_ The Golden Era Of Vip ea iyCONTENTS Biographies: ‘THE ANIMALS LITTLE ANTHONY: ‘AND THE IMPERIALS. BROOK BENTON. CHUCK BERRY FREDDIE CANNON CHUBBY CHECKER SAM COOKE BOBBY DARIN BO DIDDLEY FATS DOMINO ‘THE DRIFTERS ‘THE FLEETWOODS BILL, HALEY AND ils COMETS HERMAN'S HERMITS BRENDA LEE JERRY LEE LEWIS RICKY NELSON ‘THE PLATTERS ELVIS PRESLEY LLOYD PRICE ‘Text by Toby Goldstein 140 188 83 133 33 8 v1 126 168 ¥ 226 182 vi78 156 93 v218 107 48 180 121 212 43 184 170 160 228 60 191 100 166 40 104 103 174 186 Y 86 24 110 46 246 136 129 146 97 162 138 176 248 AIN'T THAT A SHAME! ALL IN MY MIND ALL SHOOK UP BABY (You've Got What It Takes) BIG GIRLS DON’T CRY BLUE MONDAY BLUEBERRY HILL BO DIDDLEY BO WEEVIL BOOK OF LOVE BOOM BOOM C.C. RIDER COME SOFTLY TO ME DON'T BE CRUEL DUM DUM ELUSIVE BUTTERFLY ENDLESSLY GOIN’ OUT OF MY HEAD GONNA GET ALONG WITHOUT YA NOW GOOD TIMIN® GRADUATION DAY GREAT BALLS OF FIRE HAPPY, HAPPY BIRTHDAY, BABY HE DON'T LOVE YOU (Like I Love You) HEARTS OF STONE HEY JOE HOUND DOG THE HOUSE OF THE RISING SUN A HUNDRED POUNDS OF CLAY HURT SO BAD HUSHABYE I WANT YOU TO BE MY GIRL I WANT YOU TO KNOW I'LL COME RUNNING BACK TO YOU I'M IN LOVE AGAIN I'M ON THE OUTSIDE (Looking In) I'M WALKIN’ IT'S GONNA TAKE A MIRACLE I'VE TOLD EV'RY LITTE STAR JOHNNY ANGEL JOHNNY 8. GOODE KO KO MO (I Love You So) LET THE FOUR WINDS BLOW LET'S TWIST AGAIN LITTLE BITTY PRETTY ONE LONG TALL SALLY LOVE ME TENDER LOVE IS ALL WE NEED A LOVER'S QUESTION202 224 154 196 53 206 222 254 256 238 230 74 216 50 ida 200 62 148 240 198 36 94 220 244 236 Y 164 13 150 232 ria 7 252 56 204 7210 242 158 72 /130 “a2 7 194 208 58 LUCILLE MABELLENE MAYBE MEMPHIS, TENNESSEE MORE TODAY THAN YESTERDAY MOTHER-IN-LAW MR. BLUE MY BOY LOLLIPOP MY HEART IS AN OPEN BOOK MY LOVE, MY LOVE NEEDLES AND PINS ONLY YOU OUT OF SIGHT, OUT OF MIND PALISADES PARK PARTY DOLL PEPPERMINT TWIST. POETRY IN MOTION PRETTY BLUE EYES THE PROMISED LAND ROCK AND ROLL MUSIC ROLL OVER, BEETHOVEN ROSES ARE RED (My Love) RUNAROUND SAVE THE LAST DANCE FOR ME SEALED WITH A KISS SECRETLY SEE YOU LATER, ALLIGATOR SEVEN LITTLE GIRLS SITTING IN THE BACK SEAT SHAKE, RATTLE AND ROLL SHERRY SILHOUETTES SMOKE GETS IN YOUR EYES SORRY (I Ran All The Way Home) SPLISH SPLASH STAGGER LEE SUSIE-Q SWEET LITTLE SIXTEEN TALLAHASSEE LASSIE THAT'S ALL. A THOUSAND MILES AWAY TO KNOW YOU IS TO LOVE YOU TOSSIN’ AND TURNIN’ TUTTI FRUTTI TWEEDLEE DEE WE BELONG TOGETHER WHAT KIND OF LOVE IS THIS WHY DO FOOLS FALL IN LOVE? YOU TALK TOO MUCHRecorded by THE 4 SEASONS on VEF JAY Record BIG GIRLS DON’T CRY Words and Music by BOB CREWE BOB GAUDIO ‘Moderate beat eb Voice ; & BR : a sf ie ae GIRLS Don'T a Fr Bhat bT ee” Fr Bom? a7 i fe T * et = DowT. — ER.e anid therdvt Sy oF DU CCopyritt © 192, 1963 ty RoBo# MUSIC CORP., New York: NY. CConyrigtesignd 1963 to CLARIDGE MUSIC, INC, Holywood, Catenin 2549 Copyict © 1963 by CLARIDGE MUSIC, INC, Hilywond, Caloris Intemational Copyright Seared Mate in USA AIDRghs Reserved Used by permissionsaid good ~ byo, My, oh my, 1 was tr Twas true ae af oe (Sil = ly fa ly boy) ‘Told my girl we had to break up, (Sil - ty bey) Thought that she would sirl) Shame on you, your ma = ma sald,(Sil - ty girl) Shame on you, you're io call my bluff; (Sit boy) Then She said to omy sure pris cryin’ in bed; (Sit - ty girl) Shame on you, you tld a Nie, 2549BT - on 2 Fr Bhat Foi Fr Bhat Ebr ab Ea Bhmt ay me es ee 2 & Don't Caf Cita ty rE a r $ ie ? [ ee ot 25493 Cf FO Recorded by CHUCK BERRY on CHESS Records ROLL OVER, BEETHOVEN : Words and Music by Solid beat CHUCK BERRY of Well Tin a = write a Hite de letter, gonna mail it tv my lo-eal D. s. of ~ Fr © fs a c7 Yeo ie a Junpei It te weeword I wat ny Jekty pgs HOLL 0 4 = = 4 % é : : . VER BEE- THO-VEN, I + ta hear it a~ gain to- day. You know ny 1 iv Fr a cr Fr Hel °° tem-practures ris - int and the juke box blow iat My heart beat-Ii? shy-thon and any 2549 Copyright © 1986 by ARC MUSIC CORP. 110 Eas Sth Sioet, New York, N-Y. 10022 Intetional Copyright Sevuted Made in U.S.A All Righs Reseed Used bs permission37 FT we E 4S ‘soul Keeps a-siuge it the blues; ROLL O - VER,BEE-'THO-VEN and tell Tehai-kuw-shy the news... 46 7? Hy ce T got the rocks int yu mo - nia, 1 weed ‘a shot of rhy-thm and blues, ” ae ¢ &, Fr ge Teaught the roll-in? ar-thri- tis, sit-in down at @ shy-thm re- views —— = an as oo co VER. BEE- THO-VEN, theyre rock- in’ in two by two, ae a7 eel you Whe ity fo get your lov- er, Then reel amd rock it it o-ven Then af 27 254938. Fo cs == - == == move on up just fur- ier, Then reel and rock with one an- oth. er, ROLL O- Pips Pa : SiS ae Well, ear - ly in the moms and Tm fgiv- il you my warn-in Dont you step on my blue suede shoes: Alf got rath. in’ to lese; ROLL 0 - VER, BEE- THO-VEN and tell Tchai- kow- sky the ews... — 254939 cr F? na eee ‘She gota cra zy part-ner, You oughta see ‘em reel an ce v7 7 ve sheb got a dime, the mu-sic. went ROLL 0 - VER, BEE- ~ “> oe cs ra > sy THO- VEN. ROLL 0 - VER, BEE - THO- VEN ROLL 0 - VER, BEE- =o = -. 33 oe ‘THO- VEN, ~ VER, BEE - THO- VEN, ROLL 0 - VER, = — sh is THO - VEN and dig these hy. thm and blues.40 Recorded by THE MYSTICS on LAURIE Records HUSHABYE Moderately Hush «a ~ bye, Guar dian an~ gels cHoRus Pr of — Words and Music by DOC PoMus MORT SHUMAN oh, my dar-ling, don't you cry. take care of the one I love. CS kT i * oo Peirerurn to iiconince oO 3 e Wacr- fi Rew > Copyime © 105 2549 opaight and al sights assgned to UNICHAPPELL MUSIC, INC:, New York, NY. BELINDA MUSIC, pusher Iermatinal Copsria Secured eed by permition ALL RIGHTS RESERVED srcatng pubic etormance for ptt Opp. atanging oF adapting ofthis composition without the const ofthe ser an ingement of caysgh ILL AND RANGE SONGS, INC Made in S.