ............................... - 42 -
Figure 55- Example for Reflection of Local Lifestyle and Cultural Activities..................................... - 42 -
Figure 56 – Delhi Haat, Janakpuri, New delhi ................................................................................... - 44 -
Figure 57 – Entrance of delhi haat .................................................................................................... - 44 -
Figure 58 – Site Location ................................................................................................................... - 45 -
Figure 59 Site Surrroundings............................................................................................................. - 45 -
Figure 60 – Exposition Hall ................................................................................................................ - 46 -
Figure 61 – The Bamboo Basket ....................................................................................................... - 46 -
Figure 62 – Amphitheater at delhi haat ............................................................................................ - 47 -
Figure 63 – Vendors at delhi haat ..................................................................................................... - 47 -
Figure 64 – Delhi quartz stone masonary ......................................................................................... - 47 -
Figure 65 – Zonning and circulation of delhi haat. ........................................................................... - 48 -
Figure 66 – The Desert Resort, Mandwa. ......................................................................................... - 50 -
Figure 67 – Aerial View of Desert Resort, Mandwa .......................................................................... - 50 -
Figure 68 – Cottages ......................................................................................................................... - 51 -
Figure 69 – Pool with Cabanas .......................................................................................................... - 51 -
Figure 70 – Door & Window ............................................................................................................. - 51 -
Figure 71 – Thatch Roof .................................................................................................................... - 51 -
Figure 72 – Zonning of Desert resort ................................................................................................ - 52 -
Figure 73 – Site Plan of Desert resort ............................................................................................... - 52 -
Figure 74 – Inside & outside view of cottages. ................................................................................. - 53 -
Figure 75 – Cottage Plan ................................................................................................................... - 54 -
Figure 76 – Landscape at Desert resort. ........................................................................................... - 54 -
Figure 77 – Lakshman Sagar hotel .................................................................................................... - 56 -
Figure 78 – View of Lakshman Sagar hotel ....................................................................................... - 56 -
Figure 79 – Rainwater storage channel ............................................................................................ - 57 -
Figure 80- View from artificial .......................................................................................................... - 57 -
Figure 81 – Cottage view................................................................................................................... - 58 -
Figure 82 – Cottage ........................................................................................................................... - 58 -
Figure 83 – Location .......................................................................................................................... - 60 -
Figure 84 - View of the resort ........................................................................................................... - 61 -
Figure 85 - Waiting Area ................................................................................................................... - 61 -
Figure 86 - Amenities and Service Provided ..................................................................................... - 62 -
Figure 87 - Adventure at the beach, Figure 88 – Beach Surroundings ............................................. - 62 -
Figure 89 – Deluxe Room .................................................................................................................. - 63 -
Figure 90 – Superior Room ............................................................................................................... - 63 -
Figure 91 - Corner Suite .................................................................................................................... - 64 -
Figure 92 – Beach Cottage ................................................................................................................ - 65 -
Figure 93 – Chalet ............................................................................................................................. - 65 -
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Figure 94 - Room services ................................................................................................................. - 66 -

Figure 95 - Gym ................................................................................................................................ - 66 -
Figure 96 - Bogmolo Village cycling .................................................................................................. - 66 -
Figure 97 – Map ................................................................................................................................ - 68 -
Figure 98 - Amenities provided ......................................................................................................... - 69 -
Figure 99 - Room ............................................................................................................................... - 69 -
Figure 100 - Room type ..................................................................................................................... - 70 -
Figure 101 – Room ............................................................................................................................ - 70 -
Figure 102 – Room ............................................................................................................................ - 71 -
Figure 103 – Room ............................................................................................................................ - 71 -
Figure 104 - Room ............................................................................................................................. - 72 -
Figure 105 – Room ............................................................................................................................ - 72 -
Figure 106 – Room ............................................................................................................................ - 73 -
Figure 107 – Room ............................................................................................................................ - 73 -
Figure 108 - Room ............................................................................................................................. - 74 -
Figure 109 – Site A ............................................................................................................................ - 78 -
Figure 110 – Site B ............................................................................................................................ - 79 -
Figure 111 - Olden Times .................................................................................................................. - 81 -
Figure 112 -Development in Virar, Figure 113 – Virar Station.......................................................... - 82 -
Figure 114 - Evening time from the site............................................................................................ - 83 -
Figure 115 - Activities around the site .............................................................................................. - 84 -
Figure 116 - Site Context Map .......................................................................................................... - 85 -
Figure 117 - Site Map ........................................................................................................................ - 85 -
Figure 118 – Site Surroundings, Figure 119 - Site Surroundings ....................................................... - 86 -
Figure 120 - Road touching the site .................................................................................................. - 86 -
Figure 121 - Site Surroundings, Figure 122 - Site Surroundings ....................................................... - 86 -
Figure 123 - Part of CRZ map ............................................................................................................ - 87 -
Figure 124 - Site Located on Map ..................................................................................................... - 87 -
Figure 125 - 3 Star Hotel Room ........................................................................................................ - 89 -
Figure 126 - Minimum Distance between hotel beds....................................................................... - 89 -
Figure 127 - Hotel Standards ............................................................................................................ - 90 -
Figure 128 - Hotel Standards ............................................................................................................ - 91 -
Figure 129 - 3 Rooms with Guest WC ............................................................................................... - 91 -
Figure 130 - Spaces required for waiter and dinner ......................................................................... - 92 -
Figure 131 - Designing Standards ..................................................................................................... - 93 -
Figure 132 - Tables and seatings ....................................................................................................... - 93 -
Figure 133 - Design Examples for indoor swimming pools ............................................................... - 94 -
Figure 134 - Changing Rooms ........................................................................................................... - 95 -
Figure 135 – Administration ............................................................................................................. - 96 -
Figure 136 - Admin Spaces ................................................................................................................ - 97 -
Figure 137 - AREA DIAGRAM , source – author .............................................................................. - 110 -
Figure 138 - Site Map ...................................................................................................................... - 111 -
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Table of Tables
Table 1 – 6 Division of Maharashtra with its region, districts & headquarters ................................ - 19 -
Table 2 – 36 districts of Maharashtra with codes, formation day, headquarters, administrative
division & area .................................................................................................................................. - 20 -
Table 3 – Month Wise and District Wise Total Visitor Arrival in Maharashtra ................................. - 21 -
Table 4 – Comparative analysis......................................................................................................... - 76 -
Table 5 – Comparative analysis of site a and site b .......................................................................... - 80 -
Table 6 – Area Statement, Source – Times Saver Standards and Neuferts Forth Edition (Edited by
Author) ............................................................................................................................................ - 105 -
Table 7 – Total area calculation, Source - Author ........................................................................... - 108 -
Table 8 - Area Calculation ............................................................................................................... - 110 -
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Table of Contents
CHAPTER 1 ...................................................................................................................................... - 1 -
1.1 Introduction ............................................................................................................................. - 2 -
1.2 Background study ................................................................................................................... - 3 -
1.2.1 Tourism in India ................................................................................................................. - 3 -
1.2.2 Contribution of the tourism industry in India .................................................................... - 3 -
1.2.3 Issues in the tourism industry of India. .............................................................................. - 4 -
1.2.4 Types of tourism in India ................................................................................................... - 5 -
1.2.5 Ways to promote tourism in India...................................................................................... - 6 -
1.3 Aim ........................................................................................................................................... - 8 -
1.4 Objectives................................................................................................................................. - 8 -
1.5 Scope ........................................................................................................................................ - 8 -
1.6 Limitation ................................................................................................................................ - 8 -
1.7 Justification ............................................................................................................................. - 9 -
CHAPTER 2 .................................................................................................................................... - 11 -
2.1 Research Methodology ......................................................................................................... - 12 -
CHAPTER 3 .................................................................................................................................... - 13 -
3.1 Literature review .................................................................................................................. - 14 -
3.1.1 Top two most visited states of India by foreign tourists .................................................. - 14 -
3.1.2 Tourism in Maharashtra ................................................................................................... - 15 -
3.1.3 Districts of Maharashtra ................................................................................................... - 18 -
3.1.4 Month Wise and District Wise Total Visitor Arrival in Maharashtra .............................. - 21 -
3.1.5 The most visited district by tourist in Maharashtra - Mumbai ......................................... - 22 -
3.1.6 The earliest formed district - Palghar ............................................................................... - 23 -
3.1.7 Problems with Tourism in the Palghar District ................................................................ - 33 -
3.2 Contextual study through different references. ................................................................. - 35 -
3.2.1 Types of accommodation facilities available at tourists spot in Palghar ......................... - 35 -
3.2.2 Resorts.............................................................................................................................. - 36 -
3.2.3 Cultural expression and sustainable design of resort ....................................................... - 38 -
3.2.4 Characteristics of cultural resort ...................................................................................... - 38 -
CHAPTER 4 .................................................................................................................................... - 43 -
4.1 Case Study– 1 (Digital): Delhi Haat, Janakpuri, New Delhi ............................................. - 44 -
4.1.1 Why Delhi haat, janakuri?................................................................................................ - 44 -
4.1.2 About the project.............................................................................................................. - 44 -
4.1.3 Site surroundings ............................................................................................................. - 45 -
4.1.4 Design aspects .................................................................................................................. - 46 -
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4.1.5 Swot analysis ................................................................................................................... - 49 -

4.2 Case Study– 2 (Digital): Desert Resort, Mandwa, Rajasthan ........................................... - 50 -
4.2.1. Why Desert Resort, Mandwa, Rajasthan? ....................................................................... - 50 -
4.2.2. About the project............................................................................................................. - 50 -
4.2.3. Design Philosophy .......................................................................................................... - 51 -
4.2.4. Swot analysis .................................................................................................................. - 55 -
4.3 Case Study– 3 (Digital): Lakshman Sagar, Rajasthan ...................................................... - 56 -
4.3.1 Why Lakshman Sagar, Rajasthan? ................................................................................... - 56 -
4.3.2 About the project.............................................................................................................. - 56 -
4.3.3 Design Philosophy ........................................................................................................... - 57 -
4.3.4. Swot analysis .................................................................................................................. - 59 -
4.4 Case Study – 4 (Live): Bogmolo Beach resort, Goa ........................................................... - 60 -
4.4.1 Why Bogmallo Beach Resort? ......................................................................................... - 60 -
4.4.2 About Project ................................................................................................................... - 60 -
4.4.3 Project Details .................................................................................................................. - 61 -
4.4.4 Site surroundings ............................................................................................................. - 62 -
4.4.5 Design Aspects................................................................................................................. - 62 -
4.4.6 Overview .......................................................................................................................... - 67 -
4.4.7 SWOT Analysis ............................................................................................................... - 67 -
4.5 Case Study – 5(Live): Jadhavgadh, Pune ........................................................................... - 68 -
4.5.1 Why Jadhavgadh Fort, Pune?........................................................................................... - 68 -
4.5.2 Project Details -................................................................................................................ - 68 -
4.5.3 Design Aspects................................................................................................................. - 69 -
4.5.4 Overview .......................................................................................................................... - 74 -
4.5.5 SWOT Analysis - ............................................................................................................. - 75 -
4.6. Comparative Analysis .......................................................................................................... - 76 -
CHAPTER 5 .................................................................................................................................... - 77 -
5.1 Site study and analysis .......................................................................................................... - 78 -
5.1.1 Site selection criteria ........................................................................................................ - 78 -
5.1.2 Site A................................................................................................................................ - 78 -
5.1.3 Site B ................................................................................................................................ - 79 -
5.1.4 Comparative analysis of Site A & Site B ......................................................................... - 80 -
5.1.5 Site Context. ..................................................................................................................... - 81 -
5.1.6 Site Analysis .................................................................................................................... - 83 -
5.1.7 CRZ .................................................................................................................................. - 87 -
CHAPTER 6 .................................................................................................................................... - 88 -
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6.1 Data Collection and Analysis ............................................................................................... - 89 -

6.1.1 Design Standards.............................................................................................................. - 89 -
6.1.2 CRZ Norms ...................................................................................................................... - 98 -
CHAPTER 7 .................................................................................................................................. - 100 -
7.1 Discussion and Findings ..................................................................................................... - 101 -
CHAPTER 8 .................................................................................................................................. - 102 -
8.1 Design Brief and Area Statement ...................................................................................... - 103 -
8.1.1 Introduction .................................................................................................................... - 103 -
8.1.2 Design Brief ................................................................................................................... - 104 -
8.1.3 Tentative area statement ................................................................................................. - 105 -
CHAPTER 9 .................................................................................................................................. - 109 -
9.1 Site Plan with Site Calculation and Triangulation method ............................................. - 110 -
9.1.1 Site Area Calculation ..................................................................................................... - 110 -
CHAPTER 10 ................................................................................................................................ - 112 -
10.1.1 References .................................................................................................................... - 113 -
Plagiarism Report ......................................................................................................................... - 115 -
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CHAPTER 1
Introduction
‘’I hate vacations. If you can build buildings,
Why sit on the beach?’’
- Philip Johnson
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1.1 Introduction
"Around the world, in countries at all development levels, many millions of jobs and businesses
are dependent on a strong and thriving tourism sector. Tourism has also been a driving force
in protecting natural and cultural heritage, preserving them for future generations to enjoy"
-Mr. Zurab Pololikashvili

(Secretary-General of the UNWTO)
Tourism is defined by the United Nations World Tourism Organization (UNWTO)

as "a social, cultural and economic phenomenon that involves the movement of people to
countries or places outside their usual environment for personal or business/professional
purposes". These people are called visitors and their activities include spending on tourism. A
visitor is classified as a tourist or overnighter if their trip includes an overnight stay, or
otherwise as a day visitor or day tripper.
International travel was one of the most significant economic activities in the globe at the
beginning of the twenty-first century, and its effects could be felt from the Arctic to the
Antarctic. Therefore, it is quite interesting and significant to study the history of tourism.
Before the term "tourist" was first used at the end of the 18th century, there was a lengthy
history of travel.
Ancient Greece and Rome, which can lay claim to the origins of both "heritage tourism" (meant
to celebrate and appreciate historic sites of acknowledged cultural importance) and beach
resorts, can be found in the Western tradition of organised travel with supporting infrastructure,
sightseeing, and an emphasis on essential destinations and experiences.
Why tourism?
One of the fastest-growing economic sectors in the world, tourism has undergone constant
expansion and deepening diversity over the years. Modern tourism includes an increasing
number of new locations and is directly related to development. These factors have made
tourism a significant force for socioeconomic development.
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1.2 Background study

1.2.1 Tourism in India
India is a country with a rich cultural legacy and
traditions that draw tourists from both domestic and
foreign countries because of the diversity of the country's
historical and ancient monuments, palaces, forts,
museums, animal sanctuaries, and numerous scenic
locations. The Indian tourism sector has grown over the
past several years and is now a significant part of the
country's economy however there are still numerous
obstacles to overcome, such as the need to create and
provide enough infrastructure, amenities, and Figure 1- Tourism in India
accessibility. Source - Pinterest
The potential market for the tourism business grows as the number of tourists with varying
abilities rises, and the Indian government has been putting numerous initiatives into place to
provide accessible tourism. The Ministry of Tourism, Government of India, (2015) investigated
the extent of accessible travel among both domestic and foreign visitors in their survey on
accessible tourism in India.
1.2.2 Contribution of the tourism industry in India

One of India's main service sectors is tourism and hospitality. A crucial cornerstone of the
Make in India initiative is the Indian tourist industry. India's tourism sector is a major economic
multiplier and is increasingly important as the country strives for rapid economic growth and
employment creation.
India provides diverse geographical regions, world-class tourist attractions, and specialised
travel services including ecotourism, adventure travel, and medical travel. Incredible India has
encouraged growth in employment and tourist arrivals. India wants to raise the number of
cruise passengers from the current 0.4 million to 4 million. The economic potential of cruise
tourism is anticipated to increase from $110 million to $5.5 billion over the next few years.
-3-
The growth of infrastructure with multiple uses, such as hotels, resorts, and restaurants, as well
as transportation infrastructure (airports, highways, ships, and railroads), is frequently
facilitated by tourism. WTTC ranks 13th in visitor exports (2020).
According to the World Economic Forum's Travel & Tourism Development Index, India is
now rated 54th (2021).
1.5%
Share in World Tourist Arrivals (2022)
1.3%
Share in International Tourism Receipts (2022)
$7Bn
Foreign Exchange Earnings (FEEs) (2022)
India is anticipated to rank among the top five markets for business travel by 2030. 100% FDI
is permitted under the automatic route in the tourism sector. In tourism construction projects,
including the creation of hotels, resorts, and recreational facilities, 100% FDI is permitted.
Figure 2 - – Investment opportunities in tourism & hospitality in India
Source - https://www.investindia.gov.in/sector/tourism-hospitality
1.2.3 Issues in the tourism industry of India.

