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    2K views514 pages

    Keith Jarrett Real Book

    Uploaded by

    C. Massimo Oriolo
    jazz

    Copyright:

    © All Rights Reserved
    Download as PDF or read online from Scribd
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    of 514
    The Keith Jarrett Real Book Unofficial transcriptions made by fans of his music. American Ouartet ‘Album Cover Track List 1967 Life Between The Exit Signs Lisbon Stomp Love No. 1 Love No. 2 Everything I Love Margot Long Time Gone (But Not Withdrawn) Life Between the Exit Signs Church Dreams 1971 ‘KETTHJARRETT. Ata El Juicio Pardon My Rags Pre-Judgment Atmosphere El Juicio Piece For Omette Gypsy Moth Piece For Omette (short ver.) Toll Road ae H f ‘The Mourning Of A Star Follow The Crooked Path Interlude No.3 Standing Outside Everything That Lives Lam Interlude No.1 Trust AML Want Traces Of You ‘Mourning Of A Star Interlude No.2 Sympathy 1972 Birth Mortgage On My Soul (Wah-Wah) Spirit ‘Markings Forget Your Memories Remorse ‘Expectations Vision Common Mama ‘Magician In You, The Roussillion Expectations ‘Take Me Back Circular Letter (For JK.), The ‘Nomads Sundance Bring Back The Time When (If) ‘There Is A Road God's River) 27 Backhand Inflight uum Vopallia Backhand 29 Fort Yawuh (if The) Misfits (Wear It) Fort Yawuh De Drums Still Life, Still Life Roads Traveled, Roads Veiled ‘Death And The Flower Death And The Flower Great Bird “Treasure Ialand Rich (And The Poor) Blue Streak Fullsuvollivus (Fools Of All Of Us) ‘Treasure Island Introduction And Yaqui Indian Folk Song Le Mistral Angles (Without Edges) Sister Fortune 30 32 “Mysteries Rotation Everything That Lives Laments Flame Mysteries Shades Shades Of Jazz ‘Southern Smiles Rose Petals Diatribe Bop-Be Mushi Mushi Silence Bop-Be Pyramids Moving, Gotta Get Some Sleep Blackberry Winter Pocket Full of Cherry 34 Byablue Konya Rainbow ‘Trieste Fantasm Yahllah Byablue 37 Eyes Of The Heart Eyes Of The Heart (Part 1) Eyes Of The Heart (Part 2) Encore Survivors’ Suite Beginning Conclusion 39 ‘Album Cover em a to Spiral Dance Blossom Long As You Know You're Living Yours Belonging ‘Windup, The Solstice ‘My Song My Song Tabarka Country The Journey Home ‘Nude Ants Chant OF The Soil Innocence Processional Oasis New Dance Sunshine Song 1979 oe ‘Personal Mountains Personal Mountains Prism ‘Oasis Innocence Late Nite Willie aa Solo Piano Track List ‘Facing You In Front Lalene My Lady; My Child Landscape For Future Earth ‘Vapallia Semblence 107 114 120 ‘Bremen/Lausanne Bremen Pert I ‘Bremen Part II Bremen Encore Lausanne 121 137 ‘Koln Coneert Part I Part Ia Part Ib Part Ile 147 148 ‘Sun Bear Concerts Kyoto: Part I Kyoto: Part II Osaka: Part 1 Ova: Part I ‘Nagoya: Part 1 ‘Nagoya: Part I Tokyo: Part I Tokyo: Part II Sapporo: Part 1 Sapporo: Part II Encores: Sapporo Encores: Tokyo Encores: Nagoya 166 178 181 ‘Staircase ‘Concerts Bregenz/Munich 201 Kerr Laat Solo DVD Tokyo ‘84, #1 Tokyo '84, #2 Over The Rainbow Tokyo '84 Encore Dark Intervals Solo Tribute DVD ‘The Night We Called It A Day TLove You Things Ain't What They Used To Be Sound I Loves You, Porgy ‘There Is No Greater Love ‘Round About Midnight Solar ‘Then Til Be Tired Of You ‘Sweet And Lovely ‘The Wind Do Nothin’ Till You Hear From Me? IGot It Bad And That Ain't Good Summertime 251 Ra 310 October 17, 1988 ‘The Wind Blues gee ‘Vienna Concert Part I Part La Scala Part 1 Part 2 Over The Rainbow “The Melody At Night With You I Loves You Porgy IGot It Band And That Ain't Good ‘Don't Ever Leave Me ‘Someone To Watch Over Me My Wild Irish Rose Blame It On My Youth Meditation Something To Remember You By ‘Be My Love Shenandoah Tm Through With Love ga ‘Tokyo Solo DVD Part la Part 1b Part 1c Part 2a Part 25 Part 2c Part 2d Part 2e Danny Boy Old Man River Don’t Worry ‘Bout Me Port Part 2 Part 3 Part 4 Part 5 Part 6 Part 7 Part 8 Part 9 Part 10 Patt 11 Part 12 Part 13, Part 14 Part 15 Patt 16 Part 17 316 “The Carnegie Hall Concert ‘Track List Meaning Of The Blues God Bless The Child All The Things