&4a @ | i EF & sae oh, my dar- ling, don't you cry. Hush- a = bye, hush a Ja, my dar- ling. Y Guar-dien an-gels up a take care of the one I lovs e Dm Bb . Pil-lows ly - ing on your bed: oh, my dar-ling, rest your head. Sané-man will be coming soon. sing- tng you a slum-ber tune e 254942 and good - In your dreams TH hold you %, & if & # and good ~ night cr, 5 ae ae Ds.at Fine S Til the dawn's early light rf ; Pos. at Fine 2549Recorded by JERRY LEE LEWIS on SUN Records GREAT BALLS OF FIRE Bright Rock Tempo Chorus (racet) You shike my nerves and you rattle my Words and Music by JACK HAMMER OTIS BLACKWELL, (racet) ‘Too much love drives a & racet) 2¢ (falsetto) race, Sane. ‘You broke my will, Dut what a thrill Good-ness gra-oious, great ‘eause thought — balls 2549 Copyright © 1957 by HILL AND RANGE SONGS. IC. Copyright at lights espn to UNICHAPPELL MUSIC, INC, Now York, NY. BELL ematonal Coppight Secured ALL RIGHTS RESERVED incoding publ performance for eof Any copying, sanging oF aang of thi composition wahout the cee ofthe ownet 38 sed by permission INDA MUSIC, publisher ‘Made in S.A loingsment of copyrighta T changed my (falsetto) Ez HEF cracen this love is fine, Good- ness gra- cious, great balls of fi - (falsetto... of yr falsetto) (Facet) Hold me, ba- by, I want to love yor like a lov- er 254945 or yr 2 ae) ae Youre fine, s9 Kind. Tm gon-na (ell the world that youre mine,mine, mine, mine 1 chew my nails and {twiddle my thumbs. To real nervous but it EER ate x Ob, ba by, youre driv- in?) sme cra FE race (falsetto §i — balls of fi. re! 254946 Recorded by SHELLEY FABARES on COLPIX Records Words by JOHNNY ANGEL Musi by LYNDUDDY LEE POCKRISS Moderate tempo . Dm po fl ffl ohn = uy love him, He's got some-thiog that Teaa't resist. But he tia = glo when he — or F a eR & time he says,"Hel - to" my heart be - ging to fly = a ee 2 . | ‘Copyright © 1960 ny POST ais, NC:, New Yok, NL. | 2549 aeration! Copyright Secured Male in USA. ALL Rigs Resend sed Dy permissioncmt Fr Cm? Fr Ey 47 of him and Td rather conecenstrate for John~ ay Aa-gel ‘Cause I lovehim, And T pray that some-day he'll love me. And to~ gether we will see how love-ly heay -~ en can] Recorded by LITTLE ANTHONY & THE IMPERIALS on DCP Records oo GOIN’ OUT OF MY HEAD TaDpY RANDAZZO BOBBY WEINSTEIN omar om? Slowly with a beat a Well I thinkt'm going out of my head —— You 1 (od thinkI'm going out_of_my head "Cause 1 cmt 8, think Um go = ing out of | my head stint e wan't ex fears that “I Shed —— Olver rat (Ca en ae "30 bad-ly, can't think of an ~ y--thing but you. you just walk past mé you don't o ~ von know that I" ox~ Gi | omayy Gt Go-in' Out Of My Head. 2549 CConrigit ©) 1954 VOGUE MUSIC, INC., Sata Mooi, Caio Invemation! Copyseht Secured ALL RIGHTS RESERVED India ple psormance fr prt Made in USA ‘Any copying. icing photocopying aranging ot alping of te wok ith! he conser ofthe our i an infigement of cosh. Used be prisonFe c Fe rr o0 Seesrr—~—~——“—~—O™—s—™OSNCs«C«CdszsCi;sCQWCzSSCCCiK¥askzasS( Night and day and ‘must ohn 254950. Recorded by FREDDIE CANNON on SWAN Records PALISADES PARK Words and Music by CHUCK BARRIS Moderate twist night I took @ walk eft= er dark, — A swing-in'place called EPEEEF | That's where the girls are. [ took a ride on the Copyright © 1962 by CLARIDGE MUSIC, INC. Hellood, Calonia lutrnatona Copyright Secured ‘Mode ia U.8.A AIRght Reserved eed by permiein2549 > "Shoot = the - shoot", — The girl 1 sat be ~ide wae And ven "ne stopped she was hold - in’ hands, Myheart wes fly-in’ Up roll er - coast ery a= Like @ merary- go - round. 5152 And when’ I could You'll nev-er know how greata Kiss can feel, When you've stopped at the top of "Ferris Wheelf_° Where I fell in Dow at PAL I~ SADES_ TEEFEEEF 2549MORE TODAY THAN YESTERDAY Words and Music by PAT UPTON Bright (4 beat drive) wt a oe # @on't re = mem - ber wnat day it FF cm? Fmaj? i i @id-n't no = thee what time it was. know is mat or ot of & fell tn love with you. And if all my dreamscome tue, 'll_beependeing time with a ie CCopysiht © 1968 REGENT MUSIC CORPORATION. LYNWOOD MUSIC and MISS MUFFIT MUSIC 2549 Al righs controled by REGENT MUSIC CORPORATION, New York, 3 Ierational Copyright Secured Mae in U.S.A, ALI Rights Resened Used ty permissionmr om? i - a a From this poi EV ='ryday's— anew day in love with you, sacent main" mor-rowsdate— means spring-times ast a day “a “Way. ¥maj7 amt i i each day comes a new, wy ot Gi". ld, “Wer 'don't need—— you now, be. cr Ea your lips—— my mind starts to wan - der, If 1 Fra? fa Fy try Ume—— I kiss. ink the Londo for love— ke ours—— that grows ev er strong er—— And Am Bomaj? ail my dreams come true, TH be spend -ing time with you, Oh! at. wage “will” be true, 1 know you feel the same way ton, Oh 254955 Aqsusé Av Bbmaj7 eee th A ee i = SSE a Bomait ee = ao ee $= paid 2549 Fmaj?2549 ‘Recorded by BOBBY DARIN on ATCO Records SPLISH SPLASH Moderately, with « beat 2 Splish plush, (was takin a bath Long a - ‘Bing “bang.” 1 Baw the whole gang —— Dane - in ia A rw dub, ro Ftp ep, Fr om There Insertional Copyrihe Secured Used by permis Bb Eo By BOBBY DARIN JEAN MURRAY bout a Sat = ur day “Thinicin’ os ry thing was. all they were do~ ia’ the —~ bop, AML the teens —_ had the dane i stepped out put my feet ol Be wth Pew Copyright© 1958 UNART MUSIC CORPORATION ARighs ReservedBb wrapped the towel a round me gol