The tourist industry generates 10% of the country's total income. But for many reasons, the
tourism industry lags behind the other important industries, which is why our nation is only
"growing" while others are "developed."
Among them are:
-4-
The lack of infrastructure is a significant obstacle for the Indian tourism industry. This includes
lodging, access to other cities, healthcare options, and transportation, among other things. The
budget's ineffective use of funds is the main cause of this lack of concern.
Safety and Security, The main determinant of whether or not tourists will visit a particular
location is their safety and security. This issue has arisen as a result of attacks on foreign
tourists, particularly women tourists. When it comes to safety, India is ranked 114th. The travel
industry should adopt stricter policies and implement legislation to punish criminals who
defraud unwitting travellers.
Inaccessibility - Due to the high expense of transportation, inadequate connectivity with cities,
and the fact that just 2% of tourists can access many of the country's tourist attractions are
inaccessible to the poor, women, and elderly.
1.2.4 Types of tourism in India
Figure 3 – Types of tourism
Source - Pinterest (edited by author)
-5-
1.2.5 Ways to promote tourism in India

Every nation's economy depends heavily on tourism. Many nations today fully rely on tourism
to drive their economies. Any country or location needs to promote tourism more than others
since it boosts the value of the local currency.
Because the government determines the nation's tourist policies, only the government of a
country may endeavour to promote it. Any government can always discuss what should be
done and what should not be done while they are in the chair.
Despite this, we would like to advise the following to promote tourism. While we cannot set
rules, by doing so, India may greatly increase its revenue from the tourism industry. We
shouldn't let opportunities pass by that would hurt any nation's economy.
Outsourcing of Heritage Buildings
India has a rich past that can be promoted to draw

tourists, including forts, parks, and historical sites.
India's extensive collection of architectural and
historical landmarks is one of the country's top
tourist draws. There are many historical sites in
Figure 4 – Preserving old heritage
India that are still in disrepair.
Source - Pinterest
The answer is to contract with a business or group to take care of these crumbling historical
structures so that they can occasionally be renovated.
Many people believe that this marketing is pointless. But rather than letting any heritage be
wasted, tourism may be encouraged by outsourcing the repair of this damaged property.
Memorializing the sights
When a visitor visits a location, they should bring their memories back with them. The majority
of travel locations worldwide are experiencing alone. Where visitors enjoy returning time and
time again. Include backwaters, the Himalayas, botanical gardens, and architectural landmarks.
The ability to further improve a location's natural attractiveness should be available to the
tourist ministry. Every tourist destination needs to be further developed and filled with
amenities.
-6-
Only when a traveller is provided with the bare minimum of knowledge about a location can it
become memorable. For instance, measures can be taken to provide the visitor with a tour
guide, a children's programme of activities, full of such amenities and opportunities for cultural
contact etc.
Good roads and transport facilities
If you have to travel somewhere, there's a chance you'll

pick a good alternative rather than a bad one. Easy
accessibility is crucial for the growth of any tourist
location. Therefore, it's crucial to provide reliable
access points and highways for a particular tourist
location.
Any destination should be accessible to both domestic

and international visitors. To encourage repeat visits from tourists, it would be preferable if the
Ministry of Tourism had to pay attention to this issue. Figure 5 – Transport Facilities
When we talk about the transportation system, there Source - Pinterest
ought to be a lot of amenities. It is possible to offer services like pre-packaged train travel,
simple bus connections, and safe vehicle rental services with competent staff. These methods
contribute significantly to the tourist experience.
Promotion by Each State
India's states are teeming with natural beauty. As a gift from nature, forests, hills, rivers, and
streams are present in every state. All of those natural areas must be utilised as tourist
destinations to draw visitors.
All states ought to support historic and all-natural structures so that information is accessible
not only in India but also outside. To make these locations more appealing, each state must
contribute a special amount of funding from its ministry.
Certain meals can only be cooked in a certain state, and each state has a speciality that people
travel to visit. The promotion of such a speciality is crucial.
-7-
1.3 Aim
The aim of this research is to comprehend the cultural importance in tourism. The importance
of the culture and how it can be imbibed with the design where it can mark the USP of the
project is understood in this research.
1.4 Objectives
• The objective is to understand the cultural importance of a region and how it can affect
the tourism of the place.
• To understand the architectural features with respect to the cultural background.
• With the rapid growth of tourism industry, observing the accomodation needs of people
over a region.
• To understand the need of hotel and resort which can help in increasing the tourist over
a region.
• To observe the need of resort and hotel over the region.
1.5 Scope
The scope is to design the resort with cultural background & make good accommodation
facility available at region with cultural significance. This project proposal will focus on the
cultures and architecture elements related within the region. The ways of development of resort
to make it attract tourists all over the region.
1.6 Limitation
The project will limit only to the design proposal of resort. The concern of promenade
development and the road networking will not be tackled in this design proposal. The design
will be limited within the site boundary.
-8-
1.7 Justification
As mentioned is the below image of news, MLA Kshitij Thakur wants to make Palghar region
as a Mini-Goa. He wants to improvise the water-line and make it into a good tourist attractions
within the district. The region is rich in its culture and heritage. He wants to incorporate the
culture and heritage of Virar - Vasai, Palghar district to attract tourists.
Figure 6 – Topic Justification Screenshot 1
Source - Author
-9-
In the report of future development, it is stated that the Vasai - Virar region has rich cultural
background. The temples, the beaches, the historical sites and many more are gifted to this
region. CIDCO, MMRDA and other authorities are taking this region as a development
opportunity. These special authorities wants to make this region as a spot of tourism.
Figure 7 - Topic Justification Screenshot 2
Figure 8 - Topic Justification Screenshot 3
Source - Author
- 10 -
CHAPTER 2
Research Methodology
- 11 -
2.1 Research Methodology

The research is being carried out in this particular process.
INTRODUCTION BACKGROUND STUDY
Tourism, Contribution of Tourism Tourism in India, Types of Tourism in

Industry, Why Tourism? India
AIM
OBJECTIVE
SCOPE
LIMITATION
TOPIC LITERATURE CASE SITE DATA

JUSTIFICATION REVIEW STUDY STUDY COLLECTION
⁻ Coastal belt - Data gathered ⁻ Bogmolo Beach ⁻ Standards of

always tends to to understand Resort Design.
⁻ Site Selection,
attract the tourist places ⁻ Jadhavgadh Fort,
Site ⁻ Times Saver
tourist. in various Pune
Background Data
districts.
⁻ According to the ⁻ Delhi Haat, Delhi
⁻ Site Area, Site ⁻ Neufert’s
newspaper, the - Most visited
⁻ Desert Resort, Surroundings Design
need for places and
Rajasthan and context. Standards
development of their
coastal region architectural ⁻ Laxman Sagar,
elements. Rajasthan
DESIGN BRIEF
AREA STATEMENT
- 12 -
CHAPTER 3
Literature Review
- 13 -
3.1 Literature review
3.1.1 Top two most visited states of India by foreign tourists

India is Amazing and has a huge physical and cultural diversity, from the sea beaches of
Kanyakumari to the snow-capped mountain towns of Kashmir. Tourism is India's largest
revenue-generating sector. Here is a list of the top 2 Indian states for international tourist visits
in 2019.
Tamil Nadu - 4,684,707
Both Indian and foreign tourists choose Tamil Nadu as

their top travel destination. Along with the Nilgiri
Mountain Railway, Chennai, Ooty, Kodaikanal, and
Yercaud hill stations and the hottest biodiversity areas, the
state is the most well-liked medical tourism destination in
India. Sri Ranganathaswamy Temple, Ramanathaswamy
Temple, Airavatesvara Temple, Gangaikonda
Cholapuram Temple, and Arunachaleswara Temple are
just a few of the Great Living Chola Temples in Tamil Figure 9 – Tamil Nadu Map
Nadu. Other temples include Mahabalipuram, Source – www.dreamstime.com
Brihadeeswarar Temple in Thanjavur, Madurai

Meenakshi Amman Temple, Kanchipuram, and Sri
Ranganathaswamy Temple.
Maharashtra – 4,408,916
Maharashtra is the second-most popular tourist destination

in India among international visitors and is home to several
well-known landmarks, Bollywood productions, and
colonial buildings. Tourist attractions in Mumbai and
Maharashtra include the historic Elephanta Caves, Ajanta
Caves, Ellora Caves, Chhatrapati Shivaji Terminus, Bibi Ka
Maqbara in Aurangabad, Mahalakshmi Temple, and
numerous religious and adventure tourism destinations.
Figure 10 – Maharashtra Map
Aurangabad is the tourism capital of Maharashtra.
Source - www.dreamstime.com
- 14 -
3.1.2 Tourism in Maharashtra

Maharashtra is situated on India's western coast. The state is known for its heavily forested
hills and valleys, which are full with unique species of flora and animals, historic caverns, and
a rich cultural legacy. The Indian entertainment business, or Bollywood as it is more widely
known, has its centre in Maharashtra.
In India, the state is a popular travel destination. Maharashtra received 5,078,514 foreign and
119,191,539 local visitors in 2017, according to the Indian Ministry of Tourism. This
welcoming state has a variety of lodging choices, including historic inns, five-star resorts,
affordable lodging, and homestays.
Figure 11 – Tourist Attractions Map of Maharashtra
Source - www.maharshtratourism.gov.in
- 15 -
• Hill stations
In order to escape the summer heat, the British built numerous hill stations around India and in
Maharashtra during their colonial control. The majority of these are close to Mumbai and Pune,
the two biggest cities in the state, and are situated on the hills of the Sahyadri range of the
Western Ghats.
Figure 12 – Hill Station Map of Maharashtra
- 16 -
• National Parks
Along with several fantastic national parks, Maharashtra is blessed with rich plains, scenic
scenery, and lush green forest areas. In Maharashtra, there are numerous sanctuaries and
national parks that protect the environment and offer visitors a breath-taking experience. The
state is home to some of the top national parks in the world, which host countless treks and
camping excursions including safari trips and picnics in addition to being well-known
worldwide.
Figure 13 – Maharashtra National Park Map
- 17 -
3.1.3 Districts of Maharashtra

Six revenue divisions, each of which is further subdivided into 36 districts, make up
Maharashtra. These 36 districts are further divided into 357 talukas and 109 district
subdivisions
Figure 14 – District Map
- 18 -
Table 1 – 6 Division of Maharashtra with its region, districts & headquarters
Source - Wikipedia
- 19 -
Table 2 – 36 districts of Maharashtra with codes, formation day, headquarters, administrative division & area
Source - Wikipedia
- 20 -
3.1.4 Month Wise and District Wise Total Visitor Arrival in Maharashtra
Table 3 – Month Wise and District Wise Total Visitor Arrival in Maharashtra
Source – Tourism survey of Maharashtra
- 21 -
3.1.5 The most visited district by tourist in Maharashtra - Mumbai

Mumbai (Bombay) is the 30th most visited place in the world according to its tourism business,
which draws approximately 6 million visitors annually. Mumbai had a population of 19.98
million as of 2018, making it the seventh most populated metropolis in the world and the second
most populous city in India after Delhi, according to the USA
Figure 15 – Mumbai City Collage Figure 16 – Mumbai City Collage 2
Source – Pinterest Source – Wikipedia
The World Travel & Tourism Council estimated that in 2016, tourism supported 637,900 jobs,
or 7.3% of the city's total employment, and generated US$3.9 billion, or 3.2% of the city's
GDP. By 2026, the industry is expected to increase by an average annual rate of 8.8% to reach
$9 billion (3.1 percent of GDP). In 2016, the travel and tourism sector in Mumbai contributed
5.4% of the country's overall GDP and employed 2.4% of all workers.
In 2016, 35.7% of Mumbai's tourism-related spending came from foreign visitors. United Arab
Emirates residents make up almost one in five of the city's foreign visitors.
- 22 -
Why do people visit Mumbai?

• Nature
• Food
• Markets Figure 17 – Mumbai illustration
• History Source – Pinterest

• Architecture
• Beaches
• Fashion for every budget
• Art
• Transportation services
3.1.6 The earliest formed district - Palghar
Figure 19 – Palghar District Map Figure 18 – Palghar District Detailed Map
Source – Wikipedia Source – www.researchgate.com
By dividing the largest district in the nation, Thane, which has maritime-mountainous and civil
components, Palghar, the 36th district of the state, was created as of August 1, 2014. The
construction of the new district began on August 1st, 2014, in the presence of the then-Chief
Minister Prithviraj Chavan and the then-Revenue Minister Balasaheb Thorat. The 36th district
in the state is Palghar.
The Palghar district, which is found in the northern Konkan region, stretches between the
Sahyadri mountain range in the east and the Arabian Sea coast in the west. Mumbai and Thane
are located to the district's south, and Valsad (Gujarat) and Dadra and Nagar Haveli are located
to the district's north. Palghar district has a total population of 29,95,428. There are a total of 8
- 23 -
talukas in the Palghar district, including those in Jawhar, Mokhada, Talasari, Vasai,
Vikramgad, Palghar, Dahanu, and Wada.
There are 3818 padas and 1007 villages in the Palghar district, which has a total size of 469699
hectares. There are 467 Gram Panchayats in addition. The district of Palghar has a 66.65%
literacy rate. Males make up 72.23% of the population while females make up 59.28%.
The distance to the district is 112 kilometres. A beach is there. This district is home to the
historic forts of Vasai, Arnala, Tarapur, Kelwa, Shirgaon, Kaldurg, Kamandurg, and
Gambhirgad. The spiritual splendour of this area is represented by Jivdani Mandir and
Mahalakshmi Mandir.
A tribal population lives in the Palghar district. The cultural icons of this area include Warli
paintings and Tarpa dance. The Gholwad Chikus in the Dahanu Taluk are well-known.
Tourism In Palghar District –