You Are Tt Never Entered My Mind ‘Tho Masquerade Is Over 390 ‘Standards Vol 2 So Tender ‘Moan And Sand. In Love In Vain Never Let Me Go fT Should Lose You 1 Fall In Love Too Easily 395 ‘Changes Flying, Part 1 Flying, Part 2 Stella By Starlight ‘The Wrong Bhucs Falling In Love With Love ‘Too Young To Go Steady ‘The Way You Leck Tonight ‘The Old Country 397 tandar Standards DVD I Wish I Knew If1 Should Lose You Late Lament Rider I's Easy To Remember So Tender Prism Stella By Starlight God Bless' The Child Delaunay’s Dilemma a2 Standards I DVD ‘You Don't Know What Love Is. With A Song In My Heart When You Wish Upon A Star ‘All Of You Blame It On My Youth Love Letters Georgia On My Mind ‘You And The Night And The Music When I Fall In Love On Green Dolphin Street ‘Woody'n You OOS me STILL GARY | UNe anh) RETY 7 C OCK] TN My Funny Valeutine ‘Autumn Leaves ‘When I Fall In Love ‘The Song Is You ‘Come Rain Or Come Shine Late Lament ‘You And The Night And The Music Extension Intro ‘Someday My Prince Will Come Billie's Bounce Remember Clifford Changeless Dancing, Endless Lifeline Eestasy ‘Standards In Norway AILO You Little Girl Blue Just In Time Old Folks Love Is A Many-Splendored Thing Dedicated To You Hear A Rhapsody How About You? 1989 Lover Man ‘Hear A Rhapsody Lite Girl Blue Solar Sun Prayer Just In Time ‘Smoke Gets In Your Eyes AlLOFYou Ballad Of The Sad Young Men ‘All The Things You Are I's Easy To Remember 4a. Bemsba Swing Old Folks: Woody'a You Blame It On My Youth Golden Earrings Body And Soul The Cure ‘Things Aint What They Usod To Be Bye Bye Blackbird Bye Bye Blackbird ‘You Won't Forget Me Butch And Butch ‘Summer Night For Miles ‘Straight No Chaser I Thought About You Blackbird, Bye Bye ‘At The Deer Head Inn Solar Basin Street Blues ‘Chandra ‘You Don't Know What Love Is ‘You And The Night And The Music ‘Bye Bye Blackbird It's Easy To Remember Live At Open Theatre East DVD Tn Your Own Sweet Way Butch And Butch Basin Street Blues ‘Solar / Extension If Were A Bell Fall In Love Too Easily ‘leo Bye Bye Blackbird ‘The Cure [Thought About You 1994 VA ‘The Blue Note Complete Recordings ‘Friday June 3 Jn Your Own Sweet Way ‘How Long Has This Been Going On While We're Young Partners ‘No Lonely Nights ‘Now's The Time ‘Lament Tm Old Fashioned ‘Everything Happens To Me IfT Were A Bell In The Wee Small Hours Of The Moming Olco ‘Alone Together a Skylar ‘Things Ain't What They Used To Be Saturday June 4* Autumn Leaves ‘Days of Wine and Roses Bob-Be ‘You Don't Know What Love Is. ‘When I Fall in Love ‘How Deep Is The Ocean Things Ain't What They Used To Be Close Your yes Imagination Til Fall Ia Love Too Fasily The Fire Within Things Aint What They Used To Be ‘Sunday June 5* On Green Dolphin Street ‘My Romance Dan't Ever Leave Me ‘You'd Be So Nice To Come Hame To La Valee Bleue ‘No Lonely Nights ‘Straight, No Chaser ‘Time After Time For Heaven's Sake Partners Desert San How About You? 461 “Tokyo ‘96 (Trio Concert DVD) It Could Happen To You ‘Never Let Me Go Billie's Bounce Summer Night Til Remember April ‘Mona Lisa Autumn Leaves Last Night When We Were Young, Caribbean Sky Tabn's Abbey My Funny Velenting All The Things You Are Tonk an 44 1999 Keith Jarrett Whisper Gary Peacock Not # Jack DeJohnette ‘Whinper Not ‘Bouncin' with Bud Whisper Not Chelsea Bridge ‘Wrap Your Troublos fn Dreams ‘Round Midnight ‘Sanda ‘What Is This Thing Called Love ‘Conception Prelude To A Kiss Hallucinations ‘All My Temnorrows Poinciana ‘When IFall In Love KEITH JARRETT GARY PEACOCK JACK DEJOHNETTE Inside Out From The Body Inside Out 3AL Froe Fado Riot ‘When I Fall In Love ‘Always Let Me Go The Out-of Towners ‘1 Can’t Believe That You're In Love With Me ‘You've Changed TLove You The Out-of-Towners Five Brothers I's All In The Geme My Foolish Heart Four My Foolish Heart Oko ‘What's New ‘The Song Is You ‘Ain't Misbehavin’ Honeysuckle Rose ‘You Took Advantage Of Me Straight, No Chaser Five Brothers (Guess I'll Hang My Tears Out To Dry ‘On Greea Dolphin Street Only The Lonely Up For It If Were A Bell Butch & Butch ‘My