ly, Miss Mol - iy FT es Jumped back in. the bath, feet a= bout the Bath; Bb i splish-int and a-spl br Ea mov tat and” d-proov - in’, 2549 Well, how was T t , Bb a Went and put my dane-ing shoes — i ad and o-pened the doar, And then was- 2 erven there too. A well ~ a to know therewas 2 party go-ing f= roll-i' and a-stroll ~ sn Twas a= reel-ia' with the feel ~ Splish splash, 1 Bplish splagh, 1 for ~ Repeat and fae2549 Recorded by JOE JONES on ROULETTE Records YOU TALK TOO MUCH Words and Music by JOE JONES REGINALD HALL With a beat Eb Bb Refrain fe i ae YOU TALK TOO MUCH, you wor-ry me to death, YOU TALK TOO MUCH, you e- ven TALK TOO MUCH. Copyright © 1960 by NOM MUSIC INC. and BEN.GHA7I ENTERPRISES CORD, New York N.Y Intemational Copyright Secret Made in USA All RightsReserved Used by permistion59 Pa He (acct) A-bout peo-ple that you Bb i talk a - bout —peo-ple wher-ev- go,— You jut talk, = aete. - Es i ame (racer) TALK TOO MUCH. You talk a-bout peo-ple that —___ i youve nev-er seen, You talk a-bout people, you can make me scream, You just— eo a ee ae TALK TOO MUCH.2 Recorded by ELVIS PRESLEY on RCA Records HOUND DOG Words and Music by JERRY LEIBER Medium Bright Rock MIKE STOLLER f » CHORUS (tacet) ee You ain't noth-in' but a Hound Dog, ery -in' all the time. ar a a oe You ain't noth-in’ but a Hound Dog, ery -in’ all the time Fr Bb af go fa Well,youain't never caughta rabbitandyou aint no friend of mine. 2549 Copyright © 1986 hy ELVIS PRESLEY MU Allg for the Unie States of Amzicaadnitered by ELVIS PRESLEY MUSIC, New York, NY. Inxernaional Copyrgh Secured Made In USA [AI Rigs Reserved Used by permision © and LION PUBLISHING COMPANY, INC.6 Bb (tacet) ey When they saidyouwas high - classed, well, that was j Br Bb fe When they said youwas high-classed, well, thatwas just a He. Fr el a Well, you ain't nev-er caught a rabbit and you62 Recorded by JOHNNY TILLOTSON on CADENCE Records POETRY IN MOTION Words and Music by PAUL KAUFMAN MIKE ANTHONY With a beat af ¢ Voice aD eee i {aoe ; eile Refrain-with a beat @ Af #2 # #6 PO-ET-RY IN MOTION, Walk-in? by my sido; Her po Be kor ae a oe a a aH & Keeps my eyes © - pen_wide— PO-BT-RY IN MOTION, ae CCongigh © 1960 VOGUE MUSIC, INC., Santa Monica, Cloris 2549 rcmational Copyright Secured ALL-RIGHTS RESERVED incasing pbc perfomance for profi Made i US. Any copying lading pbsocopying,aranging or dating of this work wito he content ofthe or an ifigement of copycgh sad by permission63 sor : a a oe a a i Ea See her gen- tle a way. te - ar- range fh ae PO-ET-RY IN Could nev - er move that F a hi There's noth-ing ov - ‘ry move - ment, 7/7 & nit need im- prove - ments, oe Ant pr mA 1. Dane-ing close to worion, {i Dancing ae (2. all that Ia - Amt flow-er of de - Num-ber Nine love 5 Eg vo-tion, A po-tion ~ sway-ing grace-ful Could make me love her t4 Recorded by LINDA SCOTT on CANADIAN AMERICAN Records PVE TOLD EV’RY LITTLE STAR Words by Music by OSCAR HAMMERSTEIN TT JEROME KERN Allegretto _grazioso I make up things fee fh = a8 H On ‘my way to When youre far a - eee ‘Copyright © 1832 Rosewei) by T. B. HARMS COMPANY, 100 Wikre BI, Sante Moni, Califia SO4O1 Imnmstionst Copy Sees "All Rights Reser including public pecooanes for rot Mate int S.A ‘Any copying nding photocopying, aging or adept ofthis wrk wit the ens! of th owne is an iningement of copsicht sed by permison2549 Gepoken) Ob when you dear. poco deliberate ¢ marcato oy 1 £2fer “ ev-4y lit-tle star o-pen book, Why have-nt t aaa: ri | ) © H___s x Friends ask me: Am2549 in al-ways an - swer Gr, # Gm? ie cr dont, they catm a “Yes?” —™~ 5 Gm pms a or Ea Might ‘as well con- a g you may know it too, ling, if you do, ig Why have- at68 Recorded by THE TEDDY BEARS on DORE Records TO KNOW YOU IS TO LOVE YOU (To Know Him Is To Love Him) Words and Music by PHIL, SPECTOR Moderately eb om aa Knowkaow, know —( MB) iste love ove, love — (itp Just to ee (I) smilie ee ( ae £ a Ab > bby ES Poe Makes my life worth while,To know, know, know ('™)_ Is to ove, tove, love, (hi _Amd I ad note youl — Ie to over= (you Ab Bb & fe # 8 = I'd) be good to (him — And a eee ee & PIE FF 2549 ‘Copyright © 1958 VOGUE MUSIC, INC., Santa Monies Califia Tnematonal Copyright Secured ALL RIGHES RESERVED inlaing pubic pertrmance lor pot Made in US.A ‘uty onving tating tocopyna, ataig or ating of this wort hot he consent of he ote a infingeent of opiabr ee (ff) bring: love to cbr gig — btind 2549 he (con you) 6 =~ 72 Ey. ry one says therell come —~ aay When os B Bir Ed ames eee 4 yet to know (hi) Is to ovate, love Ny And I a os a a uy ye oor, br BT aa Bor Gb ebm fs if 22 dey (oui) 8 ae atay ‘Be? Fmt Bb7 Eb elt a IK i = = sa = (PS, Sd )meant for me. To keow, kaow, know (Hie) Is to OS SS yp i - Jove Love, tovo— i — FS ye = : hin, Fr st Fast to see (Mi) Smile Makes my life worth whil 2549Recorded by THE PLATTERS on MERCURY Records a (When Your Heart’s On Fire) SMOKE GETS IN YOUR EYES Music by Words by OTTOHARBACH JEROME KERN Andante_moderato They asked mehow 1 My tue love was true? _—_______ “Somechinghere in - side, Can-not be de- 2549 Copyright @ 1953 Renewed) by T. B. HARMS COMPANY, 100 Wise Blo, Santa Monica, Corsa O40 Intemational Copyright Seeued ‘AI! Rights Rese nln pi peroematoo for rote Made inti. “Any copying ncloding photocopying, amazing or apg ofthis work withou the conseat ofthe owners an iningenest of comigt se by permision& a 7 SSS = They said some-day youll " i ‘Bb Tsust BbT Eb Eb+ Ab Ebdim et —_ / a == $j find, All who love are blind. When your heart’ on ain Pa a & _— SSS SS Smokegetsin your ayes. = —~1 (Ce @ tempo Tae shocpeatten— Ht TT | a 25 Fer, Fidim Un poco pid mosso (Gt eS F So I chatfed.them and I yay-ly laughed, to think they could doubt my.