• Kelva Beach - The picturesque stretch
of seashore known as Kelva Beach,
also known as Kelva or Kelva, is a
well-liked weekend destination for
visitors from Mumbai. The beach
stretches for roughly 8 kilometres. The
beach, a very popular tourist
Figure 20 – Kelva Beach
destination, is packed on weekends
Source – www.kelvabeach.com
with local visitors, a sign of its rising
popularity.
• Arnala Beach - Arnala is a tiny beach
community located about 9 kilometres
from Virar railway station. Since this
is a coastal village, most of the locals
are fishermMany tourists visitisit the
Arnala Beach. For lounging and
picnicking, the Suru trees on the
Figure 21 – Arnala Beach
southern end of the beach offer a nice
Source – www.flickr.com
shade. One must use extreme caution
- 24 -
if tempted to swim in these waters because the sea is neither clean nor safe. Beach resorts
can be found on the shore as well.
• Dahanu-Bordi beach - In the Palghar
district's Dahanu taluka is where you'll
find Dahanu Bordi Beach. It is
dispersed throughout a 17 km area.
Dahanu is renowned for its large
chikoo fruit orchids in addition to its
long and well-kept coastline. Even Figure 22 – Dahanu-Bordi Beach
though it becomes very warm in the Source – www.mumbaicity.com
summer, the pleasant breeze keeps the

whole beach from being too hot. A beautiful temple that contains the Zoroastrian religion's
sacred fire makes this location the Mecca of the faith immensely popular with tourists. This
fire is thought to have been maintained for close to a thousand years. The presence of Iranian
and Persian culture adds to the exotic nature of this location.
• Jawhar Rajwada - In the Palghar
district, Jawhar is a small hill station
with a municipal council that is
located on a plateau of sahyadris
between rift valleys. It is 42
kilometres away from the Palghar
district. The "Mahabaleshwar of
Palghar District" is another name for Figure 23 – Jawhar Rajwada
it. One of Maharashtra's lesser- Source – www.youtube.com
known hill towns, it is endowed with fascinating valleys, dense, lush woods, and a
comfortable environment. The greatest season to visit Jawhar is during the monsons, when
the surrounding hills and the village are shrouded in dense fog. Warli paintings in Jawhar
are well known for their vibrant style. One of the few tribal kingdoms in Maharashtra, this
hill station presents a rare chance to learn about and gain insight into the tribal way of life.
- 25 -
• Arnala Fort - One of the most

impressive coastal forts is Arnala. It
is situated in Vasai taluka's Arnala
village. Other names for Arnala Fort
include "Jaldurg" and "Janjire
Arnala." Many dynasties, including
the Mughals, Marathas, Portuguese,
and finally the Peshwas, seized Figure 24 – Arnala Fort
control of the Arnala. In 1516, Source – www.maharashtraplanet.com
Sultan Mahmud Begda began building the fort. While there is no food supply, the fort's well
does have water.
This rectangular-shaped fort is nearly encircled by water. There are numerous temples,
including those dedicated to Tryambakeshwar, Bhavani Mata, Kalika Mata, and Mahadev.
There are three entrances, one of whichons at the north side of the fort and features large
bastions on both sides.
• Vasaifort – Bassein, popularly known
as Vasai, is located 45 kilometres from
Palghar City. It's in the Vasai Taluka.
Next to Goa in prominence, the fort in
the old city served as the Portuguese's
northern headquarters. Vasai's coastal
land-fort was encircled by water on
three sides, and to the landslide, it had a
moat that was watered by the sea. Its
Figure 25 – Vasai Fort
sturdy stone wall, which was 4.5 km
Source – www.maharashtraplanet.com
long, included 11 bastions. The
westward land gate was one of the fort's two gates. The fort included a small citadel as well
as gardens for cultivating grains and vegetables. The fort was also well-equipped with water
tanks, storehouses, an armoury, etc. All of the historic buildings inside the wall are currently
in ruins.
- 26 -
• Gambhirgadh- Gambhir translates to

"serious" in marathi. Gambhirgad and
its surroundings are therefore
exceedingly "serious," as suggested
by its name. It is located on the Gujrat
border in the Palghar district's Dahanu
taluka. As one approaches the fort,
they first come to the plateau that
serves as the fort's machi. It has a lot
of wild plants that are growing out of Figure 26 – Gambhirgadh
control. On the machi, there isn't much Source – Wikipedia
to see. On the route to the fort, a lovely

water tank appears. Here is where a goddess' temple is located. This fort offers views of the
Asheri and Adsul forts and the Mahalakshmi pinnacle.
• Tarapur Fort- The Tarapur Fort, complete

with wells and gardens, was granted as a
gift by the Peshwa to Vikaji Mehrji and
retained by his heirs ever since. It is now
in the hands of the Chorge family. It is
situated in the Palghar taluka's Boisar
village. The Chinchani beach, located 1.5
kilometres north of the fort, is another
Figure 27 – Tarapur Fort
gorgeous location. Along with housing
Source – www.justdial.com
for the garrison, the fort had a hospital, a
Dominican monastery, and a wall with circular bastions around it. The Marathas led by
Chimnaji Apa stormed the fort in 1739. Two of the four mines that were laid were successful
in creating significant breaches in a bastion and curtain. There were some subpar buildings
inside the fort. In addition, there were two granaries, a guardhouse, several subpar structures,
and numerous wells with plenty of top-quality water.
- 27 -
• Kaldurga Fort - The hill-style Kaldurga

fort is situated in the Palghar taluka of
the Palghar District. This fort rises to a
height of roughly 1550 feet. Kaldurg is
one of the many hill forts in the Palghar
series of forts.
The fort has a rectangular top. One may
Figure 28 – Kaldurga Fort
clearly locate the fort from a distance
Source – www.trekraw.com
due to its rectangular design. No sign
identifying this as a fort can be found. The fort has a thriving population of tribes because
of the abundance of forest trees there. But the living conditions are subpar. This rectangular
rock divides the fort into two parts: the fort above the rock and the fort below the rock.
These are separaintod by two to three steps.
• Kelva Fort - Kelva Fort, a historically
important fort constructedthe by Portuguese
durthe ing 16th century, is located at the
southern end of the beautiful and serene Kelva
Lake. The fort is situated in Palghar taluka. Figure 29 – Kelva Fort
The fort was used by Chhatrapati Shivaji Source – www.kelvabeach.com
Maharaja during his Maratha rule. The foffersffer exquisite panoramic views of the natural
surroundings covered by greenish Suru trees. The ort, surrounby ded all the sides by the
water, provide enchanteye-catchinghing experience during the tidal procession and
recessions. During low tide per,iods this is accessible and visible perfectly a and local
country boat facility is available to approach the fort.
• Kamandurg - Kamandurg is located in the
Palghar district's Vasai Taluka. The
residents of Belkadi are from the Varli
Adivasi community, and they are quite
helpful. Four water streams must be
crossed, the third of which is 40 feet wide.
On the plateau are five water cisterns and
a stone with an idol's image cut into it. Figure 30 – Kamandurg Fort
The area is completely covered in dense Source – www.namadtrekkers.com
- 28 -
forest, giving it a green appearance. There is a stunning view of Vasai Crake. There are two
summits, and to get to the second peak, one must descend, traverse, and then ascend from
the opposite side.
• Shirgaon Fort - In the Palghar taluka, Shirgaon
fort is situated on one side of Shirgaon beach.
Great Maratha King Chhatrapati Shivaji
utilised the fort as a place to keep an eye on foes
entering the Arabian Sea. The old fort is now in
ruins. This fort was under the control of the
Portuguese before the Marathas. The British
took control of this fort from the Marathas in
1818. The fort has a height of roughly 200
Figure 31 – Shirgaon Fort
feet and a width of more than 150 feet. The
Source – Wikipedia
old brick and red stone structure was
preserved as the Portuguese expanded and restored this fort. The five-foot cannon on the
northwest corner of the citadel commemorates the conflicts that have taken place here.
Along with normal tourists, the fort's scenic surroundings and cleanliness draw numerous
historians.
• Jivdani Temple - On Jivdani hill in

Virar, there is a temple dedicated to
Maa Jivdani. On a mountain, it is the
most notable landmark in Virar. It is
well-known throughout the nation for
having the only temple dedicated to the
goddess Jivdani, which is perched on a
hill in the eastern section of the city Figure 32 – Jivdani Temple
at a height of around 1375 steps Source – www.mouthshut.com
above sea level. Thousands of devotees flock to the 150-year-old Jivdani Temple in Virar
on Sundays and other special occasions. One of the main sources of fresh water in the area
was the Papadkhandi dam, which was located at the foothills.
- 29 -
• Mahalakshmi Temple Dahanu -

Since Mahalakshmi is the tribals'
"kuldaivata" (patron God of a Hindu
home), they organise a "taarpa"
dance for their celebrations. Every
year, starting on Hanuman Jayanti, a
celebration known as Mahalakshmi
Figure 33 – Mahalakshmi Temple
Yatra is celebrated for 15 days.
Source – Wikipedia
• Saint Peters Church Arnala - One of the
first churches built by the Archdiocese of
Bombay, this church was constructed in the
early 20th century. In 1919, a hut chapel
was built by Fr. Ismail Da Costa close to
Arnala beach. He later built the Church of
St. Peter with assistance from locals of all
faiths. On December 27, 1931, Bombay
Archbishop Joaquim Lima blessed the
church. St. James Church (Agashi) and
Church of the Holy Spirit are two other Figure 34 – Saint Peters Church Arnala
historic churches in the area (Nandakhal) Source – Wikipedia
• St.James Church - This church, which

was established in the early 20th
century, was one of the first ones built
by the Archdiocese of Bombay. Fr.
Ismail Da Costa constructed a hut
chapel close to Arnala beach in 1919.
Later, with the aid of inhabitants of
various religions, he constructed the
Church of St. Peter. Bombay
Archbishop Joaquim Lima blessed the
church on December 27, 1931. Other Figure 35 – St. James Church, Agashi
Source – Wikimedia
- 30 -
old churches in the region are St. James Church (Agashi) and Church of the Holy Spirit
(Nandakhal)
• Gausia Masjid Koliwada Vasai - A tiny plot of ground
was made available, and a temporary structure of 30
feet by 20 feet was built to house the five daily prayers
and serve as a place to share Islamic teachings. Later,
the surrounding property was bought, and in 1982, the
holy hands of theDescendentss of the Great Muslim
Saint, Hazrat Abdul Qadir jilani (R.A) (Gaure Park)
of Baghdad Sharif, lay the cornerstone for a huge
monumental building of Gausia Masjid. Koliwada
Vasai's centre currently contains a two-story mosque.
The Koliwada Mosque has lived a glori ous life for
almost 25 years. The Mosque's administrators provide
several religious services for the benefit of Sunni
Muslims. The Grausia Masjid also houses an Arabic
school.
Figure 36 – Gausia Masjid, Vasai
Source – www.indiaplacefinder.com
- 31 -
Tourism Circuit of Palghar district –
The tourist places which are mostly known to all in the Palghar district are the ones which are
marked on map (figure. 37), but instead there are many other places which are known by the
locals and accessed by the locals.
Figure 37 – Tourism Circuit of Palghar District
Source –Google earth (Edited by Author)
- 32 -
3.1.7 Problems with Tourism in the Palghar District

(As per survey done by, International Journal of Advanced Research in Commerce, Management &
Social Science (IJARCMSS) 10 ISS : 2581-7930, Impact Factor: 5.880 Volume 04, No. 03(I), July -
September, 021, Deepali Tone)
• As per the survey there some problems have been found regarding Palghar tourism, a graph
shows 12low-qualityty service overall tourist place, 7% non-reliability, 4% languages
difficulties with the local community, 16% problem face uncast of transport which is higher
than facilities, 7% people dissatisfied on lack of hospitality service on tourist place, 4%
people problem with theft by local thieves, 15% people mention about lack of infrastructure
facilities at tourist place, and 6% people has problems in other mater.
Figure 38 – Challenges and Problems at Palghar
Source – as mentioned above
• Language Barriers: The language problem is the locality that has been found which creates
barrier to the promotion of tourism. Local people are found to lack proper fluency in Hindi,
Marathi and English languages for interaction with the outbound tourist the outbound
tourist.
• Insufficient Financial Problem: Proper financial support can enhance the tourism potential
of the region, which would help and preserve the local culture, traditions, heritage, art forms,
etc., because according to mass thinking, maintaining culture is not commercially viable.
- 33 -
• Transportation, Communication and Accommodation: Transportation and communication

are other problems in the study area. Selected are remotely located and lack transportation and
infrastructure problem. As per the survey, it has found 15 % preferred own car transport for the
visit, 11% tourist preferred
Bus transport, 28% tourist
preferred Rail transport, 2%
tourist came by Bike and 42the
% the public is using other
transport rather than above. Aa
s per a survey on
accommodation facilities at
Figure 40 - Transportation Used by Tourist at Palghar
Palghar, of tourists , preferred
Eco tourists, 14% of tourist
staying at Resorts, 17% public
stayed at friends or relations
home% was used other
accommodation, 2 stayed at
Hotels and 40 % people are not
yet used accommodation.
Figure 39 – Accommodation Used by Tourist at Palghar
• Insufficient Business Plans
and Skills: Palghar has a big
scope of tourism with natural beauty. Though the initiative has been taken by local people and
yet professionalism is lacking. Need for proper training and should simple as per tourism
manner.
Prospects -
• Palghar is a scope of tourism.
• Tourism is supplemental income that can contribute to the increase of well-being of local
community inhabitants, a chance to reduce out-migration and development of the rural and
urban areas.
• Tourism seems important to create an economy, and it may be a driving force with the other
branches of the regional economy.
- 34 -
3.2 Contextual study through different references.
3.2.1 Types of accommodation facilities available at tourists spot in Palghar
• Hotels -
A hotel is an establishment that provides paid lodging on a
short-term basis. The hotel is majorly found around all the
tourist locations. It is found that major tourists and travellers
tend to always go to a hotel for accommodation.
• Villa - Figure 41 - Hotels
A villa is like a private standalone home. This means a villa

is completely self-contained: it includes a living room, dining
room, kitchen, and bedrooms – basically, everything one
would expect from a home. Villas are found in less number
around major tourist places and are usually used by groups of
people.
Figure 42 – Villa
• Guest House -
A guest house is a private house offering accommodation to
paying guests. The number of people's accommodation can vary
according to the size of the guest house. People staying near the
tourist places with their huge properties generally tend to have a
guest house type of accommodation.
Figure 43 – Guest house
• Resorts (Water parks) -

A resort is a place that is frequented for holidays or recreation
or for a particular purpose. In Palghar Resorts usually have
small or large water parks with the facility of accommodation.
People with a heavy budget tend to go to a resort to enjoy a full-
Figure 44 – Resort (Water Park)
fledged treatment.
Figure 38 to 41, Source – Pinterest
- 35 -
3.2.2 Resorts
A resort is a self-contained business that strives to
provide most of the needs of a visitor, including food,
drink, swimming, housing, sports, entertainment,
and shopping, on the property. A hotel complex that
offers a variety of services, usually including
entertainment and recreational opportunities, is
referred to as a resort. A hotel is typically the focal
point of a resort, like the Grand Hotel on Michigan's
Mackinac Island. In addition to being resorts, several
Figure 45 – Resort illustration
condominium developments also provide timeshares,
Source – Pinterest
fractional ownership, and full ownership options.
Even though it's not always the case, resorts run by
one corporation started to appear more frequently in the late 20th century.
Types of resorts -
The four main types of resorts are golf and beach resorts, island and lake resorts. The guests
served by each kind of resort vary. Others may be trying to improve their golf game, while
some may be searching for a break packed with mud baths and relaxation. Resorts offer
amenities for all visitors. Families can plan a fantastic vacation together by selecting the ideal
type of resort with the aid of a better understanding of the many sorts.
• Golf Resorts
People who enjoy golfing are catered to at a golf resort.

