MSC172 Spring2022-23 / May 18, 2023, Week12 / Chromaticism, Chord of D7th / Dubois-Workout : DWO112 KEY / Given soprano / page 1 of 2

112th Workout / Chromaticism : Chord of D7th / Given soprano / KEY

given soprano by Dubois in Traité page 78, realization in four parts and analysis by Yiğit Aydın

F major HC PAC

1 œ ˙ œ œ ι
% α 3 œ˙ ˙ œ
1 2 3 4 5 6 7 8

˙ ˙ ˙ œ œœ œœ œ˙ œœ œœ ‰
˙ œ
œ Ιι
˙ œ œ œ œ œ˙ œ œ œ œ œ œœ ‰
> α 31 ˙ œ̇ œ œ ˙ œ œ ˙
œ œ
2 6 7 6 5 6 6 7
4 3 4

F: I V V2 I6 IV V V7 I IV6 I ii6 I6 V7 I
4 4

A minor F major B α major

HC HC
αœ œ
9 10 11 12 13 14 15 16

% α ∀ ˙˙ œœ µ œœ œ˙ ∀œ ˙˙ αœ
œ œœ œ˙ œ ˙ œ̇ αœ
œ œ œ ˙ œ
> α µ ˙œ œ œ
œ œ ˙ œ œ̇ œ αœ
œ
œ œ
œ
œ
œ
˙˙
œ
µ5 µ6 µ6 α7
∀ ∀4
6 6
µ75 4 2 6
α
4
∀
4 3
2
a: V V2 i6 iiº6 i6 V7 i F: V4 I B α: V2 I6 V4 I V V7
4 3 3
 MSC172 Spring2022-23 / May 18, 2023, Week12 / Chromaticism, Chord of D7th / Dubois-Workout : DWO112 KEY / Given soprano / page 2 of 2

G minor B α major F major

HC † PAC
∋œ ( œ
*

∋œ ( œ αœ œ
*

% α œ˙ œ
17 18 19 20 21 22 23 24 25

œ ˙ ˙ œ ˙˙ œ œ œœ œœ œ˙ ˙˙
œ̇ œ œ
˙˙ ˙˙ ˙˙ ˙˙ œœ œ œ
> ∀ ˙˙ œ̇ œ œ
˙
˙
α œ ˙
α5
6 6 2 6 4 6 6 7
5 3 4
F: IV V2 I6 V4 I ii6 I6 V7 I
3 4

g: V6 i B α: V6 I
5 5

PLC
26 27

% α ˙˙ ˙˙ * For simplicity, D5 m.17 and F5 m.19 in soprano are considered as neighbor tones. Shall they
be taken as chord-tones, the following elements can be added in the context of these pitches:
6 as BPS in the bass line and V6 as chord-label in the analysis. The next pitch shall then again

>α ˙ ˙ be handled as the first pitch in the corresponding measure.

˙ ˙ † Unequal fifths, which are not considered as mistake here, because (1) the perfect fifth is followed
by the diminished fifth and (2) one of the corresponding parts is an inner part.
6 5
4 3
(F:) IV I