-. Bb Pmt BT he =, A Ea say, “When a lovely flame dies. Smokegetsin your eyes. = > allarg So I smile and ipoen avert, EvRecorded by THE PLATTERS on MERCURY Records ONLY YOU (And You Alone) Words and Music by BUCK RAM ANDE RAND Slowly,with feeling a —— ON = LY You____________can_— make this. world seem right 2549 “TRO Copyrigh © 1985 HOLLIS MUSIC, INC, New York, NY Taweratonl Copyright Seeued Maen USA AIIRighs Reseed Used perio— ON = LY YOU and you a - lone can —r os till me like you do. and filmy heart with \ea ow I S——— love for ON - LY Smal -gs2549 un - dream ger - stand come true, my one Ly Gina?7 Recorded by THE MONOTONES on ARGO Records BOOK OF LOVE Words and Music by WARREN DAVIS, GEORGE MALONE. Brightly CHARLES PATRICK | of" | mt # ee ft a fi if Tell me, tell me, tell me, Oh who wrote the BOOK OF LOVE? got to know the answer, Was it some-one from a wonder, won ~ der who, Who wrote the BOOK OF LOVE? love you, Dm Gm? 7 = Ta i ie ii dar~ ing, Ba- by, you know 1 2549 Copy © 1957 by ARC MUSIC CORP, and NOM MUSIC INC:. New York, NY. Al ght cooled by ARC MUSIC CORP, 110 as 8th Sts, New Yor, NY. 10022 Intemational Copyright Secure Mate io USA AILRIAMS Reserved Used by permisiona = me Find out why it’s trues wonder, wonder who, Who wrote the BOOK OF s Chup-ter One says tu tove her, To love her with all your heart, Chap ter Two you tell her Youle nev- er, nev- er nev- ef nev- er, ev- er gon- na part. In fom Gm7 cr, & if Bg Hy ib Chap-ter Three re - mem-ber the meaning of ro- mance, {a Chap- ter Four yougive her just one more chance Who wrote the BOOK OF LOVE? = = 7S =F ove you, yes, Well, it says so in this BOOK OF LOVE, = Bb ed i ie aa80 Recorded by THE DRIFTERS on ATLANTIC Records SAVE THE LAST DANCE FOR ME Words and Music by DOC FoMUS, MORT SHUMAN vagaries ©° Moderately ores (3 = Chorus You can dance ee try dance with the guy who gave you the eye; let him know that the mus sic is fide, ke spark-Ting wine; go and You can smile ey Laugh and “Nise, dut_while smile for the min who held you neath the pale moon - light. were 2 - part dout give your to an - y > ones Bb7 bt ab But dont for - get whos tak - ing you ome and in whose arms youre Conyrigte © 1960 by HILL AND RANGE SONGS. INC 2549 Coneiht and al igh assigned to UNICHAPPELL MUSIC, INC., New York, N'Y. BELINDA MUSIC, pbler Ierational Copynah Secured ALL RIGHTS RESERVED isang pblc pevforsane for pot Made in S.A, Any copying, aranking or adapt of ts omit witha the comet othe nn ongement of copys sed by permision81 dance for (racet) Ba- by, dont you know = a7 Can't you feel it when we touch? (Pacet) T will nev-er nev- er you, Eb much You can dance, go and car-sy ou — till the Pape tase a = = 2549if youre all take you home, you must Bor Tg, Rae 5 SS SS ee G = eS tel him no “Cause dost for - get whos tak-ing you home and in whose arms youre -liny—o— save the last dance for = {83 Recorded by ELVIS PRESLEY on RCA Records ALL SHOOK UP By OTIS BLACKWELL Medium Shuffle Rhythm ELVIS PRESLEY ab od bless. my A-well-a, soul,.What's wrong with me? I'm itch-ing like a man—on a mf fuz - zy tree My friends say I'm actin’ queer as a bug_I'm in love br i ALL SHOOK UPI_Mm_ mm oh, ob, yeah, yeah Ebr Bb a a a 2549 Copyright © 1987 UNART MUSIC CORPORATION Fotemational Copysight Secured Mate in USA ARighe Reserved Used by permission=== knees are weak. cant seem to stand on my own two feet, Who do youthankwhenyou have such luck2 I'm in lovel ar Fr Boer e ALL SHOOK UPt__ Mm mm yeah, yeabt. 1. Pleasedont ask what's on my mind,Tma lit-tle mixed up but I'm feel-in’ fine - When I’m 2. Tongue getstied whenI try to speak,My_ in_- sides shakelikea leaf on a tree,.There’s br Fr Be ort. near. that girl that I__ love best, My__ heart beats so it scares.me to deathl, on-ly one cureforthis soul. of mine,That's to have the girlthat I love ‘so_ fine! Sad 2549Ey cd touched my hand, What a chill I got, Her kiss- es are like a Tm proud to say she's my butter cup,I'm in lovel ca-no that’s hot! br " = a Ea ALL SHOOK UP!__Mm_ mm ob, yeah,— yeaht ns wT 7 ‘yeah Tm AllShook Upl. Mm_ im yeab,—yeaht 85, BT FF ss All Shook Upl_Mm_—m yeah, yeaht Tm All Shook Up! 2549)Slowly Recorded by LITTLE ANTHONY & THE IMPERIALS on DCP Records I’M ON THE OUTSIDE (Looking In) chorus Words and Music by ‘TEDDY RANDAZZO BOBBY WEINSTEIN abe ae Te: PM ON THE OUT-SIDE LOOK-ING And T wan-na be, and 1 wan-na be back on the 3 3 aa id in - side with__ you, You are with some-bod - y new and 3 7 ae 7 a 7 Bbaalt a ie ae do, "Cause I'm still 2549 3 Ea 1 don't know what to es fn Tove with you. TM ON THE OUT-SIDE LOOK-ING. ‘Copyright © 1964 VOGUE MUSIC, INC.. Santa Monica, Caltoria Invematonal Copyright Secwssd ALL RIGHTS RESERVED incasng bie pectormaoee for pote Made in US. “Any copying tedingphotecopyine,annngin ov aang of he work thot fhe coneent of he ori an infngement of copyright sed by permis87 I+ 1 don't wan ~ na Brot aes Bir Fm? abr Et ae eS: out - side all a= lone, Well I guess I've had my day, and you let mo go my SSS way, Now it's me who has =abr Bb 88 oe é a = = $e pa with tears in your eyes, fag) yor aes eee —3— r ss } 4 Ape a 2H ht toi & way.get tit Nwty bok wo your boart, don a 2 3 : — —— = a SS aS SSS : as 2 oS Hee = SS == BT rae Tot Bro de 4g ey ae = SSS S558 galn,Won't you take me back again, Tl be wait - ing here ‘til then ON THE OUTSIDE LOOK-ING89 Recorded by LLOYD PRICE on ABCIPARAMOUNT