A visitor staying at this kind of resort will have access
to everything they might possibly require. This covers
accommodations, meals, beverages, entertainment, and
use of a golf course.
Figure 46 – Golf Resort
- 36 -
• Beach Resorts
Families who seek easy access to a sandy getaway near

their accommodations can consider beach resorts.
These resorts will offer the obvious amenities like hotel
and food and beverage options. The resort's visitors
frequently have access to a private beach as well. Figure 47 – Beach Resort
• Island Resorts
Beach resorts are elevated by Island Resorts. These

resorts are going to be on an island. Since an island is a
piece of land surrounded by water, island resorts
typically have abundance of sand and water.
Figure 48 – Island Resort
• Lake Resorts
Lake resorts provide its visitors with housing

alternatives in addition to food and beverage options,
like other resorts do. All the advantages of being close to
a lake are also available at lake resorts. Visitors can go
fishing, boating, water skiing, or hiking if there are
nearby trails. While providing a more rustic experience,
lake resorts nonetheless provide all the convenience and Figure 49 – Lake Resort
comfort that a hotel should offer its visitors. Source – Pinterest
- 37 -
3.2.3 Cultural expression and sustainable design of resort

One of the foundations of sustainable design is
culture, which has a significant impact on resort
design in many places. It serves as a bridge
between the people, for whom it is a way of life,
and the tourists who are its consumers. It is
impossible to overstate the value of culture in the
construction of sustainable resorts. Harmony with
the community, the environment, and the local
culture is a goal of sustainable design.
Numerous studies have shown the importance of

preserving the cultural legacy of popular tourist Figure 50 – GK Bali Resort (Example of cultural resort)
locations. These studies mostly focused on the
Source – www.gkresort.com
degree of cultural identity loss and degradation
brought on by unrestrained or poorly thought out tourism-related activities.
Many tangible and intangible cultural traits have vanished as a result of this conflict, while
others have been added to the list of endangered species. For resorts to be designed sustainably,
cultural identity must be preserved and maintained. However, in many cases, the design of
tourism infrastructure does not take cultural sustainability into sufficient account. This leads to
a diversity of identities.
3.2.4 Characteristics of cultural resort

One of the most important sources of tourism is culture, which is also a vital component of the
travel experiences that many places provide. It is also a major driving force behind travel, with
the desire to encounter both historical artefacts and the modern way of life and civilization of
others. Tourism facilities should consider and promote the local community's cultural assets in
order to contribute significantly to tourism sustainability. In order to enhance the visitor's
experience of the local culture and adhere to the sustainability principles, tourist facilities
should express the local environment with its physical, urban, environmental, and moral values.
The fusion of resort functionality with regional traditions and heritage.
- 38 -
The Southern Australia Tourism Commission (SATC, 2000) urged the incorporation of local
values into tourism-related initiatives and suggested that new developments' architectural
design, landscaping, and building materials should honour the area's rich cultural history. This
includes fostering community identity by encouraging the use of local knowledge, skills, and
traditions as well as by promoting tourist activities and behaviours that respect cultural
practises, landmarks, and values. Designs should also be in keeping with local and national
heritage and character.
Figure 51 – The Amanpuri Hotel
Source – www.amanpuri.com
The Amanpuri in Phuket, Thailand. Coconut trees frame the traditional Thai-style roofs. The
hotel’s architecture echoes the Royal Palace compound in Bangkok where King Bhumibol
Adulyadej and Queen Sirikit Kitiyakara live.
• Interpretation and Expression of Local Architectural Heritage

Building form is one of the main ways that culture is expressed in the resorts that were studied.
In most cases, the introduction of curvilinear hut-like structures with conical roofs reflects this.
The chalets at Suntan Beach Resort in Badagry, Oluigbo 360 in Lagos, La Champagne
- 39 -
Tropicana Beach Resort in Lagos, Saminaka Resort in Kaduna, and Argungu Fishing Village
in Kebbi State, among others, are examples of places where this was primarily employed for
lodging units and gazebos (Plates 1 to 4). At the Argungu fishing village, La Champagne
Tropicana, and Suntan beach resort, lodging units were arranged in clusters to convey a village
atmosphere. La Champagne Tropicana's structures were grouped together in groups of five,
with some of the huts being raised on silts.
Figure 52 – Example for Interpretation and Expression of Local Architectural Heritage
Source – www.academia.edu/43832193/Cultural_expression_and_Sustainable_Design_of_Resorts_in_Nigeria
• Use of Indigenous Building Materials

Most of the resorts surveyed employed mud bricks and thatch made from different kinds of
plant resources. Red mud bricks are utilised for the walls of the chalets of the La Champagne
Tropicana beach resort in Lagos, and wood and glass are used for the window sills (Plate 5).
In various structures, like the massage room and open stages, bamboo was used for the walls
and columns. The thatch on several of the roofs has been properly treated. Pagodas on the
- 40 -
beachfront at Sun Tan Beach Resort were made of thatch (Plate 6). Earthen bricks were utilised
at Trappco Ranch and Resort for the walls, arches, and facing of some of the chalets' walls, as
well as for the restaurant's walls and arches (Plate 7).
Figure 53 - Example for Use of Indigenous Building Material
• Use of Indigenous Skills and Construction Techniques

In the majority of Nigerian cultures, mud walls and thatch roofs are built using common skills
and techniques. This was used in a few areas of the resorts that were surveyed. Please refer to
- 41 -
plates 2, 5, 6, 7, 8, and 12. These exhibit thatched roofs, timber roof constructions tied with
bush ropes, and mud brick masonry walls and arches.
Figure 54- Example for Use of Indigenous Skills and Construction Techniques
• Reflection of Local Lifestyle and Cultural Activities

La Champagne Tropicana's architecture included spaces for open stages that were used for live
events and cultural dances. Since fishing was a significant component of the local community's
economy, canoeing was also included in the list of recreational activities. The majority of the
activities in the fishing village of Argungu were centred on regional culture. The availability
of a venue for traditional wrestling and cultural dances serves as an illustration of this. Polo,
an elite sport in Northern Nigeria, was allowed at the Trappco Ranch and Resort.
Figure 55- Example for Reflection of Local Lifestyle and Cultural Activities
- 42 -
CHAPTER 4
Case Studies
- 43 -
4.1 Case Study– 1 (Digital): Delhi Haat, Janakpuri, New Delhi
4.1.1 Why Delhi haat, janakuri?

In order to research how public areas, such as haats, may give a place a unique identity and
consequently provide a platform for the sale of diverse crafts and goods made by different types
of craftsmen around the nation. These locations ensure that leisure needs are met with a fusion
of heritage and culture in addition to serving as retail destinations for the public.
A market combined with public meeting venues including an auditorium, an amphitheatre, a

market, children's play areas, a food court, etc. called the Delhi Haat.
4.1.2 About the project

• Architects- Archohm
• Location- Janakpuri, New Delhi, Delhi,
India
• Category- Shopping Centers
• Architect in Charge- Mr. Sourabh Gupta
• Area- 16000.0 m2
• Project Year- 2014 Figure 56 – Delhi Haat, Janakpuri, New delhi
Source – Archdaily
This 2005 entry for a design

competition was inspired by "Haat
Beat." Entry submissions were
sought for a Dilli Haat in
Janakpuri, a sizable location with
a sizable residential audience, in
an area of Delhi where there were
Figure 57 – Entrance of delhi haat
not many places to go out.
With its concerts and other efforts, DTTDC has promoted music across the entire city of Delhi.
The plan was to provide children with a place to play with music and a home for their playful
music. The goal was to breathe fresh life into this area of Delhi and serve as its rhythmic "heart
beat," and this was the underpinning layer that connected the full programme of official and
informal stores selling goods and celebrating culture.
- 44 -
With two Dilli Haats already existing in the city, one questioned the design components on
various levels. Fundamentally, all Dilli Haats require a common venue for connecting
craftspeople with urban residents. To draw visitors from outside of their immediate
neighbourhood and the city at large, each of these haats needs to have its own distinctive
personality.
It was also important to consider how these haats' vocabulary and images changed over time.
They couldn't be duplicated as urban communities or as extensions of the preceding haats. They
needed to be modern, innovative, and respectful of the project's craft and cultural focus.
Therefore, the design solution is a dialogue between the past and the present, acknowledging
tradition while adapting it to modern times, both in concept and in construction.
4.1.3 Site surroundings

The location was a sizable six-acre plot that faced the northwest and eventually turned
southeast. The main bus terminal on one side, the Tihar jail (a national prison) greens on the
other side, and a sizable commercial boulevard in the front, all encircle the property. The
facility is designed with two entrances: a main front entry for pedestrians into the craft-only
zone and a secondary rear access for walkers into the vehicular and pedestrian zones.
Figure 59 Site Surrroundings
Source – Google Earth (Edited by Author)
Figure 58 – Site Location
- 45 -
4.1.4 Design aspects

The program's conceptualization represents a significant design intervention on par with its
actual execution. The final functioning found an indoor, well-equipped, 800-capacity
auditorium for formal performances and a casual, open-air amphitheatre with a similar capacity
that operates concurrently with autonomous areas and support services. It is suggested to build
a multifunctional, multiscale show hall for conferences and exhibitions. A music museum, a
music shop, a music workshop, tourist information centres, and cafes are all housed in a set of
four baskets. A sizable, air-conditioned food court spreads into lush greenery and covered
patios. To incorporate the necessary delicate modifications of malls, markets, and bazaars into
this haat, formal, informal, and open retail areas are constructed. To support the economic
model of this intricately interwoven cultural complex, an independent fine dining establishment
with a large banquet space is established.
• The exposition halls
The exhibition halls consist of three ascending-width

linear arches that form one huge room that may be divided
into three as needed. The top steel sheeting is further
covered with colourful flowering creepers that assist
regulate temperature and soften the scale. The food court
will have 48 kiosks from various locations and honour the
flavours of India. Every stall in the two stories of the air-
conditioned building has its own service court, which
Figure 60 – Exposition Hall
opens onto a bigger service yard that is connected via a
separate entrance.
• The Bamboo Basket
The four 8 m tall towers are scattered throughout the area.

They are two-story structures with a roof top canopy
intended for outdoor activities that are designed to
resemble enormous bamboo baskets. Closer to the
entrance, two of the baskets house the museum and music
Figure 61 – The Bamboo Basket
- 46 -
centre, one has the information centre, the other a café. The music centre offers a variety of
rare classics and musical instruments for sale.
• The auditorium and amphitheatre
On top of the modern auditorium, which can

accommodate 800 people, is an amphitheatre that can
accommodate 820 spectators. The vast mass of the
theatre is immediately reduced by the green and paved
amphitheatre, which also helps to maintain the green
Figure 62 – Amphitheater at delhi haat
cover and regulate temperature.
• The formal and informal shop clusters
With arty-crafty items sold out and

summer serving as the busiest shopping
season, Delhiites can breathe a sigh of
relief when they visit air-conditioned
stores. Additionally, they provide a lively
Figure 63 – Vendors at delhi haat
activity environment that is lit by shop
Source – www.delhitourism.com
signage and street sculptures because they
are topped by canopied businesses. A bazaar is formed by 100 circular craft stores that are
grouped in groups of five or six. These are constructed using the most traditional natural stone
masonry and are covered in the most cutting-edge tensile canopies.
• Materials used
The diverse programme that it houses demands that

Dilli Haat, Janakpuri take a fresh look at the
material palette, breaking off from the traditional
appearance and feel of its other two equivalents with
their brick vocabulary. Modern and classic styles
are mixed together in the material spectrum. This
Figure 64 – Delhi quartz stone masonary
primarily green complex is given a tidy and natural
typology by the use of the timeless red Agra stone,
kota stone, slate, and the local Delhi quartz stone masonry on facades and landscapes. The one
material that is being hailed for its widespread use is bamboo; on one side, bamboo is used to
- 47 -
build structures for shading, screens for baskets and food courts, sculptures for street furniture,
and accent trees and soft-scapes for border plantations.
• Zoning and circulation
Site zoning entails dividing up the spaces according to the tasks that will be performed in each
one. You move from formal to informal spaces established between the food courts, the
entrance plaza, and the stores as you move away from the entrance. Small grassy spaces in
front of the impromptu marketplace seating areas allow people to take a short break and lay
their kids down. It is easy for everyone to navigate the haat because the spaces are divided into
formal, casual, recreational, and exhibition sections. By zoning some of the private
architectural components, like the auditorium, and treating the auditorium's roof as an
amphitheatre, the design thoughtfully utilises the levels that were constructed.
Figure 65 – Zonning and circulation of delhi haat.
Source – Archdaily (Edited by author)
Since there was no music-specific centre in the city, the haat's primary focus was chosen to be
music. The haat offers both formal and casual shopping opportunities. The haat had two distinct
types of structures: formal, which were air-conditioned stores, and informal, which were the
stalls with roof canopies. Between the groups of shops, there are places for kids to play.
On both levels, there are a variety of activities connected by free-flowing areas that are
convenient for everyone to go around. The location contains two primary entry points for
pedestrians and cars, as well as a service entry with two additional unique entry points. When
one first arrives at the location, a pedestrian path leads them to an entrance plaza, via which
they can travel to the main centre plaza, which is surrounded by air-conditioned stores. A direct
- 48 -
access ramp for pedestrians leads to the terrace's unofficial commercial areas and leads to the
café and underground parking.
4.1.5 Swot analysis

• Strength
- The location of the site in the town's centre and close to a train station makes it convenient
for shoppers.
- Haat was created to meet modern requirements.
- Open platform shops and crafts shops are two different types of stores.
- The separation of the spaces is done effectively.
• Weakness
- There isn't any natural light at the end of the food court.
- The stores interior maintenance is poor.
- A sizable portion of the intermediate is inactive due to lack of function.
• Opportunity
- The site is in a residential area, which could result in more construction.
- The site offers a lot of buffer space that may be used for other activities or during the haat's
busiest times.
- A range of persons for various handicrafts may be present on the location.
• Threat
- Site is situated in an area that becomes dormant after a given amount of time.
• Conclusion:
The overall design provides a pleasant analysis of the materials used and the supply of diverse
spaces in accordance with the needs of the location. Another clever use of space is the creation
of an amphitheatre in the area above the auditorium. Due to its proximity to transportation hubs
and high volume of foot traffic, the site's accessibility is especially essential. The melodic
concept of the haat has inadvertently inspired several inventive buildings, such the bamboo
baskets that serve as a draw for tourists.
- 49 -
4.2 Case Study– 2 (Digital): Desert Resort, Mandwa, Rajasthan
4.2.1. Why Desert Resort, Mandwa, Rajasthan?