Funny Valentine Sormpplo From The Apple Someday My Prince Will Come ‘Two Degrees East, Three Degrees West ‘Autumn Leaves Up Fort ‘Track List Pages Restoration Ruin Restoration Ruin All Right, For You and Me Have a Real Time Sioux City Sue New You're Fortunate Fire and Rain Wonders Where Are You Going? ‘Somewhere Before My Back Pages (Bob Dylan) Pretty Ballad ‘Moving Soon Somewhere Before New Rag A Moment for Tears Pout's Over (And the Day's Not Through) Dedicated to You Old Rag 1971 ‘Ruta And Daitya 88 Overture - Communion Ruta and Daitya All We Got Sounds of Peru (Submergence; Awakening; Algeria) ‘You Know, You Know Pastel Morning Tn The Light ‘Metamorphosis, Fughata for Harpsichord | 509 Brass Quintet Short Piece for Guitar and Strings ‘Moment In the Cave, In the Light 1974 Ts TOU Ga ALU ae ‘Luminessence Numinor Luminessence 1975 “Arbour Zena Runes ‘Solara March Mirrors Hymns Spheres ‘Hymns of Remembrance Spheres (Movements 1-9) Hymns of Release ‘Tales Of Another Vignette Tone Field ‘Major Major ‘Trilogy I-11 1979 Invocations/The Moth And The Flame Firat (Solo Voice) Second (Mirage, Realities) Third (Power, Resolve) Fourth (Shock, Scatier) Fifth (Recognition) Sixth (Celebration) Seventh (Solo Voice) ‘The Moth and the Flame (Part I-V) The Celestial Hawk ‘The Celestial Hawk First Movement Second Movement ‘Third Movement Spirits 13-26 KEITH JARRETT cLavICHORD “Book Of Ways The Book of Ways - The Feeling of Strings 1-10 ‘The Book of Ways - The Feeling of Strings 11-19 1993 ‘Bridge Of Light ornare P Elegy for Violin and String Orchestra Bites Adagio for Oboe and String Orchestra ‘Sonata for Vialin and Piano Celebration Song ie Dance ‘ Birth Dance Bridge of Light for Viola and Orchestra LVSBEN ssreme Ne | PT eth Vat Se Se rn Fell s fm 2 pe oe ee ie eg GH Le yoo eee cy BMT Ar BI ew \ = —s : = ) i Ee 4 mw & c mi? = q aE eS = ao mau phe emer 4 oS = 1 et od? « : == Seg az mt asco y tore EvEgYTHING | Love pean Jhoseaiee #1 Pant Ditenl bya Ap aReay GT op FAI eager Dire pla aaa brerrtecitee a be, jar gy aa WRATH se asfen Eereanen SDD jam ibrerercteritiectecttrit Piterg Peter peeticrere Ett Bperpererettt, ypfttetie tere # efter : . = hy ie ee a a ib cr De a TS arg Gu? a 7) a Sa io a ep a #y ” aw U ee 3 3. . & = c= aectaia sara gree ane z o” e _ 3 IS 3 4. S| Spare Deve ee ar aah a dd | a ee = ; pnw aera zi a KEITH SARRenY =" EXPECTATIONS” 2 An Excerpt from "There is a Road (God's River)" Keith Jarrett G:09)] J=91 Transcription by Oleg Garaev d 15 ‘Transcription by Oleg Garaev, 2006 ‘Transcription by Oleg Garsey, 2006 ELecreic Guitae BACKHAND Kerra Taeeerr o e eo Pu b, Conver © 1975 KuNoAn Music Keira Taeeerr FULLEUVOLLIVUS Sreaigut 8's (Coeus OF ALL OF Us) PIANO Bass ONO. SX + PNO. ove D-H) SoLos ace Feee Keira Taeeerr - “Teeasuee |oLANo” Plano TREASUSE ISLAND Kerra Taeeert F/G &/0, ove vF er 10 $97 Em qr Fa] ex eh? ge gf = P=SV¥ ttt i==z2 & at o war a A/a far ae 21k bp 2 ow F FEW AT OW? CopyeiguT © 1974 KUNDALINI MUSIC Puwo 26 eve clot fepife wr fede ith; = SS =o e E I a , vo y i Fe = pe BS Sears = B 8 Feat gat ad —E E/at E 8 qh? 7 Fe Fdyat 8 gy CHT 8 Fheug7 647 4 OWT gy Eu? Aw? 07 9/0 cg, fo Au? $3 Sa eee Lb —— Keira Saeeerr S0r-Be Meow — (ft) 47 é# Ay 0-7 07 fn 1 ger el ye Q7. 7 “gor gy Av 97 6-1 (uy F 67 @ és) AT 9-7 (7 fT nc A797 67 q f Keith Saceerr - “Bor-Be" Bop-BeE KEITH JaRRETT Au? __ i) 8 ful by Gu? ae rae = 2 Se SS — eo om ell Maegor Sacverr QaINsow Meo eat o7 fk oe Erh 7 ao #2 87 fk Ao ayes ar fh af ff Aa 07 07 th Of ef 07 fT EA 07 6-7 ey. F.Tts) Keira Sacer - “Byasuc® S0Les Aa 0-7 0-1 3he7 GQ ft 67 Covel) Svevivee's suite con 7 extraits du solo de Keith JARRETT, sur les accords de dominante. Transcription de Malo VALLOIS F47 Hs NAB. : Le phrasé de Keith JARRETT est fluctuant, élastique, comme & son habitude sur les mouvements lents. Pour cette transcription, les bares de mesure sont donc indicatives, certaines mesures dépassant le 4/4. HOS. DC. — TM USE WiRe vay A SHS Wernl Saeeetr~" BRLENgA UG" eae ! Ws YOU Now YOURE LIVIbe YuRD, RAND fold - A n BF mee do-it e . 