Records STAGGER LEE By HAROLD LOGAN Bright Rock Tempo ar, LLOYD PRICE se 1 was Pl sani cor wnen 1 Tneasd ay ulhag : T cant let you go with Bie ‘on, he | shot that poor bay 80 = eswal tceeig ts too nen oto were| om > lg rn eed cor ta gee eee | eres ae ee apse ey cg mee eat | ence a a ca a Ke was| Sag-ger Lee and | -y, two | men who gam-ble| tate, supper tees wend tome, Endbe| pulled hse Nor = ty | four, er] Leg iy pleasedoe't | tke ny] Ue ¢ or a Lee threw seven, Bil -ty | evore tat stag ter fo ing to the bar-raom jst to | poy that mee Site emiscren, ands | er =) DS al Cota : a, or | ko _Stagoger Lee. Go, | go Stamger Lee. Go | 20, Stagrner Lee. Go, er Lee. Go, | go Stagger Lee. Go, | go Stag-er Lee. Go, | got (ae Const 1958 UNART MUSIC CORPORATION Iotemationl Copeight Secured Mate in US.A Usd iy pormistion 2549 All Rights Reserved“TWEEDLEE DEE Words and Music by WINIFRED SCOTT. With a solid rock Be ee \4. TWEED - LEE, TWEED- LEH, TWEED-LEE DEE, lg TWEED - LER, TWEED-1EW, TWEED-LEE DOT, Gm the C7, Gm fr = S82 ae — 8 — hap- py as — can be; youre gou-na Keep that kon- ey you got? Fr AG 7 « a ty Crick-ets, Jim-i- ay Jack, You make my —heart go click-1-ty clack, ies, hunk-les, ple ~ es; Bite, in gon-ma see my hon ey t0- night, : 2549 Copyright © 1958 by HILL AND RANGE SONGS, INC. ‘Copyright and al rights wssaned ts UNICHAPPELL MUSIC, INC.. New York, NY. BELINDA MUSIC. publisher Inveraional Copight Secued ALL RIGHTS RESERVED incuing public performance for profit Made inOS.A, "Any copying, srangog o apn ofthis serpostion without the conan of the ower ia oingerment of copyright Used by permission1 F wo ror Bo oF PA ES Hel a eee ay TWEED - LEE, TWEED- LEE, TWEED-LEE DEE. TWEED - LEE, TWEED- LEE, TWEED-LEE DOT. TWEEDIE DEE DEE, TWEEDIE DEE DO r Give ft up) give tun give your Tove to me Give = thal ‘kiss — (0 ome be- fore you gy; a “TWEED - LEE DOT, TWEED-1E DEE DOT, ‘TWEED LEE DUN, © TWEED-LE DER DUM, Gim -'me,gim- me, gim- me, gim- me, give me all the love you Look - fe, Took - DP ze) Bot. fe, look ~ ie, look - fe, look at that sugar plum!Fr a abe Hoe a ae i a wean-ty um bam tum, TWEED - LEE, TWEED-LER, TWEED-LEE {>0, aoe ; B F ote E TS Fr re F Hub- ta, tub- tay hun ey ay Mer = ey) mer- ey) pud- di? ples Ber F a el E Tn gourna keep my e502) you, Se ee ve got etme thi? that mane eat bays + ba, rweep-ee,tweep-1Be {Py} ®:93, Recorded by BRENDA LEE on DECCA Records DUM DUM By S ¢ g. SHARON SHEELEY Moderato oe {8% JACKIE DE SHANNON § i of = 3 = Ss . Thef| music's sweet, the fighte— are tow, ptay-int a sone. on the come on, ‘babe ————"on'y be 30. ay Ya finow that ‘I love-ga, el me want you with me | alt" of the time [Tellme you love—ine and Es in the tat - chen, pre next door, got heart Faw “that “it roe many things ‘we could do, — toon =a Jove you just @ | Ti» te bi more contd = n't love you ‘om - |more aw 1 do Say tte word and mute tay fiveams come tre mel Fe ae ¥ Dum dum, a | dee-dle-ee dum, ——__ Dum dur, ——— oe By g Bair 98, fae! i ay fi ie ee-dle-ee dum, Copyright © 1971 by METRIC MUSIC COMPANY. INC., New York, N.Y 2549 Intemational Copyright Secures Mae in USA AURighes Reserved Used bs permision.4 Recorded by BOBBY VINTON on EPIC Records ROSES ARE RED (My Love) By AL BYRON PAUL EVANS Moderately oe FP gy Sf a time a - go. on grad - ou - through high _schooi, and = when the lt "= tle girl, She looks a tion day. You hand - ed day came, 1 wrote in - like you. Some - day some cr _ a_i I signed this way: next to my name: $ ROS - ES in her Book, 120 fo tow CCopyriht @ 1961, 1962 by UNITED ARTISTS MUSIC CO., INC 2549 lexeratonal Copyright Secrad Made in U.S. A Rights Resend Used by permissionF t To Next Stroin|| AEE Fat fet gin gel Fine = = = 3 a = = SS ? rae it on = — 5 SS SSS _ 2549) found some - one96 a may God iS leo ee ie Tread your letter, dear, and | F #. Zl Sug-ar is sweet, a bless you. TF a! wrote back to Vi-llets are my love Good DS. al FineRecorded by THURSTON HARRIS on ALADDIN Records LITTLE BITTY PRETTY ONE Words and Music by ROBERT BYRD Moderate Rock F #1 (one voice) a Copytight @ 1987 by RECORDO MUSIC PUBLISHERS, 2126 West 24h Sect Los Angeles, Clos YOO This onangenentCopsright © 1972 by RECORDO MUSIC PUBLISHERS {oternatona Copyright Secured Made in U.S.A An Rights Resend sd by permion98 2549 Brtagee Voices) Pret~ty sto = ry Lov- ey dov - ey Lit = tle Bit - ty Come on hhap ~ pened and (Lead) 1,3, Lit-tle Bit - ty 2.4.1 eantell you a talk to me, long time a - go Come sit down—on my knee_ T've been watch-ing you grow99 i te Be eo Spoken: Come on every-body Let's put our hands Sing along. 2549 together DS. and fade ‘%100 Recorded by GENE MeDANIELS on LIBERTY Records A HUNDRED POUNDS OF CLAY Words and Music by BOB ELGIN LUTHER DIXON Moderato KAY ROGERS @ a ve tk took A “HUN: DRRDEOUNDSOF CLAY apa ten ne stl South et A) HUNTOREDFoUMBSor © GIAT k'mademy ie” wont es eee ——- == SS wv a Gm cnr = Listen, mgon-na fix this world liv-iny And Twill thank Him ev = to-day be-cause I know what's ay for ev'ry kiss you're mis-sin!!" — ThenHe rolled His. big sleeves up and a brand new world be - gan, giv- in’, And I thank Him ev-'ry night for the arms thet hold me tight,- Copyright © 1961 by GIt. MUSIC CORP., 180 Reoadway, New York, NY Intemational Copyright Secures Made fn USA AIRighs Reserved (Usa by permisin7 lov- in! fora HUN-DRED POUNDS OF om Cat 101 2549 CLAY. Yes,He i dia! cmt pick - int clay wp Now, can'tyou just Fr the ground,102 Bb Baim, a #8 Know- in’ just what He should do. to make a liv ing dream lke you,_. He Fr He cmt aee at be Fr Ae big sleeves up world be = gan,— jx193 Recorded by FATS DOMINO on IMPERIAL Records I WANT YOU TO KNOW y ¢____ ANTOINE DOMINO, go DAVID BARTHOLOMEW ¢. fi Moderato Se Tan! you to 4 yay, yey) yay, Oh boy, = F tore to love her in the morn = tne, her till the dawn tag, don't you [oon you now tat 1 |ove ter a0 ant run shat hefdoee oe & {Po ou| see ———— fi tat rhe nev ~ er, nev-er, er iether go? | xeeps | poor hear<—— misery Copsght & 1957. 