In this case study, it is discussed how and why specific building materials are utilised, as well
as how those components are combined to give the structure the necessary strength.
Additionally, the project makes considerable use of natural sustainable materials that are
readily available locally while keeping in mind the site's context.
4.2.2. About the project

• Founder - Thakur Kesri Singh Ji
• Location- Mukandgarh Road, Mandwa,
Bikaner
• Category- Heritage resort
Figure 66 – The Desert Resort, Mandwa.
Source – www.desertresortmandwa.com
The Desert Resort, which is situated in

Rajasthan's magnificent desert setting,
combines the distinctive charm of
traditional hospitality with the rich culture
and history of the Shekhawati region. The
resort combines the aesthetic beauty of the Figure 67 – Aerial View of Desert Resort, Mandwa
rural without sacrificing luxury and Source – www.desertresortmandwa.com
comfort. It was designed to resemble the local tribal groupings.
The award-winning Desert Resort, a pioneer in mud building, harmoniously combines man and
nature. The resort, which is perched on sand dunes, was created using the traditional Vaastu
principles to enhance the flow of good energy. The Desert Resort, which occupies an area of
more than 100 acres, has a dairy on site, solar heating, and an oasis within its enclosure that is
supplied with recycled water.
Seven years running, The Desert Resort has won the Regional Tourism Award of Excellence.
The National Tourism Award of Excellence was also given to it. The Desert Resort has
pioneered sustainable tourism by fusing the customs and cultures of the surrounding villages
with cutting-edge modern conveniences, providing each visitor with an exceptional experience.
- 50 -
4.2.3. Design Philosophy

This resort indicates that it is within the realms of possibility to effectively combine modern
creature comfort with the very basic rural dwellings. The suites are designed in a cluster of
buildings that constitute one house and are grouped around a courtyard. These cluster then
come together to form the main villages street.
Figure 68 – Cottages
Figure 69 – Pool with Cabanas
• Materials
In this project, mud was mainly used. Mud was not only
cheaper but also the most appropriate both, climatically and
aesthetically. Locally available materials were used for
construction. For the structures sun dried bricks where used.
- The sun dried mud bricks for the walls were made on site.
- Local sandstone was used for door and window frames as
Figure 70 – Door & Window
well as brackets, lintels & roof slabs.
- Concentric circle with bamboo strips holding the straw
together.
- Timber.
- Thatched roof.
- Stone slab polished and paint.
- Wooden door and windows.
- The indigenous cooling system, khas tatti window unit Figure 71 – Thatch Roof
system. Source – www.desertresortmandwa.com
- 51 -
• Zoning and circulation
The site is divided into two zones the built zone covering an area of 3 acres and the unbuilt
zone covering an area of 33 acres.
Figure 72 – Zonning of Desert resort
Source – Ayushi Surana
Figure 73 – Site Plan of Desert resort
Source – Ayushi Surana
- 52 -
• Design concept
In this project, mud was mainly used. Mud was not only cheaper but also the most appropriate
- both, climatically and aesthetically. Locally available materials were used for construction.
The sun-dried bricks came from the bed of a dried out tank, adjacent to the hillock. The thatch
came from the grass growing on the site itself, the stone for the foundations, sills, lintels
brackets and roofing slabs and other built in furniture came from Ragunathgarh (25 kms. away).
The wooden lathe workers from Laxmangarh were to make a peg and other small fixtures. The
local village carpenters (Khatis) were to put together and the carve them, the local masons were
to build the structures, and the women from the near by villages were to hand plaster and finish
the wails with moldings, relief work, embedded mirror work and also mould in mud elements,
such as choolas, platforms, grain bins a stores etc. and finally draw on the walls.
• Cottages
The huts/cottages were actually supposed to form a cluster of 8 huts in which 2 huts are meant
to represent the farmers' huts, three weavers' huts and three potters hut. They are not placed in
a row nor do they share common walls. Each unit is a separate unit and unique and yet a part
of the whole cluster. Spaces have been created for social interaction. A chakki (stone flourmill)
a grinding stone etc. is embedded in the platform & steps outside the huts to indicate how
people interact and socialize in rural areas. The cottages are built on brick foundation. The
walls, sleeping platform, etc are made of brick plastered with mud and covere Cow-dung.
Outside the walls and windows are decorated with motifs painted.
Figure 74 – Inside & outside view of cottages.
Source – www.desertresortmandwa.com (Edited by Author)
- 53 -
Each hut is unique, what they all have in common are creature comforts provided which are a
bit incongruous with the surrounding. The walls have niches for old-lamps and very quaint
mini-windows even have wire mesh to prevent insects from invading the interiors. Windows
provide light as well as ventilation though they are small in size. Floors are plasters with cow-
dung roofs of some of the huts are thatched while others have stone slab roof which have been
left without polish and paint
• Planning and spatial organisation
The entry to the complex is through a gateway sort of

cut-out from where one can see the cluster of mud huts
in the framework of a typical Shekhawati style
gateway. The 3m. Wide pathway leads to the huts.
After one enters the entrance lobby, the reception and
office is just adjacent to the main entry from where
visitors can easily access the restaurant, bar and the
huts. Opposite the reception is a lounge that is sunk by
0.6 m. and the corridor passes along the lobby Figure 75 – Cottage Plan
overlooking it. Source – Ayushi Surana
• LANDSCAPE
All the pathways are paved in brick and are flanked by hedges 3 height on each side. No big
trees are seen in the resort due to poor soil conditions. Only old trees are present which give a
feeling of being sculpted. An open dining area presents a magnificent view of the landscape
stretching ahead for miles. Light fixtures are placed in the gardens & courtyards to sit and enjoy
in night. A conical Obri with thatched roof and small openings has been made as a landscape
element to give a real effect of a village.
Figure 76 – Landscape at Desert resort.
- 54 -
4.2.4. Swot analysis

• Strength
- The project has all the elements which depicts Rajasthan.
- All materials used are locally available and have vernacular importance.
- The areas created inside the resort are also having olden things which will bring the feel of
Rajasthan into the resort .
• Weakness
- The windows provide light and ventilation to the huts. These window are comparatively
smaller than the required sizes.
- Due to the smaller sizes the ventilation during summer times can be ceased.
• Opportunity
- Creating a natural feel within the resort is achieved due to the opportunity of the natural
landscaping elements and the terrain.
• Threat
- During natural calamities and sand storms in the area, the resort will have some adverse
effects on the structural system of it.
• Conclusion:
- Using some of the structural systems which can sustain the sandstorms will help the
structure to be in its form.
- 55 -
4.3 Case Study– 3 (Digital): Lakshman Sagar, Rajasthan
4.3.1 Why Lakshman Sagar, Rajasthan?

Brij Lakshman Sagar, a boutique hotel on the outskirts of Rajasthan's Badlands, was initially
constructed in the late 19th century as a hunting lodge by Lakshman Singh Ji, the Thakur of
Raipur at the time. It was built to house British emissaries as well as other noble families. We
envisioned a vacation similar to Thakur Lakshman Singh Ji with a conservationist view of the
past and surrounds in order to preserve the hospitality culture and traditions of the House of
Raipur. Following the zero-kilometre design, the property has been painstakingly developed
and conceptualised. Resources for the architecture were obtained locally, and it is
representative of the simple, regional way of life in rural Rajasthan, India.
4.3.2 About the project

• Location- Raipur Road, Near Haripur
Railway Station, District Pali, Raipur,
Rajasthan 306304
• Category- Boutique hotel
• Architect in Charge- Kamath Revathi Studio
Figure 77 – Lakshman Sagar hotel
• Area- 32 acres
Source – www.booking.com
• Project Year- 2010
The Lakshman Sagar Resort, located at the foot of

the Aravalli range Lakshman Sagar was built in the
late 19th century as a hunting lodge by the then
Thakur of Raipur, Lakshman Singh though with a
conservationist view of the heritage and
surroundings. There re-conceptualization of Figure 78 – View of Lakshman Sagar hotel
Lakshman Sagar is manifested through the endless Source – www.booking.com
detailing in the architecture & design. The original structures consisted of a colonnaded
veranda and a 'haveli'. The colonnade, which was used as the 'mardana', overlooks the plains
on one side and the lake on the other while the three-storey 'haveli' enclosing a courtyard was
used as the 'zenana'.
- 56 -
The Zanana (women) quarters and Mardana (men) quarters, designed historically for the ladies
and men respectively, offer hints to Rajput culture and traditional customs like pardah or
reflecting the grandeur of mehfils & baithak.
4.3.3 Design Philosophy

The original structure consisted of a
colonnaded veranda and haveli. The colonnade
which was used as the mardana, overlooks the
plain on one side and the lake on the other while
the three store haveli enclosing a courtyard was
used as the zanana.
The property features The Zanana & Mardana

which are the common. Figure 79 – Rainwater storage channel
Source – www.booking.com
- Dining lounging areas.
- The single rock cut swimming pool.
- The sun-deck meant for sunbathing and leisure.
- Private dining & live cooking.
- A man made privale lake with lounge decks.
- An organic vegetable garden.
• Design Feature
The 12 cottages mud and stone are divided into

two zones either side of man-made water
channels. That is field with rainwater harvesting
3 sepreate water channels are made for
collection of water.
Figure 80- View from artificial
• Design concept Source – www.booking.com
Introduced the 'Zero Kilometer design concept. This stressed their belief that while design
should be innovative and functional, efforts should be made to involve local craftsmen and
preserve local traditions. This not only brings down the cost of a project substantially, but also
reduces environment pollution entailed by transportation and makes quality control easier to
manage, in addition to involving the local craftsmen and sustaining livelihoods in the region.
Eco Friendly Architecture.
- 57 -
• Zero kilometer concept
zero kilometer concept and reflective of the

'slow' lifestyle of sourcing all materials from
the vicinity, the architecture reflects the
local way of living.
The striking bright pink curtains,

reminiscent of the local grab, flowing from Figure 81 – Cottage view
the windows of the quaint hunting lodge Source – www.booking.com
creates a picture perfect impression as one
enters the resort. Similarly, inside the grey slate and mud cottages made in a rough chinaistyle,
the bedroom and living areas flow into one another.
• Materials
Influenced by the indigenous Rajasthani

architecture, the cottages have been re-
interpreted in sustainable design using locally
sourced products like wood, stone and mud.The
cottages are located in the natural topography
taking into account views, trees, rocks, wind, sun,
and drainage patterns. Design responses to these
factors gave each cottage a distinct form and Figure 82 – Cottage
identity. The materials used for building were Source – www.booking.com
all sourced locally – the foundations were made of local slate; the sun dried mud bricks for the
walls were made on site; local sandstone was used for door and window frames as well as
brackets, lintels and roof slabs; "kikar' (Acacia) and eucalyptus logs were used as beams; local
Bidasan marble was used for flooring; bathrooms were built in sate masonry with basins carved
from solid rocks. locally - the foundations were made of local slate.
- The sun dried mud bricks for the walls were made on site.
- local sandstone was used for door and window frames as well as brackets, lintels and roof
- slabs.
- "kikar' (Acacia) and eucalyptus logs were used as beams.
- Local Bidasan marble was used for flooring.
- 58 -
4.3.4. Swot analysis

• Strength
- The concept of zero kilometre introduced is very beneficial for understanding the lifestyle
of people.
- The topography and the natural terrain is taken into consideration.
- The materials used are the Indigenous materials of Rajasthan.
• Weakness
- As the zero kilometre is having the strength same way it has its own weakness of having a
very slow and lengthy process.
- The drainage and ducting can create several problems in the repairing process due to
construction techniques.
• Opportunity
- The resort has been developed near by the water body. The water body, the natural resources
are taken into the planning process for vistas.
• Threat
- During natural calamities and some of the problems, the resort will be a threat for people
residing in.
• Conclusion:
⁻ The planning of the resort is completely based on the nature and culture of the area.
⁻ The entire resort represents its cultural background and elements.
⁻ Regarding the choice of materials, an effort was made to use materials as local as
possible and as sustainable as possible. Local materials already are best suited to the
conditions of the region. Similarly the true essence of any craft is the story behind it,
which has been used as inspirations by the designers, to design products that would
narrate the similar stories but for a contemporary audience. Hence the entire series of
furniture and products developed for Lakshman Sagar resort imbibes the true sense of
design, tradition, ecology, ethics and a contemporary culture.
- 59 -
4.4 Case Study – 4 (Live): Bogmolo Beach resort, Goa
4.4.1 Why Bogmallo Beach Resort?

As Goa is well - known for beaches and rich culture, this resort offers combination of both.
The resort has a huge private sea-shore, which offers the tourists a calm and pleasing
atmosphere. The resorts many spaces and small cottages from where the beach can be very
easily available. As beach resort will help in understanding the concepts well, this resort is
chosen case study.
4.4.2 About Project

Goa’s Bogmallo Beach Resort is nestled on the shores of Bogmalo Beach. It houses a
traditional Indian spa. An outdoor pool and fitness centre also await guests.
Bogmallo Beach Resort is a convenient 10-minute drive from Dabolim Airport. Located only
a few kilometres away from the airport, Bogmallo Resort is a five-star hotel offering a luxurious
stay with a variety of services that can enjoy. With over 50 rooms, Bogmallo has a modern
and contemporary design which reminds one of Portugese architecture.
Distance -
• Dabolim International Airport: 4.8 km
• Distance from Railway Station
• Vasco Da Gama Railway Station: 8.8

km
• Distance from Top Attractions in the

Area
• Sahakari Spice Farm - 35 km
• Colva Beach - 23 km
Figure 83 – Location
• Hansa Beach - 8 km
Source – Google Map
• Baina Beach - 8.9 km
• Hansa Naval Base Golf Course - 1.4 km
- 60 -
4.4.3 Project Details
Figure 84 - View of the resort
Source – Author
The Bogmallo Beach Resort Goa is ideally situated on a secluded white sand beach at Bogmallo
Beach Resort Goa. Bogmallo Beach Resort Goa is located a mere 10 minutes from the airport.
Bogmallo Beach Resort Goa has 126 well maintained rooms and 15 sea facing cottages, some
of the rooms have a fabulous private balcony overlooking the sea.
Bogmallo Beach Resort Goa is an ideal venue for conferences there are 3 conference halls to
choose from, each easily able to accommodate 80-120 persons. Bogmallo Beach Resort Goa
also boasts a full range of audiovisual equipment and trained staff, so that every need connected
to conferencing is anticipated and taken care of.
Figure 85 - Waiting Area
Source – Author
- 61 -
The Resort serves all

these facilities for the
guests.
Figure 86 - Amenities and Service Provided
Source – booking.com
4.4.4 Site surroundings

Being bear to airport, Bogmallo Beach Resort has hosted many corporate events, conferences
and board room meetings. Surrounded with Palm trees, the resort has maintained fun too with
Bogmalo village cycling, Casino ‘Pearl’ and water sports. For a moment of relax try the Puteru
Dewi Spa or hit the fitness center.
Figure 87 - Adventure at the beach Figure 88 – Beach Surroundings
4.4.5 Design Aspects

1. Deluxe Room
The resort's 85 Deluxe rooms serve as a symbol of luxury travel. These are appropriate for
family vacations, leisure travel, and business trips. Deluxe accommodations feature a plush
King Size bed, a separate sitting area, a separate work station (for short office wind-up work),
and a connected separate balcony that looks out onto the Arabian Sea's expanse and depths,
which are bordered by green palm trees. These rooms are simple yet attractive and feature
vibrantly coloured furnishings against strong themes. The standard hotel amenities include a
- 62 -
television, tea & coffee making facilities, an in-room safe, and 24-hour room service. The
completely air-conditioned rooms offer a private bathroom with a shower/tub combination and
complimentary luxury toiletries.
Figure 89 – Deluxe Room
Source – Author
2. Superior Room
35 Superior rooms in total are intended to satisfy business and corporate guests. The rooms
offer twin bed options, a separate living and dining area, and a separate work station to perform
their office job in order to maintain warmth and comfort during their stay. Wall murals,
lighting, and colour schemes are all given a business feel. To maintain comfort, there is a staff
available around-the-clock, full air conditioning in the rooms, cable TV, Wi-Fi, free water
bottles, and a tea and coffee maker. The adjoining private bathroom contains a bathtub and a
shower combo for short periods of time.
Figure 90 – Superior Room
Source – Author
- 63 -
3. Corner Suite
There are five corner suites in all that are family-friendly and front Bogmalo beach. With the
warm evening light from the setting sun, the theme and décor of these apartments become more
colourful. The large window panes are wide open to let in the evening's gentle air that laps the
waves of the Arabian Sea. A resort offers workers who are available 24/7. Cable television and
internet connection provide entertainment. Two free water bottles are included with the
costume. Tea and coffee makers are another option. These spacious suites have a King Size
bed, a separate sitting cum dining area, a separate work station to keep comfort. The luxuriously
furnished private bathroom has a shower bath tub combination.
Figure 91 - Corner Suite
Source – Author
4. Beach Cottages
A distinctive setting included in the description of staying at Goa beaches is the total of 15
Beach cottages. True to their name, these living arenas are exact replicas of well-known village
cottages, complete with thatched roofs made of straw and other similar materials. Over wooden
poles and the timber concept walls, these sloping roofs are balanced. The front balcony features
wooden railings and separate walkways going to the beach and garden area. These cottages are
nearby the resort and are great for solitary tourists and couples who want to get away from their
busy lives. The entire interior of these cottages is air conditioned, where guests may watch
television or get creative with a tea and coffee maker.In room safe and 2 complimentary water
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bottles are also provided. There is one room with king size bed and a private bathroom has
bathtub and other basic amenities.
Figure 92 – Beach Cottage
5. Chalet
There is just one "Wooden Chalet" to enjoy at Bogmalo beach, therefore this is another example
of creative work to witness. This is a symbol of warmth and relaxation in the earthy coloured
old charm with all the modern facilities, making it ideal for tourists on a short weekend break.
All of the wood-crafted beauty in the floor, walls, roof, doors, etc. The wooden chalet has a
view of the Arabian Sea and a separate open area where you may relax in the evening sun while
enjoying a plunge in the clear sea. The inside room, which is surrounded by palm trees, offers
a king-size bed, cable television, an in-room safe, and a tea and coffee maker
Figure 93 – Chalet
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6. The Room services includes
Figure 94 - Room services
7. Facilities
1. Business Center
2. Room Service
3. Fitness Room/Gym
4. High speed Internet
5. Restaurant
Figure 95 - Gym
6. Conference Room
7. Swimming Pool
8. Children's Play Area
9. Ayurveda
10. Games Room
11. spa
Figure 96 - Bogmolo Village cycling
12. Room Source – booking.com
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4.4.6 Overview
The resort has a private beach where there are hardly any people visiting the shores. All the
rooms are planned in such a way that there is an opportunity of beach's view from the balcony
and terraces of the hotel. The site in on contours and following the topography of site, the hotel
has been planned and design. Proper access of roads and pathways are designated for parking
areas. There is slope parking. The entrance lobby and waiting area is a beautiful double height
domed structure with Goan architectural features which creates a very good impact of the
tourists. The hotel is very large with conference rooms, dining and food court areas, lawns,
swimming pools, amenities and various other spaces.
4.4.7 SWOT Analysis