7 : = aa _ oe cae F 3b ae SSS SSS = eae t : tee oe % Cope ca The Windup d=120 Music: Keith Jarrett ce Belonging ‘Transcription; Simon Savary Soprano Sax. Piano 8. Sax. Piano Speak: c BP Bll. arc 2. GC S. Sax. Piano S. Sax. Piano’ ‘Transcription © Simon Savary, 2005 S. Sax. Piano: 2 F c EP BP ac EP BP Piano: Piano! Piano Keira Taggert THE Wino UP We, Piano F/A 7 BG # e 10 Pano 18 e 7 B/G & e Fine q ry bg #0 ol CUE HW FREE S0L0 OPEN/GgoUP ‘$0L0 FREE/OPEN 4 Pano 8 WW ae, a M a] OS. & FINE Keith Gaeeerr Quesrae INT@0 (VAgIEO ZNO Xx) STeAlgut 8's cd zi gye7 847/) 907 0-1/8) = SIM. 6-6/8 Bh 807/% Bharls) a pep & ~ aN A a a 80 8 Be, 4 4 6/6 oo hh Ow a7 am at ald)? AT OY Aye Q7eue4 ¢/o GToue4 9/0 Ged _s o GTsu64 a sh ants nN AT, AuaTis) Gan 4 Jet ¥ ONLY: Keith aecere - “My Song” 0.0. & eLay INTeo 4 x Keith Gaeeerr My SONG STRAIGHT 86 OaTib6) Ge Chasis) 0-1 Goud Grind q7 aealis) eqrs) fo7 7 0-7 = Oe? € Aa ok rr * gine OG f 07 ont) 79) we gd orb) g-7, et C/O 7 0 7 i» anti Ae G7ous4 QI eye7b0) ey7bs) fo? 6-7 0-7 Ob, é1 A-l 0-7 of mo g7h) 0.9., THEN S0L0 Ove? THE FORM Country Intro ‘My Song Music: Keith Jarrett ‘Transcription: Simon Savary f tS r ze Transcription © 2005, Simon Savary Keith Gaeeerr Countey Srenigar 8's (0-7 tno time @ 8 é My ® 67% Ct 6/% Ab % eye 06, Ab i] 6-7 e- yf ee af ry BiTssh gh Meira Saeeerr - “My Song” Country ebeaight eights} Keith Jamett at B E (Cm 2nd time) at BE GUB Cm a BE ce Cm F Hig Ab iae +4 rT Ff 2. Aberet tah Ab Fm cm Cm es - a eeu ab Fm DrtoGt Bc ALCBE Dt) GT Cm BF Ab bf Ff BiG AMEE EB —t Keith Janett «ly Song 7 COUNTRY KEITH JARRETT PIANO SOLO FROM “My SONS" TRANSCRIBED BY BERT LIGON a Fm7 Fm7 ay aveb Ave Dey G7 cm7 ab eve) Aveb THE JovRNEY Home Keith Jaret Fer | Cat AL Ob abi m : mn 2 pA tt == : = D Ghises Bd ED | Aas Ble? Se 7a const \ = a L gee Dah Gey? “Ee Feps' Baill Ent | 64 * x = = SSS SS SS pate ttt eteenp eer r= ee [SS we HE —— ——— AM Cet cease] Coit Fle eek = Fras) = E —s— = a oe i Foe Gt Fan MED. LATIN orew Prawe sove (& &) Then DBS. OPEN Tenn seue (KE) THEM 0.5. ah Copa Puno New DANCE Kerra Taeeerr : > te £ fel tetclet 5 4 FA 4 fous € ttt = = = Y—y— = f? $4 a” 0” a a9? P * a * a el 7 ra a fF} ih a Ff + a > BG fv? 97 4 . ar a Coa Copyeigur © 1980 ~ Puno an vy EG 9/6 4 ve 2 oe V3 as Fe e pay? €7 er 87 29 Puno a ove E Esus Fe 47 SOLOS TILL CUE v 2. 4 Piano 5 (ak, Cur As eB ove PERSONAL MOUNTAINS (Ge ken Toor Presowe, Munras? ‘Teasctant: ery Taegert Mazeo 21 ens era tascerr (194 Piano Taw Gaceeee Tenoe Six terre TaecerT Pano Prism As recoeeed by Keith Jarrett " Kelth Jarret ‘on "Personal Mountains” and ‘Changes* G1 see ee eae ey eo | ERIS ; | ao C2 Gs Se eee ey ee & ae zs +z = Ge 6-7 9-7 AW tha D-7 pits) te | f= PA ea 5 Gee) Eo. lw €) A- a c-2 Ast (Hg) E)Sa4 E75) Ft at ale) “BT bs Bo 4 ‘i = f Fed = = a Zl + ee Aig aS GREG. ae = == a Be) gue ee) 3 an__¢e, Et) gg EP) gst Fé == S Za a aa ma r Es f # Ewe) 4g) _¢g = =H == f at Sse ay ——— fasta actotcieet sgl keytab) | Gb Gave al Figg We Vw |“ de] a7 aa ee ele < [Pelee [Ze led | “Bimal: huschle-grocsnctGjreenet de Transcription & Layout: Friedrich Grossnick, 21. Jul Of Tr al 1d. ee SS rrr wel = (4 : Innocence sae = i = = z 2. = = wroaee fF al he ren Wa lee Intro) + » ‘ a a fy &y “% o Theme (Sax in ©) y, fonts) gp “ % my an Ge is, Bor > Ss eS Pa = es pp FE Wan, SE Pet] enter roe Theme (Sax in BB) arvett- Inmocence, Page 3 (angular heed ~ Piano) coda as tine) Theme (Sax in Eb) AT ene ey 7 7 voi oe a, G y G ja coda (ast, Transcription: Christian Topp Contact: christiantopp@gmx.de Innocence . Keith Jarrett Keith Jarrett “Personal Mountains" [ECM 1989 J=120 3:13 min, Klavier Keith Taceerr INNOCENCE STealgut 8's wwreo & ee 8/0 nye Mf & oO fm @ Ct of B 6 g NN eB 677 a bb-7 641 07 Ob & 6 On 6y/h 4 Keira Gaecerr - “PeesoNAL. MOUNTAING® ~ "Nuoe ANTS" Keir Gaeeerr ae Late Nigat WiLLie #7 tren STRAIGHT 86 LAST X a) a® sly og 8 =F 7 et Tb 7 get ‘Giusti? FINE, — @ F A cat ell a7 ont thnk 6 Qe? 9? a7 gm) n-7 97 Tous 07 crttle 7 ao a7 TH) AT 07 GT wep gang SoL0s 07 ‘7 q ‘1 QI 1b) ¢1 A? 97 @7eus4 Arte? 60L06 0.5. AL FINE 3 =| aid x et £% Ee" PISALAAAAASESEELALS EES SES ESS ISCELLI ITEC ST SS Sa . nf rae 4 es = IF S| Sale, el) ens 4 Tess | SS ae mal $ ae o t ———_——~.. ets ee SS ass ARS ee aS ae 4 +4 ‘STARBRIGHT (2s played by Kelth Jarrett In "Facing You") Excerpt of free transcription by Eugenie Glordent! (the most entenled paseage of the whole improvisation.) 