1988 by UNART MUSIC CORPORATION Intemational Copyright Secured Made in USA Used by permission A Rights ReservedRecorded by FRANKIE LYMON & THE TEENAGERS om GEE Records I WANT YOU TO BE MY GIRL With a solid rock by MORRIS LEVY 4 a Refrain figs Ea i Fer ele a= Well, come on, ba-by,lets go down-town te te ere z = Conri by NONE AEUSIC, INC, New York. BY. Inxematonal Copyright Secure Mate in USA AMRishts Resered105 a ee And T WANT YOU TO BE MY GIRL jr eee Se come on, baby, I love you so, Tit nev-er,nev-er let you go; ‘Come on, ba~ by,will you treat me nice, Please dont put my love. on fee, Tove abs F abs Be a ie Fre ey WANT YoU To BE MY GIRL.— Comeand take me by the hand, Tell me Tm yourabe . er Ey ae Well have fun, just we two, You for mie, me for you, Ob,10 Recorded by BROOK BENTON on MERCURY Records / ENDLESSLY Words and asic by CLYDE OTIS, Brightly BROOK BENTON Svery sustained = + ‘Copysisht © 1957. 1959 VOGLE MUSIC INC, Santa Monica. California 2569 Intematona! Copyright Sesursd ALL RIGHTS RESERVED inclucng public performance for prot Made is S.A Sho conning rehting Pioocopyieg. avanging or adgtng of is work witout the cence of he cine san nringement of copes Used be persion108. F fH Softer than the gen tle breez-es dar - ing—————109 Oh, my love youre all {prayed ' 35 asa mom - ing ENDLESS - LY. —_____ Ly. ENDLESS.110 Recorded by THE ROYALETTES on MGM Records ’ IT’S GONNA TAKE A MIRACLE tors on suse 9 TEDDY RANDAZZO BOBBY WEINSTEIN Slowly with a beat LOU STALLMAN ital os ‘You let-ting me go, Amt is a & 4 now that you've set me free, It's Gon-na Take A Mir-a-cle 000 000, 2 HE woute-n'tbe 90 ea - ey ey Ee thf Copyright © 1968 VOGUE MUSIC, INC, Sana Monic, Caloris 2549 twemation! Copyright Secued ALL RIGHTS RESERVED incfing pe perfonance foxpro, Made in US.A. ‘Any copying including photocopying, sansing or asing of this work without he consent of he swe is an iningmen of epyab Used persiona aa E letting you 50 T could have told you that It's EERCot. ee ag ie ah to show you how much, you're turn fee ee —you can be sure that,now It's Gon-na Take AMir—a-cle, 000 000, __yes,_It's Gon-na Take A Mir~a-cle, 000 000, Repeat-fade out3 Recorded by PAUL. EVANS on GUARANTEED Records SEVEN LITTLE GIRLS SITTING IN THE BACK SEAT - o . Moderately 4 F BOB HILLIARD 1 [Meer - on ut - aegis 2. ff drove “ehew the town, 4 a don of you comel up and sit me? And Bow doyou Hike ay t= ple car Meee na You “don't, need me, | get alt house," And ‘seep zour| mind on your driv-ing, keepyour ae (é 2549 ‘Conyright © 959 by POST MUSIC, INC., New York, NY. Insertional Copycigh Secured Made in U.S.A AllRights Reso Used iy permis114 Recorded by HERMAN'S HERMITS on MGM Records SILHOUETTES Words and Music by FRANK C. SLAY, Jr BOB CREWE, Slow beat tempo tight; From with-in a dim light cast two sil-hou-ettes on the shady, Oh what a Iove - cou-ple they made. put {P!S}arms a-round your Waist, held you tight,Kisses I could al-most ‘Copysight © 1957, 1965 by REGENT MUSIC CORPORATION, 110 East St Stet, New York, N.Y. 10022 2549 Intemational Copyright Scared Made in US. All Rights Reserved Used by permission5. Gm cr, A Dr Gm or ee i it a tho aight, Wondered why Hin not the {#"%) whose sit hou ettsd om the a F at Am Ea i ae ° dial i Lost com-trol,and rang your bell, sore, “Let me in, or else Til beat down your door!” When. two stran-gers, who had 2549us am DT s Em ise Em if aR & a mpl ni : id i i i i cf: Ss 5 3% =F SS SSS = & f =e pat ee been two sihowettesoa theshadesaidto myshuck Youre on thewrong block"Rusked down to your house with > es —— pa. a SS at eee o SS 2 < — oe i =: = = - = SS = a : ie 6 8 #2 A wings on my feet,Loved you Like Tvenev-er loved you ray sweet, Vowed that you and I would _ ae sey bes ae a two sil-hou-ettes on the shade all of our days, z For Repeat Fine Rr r an ot Am pg. ge ae i | Fade out repent ad ith, 2549Recorded by ROBERT & JOHNNY on OLD TOWN Records WE BELONG TOGETHER n7 Words and Music by ROBERT CARR JOHNNY MITCHELL =. Spam opr SAN ss Slowly SHE (Ei You're} mine, Yes.ve be-long toe ef a2 You're | mine fo) # @ 2 8 @ & to }on-ly me, By 8 ” oe Em fii | aR ee: Youre my, my ba - by; asyoull akways be, cr Ee ie 1 fowear by evtey.thin thing Town, rit . cate, D.s.al @ Coda al-ways, al-ways love | you. Copyriene © Inenationat Cop aed by permits 8 NOM MUSIC, INC. and MAUREEN MUSIC, INC, 17 West 60th Stet New Yue, N.Y. 10023 Sects Mae in USA. ‘lI Righs Reserved 2549ee Recorded by FATS DOMINO on IMPERIAL Records BLUE MONDAY ay Rock Tempo DAVE BARTHOLOMEW ANTOINE DOMINO py ge I BLUE MON - DAY I hate BLUE MON- DAY,_ Have to work like a slave all Here comes Tues - day, oh_ hard I've got Here comes Wednes-day, I'm beat to my is Copyright ©) 1957 UNART MUSIC CORPORATION 2549 Insomatonat Copyright Seed Mose in US (NT Rights Reserved Used by permisionsocks, My gal calls, got to tell her that I'm out, cm ae ne ‘Cause Thursday is a hard working oh Sat-ur-day morn ~ ing, all my tired-ness has gone—— a - Eo es Got my — mon- ey, 2549 I— Feaim120 out onthe Sun-day morn-ing my— head —I—a But it's worth it for the time I_have had, is rest, ‘Cause Mon - day