Strength -
The location of the site is within the outskirts from the main cities in Goa. The double height
waiting area and the flooring of it creates a very Goan impact of the visitors. Involvement of
Goan architectural elements is been followed.
Weakness
The beach cottages and chalet types of rooms are built of local materials, mud, clay. Some of
these chalets are in conditions of no use, damage caused due to the monsoons. This states that
limiting the usage of vernacular materials and style is necessary near specific areas.
Opportunities -
As it is located in the extreme outline area from Goan cities, the small village besides the hotel
gets opportunity for working near by their areas. There are small retail shops run by the
villagers outside the hotel.
Threat -
As it is far away from the city, during extreme climate conditions and heavy monsoons the
travel from hotel becomes dangerous and difficult. Access to the beach, and beach adventure
activities will be completely closed down during monsoons. This will lead to less
accommodation during some of the seasons.
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4.5 Case Study – 5(Live): Jadhavgadh, Pune
4.5.1 Why Jadhavgadh Fort, Pune?

Pune well known for the history of Shivaji Maharaj and many forts, wadas.
Jadhavgadh is a restoration of a fort and turning the property into a cultural luxurious resort.
This resort imbibes as living an historic life or moment. The resort has all the architectural
elements which relates to the theme of fort. Due to this reason this is chosen as case study.
4.5.2 Project Details -

Perched on a hillock, Fort JadhavGADH was built in 1710 by Shri Pilaji Jadhavrao, a Maratha
General in the army of Chattrapati Shahu Maharaj as a residence. The Pilaji Darwaza, Maha
Darwaza, Gadhicha Darwaza, Kund Darwaza, Purandar Darwaza, rock stairways, they all tell
a story.
Figure 97 – Map
Source – Audio Tour
- 68 -
4.5.3 Design Aspects

The fort's three wings contain a total of 58 rooms, including Royal Suites, Darbari Suites,
Varsha Suites, Hill View Dalaan, Chaavni's, and Kholi's, as well as Neem Forest Cottages,
making it an ideal luxury vacation close to Pune. The interiors blend old-world beauty with
modern conveniences, making it the perfect vacation resort close to Mumbai.
Figure 98 - Amenities provided
Source – jadhavgadh.com
1. Neem Forest Cottage
Four quaint Neem Forest Cottages are located amidst nests and chirping birds. These eco-
friendly cottages are unique in nature. Completely air-conditioned and with all the modern
amenities, our Neem Forest cottages will certainly amaze you during your blissful stay at our
heritage resort near Pune.
Figure 99 - Room
Source – Author
- 69 -
2. Chhavani - Royal Tent
The Chhavani Tent was designed to give visitors a taste of what it was like for royalty to live
outside. You get at your tents to start the experience. You must up a 5-minute slope through a
stone-floored passageway to reach tents that are furnished with all contemporary conveniences.
At our historic Pune resorts, experience the rustic beauty of living in a luxurious tent. Each tent
features a bedroom, a glassed bathroom, and a very attractively decorated seating area.
Additionally, one of the popular herbs utilised frequently in royal cooking practises is grown
in the kitchen garden of our tented rooms in Pune.
Figure 100 - Room type
Source – Author
3. Kholi - Deluxe Room
These Rooms or ‘Kholis’ as they are

known in the local language, are built
on the natural sidewalls of the fortress
where the old world charm meets new
world luxuries as hand-woven Indian
silks swathe the interiors. Experience
first-hand, the classic luxuries of the
yesteryears as one relax in the hotel
rooms near Pune Figure 101 – Room
Source – Author
- 70 -
4. Hill View Daalan - Premium Hill View Room

The Hill View Daalan - Premium Hill
View Rooms in Pune, which are
located on the top floor of the main
fort, have a stone-walled balcony
with views of the gardens on one side
and the activities taking place inside
the fort on the other. One of the
greatest resorts in Pune has Jharokha-
style seating that provides a prime
Figure 102 – Room
location to take in the expansive open
Source – Author
spaces that surround the gorgeous
property.
5. Varsha Suite - Premium Rain Shower Room

These 6 large rooms in Pune,
which are found on the lower
level of the main fort, have a
distinctively built bathroom that
allows you to take a peaceful
shower in an open bathroom
while gazing up at the stars and
feeling the cool hill breeze. By
staying here, you can connect
Figure 103 – Room
with the past and experience
Source – Author
some sentimental events. Ideal
for vacationers and visitors from
the area looking for uncommon escapes.
- 71 -
6. Darbari Suite
This suite at our heritage resort is one of the most popular and sought after accommodations.
The suite is ultra-spacious with king-size beds, large wardrobes, work desks and diwan styled
sofas. It also comes with a four feature bathroom that has a unique free-standing bath. This
suite near Pune is ideal for honeymooners or couples looking for a romantic getaway.
Figure 104 - Room
Source – Author
7. Bajirao Suite
The Bajirao suite offers the best

view in Fort JadhavGADH.
Enjoy the best evenings with a
cup of tea/coffee, or experience
the romance in the breeze with
the aroma of surrounding
flowering trees.The Bajirao
Suite in Fort JadhavGADH is
spacious and is spread across an
Figure 105 – Room
area of 299 sq ft.
Source – Author
- 72 -
8. Maharaja Suite
The King’s den intricately carved four-poster teak wood bed, silk upholstery, old-world lamps
and a bathroom that equals the size of most houses in Mumbai! Small niches in the wall hold
artifacts reminiscent of the Maratha era. A large balcony along with a private terrace providing
a 360 panoramic view of Sahyadri hills and fig & custard apple farms are just a few features
of hotel room in Pune.
Figure 106 – Room
Source – Author
9. Maharani Suite
Located at the top of the fort and below the Maharaja suites, the Maharani suite has direct
access to the swimming pool and the spa. At this royal suite of our luxury resort in Pune, you
will never forget your stay. It offers a complete four feature bathroom with its very own steam
room. It's traditional yet feminine charm is a tribute to women who stood by their husbands,
and to their husbands who spared no expense in taking care of the love of their life.
Figure 107 – Room
Source – Author
- 73 -
10. Museum Suite
Located on the top of the museum and with its very own private entrance, the Museum Suites
are one of the most sought-after rooms of the Fort JadhavGADH. The bathroom has a unique
free-standing bathtub and a four feature bathroom that is almost as big as the room. These suites
in Pune provide a luxurious and delightful experience for those who are looking for a romantic
getaway or a second honeymoon.
Figure 108 - Room
Source – Author
4.5.4 Overview
The moment one steps in at Fort JadhavGADH, you are greeted with the royal music by Mavlas
(soldiers during the period of Chhatrapati Shivaji Maharaj) playing the tutari and given a
traditional welcome by a lady dressed in the traditional nauvari (9-wari sari). Fort
JadhavGADH's reincarnation into a luxury heritage resort in Pune is an unassuming and
unhurried masterpiece where everything has its root ensconced in history. The General
Manager is called Killedar, the manager at the reception is called Swagat Kaksha
Vyavasthapak, and the swimming pool in the fort hotel is called Kund. The Chhajja is the
quaint all-day dining area; Kholis are the rooms, Prangan, Panchayat & Gurukull for the
conference room.
- 74 -
4.6. Comparative Analysis
Table 4
4.6. COMPARATIVE ANALYSIS

CRITERIAS
CASE STUDY
Entrance to the Site Cultural Aspect Rooms Reception Parking
This resort has more than five type of rooms
which differs according to the budget as well
This resort has one entry The beach resort has various cultural
as with services and few of the amenities.
and exit with proper aspects like the rooms depicts a cultural The reception and help desk There are various parking.
Bogmolo Beach There are small cottages which have more
pathways and drop off architectural feature. There are interiors are at the entrance beside the It consists of basement
Resort , Goa than one room and a kind of homely, family
point at the entrance of the of the hotel features are culturally waiting lobby of the resort. parking, open parking at
gesture is been observed. There are few
hotel. oriented. the entry.
chalets which are on the terrains mark up their
own identity.
Jadhavgadh has one entry There are more than eight types of rooms
The proper orientation of fort culture is
and exit. The entry to the according to the budget and amenities. The
been depicted within the restoration of
huge grandeur entry gate to services do not differ much. In all the rooms
Jadhavgadh Fort, the fort. This hotel have interior spaces The reception is at the entrance The parking is towards the
the site. The entrance to the the style of architecture and interiors is been
Pune featuring special baths, walls, huge doors lobby of this fort. backside of the structure.
site has buffer area and added up according to the room type. The
and many more intricate details which
proper segregated style of bed are not normal, but they are
features the fort culture.
walkways. special which fits within the theme.
There are two entry exits to There is a huge patch of
This project is commercial related The rooms here in this project are the For this shopping centre, there
the site. This both leads to parking as it is the
Delhi Haat, Delhi featuring the local markets, handicrafts, restrooms and other ordinary rooms which do are help desks at two - three
the parking area and main commercial area, provided
other amenity spaces into one structure. not serve for the accommodation. locations within the structure.
entrance of the structure. besides the structure.
This resort indicates the desert zone by
The entry to the site is The reception is immediately at
the material and tonality followed in the The parking is
Desert Resort, small but the area outside The rooms and the cottages give the desert the entrance of the structure
construction. The cultural architectural immediately at the
Mandwa, Rajasthan the entrance is a huge feel inside as well as outside the structure. with adjoining waiting area
style are the main design USPS of the entrance of the site.
cover. with central courtyard.
project.
The site and the structure is This resort focuses on the concept of zero
There are less than five room types and there
Laxman Sagar, located at the foot of kilometre. The project has eco-friendly The reception is immediately at The Parking is at the
are mostly cottage kind of accommodation
Rajasthan Aravalli Range, the site has and sustainable architecture which will the entrance of the hotel. entrance of the site.
with more than one room.
one small entry and exit. not harm the forest cover.
The involvement of culture and local
There can be more than one There should be room types depending of the The reception should be The parking should either
architectural features can help in setting
Inferences entry depending on the users and scale of projects. The designing of immediately at the entrance to be by the entrance or at the
up the benchmark and marking the USP
scale of the project. cottages should be involved. the structure. backside of the site.
of the project.
Source - Author
- 76 -
4.5.5 SWOT Analysis -

• Strength -
The fort is being restored into a hotel and the planning and interiors involves all the elements,
features aiming for the fort. There are fixtures which are also used an olden element. The fort
is revitalized into a hotel.
• Weakness -
For access, the road is very narrow due to which traffic congestion can be a problem during
seasons.
• Opportunities
As it a fort, there are plenty of open spaces and green forest covers in the surroundings. These
green spaces are utilised for the amenity spaces and other adventure activities. The culture is
been immensely marked as an USP for this project.
• Threat
Due to the heavy, forest cover and fort types old architectural intervention, the entire huge site
can cause a monotonous feeling for some of the people.
- 75 -
CHAPTER 5
Site Study and Analysis
- 77 -
5.1 Site study and analysis
5.1.1 Site selection criteria

- Connectivity with different regions and cities.
- Site with a lot of scope of extension.
- Good tourist inflow.
- It should be near the beach (Arnala beach to Kalamb beach) as it is proposed by CIDCO for
tourism development.
5.1.2 Site A
Figure 109 – Site A
Source – Google Earth (Edited by author)
- Site location: Rajodi Beach, Virar

- Site Area: 24,899 m²
- Latitude & Longitude: 19°25'56.36"N 72°45'22.12"E
- The distance from Virar railway station to the site is 10 km and can be commenced within
25-30 Mins
- The distance from Nalasopara railway station to the site is 9.3 km and can be commenced
within 25-30 Mins.
- The distance from NH48 to the site is 21 km and can be commenced within 30-45 Mins.
- The distance from Chhatrapati Shivaji Maharaj International Airport to the site is 59 km and
can be commenced within 2 to 2.5 hours.
- 78 -
5.1.3 Site B
Figure 110 – Site B
Source – Google Earth (Edited by author)
- Site location: Rajodi Beach, Virar

- Site Area: 24,938 m²
- Latitude & Longitude: 19°25'26.72"N 72°45'35.43"E
- The distance from Virar railway station to the site is 11 km and can be commenced within
25-30 Mins
- The distance from Nalasopara railway station to the site is 10 km and can be commenced
within 25-30 Mins.
- The distance from NH48 to the site is 22 km and can be commenced within 30-45 Mins.
- The distance from Chhatrapati Shivaji Maharaj International Airport to the site is 60 km and
can be commenced within 2 to 2.5 hours.
- 79 -
5.1.4 Comparative analysis of Site A & Site B

Table 5 – Comparative analysis of site a and site b
Source – Author
COMPARISON OF SITE
SITE A SITE B
⁻ The site is located at Rajodi Beach, ⁻ The site is located at Rajodi Beach,
Virar. Virar.
⁻ Site A, Rajodi Beach is 10 km, 25-30 ⁻ Site B, Rajodi Beach is 11 km, 25-30
mins from Virar Railway station. mins from Virar Railway station.
⁻ Rajodi Beach is a very well know and clean beach as compared to other beaches in
Virar.
⁻ The site selected is completely towards
⁻ The site selected is towards the private
the opposite side of crowded and active
side of the beach where there are some
part of beach, where people rarely
of the cafes.
visit.
⁻ The road across the site has a 6m wide ⁻ The road across the site is up to 4.5m
road. wide road.
⁻ ⁻
⁻ There is scope of future road ⁻ There is lesser scope of future road

development for this site. development for this site.
⁻ The loading and unloading spaces for ⁻ The loading, unloading and service
the design can be worked out due to areas will be very difficult due to the
the surroundings. surroundings.
⁻ This site has a narrow road passing
⁻ The vehicular movement can be easily
through it which will be difficult for
accessible towards this site
site accessibility.
From this comparison, Site A will be selected for the design proposal.
- 80 -
5.1.5 Site Context.