2 i a aS 4 2 a Blessandro Sadaluni:traiscriptlon Steve Russell /sone bar tine correction and final layout s arbright Keith Jarrett J=120 io Sst To Coda gy A 2 GAB. erm Tateerr. “Fhcwe vou" Encore, Bremen 1973 Keith Jarrett 2 20 ‘Transcription: Simon Savary Jax 103 10 105, 2 109 uu re iW m4 le Je 16 6 be o?: ny 5) 132 13 = 2. 137 17 s 5 5 6 19 152 — a 161 3 Lausanne Part I Excerpt Music: Keith Jaret ‘Transcription: Simon Savary or ‘Transcription © 1999, 2005 Simon Savary 90 101 OO ee 8 104 106 108 0 12 us 129 K6ln Concert Part Ila-b bridge Music by Keith Jarrett J=74 ‘Transcription by Simon Savary a A 23 r aEr a z ‘Transcription © Simon Savary, 1997 Part I ¢ aus: The K6lIn Concert 1+ 1 Keith Jarrett, Piano Transktiption: H-M. Diicker © CAVBLIGHT MUSIC, Oxon, 8.1. USA ro) 70 144 THE KOLN CONCERT KEITH JARRETT Je1s2 OAM Aga) Ra \ t1| ‘\ (3 IL. u HIE cf) hy oR) TS SGP He | Hi i | he | hy ( Z| i ri) [A | ty 4 pay te th Pa fh a " te 7 : tte ia ha Ru fi ] cH ya 7 ue kh “ “i th f iE A KA nit a. Vis. SR 7 “Hl i f ‘4 } aa see Se (rubato) =| aa =| Fete sy = = ~ =f ca Q S =“ ae pt fp te pte o> sp — Arey | oF nl 2 oe £ ——S—= = Fei rar — = 2 pO 2 Co ee * — = ee 2 _# = DJs fit rit. molto 5 Lento, rubato m tC CONCERT The ROU Pee KEith JARRET ~ SUN BEAR CONCERT “Transcription : Damien Lefaure Osaka Part I Collaboration : Simon Savary Christophe de La Brasse ‘Musle: Keith Jarrett devs Piano manos 4, 17, oF a 8 ,—I miso ; 284, 284 29 ba. be ms Sun Bear Concert Sapporo: Part I Tameripion He cies Greet ; al chee nmin de Keith Jaret, 1976 (CD ECM 1100, No.5, Track 1) (€)ECM 1978 (min. 0:00 - 0:51) Futter wuss fais oro ae etic gh nT due on > eo ~ ee a Ta fji 4) Tis (2in2738-2936 next up) Sum Bear Concert Spore 2 scons eavod_ 29. 04 ‘nsgin Sag ec Game Sun Bear Concert Sapporo Part I, min. 27:35 - 29:36 "™! Bseheewsmniekatteenst.de Keith Jaret, 1976 (CD ECM 1100, No. Track 1) > sat vo ot ag = ‘Sun Bear Concert Sapporo 3 ies mace 29 Jl 0 Fadich Groin Keith Jarrett’s Tokyo Encore - Transcription by Raphael Turbatte Introductory Notice lease respect the author and rend this notice prir to the transcription fl About the music ‘The following score transcribes the piano solo music played by Keith Jarrett as an “Encore” during his concert at the Tokyo Concert Hall, on November 14%, 1976. I used the official ECM recording of the Sun Bear Concerts Box Set disc 6 as the source medium. ‘The original playing time of this piece is about 8 minutes. I have yet to know whether it was completely improvised or if Keith Jarrett had prepared it before the concert. It is anyway the only recording I heard which features it. About the transcription ip First, please be tolerant as this is my first transcription of that kind. Tan tell there will be mistakes, so if you find one please do email me so that I can correct it. The most mistake-sensitive part include those where Jarrett plays weird rhythms at the melody, and those where the middle voice is difficult to hear. As to the music itself, itis based on a recurring four-measure harmonic pattern (basically, Em | Bm/D | Bmsus4/C#, C#7+ | Bsus4/F#, B7+). The lower voice plays this recurring harmony while the higher voice plays a melody (which starts at index A on the transcription). The pattern is broken at index B (approximately in the middle of the piece) but is brought back again at index C for a short period before giving the way to a big modulation starting at index D. It comes back from index E to the end of the piece, which finishes with some kind of chord cadenza. I think 2 important choices I made have to be pointed out: - I chose an Em key, despite the piece ending on a Bm harmony (which key would maybe have been more