Clarinet Minor Scales

     

A (natural) A (harmonic)
      

     
       
  
       
4

A (melodic)

             
         

        
D (harmonic)
   
  
7 D (natural)
     
                 
10    D (melodic)
      
         
        

   

13
  
G(natural) G(Harmonic)

       
     
       
  
     
16
   
G(Melodic)

               
             

19

C (natural
        C (harmonic)
     
         
        


22
              

C (Melodic)

        
          

   

25

F (natural) F (harmonic)

       
    
     
     

    
28

F (melodic)

                
         
2
30

B b/A# (Natural)
     
              
 
    

33

B b /A# (Harmonic)
         
B b /A# (melodic)
     
      
             
      
  

        
        
Eb /D # (natural)
 
36


               


E b /D # (natural)
        Eb /D # (natural)
    
  
39
    
     

42      A b/G # (natural)
    
    
            
  
 

45

A b /G# (Harmonic)
       
Ab /G# (melodic)
   
               
       
     

  

           
48

E (natural)

        
 


51
           
    
E (Harmonic)

           

        
       
53 E (Melodic)

        
 3
55
 B (natural)         B (Harmonic)
    
     
        
  
58
      
B (Melodic)
           
           
         

 F# (Natural)
 
F# (Harmonic)
  
61

      
      
       
  
   F #(Melodic)
    
64

        
           
 
66
    
C # (Natural)
     
       
       

         
C # (Harmonic) C # (Melodic)
    
69

           
         
  

         G # (Natural)

 
72

         
      
 
# G # (Melodic)
 G (Harmonic)   
75

      
     
     
  

#
D /E b (Natural)
        
78

       

80 
        
D #/E b (Harmonic)
          
           

 
83
 
D# /Eb (Melodic)
              
         
 
4

  A /B (Natural)              

85 # b A# /B b (Harmonic)
      
     
    
        

         
88
A# /Bb (Melodic)
  
      
      
 

    
90
   
       

 