is rest, ‘Cause Mon - day _is 2549bit site, t= th who —" tthe world. woutaive | What —would-"ve tap pened It Recorded by JIMMY JONES on CUB Records GOOD TIMIN’ am e fe Dav =i hadn't wrabod that stone A cer owe you — ana Big Go = = ath might-ve —_ yieen, «Ts = a bel ipa = Pe” might ve spent tte "rest ot He a ltomped on im In- Inocked — her jewels fa our vee 121 Words and Music by CLINT BALLARD, Jr. FRED TOBIAS a FE on the grouna| = Wm-bus could do, Inap-pened 10 meet, pt a ¢ es i = i ¥ = : 7 eee ec a. ————— = = 1 frock a, tock, eke, took-a, tnxmatina Copyright Secured (Gs bs permission “fw brought me te Copyright © 1960 by POST MUSIC, INC., New York, N-¥. Mate in US.A [tim ta" is the thing, AITRighs Reserved122 Recorded by FATS DOMINO on IMPERIAL Records BLUEBERRY HILL Words and Muste by AL LEWIS LARRY STOCK VINCENT ROSE MODERATO poco rit - b EE With simplicity Eb 48 & & BS Do you re - call a year a Bb oral Abe br kb fii x = Si | — We stood and watched the gold - en - seend - ing CConyitht © 1940 by CHAPPELL & CO. INC., New Yook. N.Y. Copyihe Renewed, Intervation Copyright Secured Made in OS. i "ALL RIGHTS RESERVED lacing pblcprfomanes for pot [Any copying, arranging or maping sf hs compsion witht fe consent the wet an iningement of comic | Used by permissionGm 2 HG 4s 8 = When love had just be - gun, Why & — Do you re~ call a year a - REFRAIN (Slomly, with expression) On Blue -ber-ry F Bbr we — On Blue -Ber - ry Hill. did there have to be an Hill, 123 Gn a end — ing?124 zs Ebmalt be eb ab He i Ea Ba The moon stood ——__ On Blue-ber- ry = ra And lingered un my dreams came i is i BS — Love's sweet mel- 0 - dy; a nT imN 2549125 Were nev- er to ' aa You're part of me For you were my On Blue -ber - ry Foy oer Ebr Ie Ae Bhai? 2549126 Recorded by BO DIDDLEY on CHECKER Records BO DIDDLEY Brightly (ta Calypsv) : oe Words and Music by E. McDANIELS s i Tf that dia-mond “take that ring from me Copyright © 1988 by ARC MUSIC CORP, 110 Eas $8 Set, New York, NL. Totematonal Copyright Secured Made fn 05.4 Ill Righs Reser (sad by permision 2549HO DID-DIAEY caughta nan To mabe tis pretty baby a BO DID-DL-EY caught a ear acme To make hinpret-ty ba-ty a Sunday bid. 2ay @ Eh craven 2549128 os. Gc fh fi Wort you come fo my house and rackthat bone, ‘Take my baby all the ee (= s ge way from home. Look at that bo-do, Oh, wheres he been, rere = = == gone a-gain. t = Refrajn (Repeat ad lib gruduatly fusing out) ao me BO DIDDL-EY, BO DID-DL-EY, have you heard, My SSS of pretty baby said she was =129 Recorded by FATS DOMINO on IMPERIAL Records LET THE FOUR WINDS BLOW . DAVE BARTHOLOMEW ANTOINE DOMINO Bb Bor Fr io i cet i TF eo ie” ‘BbT Ea a os z = ie Let me hold your kana Try to un-dor ~ stand Dowtyou bea frat ‘You beardwhat Ts Bb abr Bho Bho want a gtrt Like you Let the Jour, winds ff alow, Lot ‘om blow, Tet F cr, ami. Eat # He 2 From the cast to the | west. PIL tove you the: Let the four winds 2549 Consist © 1961 UNART MUSIC CORPORATION “ntetiona Copyighe Secued Made in USA Rights Reser sad by poristion130 Recorded by BOBBY LEWIS on BELTONE Records TOSSIN’ AND TURNIN’ By MALOU RENE 2, RITCHIE ADAMS ¢ " i El an Ba-by, ba - by can't you see what you're do-ing | just acthink-ing. of Baby things were -n't t toss = fn’ and tum - int turn-in’ and toss - in’ toss ~ in’ and turn-in’ all Copyright © 1961 by HARVARD MUSIC INC. snd VIVA MUSIC INC 2549 Sole Seng Agent: IVAN’ MOGULL MUSIC CORPORATION, New York, N.Y Intemational Copyright Sacred Mae in USA AllRiphs Reserved sed by permission131 ce ie 2 a night. 1 threw the blank-ets on the floor, —___. H a 2 And 1 kept x turn = in’ turn = in’ and toss = in’ toss = in’ and turn-in’ all night. Jumped out of bed, turned on the light, Pulled down the shade went to the 2549132 ff Adteh-en for a bite. Pulled up the shade, turned off the light, Heard the milk-man at the door — but 1 was toss = in’ and — Pps sae + int and turn-in’ all night.Recorded by BROOK BENTON & DINAH WASHINGTON on MERCURY Records 133 (You’ve Got What It Takes) Words and Music by ; CLYDE OTIS Medium shuffle beat MURRAY STEIN trem. = Piano a ft ‘Well, now, it takes more tan a rob-in To make the win-ter go; Refrain = ~ Ceimite) Ab a ita And it takes two lips of fire To melt a-way the snow.— a ae at ‘Well, it takes two hearts a - cook - in’ To make a fire grow, ca Bb7 Bb ial BN You've Got What It Takes.— oF ‘Copyright © 1958, 1960 VOGUE MUSIC, INC., spd EDEN MUSIC, INC. Santa Movs, California Inerntonal Cepyrigh Sesame” _ALL/RIGHTS RESERVED tecong public pecermance for prot Made in USA “Sry copying, Icuding poucopying. angio ating ht Mosk Without the consent of the oer an infingsment of cpyrsh ad by pemision 2549134 bi Yu know it takes a lot of kissin’ To make a ro-mance swoet,. + “Gimite)_ Cob, it of woman To knock me off my feet, And Got What It Takes.135 abr abt et a You know you've got just what it takes. Because it =: : takes more than an effort APE tian a life-time some-bod-y special To make me say,“I do” And BA-BY, Youve Got What It Takes. —2 Recorded by THE CREW CUTS on MERCURY Records KO KO MO (I Love You So) Words and Music by FOREST WILSON JAKE PORTER EUNICE LEVY Moderately bright Mambo-Blués tempo Talk to me ba - by whis - per in my ear, heard what you told” mie hear ~“dwhat you said I dim-ples on her el - bows dim - ples on her knees, There's R77 Talk to me ba - by whis - per in my ear, heard what youtold me hear -“d what you said dim-ples on her el - bows dim - ples on her knees, pre re t 1985 VOGUE MUSIC, INC , San Monica, California ' RESERVED