convenient since it would have removed all the sharps in front of nearly every C that comes along). Harmonically Em fits the pattern the best way. - I split voice 2 into 2 sub-voices: a bass and a middle voice. I made this choice, first because it is easier to write that way since most of voice 2 is played in middle tones. More importantly, I am not a very good pianist (yes, itis a shame and I really wish I were) so I prefer letting those in the know with the piano technique decide what notes should be played with what hand. Melodically and harmonically, the fact that there could be a "3 voice” in the middle is open to discussion. 1 About the author My name is Raphael Turbatte, I was born in 1964 near Paris. I started learning music in general at 3, and started learning my instrument, the Cello, at 5. I remained a music student at the local conservatory during 10 years and obtained diplomas in Cello playing, music analysis and harmonics, and of course music reading. While I stopped taking lessons when I was 17, I continued playing in small ensembles, and music remains one of my main interests. I have been listening to Keith Jarrett since my father first initiated me to his music, when I was 13. I have also always tried to play the piano and to improvise but never took any lessons. I am currently studying in French elite classes and will take the competitive exams at the end of the year to enter a business school. If you want to contact me please use this email: rt at] emptybox [dot] ws ‘i About this transcription’s copyright ‘This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerios License. To view a copy of this license, visit http:/ /creativecommons.org,/licenses/by-ne-nd/2.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. KJ-Tokyo-Encore-R0, 2004-09-01 Tokyo Encore Music by Keith Jarrett Transcription by Raphael Turbatte jout © 2004 by Raphael Turbatte Transcription & Layout © 2004 by Raphael Turbatte . ‘ . ae a eel} ax . sos . “4 I ” ae & IE > * es ate 2 Ls [/\s . \* 7 “ay alt 1 . . \ . A x 1 : als : wes ‘eel g a CON ae a ed 4 allTs ol MT ‘is . yy f, [re ol * . Cn <4 LS q il . wind | tel |i it Hd Rly . Wi bea z Oe an ON ee Transcription & Layout © 2004 by Raphael Turbatte + . wee ils ls ‘ $ ‘ * : i » wl . oe ae |e . = ills He : f we + : in $\|||s ee ! Yl |/a qo 1 Ta Th : 1 it | i dh 4 ‘ : We al ||\s . “ Pyle Ils : * N al t ‘ ‘||/s «||| ’ El q]|||= |I5 hg Oe Se A a ee ee bby Raphael Turbatte ranscription & Layout © 2004 by Raphael Turbatte f+ : Lb as ——— 3 o @ $a 2 * B_ anntabite, tegat tye yee et o_o = 2 SS a ee do 2 = 2 ss Mer otras Veter tf fete? [rerir tet (94, * er - = ~ t . 7? oft ee = re $2 1a eo = Transcription & Layout © 2004 by Raphael Turbatte ory x]. . 1s | ICs ae : offs : . * . fy MN . . ’ . . . ’ . . ’ . . . ’ * . MW) | || GTP) . ae . . . . ’ . ’ 9 . oe KK ription & Layout © 2004 by Raphael Turbatte Transo {I+ mt I wn i x lat ly au AS wl sek ho rallentando ad lib, siempre dolee cadenza ad li, FE o ——————— o a (e (x f E 7 —— 2 ‘Transcription & Layout © 2004 by Raphael Turbatte Mill Tamet rs TR: Sater Savney i ‘Trascripion by Simon Savary Heartland (Bregenz 1981) De eer 1 d=10 = re ‘Transcription © 1996, 2004 Simon Savary ‘Transcription © 1996, 2004 Simon Savary ‘Transcription © 1996, 2004 Simon Savary z ‘Teanscrpon © 1896, 2004 Simon Serary ‘Transcription © 1996, 2004 Simon Savary Paint My Heart Red 2 Paint My Heart Red Ow z TH Reieabow 6 lio a £ one ws mnds cam RB Bis ie teananiee KE(TH ZARCETT_ _ 23. OKTOBER AGE oz HAMBUCGISCHE STAATECPEV LAST SOLO ENCORE II == ES Pt Pt — to rt pi Se Notes on Performance “1 ~ Notes in parentheses are “Texture Toney’ and should be played pisnissimo, serving as color and subordinate to the melody. *2 - The right hand in these particular sections should be played ‘freely’ and not in ternpo. Since the exact rhythms would be impossible to nolate clearly, the written right hand rhythms are only approximations. The original recoeding should be referred to for guidance in these sections 3 ~ The alternating groups of sextuplet