Background History of Vasai-Virar region
Vasai-Virar is a city in the western Indian state

of Maharashtra. It is situated 50 kilometres
north of Mumbai in the Thane District. Vasai
Creek, which is a portion of the Ulhas River
Estuary, flows beside the north bank of the city.
The city is governed by the recently created

Vasai Virar Municipal Corporation (VVMC).
Vasai-Virar, which consists of Vasai, Virar,
Figure 111 - Olden Times
Navghar-Manikpur, and Nala Sopara, is an
amalgamation of many historically independent
settlements. The city's area closely matches to that of the ancient city of Sopara.
Background Study of Vasai-Virar region
North of larger Mumbai is Vasai Virar, which is a part of Thane district. Vasai - Virar Sub-
Region, which comprises 53 villages and 4 municipal councils (Virar, Vasai, Nallasopara, and
Navghar-Munikpur), is located in the northwest corner of the Mumbai Metropolitan Region. It
is 380 square kilometres in size (or about 9.5% of the total area of the Mumbai Metropolitan
Region). Vasai Creek divides the Vasai-Virar Sub-region from Greater Mumbai and
MiraBhayander. However, it is strategically connected to Mumbai thanks to the expansion of
the road and rail networks. It is also connected by road and rail to other important cities in the
Mumbai Metropolitan Region, including Panvel, Thane, Bhiwandi, and Kalyan (via the Vasai-
Diva Railway Line), Navi Mumbai, and Panvel.
The Vasai Virar area is situated between 19°28'N and 19°47'N latitude and 72°48'E and 72°8'E
longitude on the western edge of Mumbai in the Thane district. With a 380 sq km territory and
Western Railway suburban service, Vasai Virar Municipal Corporation has substantial room
for growth. The Vasai Virar Municipal Corporation is expanding rapidly due to its close
proximity to Brihan Mumbai. Due to Mumbai's exorbitant land prices, low- and middle-income
residents are moving to Vasai Virar. As a result, it currently functions as an expanding
dormitory town for the city of Mumbai.
- 81 -
Figure 112 -Development in Virar Figure 113 – Virar Station
Source fig 112 & 113 – Google Maps
Climate Analysis –
The Vasai Virar Sub-region has a hot, humid climate with mild seasonal temperature changes.
The changes are not substantial because of the length of the coastline and the high relative
humidity. Basically, there are three seasons, with a 15-day transition time in between each.
• Winter
This season lasts from October to January and has an average maximum temperature of 28
degrees Celsius, a mean minimum temperature of 16 degrees Celsius, and a relative humidity
range of 77 to 85%.
• Summer
This extends from February to May with the mean maximum temperature of about 34 deg. C.
and the mean minimum temperature of about 26 deg. C. with relative humidity of about 60%
• Monsoon
From June to September, this occurs. In the first week of June, the south-west monsoon begins.
During this time, 95% of the yearly rainfall is measured. About 2200 mm of rain falls on
average each year. The average maximum and minimum temperatures during this time of year
are 30 and 24 degrees Celsius, respectively, with relative humidity ranging between 80 and 85
percent. Temperature and pressure variables over land and water determine the wind's direction
and speed. West or north-west winds are the prevailing directions. The wind blows at a high
velocity in the north-east or east during the monsoon season.
- 82 -
Rainfall
The rainfall is usually experienced from the beginning of June to the end of September with
annual mean rainfall of 2200-2500 mm. The maximum rainfall is in the month of July
averaging to 800 mm.
5.1.6 Site Analysis

The site is located Rajodi Beach is located at Vasai Virar coastal belt, far north suburb of
Mumbai at Thane/Palghar District. Most frequented by locals, this beach is cleaner and is one
of the 4 connected beaches with Arnala, Kalamb and Navapur.
Rajodi Beach in line is much cleaner, flat surfaced, safe, pollution free, black sand beach with
less tree shades compared to adjacent beach. It has a manmade Rocky belt at entry which is
ideal place to seat and have a sea view. Tourists flock to the beach at Virar, which is close to
the city.
It is bordered to the north by Arnala Beach and to the south by Kalamb Beach. It is one of the
quietest and cleanest beaches in the area because few tourists have visited it. The beach is
roughly 4.5 kilometres long. On a clear evening, strolling down the seashore while watching
the sun set over the horizon is a popular activity among beachgoers. It has shallow water,
making it generally safer than other beaches close by. There is ample parking space for those
taking their car along.
It is a welcome destination for tourists and locals throughout the year. Visitors can expect to
spend a minimum of 1-2 hours relaxing on the beach. The site surroundings offers few options
for accommodation The site located at the beach, is towards the quite parts of the beach.
Figure 114 - Evening time from the site.
Source – Author
- 83 -
Figure 115 - Activities around the site
Source – Author
Activities around the site –
• Early in the morning and during evening, people come for beach walks.
• There are some food stalls, and small eateries.
• It is been observed that people play volleyball, cricket around the site.
Accessibility –
• The site is accessible from Virar Railway Station, Nalasopara.
• It takes around 25 - 30 mins from Virar Railway station.
Site Surroundings–
• In the vicinity of the site, there are small cafes, some of the food stalls, few
places for accommodation.
• There are no such big resorts and hotels in this region.
- 84 -
Figure 116 - Site Context Map
Figure 117 - Site Map
- 85 -
Figure 118 – Site Surroundings Figure 119 - Site Surroundings
6 M wide Road
Figure 120 - Road touching the site
Figure 121 - Site Surroundings Figure 122 - Site Surroundings
Source – Author
- 86 -
5.1.7 CRZ
Figure 123 - Part of CRZ map
Source – Executive Summary Report, VVMC
Figure 124 - Site Located on Map

Site Location
Source – Executive Summary Report, VVMC
- 87 -
CHAPTER 6
Data Collection and Analysis
- 88 -
6.1 Data Collection and Analysis
6.1.1 Design Standards

• Hotel Room
Hotel rooms account for the largest share of a hotel by area. The quality of hotel rooms is an
essential criterion for the evaluation of a hotel by a guest. Traditionally, the trend has been to
standardise and schematise floor plans and arrangements.
Figure 125 - 3 Star Hotel Room
Source – Neufert’s Fourth Edition
Figure 126 - Minimum Distance between hotel beds
Hotel room features, according to DEHOGA (excerpt) According to the classification system
of the German Hotel and Inn Association (DEHOGA), there are five categories, essentially
determined by the room's size and features:
- 89 -
1 Star (Tourist): single room 8m2, double room 12m2 (minimum area for 75% of the hotel
rooms, without bathroom), bed, wardrobe, seat, washbasin in the room, reception as a separate
area
2 Stars (Standard): as before, but single room 12 m2, double room 16 m2 (minimum area for
75% of the hotel rooms, including bathroom and corridor), bathroom in room (for 70% of hotel
rooms), seat per bed, colour television (in 70% of the hotel rooms)
3 Stars (Comfort): as before, but single room 14 m2, double room 18 m2 (minimum area, see
above), bathroom in room (for all rooms in the hotel), telephone, reception area with seating
for group, independent reception
4 Stars (First Class): as before, but single room 16 m2, double room 22 m2 (minimum area,
see above), minibar, armchair/couch with coffee table, lobby with seating and drinks service
5 Stars (Luxury): as before, but single room 18m2 , double room 26m2, (minimum size, see
above), 2% of the hotel rooms as suites (at least two), each with an armchair/sofa per bed,
additional washbasin in double rooms and suites, additional colour television in suites,
reception lobby.
Figure 127 - Hotel Standards
- 90 -
Figure 128 - Hotel Standards
Figure 129 - 3 Rooms with Guest WC
- 91 -
• Catering
To be able to eat in comfort, one person requires a table area around 60 em wide and 30-40 m
deep. This provides sufficient distance between adjacent diners. Although an additional 20 cm
space in the centre for dishes and large bowls is sometimes desirable, an overall width of 80-
85 cm is suitable for a dining table. If the food is served on plates, then 70 cm is sufficient, and
for fast food 60 cm table depth. Distance between table and wall; 75 cm because the chair alone
requires a space of 50 cm. If the space between table and wall is also used for access, the
distance should be; 1 00 cm. Round tables need a little more space, a difference of up to 50 cm.
Figure 130 - Spaces required for waiter and dinner
- 92 -
Figure 131 - Designing Standards
Figure 132 - Tables and seatings
- 93 -
• Swimming Pools
The size of an indoor swimming pool building depends on the size of the pool/water area (or
the dimensions of the basin and the diving boards), the surrounding areas, additional facilities
and required room heights. Building plot for indoor pools (without parking) allow a plot size
of 6-8 m2 per m2 of planned pool area; if the water area is very large, a smaller value will
suffice. Additional open-air areas (terraces, sun decks, sunbathing lawns) can add about 1 0-
20% to the total plot size. A building plot which is flat or with a max. Slope of 15° enables the
design of a public indoor pool on one level, which is a precondition for an economically and
functionally optimised design. A greater slope to the terrain will lead to higher building costs
or functional disadvantages.
Figure 133 - Design Examples for indoor swimming pools

• Changing Area
The size of the changing area can be derived from the water area (m2). Rough estimate for a
swimming time of about 1.5 hours: no. cloakroom places= 0.3-0.4 m2 water area. No. changing
places: 0.08-0.1 m2 water area, of which 40-50% as cubicles, the rest as changing benches in
communal rooms. Ratio of changing places to clothes lockers 1:4. Family or wheelchair
cubicles: 10% of the cubicles No. communal changing places: min. 2; each communal changing
place with min. 30 clothes lockers.
- 94 -
• Dimensions
Minimum dimensions of installed fittings: Cubicle: axis dimensions 1.00 m wide, 1.25 m deep,
and 2.00 m high. Family changing cubicle: internal dimensions 1.60 m wide, 1.25 m deep, 2.00
m high.
Figure 134 - Changing Rooms
- 95 -
• Administration
The assignments of various areas are differentiated by the standard; however, they can
overlap if this results in no limitation of the function.
The areas are:
- Work area: table
- Shelf area: plan area of the furniture
- Furniture function area: space required for doors and drawers
- Movement area at the workstation
- Traffic and through-passages
Figure 135 – Administration
- 96 -
Figure 136 - Admin Spaces
- 97 -
6.1.2 CRZ Norms

CRZ II Zone
Category II (CRZ -II):
The area that have already been developed up to or the shoreline. For this purpose, ' Developed
Area' is referred to as that area within the municipal limits or in other legally designated urban
areas which is already substantially built up and which has been provided with drainage and
approach roads and other infrastructural facilities, such as water supply and sewerage mains.
Regulations:
• Buildings shall be permitted neither on the seaward side of the existing road (or roads
proposed in the approved Coastal Zone Plane of the area) nor on the seaward side of
the existing and proposed road. Existing authorized structures shall be subject to the
existing local Town and Country Planning regulations including the existing norms of
FIS/FAR
• Reconstruction of the authorized building to be permitted subject to the existing

FSI/FAR norms and without change in the existing use.
• The design and construction of buildings shall be consistent with the surrounding
landscape and architectural style.
Activities prohibited within the CRZ
The following activities are declared as prohibited within the CRZ
• Setting up of new industries and expansion of existing industries, except those directly
related to water front or directly needing foreshore facilities.
• Manufacture or handling or disposal of hazardous substances.
• Setting up and expansion of fish processing units including warehousing ( excluding

hatchery and natural fish drying in permitted areas)
• Setting up and expansion of units/mechanism for disposal of waste and effluents into
the water course.
- 98 -
• Discharging of city untreated waters and effluents from industries, cities or towns and
other human settlements.
• Dumping of city or town waste for the purposes of land filling or otherwise; the existing
practice, if any, shall be phased out within a reasonable time not exceeding three years
from the date of notification.
• Dumping of ash or any wastes from the date of notification.
• Land reclamation, building or disturbing the natural course of sea water with similar
observations, except those required for control of coastal erosion and maintenance or
sandbars except tidal regulators, storm water recharge.
• Mining of sand, rocks and other substrata materials not available outside CRZ areas.
• Harvesting or drawl of groundwater and construction of transfer within 200m of HTL;

in the 200m to 500m zone it shall be permitted only when done manually through
ordinary wells for drinking, horticulture, agriculture and fisheries.
• Construction activities in ecologically sensitive areas
• Any construction between LTL and HTL except facilities for carrying treated effluents
and waste discharges, oil, gas and similar pipelines and dressing or altering of sand
dunes, hills natural features including landscape changes for beautification, recreational
and other such purposes.
- 99 -
CHAPTER 7
Discussion and Findings
- 100 -
7.1 Discussion and Findings
By the survey done at the site,
• The footfall observed at the site on daily basis is around 700 - 1000, from morning to
night times, basically throughout the day.
• On the weekend, it is observed that the footfall reaches till 2500 - 3000.
• Hence, the footfall for the design will be assumed and considered as 500.
• The crowd observed is majorly youths, college groups, aged people, couples, families
and the outsiders. Majority there are couples and friends groups visiting the beach.
• It is been observed that for leisure time there are few accommodation options which
works on hourly basis, these small hotels and rooms are mostly used by the locals only.
• The outsiders and the tourists do not find a proper accommodation at the beach. This
development proposal of resort will help in increasing the outside tourists and
increasing the demand of the region.
• This will help to increase the economy of the village.
By the interview of the locals,
• It is observed that the opportunities are too less for the making money.
• The travel options for accessing the site are very less and limited.
• From this, it is understood that this proposal will help all the villagers and will help in
developing the overall infrastructure.
- 101 -
CHAPTER 8
Design Brief and Area
Statement
- 102 -
8.1 Design Brief and Area Statement
8.1.1 Introduction
Resort, usually known as an amusement place where people gather together and visit the resort
for accommodation. Despite there are many types of resort depending on the categories and
service of it.
As it is said that Indian society is home to various religions, cultures, customs and traditions
and what gives India its unique identity is its diversified culture and heritage. Taking an
advantage of this rich culture of our India, architectural intervention of a resort can help in
increasing the economy of the place.
It is said that the earliest formed district is Palghar and this district itself is rich in culture. There
are many towns and cities in Palghar having rich culture likely Vasai-Virar. Virar is has a
historical, cultural and heritage background. Taking this region into consideration,
(incorporating topic name) will be a very good architectural intervention.
Developing a resort having cultural significance into it and having local architectural elements
to create a homely feeling in the resort can bring people together and this will eventually
develop into a tourist spot. People usually are fascinated by sea, oceans, sea-shores.
Hence, the resort nearby beach will bring more people together and will help in making the
tourist place more famous.
Western India's Maharashtra state has the city of Vasai-Virar. It is a suburb of Mumbai and
ranks as Maharashtra's fifth-largest city according to the 2011 census. It may be found in the
Palghar District, 50 kilometres north of Mumbai. The city is situated on the northern bank of
Vasai Creek, which is a portion of the Ulhas River Estuary.
A number of historically independent towns have been combined to become Vasai-Virar. The
city's footprint nearly matches that of the ancient city of Sopara. Vasai Taluka is home to
numerous sacred sites for the Christian, Hindu, Muslim, Buddhist, and Jain religions as well
as others.
In and around the Vasai-Virar Region, there are numerous forts and monuments. Additionally,
it boasts a multitude of stunning natural areas, including beaches, forests, and steep terrain. The
- 103 -
Population of the Vasai-Virar Subregion, which also includes Palghar, is comparable to that of
any other rapidly rising city in India, much alone satellite cities of Mumbai.
• Climatic Conditions
Vasai-Virar has a tropical monsoon climate that borders on a tropical wet and dry climate.
Overall climate is equable with high rainfall days and very few days of extreme temperatures.
Vasai-Virar temperature varies from 22°C to 36°C.
In winter temperature is between 12°C to 20°C In summer temperature ranges from 36°C to
41°C. Out of total rainfall, 80% rainfall is experienced during June to October. Average annual
rainfall is 2000–2500 mm and humidity is 61-86%, making it a humid-per humid zone. The
driest days are in winter while the wettest days are experienced in July.
• Vicinity, Connectivity and Site
The VVCMC (Vasai-Virar City Municipal Corporation) governs a large area, and villages in
VasaiVirar tehsil in Maharashtra state, Western India comprising the most populated part of
Palghar district. It is an extended suburb of Mumbai.
The City is well connected to Mumbai by Western Railway and through Mumbai-Ahmedabad
National Highway. Even though being very close to the financial centre of the country, it has
managed to maintain its intimacy with the nature and environment of the zone.
It is a prime location along the coast of the Arabian Sea on the west and the wild untouched
forest on the east and the Vaitarna river on the North. Considering its proximity to the MMR
and its commercial activities and being the centre of the entire district proves it to be a strong
location for activities requiring focused attention for large groups.
8.1.2 Design Brief