and quintuplet quarter notes between m, 126 and 129 should sound 2¢ one large group of 22 evenly spaced quarter notes instead of as, notated, which is orly a simplified approximation, ricci Transcription started 2/11/00 Condougtor | @juna.com ls Sen Toxo #4 eNDDRE enim aS ae = i oleh a ee jt fPee eRe etetee tet s \* ot lh it ae eve BHC EEE Sogue un’ultetlore gioco di bloochi ritmic! accordali ¢ poi tiparte il frasoggio a auartin, all’interna della acala di tonalita (F maj) che con numerose note di tensione fino sa dials che porta alla conchusione besato su uno stupcfacente episodio di “strett?” tematici in un imponsibile contrappunte. L'improvvisazione ai conclude con un ritorno del tema principale, preceduto da un breve preavviso disatteso, che si riduce in dinamice ¢ in articolazione portando ad un riff finale ed. ‘uma cadenzino sulla tonica. Non ho concluso la trascrizione perché trovo personalmente molto divertente proseguire l'improvvisezione da questo punto. Se qualcuno vuole terminare, poi mageri me la pud inviare, Kerth MEM CAL AA A Nae fe Fram | Bete Intorrvale @ Wonk Bi Te Fy oe i sash ae 78 a # oe gl a Z| : WN fe le Et ¢ dt 4 rt Vas f= =: 7 ra | crit — Fy cee || | tS ay + > at | Cpt Ty Des bb ral Sal? Fe pROCTRA MUSIK AS, 12 SYSTEM hs Q a4 Aa Sit i = ¢ ae jeg * d Fa. 4 Fe ip a 40 4 ms aH = “la \ Pra tots EE) qe oF fy} as UU i Det fa 7 ESE > t P SEE % 7 et - oo ea BEI “ars + fo Late. Be iH rape 4 a £ ore a 8 8. a. wet pe a Seats i p49 be Fs i out a Ff ae "N erttaha’ The Night We Called It A Day Keith Jarrett Solo Tribute sa cst rs et m4 — rq I Loves You Porgy Solo Tribute (0:00) A” Keith Jarrett a 18) F Dm7 Em? Fé Em? F Cre CF Gnt Gm Baim AM Dr Gr Dm An? F765 )Dm7 Am? >o rurdo cr am An 7 ab A Absim ¢ ec i Blu 1m Gar or SP Fee oo Ar orsusabr Ss Sule, Tebete Ki seciett Te Sotin Seen) ——|} \ + = ws a ee == +1 \_4 2 be pitetectis \4¢eF tite, i pbe fey oe SS =a + Cele: Pa pe aaa bee apo ee ——— = ty 1+ to ee me i) bho #* (+ tthe — buat wo a te, . . 4 rs SS w= ttt \8 Lo | Le cit} s iv H+ “be Bu Fe 14 Lb +714 ms zt Le mor (0:00) Then I'll Be Tired Of You Solo Tribute KEITH JARRETT ebreb (109 4 gf or For 4 17 fae Creust C7 mr abr ab er 4 Fr broust abr e aaa & ohm cfm Ft Dfm7 ofmz ofm7 FfTouss Fez 3 8 Fm7 br tut gy a sein o7 C7sus4 C7 F m6 Bhrsus4 3:01 oR oe of a tarast, og. = cr CTsust c7 Fm abr x0 ra 3:21 ee a abr Absim EB my cm? Fn a abr? 8 & crest cr eer Bb q abr cfme Fer 9 5 ofmr Chur _s_rfpousrfy | oF : crinaiPomrtr 68 oF Gtm7 offen Fifsusd F7 fmr Fmt oe Abdi sr cm7 emt Boab ye (8). . 2 i” AT shia on = yea! om. crowst = cr Fen? Bb pbaim or Couss enn ab Abcim Gm7 c7 cbr mrs) Fdim abr & m7 Fm7 ab Oyen or Fa eh ar Bhpedal cfmr Fer 8 fm ofm7 Fer 8 Gin chm Fev B Fm? Bbr absim G7sus4 G7 c7 Fm7 3 Faim jee Dogshireedeel cheep tial Hahah ro a Risin Sad I Got It Bad And That Ain't Good Solo Tribute (0:00) Keith Jarrett a] oMe Ft Bm em? Areust a An? en? omar ar 07 216 Fe B7sus4 BT Em ATsus4 AT c E cM7 Amz a 6 g Bm7 E7sust ET Amz mM? D7 |e Fir Brust 87 Em >o AT ATsush AT Am7 — Bm7 o7 co” ATsust ar D7sus4 7 ° o| co D Fir Bm7 em? >o Am7s) >o AT Amz Bm7 m6 910 ° c Bm7 E7 Amz ATsus4 AT D7sust D7 Am Bm7 cm 30 Gus Em7 o7 c 87 aa Em Arm c ion OCTOBER 17, 1988 From Paris Concert Music by Keith Jarrett Transcription by Erik Bruchez. ia nd] s fa) i F 5 4 e = o = — ———— __* — Ss ass. Bs — iS ——— 4 4 os a -« J = : a A = = eS a Se fo * a be 2 7 ie So™ aS = = 2, $a e eet 7 = == = i} a= = 1 = — o—t oS = = me a = a = “ we | lame! 1. —} Be aes ele fe be ; 6 as 2 = — To be continued... The Wind Keith Jarrett (0:00) Cm Bbm7 ebrsuss = Eb? = ADM Am? D7 G7 om7bs) c7 Fm Dm c7 F cm abr FIG 07) Cm c e7 em7bs) C7 Fm7 Dm ob7 Bhm7 ebm? 3] Bm7 Em7Am? D7 G7 [ F7 Fa——P e cr aba? Amz v7 o7 : " mrs) C7 Fm? Dm6 Db7 Am7bs) AbM7 Am7 7 G7 C7sust c7 all il Fm crus cr dmc ar ® « oll Fen > Sem - ‘i ail all ab Am7 D G7 Gm7bs) c7 Fm7 Dmé vbr cm ‘Am7bs) D7 P GTeus4 G7 (5:07) Cm 01 H|-= 7 7 — > (Tiwi: Abn? Db=3- Bhmr ebm Bm? EmrAm? D7 Fag she cheb abr a qi 4! Ss Am7 D7 c7 CTsust C7 Fm Abieb Dmé 0b7 Cm — Am7bs) 07 e7 abr -S all : : PARIS CONCERT Transcription : Damien Lefaure Collaboration: Simon Savary Blues Keith Jarrett Christophe de La Brosse diaso 2 te w i <1 — = WI ~All + <4 an all a] ~~ ~~ ~— w ~ 1 ~~ a! ae T roast 67 ob Sram chr carb orem 07 i or nes BP a gece te er STs i yu ee + ——_— eur a. a rfl SS 5 . a a = or cram oburbs, Am? "7 7 eager Frew? ab crest cr See | | ID : Over The Rainbow ‘Arlen/Harburg - Keith Jarrett ©) 1997 ECM Records Hants ‘Transition & Layout von Fitch Grossice EMail ick@iteenet de den Note iegt Track 3 der CD *TA SCALA" (ECM 1640 tas dem Jahr 1997) Grande - legs re Suggestions for improvement welcome ‘Further tanseriptionaavallable upon request Bates mm —~) O* PSP ale Tonon Layo F Gem! ns Rainbow-Jarrett 3 | | | | te I Tpgine Lent. anise Hants (Cao Ro kell 5, OVER THE RhIntow TR, Sinan Sprang ¥ Don't Ever Leave Me ith Jarrett Kei The Melody At Night, With You oI I dim C7suse c7 =e. borots P r F Am [TJ ovsss 7 G7sus4 ey oc ye ¢ ee Pp Pr P Csus4 Fam C7sus4 7 r____—f hM____— Am7 Abdin — Gm7 c7 F Baim p70) sbu7hs) — Em7s) Am7 Agim C7 sus4 c7 Se oun Eien C75us4 c7 Am7 Abdim m7 c7 Baths) &7 Am D7sus4 p7 C7sus4 cr Amz Abdim = Gm7 , oes Don't Ever Leave ME sprccicnias soarivtioscroois Hammerstein/Kem - Keith Jarrett inicio nnek@ eee 5 “den Noten liegt Track 3 der CD C) 1999 ECM Records “The Meloy At Night With You" (©0M 1875 ous dem Jakr 1999) su Grande tempo rubato * allright reserved. com = ‘a raat rangi cin mm TS 5 ay fe rere ew oT eis ares opal ih ig abe Maru, she de ot Bel der et Jaret doe ot play cml witout mae; however, eds ange itn. Noatin habe hich ach meinem Emptndn geet. Urgenaightn "have flowed ay itn in alsa the notin In ere cet ge wanseiton Sn im tes ier gues Lesbo rvemeiich Lee Retreat kara mur iccanciy ruler navsbe, Meer be gal menting eal ie Orgaatnatne sein, Wer se ik en ann oder mse ich nach lien. Anyone wil or wblelsten the gal may reo "The hears where he mae (Ke are in Verwort23"La Sel). "The hearts where th mse (KJ he pete “La Sel’) ‘Das Nivea ser Musi oooh, das te igen nerprtion mph is "Te snd of is music iso gh hut oes ow inerpetson very possible ‘One Verbeserangsveshige ee ch mich Snggsos fr improvement weleam= “Weiere Trsriione sod bei ehich, Grossi urbe waseripionsavalale yn request F Grossi (Trasiaton by Dui eh) Don't Ever . Jarrett? Transcription & Layout» F, Groen 13k. ‘teas ed Someone to Watch Over Me George Gershwin Arr. Keith Jarrett Slowly, with expression ee Piano BP dolce ig Someone to Watch Over Me Someone to Watch Over Me Someone to Watclt Over Me Someone to Watch Over Me Very Freely (quasi in 2) —_—— ae —— Someone to Watch Over Me con passione slowing to original tempo... a tempo 2 =4 Someone to Watch Over Me calando... morendo Al I¢ ‘alle | Old Man River Keith Jarrett "Tokyo Solo", Transcription by Mario Campobasso Jerome Kern a: rd . 4 +100 115 & BHI Yd yy gi Si TRI WHIT x" W119} | “ll wt] SII 100 HR Fin Ile Ike Mf 125 Jue +65 123 RADIANCE, PART 3 Keith Jarrett ‘Transcription: Mario Campobasso 110 3 37 7 Pit. mosso 4=125 3 2 Radiance part. 8 ‘Trascrizione Mario Campobasso Keith Jarrett +73 7 ee ( ALL THE THINGS YOU ARE: KEITH JARRETT SOLO Transcription de Stéphane Métraux (eh: eth Jaret: Sansa, ol 1. ECM 1255, Lorsque Jarrett joue les standards, on a l'impression qu'il vient de les composer. Son style efface la forme, ef c'est @ cela qu'on reconnaft, @ mon avis, un des grands maitres du piano moderne. ‘Stéphane Métraux i e228) GI Fa? 3h ete aha Biche ri gteetey Ty ALL THe THINGS You Age Karn Senter Fut Shao th Apr ——_ == oO gs pou a Cua =: — + PSS = 2 Gant Fw hn hun 2a ag Abus o al qu Fa shaun th Apu Keir Gaeeerr $0 Tenoee Ae? 4-1 Qi 6) Srenigur 8's 7 $7 ¢e1 earls) ei) 1 4 (yer asl 7b) Bratt) 80 907 Fe7/A 3-1 $07 Aer f-7 $7? Ch? 7 g-1 eld ¢7 acl) 7 Alero - “Fee” Keir Saeeerr - “STANOAeOS, VOL. 2° So Tender bossa Keith Janett Fimi, BT Emaj? cn Fm Bm BT AUC Cm) r Dat Bhuiaj? Emits) At Dm? Bm? Ate) Dm Bm? Bbmaj 7a) Amaj™ Fim? Bm? Er Chat Rr Bm? Er Amaj? Bbmaj? Keith Jarrett

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