The designing process involves the involvement of culture architecture and cultural
background. Vasai - Virar is rich in heritage and culture. While designing the resort, USP will
be taken into consideration. The design will attract the tourists. The areas created will have an
impact on the tourists. Spaces and amenities of accommodation with the play of vistas will help
in increasing the demand of the place.
- 104 -
8.1.3 Tentative area statement

Table 6 – Area Statement, Source – Times Saver Standards and Neuferts Forth Edition (Edited by Author)
SR. SPACES NO. AREA NO. TOTAL SOURCE

NO. OF OF OF AREA
Users UNIT Unit (SQ.M.)
(SQ.M.)
SECURITY AREA
1. Security cabin 1 4 3 12 Times Saver
Standards.
Total Area 12 SQ.M.
MULTI FUNCTION AREA
1. Reception Counter 4 15 1 15
2. Lobby/ Waiting 15 35 1 35
3. Lounge 50 110 110
4. General Restaurant 100 135 1 135
5. Central Kitchen for - 70 1 70 Times Saver
Restaurant Standards and
6. Dry Store - 15 2 15 Neuferts Fourth
7. Chilled Store - 15 2 15 Edition
8. Waste Disposal Area - 10 1 10
9. Dish Wash Area - 10 1 10
10. Kitchen Staff Toilet - 4.5 1 4.5
11. Visitors Toilet 4 4.5 4 18
Total Area 437.5 SQ.M.
ADMINISTRATIVE AREA
1. Waiting and Reception 5 15 1 15
2. General Managers 1 15 1 15
Room
3. Deputy Managers Room 1 15 1 15
4. HR Managers Room 1 15 1 15
5. HR Staff Room 4 30 1 30
6. House Keeping 1 15 1 15
Times Saver
Manager
Standards and
7. Administrative Staff 6 45 1 45
Neuferts Fourth
Room
Edition
8. Accounting Staff Room 4 30 1 30
9. Meeting/ Presentation 20 75 1 75
Hall
10. Rest Room 4 4.5 4 18
11. Utility Room/ Store - 10 1 10
Room
12. Store Keeper 1 10 1 10
Total Area 293 SQ.M.
- 105 -

NO. OF OF OF AREA
(SQ.M.)
LEISURE AREA
2. Operation Managers 1 15 1 15
Room
3. Lobby/ Waiting 15 35 1 35
4. Restaurant 50 70 2 140
5. Kitchen with accessory - 50 2 100
spaces Times Saver
6. General Bar 25 25 1 25 Standards and
7. Cocktail Bar 25 25 1 25 Neuferts
8. Discotheque 100 150 1 150 Fourth Edition
9. DJ Control Room 2 20 1 20
10. Rest Room for 10 4.5 10 45
Discotheque
11. Buffer Room for - 10 1 10
Discotheque
12. Rest Room for Staff 2 4.5 2 9
13. Utility rooms/ Store - 15 1 15
Room
INFORMATIVE AND LEARNING AREA
1. Lobby/ Waiting Lounge 10 35 1 35
3. Exhibition Centre 20 100 1 100
4. Tourist Help Centre 10 15 1 15
5. Control Office 1 10 1 10 Times Saver
6. Toilet for Visitors and - 4.5 4 18 Standards and
Staff Neuferts
7. Conference Hall 1 100 150 1 150 Fourth Edition
8. Conference Hall 2 50 75 1 75
9. Toilet for Conference - 4.5 10 45
Hall
10. Curio Shop - 20 2 40
- 106 -

NO. OF OF OF AREA
(SQ.M.)
RECREATIONAL AREA
1. Club House 50 150 1 150
2. Gymnasium 25 75 1 75
3. Meditation Centre 20 30 1 30 Times Saver
4. Coffee/ Tea Shop - 20 1 20 Standards and
5. Spa - 50 1 50 Neuferts
6. Sauna - 50 1 50 Fourth Edition
7. Snooker 4 18 4 72
8. Swimming Pool Area - 200 1 200
9. Locker Room/ Change 30 30 1 30
10. Toilets - 4.5 6 27
ACCOMODATION (COTTAGE / VILLA)
A Family
1. Normal 5 60 8 480
2. Special 5 75 4 300
3. Deluxe 5 90 4 360
B Couple Times Saver
1. Normal 2 30 8 240 Standards and
2. Special 2 45 4 180 Neuferts
3. Deluxe 2 60 4 240 Fourth Edition
C Groups
1. Normal 8 100 2 200
2. Special 8 120 2 240
3. Dormitory 10 120 2 240
ACCOMODATION BLOCK
1. Couple 2 25 8 140
2. Family 5 50 8 400
- 107 -

NO. OF OF OF AREA
(SQ.M.)
STAFF ACCOMODATION AND BACK HOUSE
1. Staff Kitchen - 15 1 15
2. Staff Dining - 20 1 20
3. Wash Area - 5 1 5
Times Saver
4. Site Storage - 30 1 30
Standards and
5. Accommodation Units - 15 10 150
Neuferts
6. Toilet Block - 4.5 4 18 Fourth Edition
7. Generator and Battery - 30 1 30
Room
8. Guard House 3 10 3 30
Table 7 – Total area calculation, Source - Author
TOTAL TENTATIVE BUILT – UP AREA

SR. SPACES AREA
NO.
1. Security Area 12
2. Multi-Functional Area 437.5
3. Administrative Area 293
4. Leisure Area 597
From the above
5. Informative and Learning Area 492
tabular data.
6. Recreational Area 704
7. Accommodation (Cottage/ Villa) 2480
8. Accommodation Block 540
9. Staff Accommodation and Back House 298
Total Tentative Area 5870.5 SQ.M.
Considering tentative carpet area = 5870.5 Sq.M.
Loading on C.A = 35%
Total Built Up Area = 5870.5 + 2054.67 = 7925.17 Sq.M.
- 108 -
CHAPTER 9
Site Plan with Site
Calculation and
Triangulation method
- 109 -
9.1 Site Plan with Site Calculation and Triangulation method
9.1.1 Site Area Calculation

Table 8 - Area Calculation
Source – Author
Area Calculation for Figure 137

A 0.5 x 178.9 x 27.68 2475.7 Sq.M.
B 0.5 x 188.32 x 72.07 6785.81 Sq.M.
C 0.5 x 188.32 x 87.04 8195.85 Sq.M.
D 0.5 x 158.73 x 45.76 3631.73 Sq.M.
E 0.5 x 103.27 x 48.18 2488.05 Sq.M.
F 0.5 x 73.99 x 35.74 1322.31 Sq.M.
Total Area 24899 Sq.M.
Figure 137 - AREA DIAGRAM , source – author
- 110 -
Figure 138 - Site Map
Source – Author
- 111 -
CHAPTER 10
Bibliography
- 112 -
10.1.1 References
⁻ 10 Things to remember when designing a Resort - RTF | Rethinking The Future. (2020,
July 17). RTF | Rethinking The Future. https://www.re-thinkingthefuture.com/rtf-fresh-
perspectives/a1310-10-things-to-remember-when-designing-a-resort/
⁻ HWD Team. (2014, March 26). Lakshman Sagar Resort - tradition, ecology and
contemporary culture. HomeWorldDesign;
https://www.facebook.com/HomeWorldDesign.
https://homeworlddesign.com/lakshman-sagar-resort-by-sahil-sarthak/
⁻ Kamble, A. (2020, September 17). Casestudy Jadhavgadh | PDF | Fortification |

Tourism. Scribd. https://www.scribd.com/document/476389595/casestudy-jadhavgadh
⁻ Laxman Sagar resort at Pali, by Kamath Design Studio - ArchitectureLive! (2017, May
17). ArchitectureLive!; http://www.facebook.com/architecturelive.
https://architecture.live/laxman-sagar-resort-at-pali-by-kamath-design-studio/
⁻ Netragaonkar, Y. D. (n.d.). (PDF) FEASIBILITY OF DEVELOPMENT OF RURAL

TOURISM IN PALGHAR DISTRICT: MAHARASHTRA | Dr Yashpal D Netragaonkar
- Academia.edu. Academia.Edu - Share Research. Retrieved October 31, 2022, from
https://www.academia.edu/21580310/FEASIBILITY_OF_DEVELOPMENT_OF_R
URAL_TOURISM_IN_PALGHAR_DISTRICT_MAHARASHTRA
⁻ Shah, M. (2017, September 29). Fort JadhavGadh - Where Heritage Meets Luxury -
TheUnfirangi. TheUnfirangi; https://www.facebook.com/theunfirangi.
https://theunfirangi.com/fort-jadhavgadh-heritage-meets-luxury
⁻ The Bogmallo Beach Resort - Contact. (n.d.). The Most Trusted Travel And Spiritual
Portal In India. Retrieved October 31, 2022, from
https://blessingsonthenet.com/hotels/contactinfo/the-bogmallo-beach-resort/1771
⁻ THE DIFFERENT TYPES OF RESORTS THAT YOU SHOULD KNOW - Travel

Infomation. (2018, October 20). Travel Infomation - Travel & Accommodation.
https://travelinfomation.net/the-different-types-of-resorts-that-you-should-know.html
⁻ the kukkad diaries. (n.d.). The Kukkad Diaries. The Kukkad Diaries. Retrieved October
31, 2022, from http://thekukkaddiaries.blogspot.com/2017/09/fortjadhavgadh-
vacation-like-royalty.html
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⁻ Time Travelling While Staying at Fort Jadhavgadh | Nat Geo Traveller India. (n.d.).
Your Site NAME Goes HERE. Retrieved October 31, 2022, from
https://natgeotraveller.in/time-travelling-while-staying-at-fort-jadhavgadh/
⁻ Young Harvard graduate wants to transform Palghar into Goa. (2019, April 2). Mid-
Day; Mid-day. https://www.mid-day.com/mumbai/mumbai-news/article/elections-
2019-young-harvard-graduate-wants-to-transform-palghar-into-goa-413326
⁻ 25 Best Places in India That Every Tourist Must Visit | Tour My India. (2020,
November 7). Tour My India. https://www.tourmyindia.com/blog/top-places-in-india-
that-every-tourist-must-visit/
⁻ Beaches | District Palghar, Government of Maharashtra | India. (n.d.). जिल्हा पालघर,

महाराष्ट्र शासन | जिल्हा पालघर | India. Retrieved November 1, 2022, from
https://palghar.gov.in/en/beaches/
⁻ Home | Ministry Of Tourism | Government of India. (n.d.). Home | Ministry Of Tourism

| Government of India. Retrieved November 1, 2022, from https://tourism.gov.in/
⁻ Home - DOT-Maharashtra Tourism - Maharashtra Tourism. (n.d.-a). DOT-Maharashtra

Tourism. Retrieved November 1, 2022, from https://www.maharashtratourism.gov.in/
⁻ Home - DOT-Maharashtra Tourism - Maharashtra Tourism. (n.d.-b). DOT-

Maharashtra Tourism. Retrieved November 1, 2022, from
https://www.maharashtratourism.gov.in/
⁻ Palghar - Vasai.com. (n.d.). Everything About Vasai (City Guide) - Vasai.Com.

Retrieved November 1, 2022, from https://vasai.com/faq/palghar
⁻ UNWTO | World Tourism Organization a UN Specialized Agency. (n.d.). UNWTO |

World Tourism Organization a UN Specialized Agency. Retrieved November 1, 2022,
from https://www.unwto.org/
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Plagiarism Report
- 115 -
- 116 -

05 - Bhavik Bhoir - Rethinking The Traditional Interface in Design of Resort

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05 - Bhavik Bhoir - Rethinking The Traditional Interface in Design of Resort

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UNIVERSITY OF MUMBAI

RETHINKING THE TRADITIONAL INTERFACE IN

BHOIR BHAVIK BALKRISHNA

PROF. NAYANA RAUT

VIVA SCHOOL OF ARCHITECTURE

I hereby declare that this written submission entitled- RETHINKING THE

Figure 45 – Resort illustration ........................................................................................................... - 36 -

Figure 94 - Room services ................................................................................................................. - 66 -

4.1.5 Swot analysis ................................................................................................................... - 49 -

6.1 Data Collection and Analysis ............................................................................................... - 89 -

‘’I hate vacations. If you can build buildings,

Why sit on the beach?’’

-Mr. Zurab Pololikashvili

Tourism is defined by the United Nations World Tourism Organization (UNWTO)

1.2 Background study

accessibility. Source - Pinterest

1.2.2 Contribution of the tourism industry in India

Figure 2 - – Investment opportunities in tourism & hospitality in India

1.2.3 Issues in the tourism industry of India.

Among them are:

1.2.4 Types of tourism in India

Figure 3 – Types of tourism

Source - Pinterest (edited by author)

1.2.5 Ways to promote tourism in India

Outsourcing of Heritage Buildings

India has a rich past that can be promoted to draw

Memorializing the sights

Good roads and transport facilities

If you have to travel somewhere, there's a chance you'll

Any destination should be accessible to both domestic

When we talk about the transportation system, there Source - Pinterest

Promotion by Each State

• To understand the architectural features with respect to the cultural background.

• To observe the need of resort and hotel over the region.

Figure 6 – Topic Justification Screenshot 1

Figure 7 - Topic Justification Screenshot 2

Figure 8 - Topic Justification Screenshot 3

2.1 Research Methodology

INTRODUCTION BACKGROUND STUDY

Tourism, Contribution of Tourism Tourism in India, Types of Tourism in

TOPIC LITERATURE CASE SITE DATA

⁻ Coastal belt - Data gathered ⁻ Bogmolo Beach ⁻ Standards of

3.1 Literature review

3.1.1 Top two most visited states of India by foreign tourists

Tamil Nadu - 4,684,707

Both Indian and foreign tourists choose Tamil Nadu as

Nadu. Other temples include Mahabalipuram, Source – www.dreamstime.com

Brihadeeswarar Temple in Thanjavur, Madurai

Maharashtra is the second-most popular tourist destination

3.1.2 Tourism in Maharashtra

Figure 11 – Tourist Attractions Map of Maharashtra

Figure 12 – Hill Station Map of Maharashtra

Figure 13 – Maharashtra National Park Map

3.1.3 Districts of Maharashtra

Figure 14 – District Map

Table 1 – 6 Division of Maharashtra with its region, districts & headquarters

Source – Tourism survey of Maharashtra

3.1.5 The most visited district by tourist in Maharashtra - Mumbai

Figure 15 – Mumbai City Collage Figure 16 – Mumbai City Collage 2

Source – Pinterest Source – Wikipedia

Why do people visit Mumbai?

• History Source – Pinterest

3.1.6 The earliest formed district - Palghar