inligpubiprormance for profit Made in USA oF apg of hs work tout he content ofthe oer an nigemet of opyeshe 2549 consign ALLRIGHon o aa g ee a Oe Comea lit-tle closer don't. have no fear. wor-ry my-y pretty. wort lose my head. thrills” and” thrills me withjast a lit - tle squeeze. love you . Dont you yee 1 love you so-0. ‘When I holler hey, to Verse KO KO MO. 2ndtime 1 Srd time Theres j | | 7 2549 =Recorded by ELVIS PRESLEY on RCA Records LOVE ME TENDER Words and Music by ELVIS PRESLEY VERA MATSON Take Tell 2549 er let me to me you com - plete, be - Tong, the years, Intemational Copyright Secured ying, araing ora a me go. You have your heart. For it's are mine Til 1 love you well nev -" er art icc rt time. Copyright © 1986 by ELVIS PRESLEY MUSIC, New York, N.Y. UUNICHAPFELL MUSIC, admisisraor ALL RIGHTS RESERVED insting pbc performance for fit made my there that be yous through Made in US. his composition wiht he comet ofthe owner Is a ningsment of enya139 gy © om Ee Ee eo All my dreams ful- love you, rz. Diguss BP 2, 6 Gf And I al-ways will. EXTRA VERSE 4. When at last my dreams come true, Darling, this I know: Happiness will follow you Everywhere you go. 2549140 Recorded by FATS DOMINO on IMPERIAL Records AIN’T THAT A SHAME! Words and Music by ANTOINE DOMINO. Moderately DAVE BARTHOLOMEW ff - L You made me cry when you said ood « 2¢Youy _broke when You said ym ad G or co «6 3 He aa EE My tears fell - mf part =, eR oR You're the one 2549) Copyright © 1955 UNART MUSIC CORPORATION, Iiernaional Copyright Secured Mate fn USA. Ai Rights Reserve sed by permision41 6. s cs, Sho 0 tears fell ke g eee co oF co oT £ et a ee a Ain't That A Shame! You're the one 10 2549142 Recorded by LITTLE RICHARD on SPECIALTY Records TUTTI FRUTTI ee Bright rock tempo = pert & a Chorus iy Fett Pratt or a Pratt au . Tateti Frutti ome, ‘Tutt Frut-tt mu gst egal, her name's Sue oom-op lop bop boomy SS Ett her name's Dal= ay, 2549 Copyright © 1985 & 1936 by VENICE MUSIC, INC, $300 Santa Moca BN. Hollywood, Califona 80069 Ietomatonal Copy Secret Made in U.S.A ‘AlTRighs Roser (sed by permisin343. mows just what to do, Tgot a gal, her name's Su Sho Imows just what to do, | al-most drives me cra = ay. Tgot 2 gal, her name's Dal She al ~ most drives me cra- Te been to the east, Te been to the west, Tul she'e the gal__ zy. She's a real gone cook yes = sir - ree, But pretety little Su-2y's the love the best. ee] Tee re : Tuts Frutti G. Tues Frac Tutt Fruit a & fe a (ge SA = er = 3 #4 Frutti au ruteti, ‘A=bop - bop s-loom-op a= lop bop boom!2,1got 2 lop bop boom! r 2549144 Recorded by BUDDY KNOX on ROULETTE Records PARTY DOLL ord nd ae BUDDY KNOX Moderato, with a beat Verse All I__ want is a PAR-TY DOLL, To come a-long with me,when Tin feel-in’ wild, To T saw a gal walk-in’ down the street, The kind— of a gal I would love to meet, She Se : a gf oe be ever Joy inv and true and fain To run ur fin- gore a- through my, hai. ind blonde hair and— eyes of blu Ba-byy Tin_a-gon-na have a par-ty with you, og V y Ge & Se *§ Refrain ie fi PAR-TY DOLL, Come a-long and be my Come a-long and be my — PAR-TY % 2 z of 2549 Copeit 1957 by JACKIE MUSIC CORP. Copyright exsigned 195? t» PATRICIA MUSIC PUBLISHING CORD., New Yor, NY. Insertional Capit Seures Mate in US.A [ARs Reseed Used iy permissionPAR- TY Come along and be my ee DOLL, c got ~ ta have a feel - in’ wild, run her fin~ gers through his hair, Interlude By PAR- TY DOLL, To ‘To to be with him,— when he's - in} true and fain To D$.al Fine % run her fin~ gers through his hair. &46 Recorded by CHUBBY CHECKER on PARKWAY Records LET’S TWIST AGAIN Words and Music by KAL MANN . ‘VE APPELL, Moderately Bright oe © of ¢ Chorus & ets owt A gain the we did ant wom =F Fi? y get Yeah, lets twist a - gain Hike we did last year— Do you fe - mem- ber when ‘things were real - ly or - g ES Bey Yeah, “lets twist a - gains twist - in? tlme 2549 Copyright @ 1961 hy KALMAN MUSIC, (NC All igs contd ty UNICHAPPELL MUSIC. INC., New Yor, NY, BELINDA MUSIC, pabisher Insermacional Cpyeight Seared ALL RIGHTS RESERVED incladng public performance fr profit Made in S.A [Any copying, arangng or afopting ofthis competion witha the consent a he ont a inngement of copyright sed bi permissiona7 A+ round and -roumd anda me know you fove e Lets twist a = gains Hike we did Ea ay i Yeah, let's twist a - gain tke we did 2549 2146 Recorded by STEVE LAWRENCE on ABC}PARAMOUNT Records PRETTY BLUE EYES Words and Music by F ‘TEDDY RANDAZZO Medium tempo Ea BOBBY WEINSTEIN ( Ea PRET-TY BLUEEYES. All the guys in the In’ that you sure look good with your blue eyes, CCopsiht © 1959 VOGUE MUSIC, INC. Sana Monica, Califor 2549. Intemational Copyright Sscurad ALL RIGHTS RESERVED inliing pul performance fr profit Mase in USA "Ary copying including photocopying, aanging oF aging ofthis work with the coment ofthe er a8 Infingsmet of eopyigh ed by pemisin=i ar Se a ~ ae Gon-na sit by your door-step So that 1 can BI My heart skipped a beat = al, a a T can tell you je come out to-day, so what 1 2849150 Recorded by BILL HALEY & HIS COMETS on DECCA Records SHAKE, RATTLE AND ROLL Words and Music by (CHARLES CALHOUN Moderately @right bounce) of ist,Verse ~ ce ‘ed aa Get out__ from that kitchen and rat- tle those pots and pansy or Fo co se Get out from that kitch- en and rat~ tle those pots and pans.— Go a atm Dt at cag a = Well, roll my break-fast, ‘eause Tin a hun-gry man, Fe cad 2549 Copyright @ 1954 by HILL AND RANGE SONGS, INC Copyright anda hts assigned to UNICHAPPELL MUSIC, INC.. New York, N'Y. BELINDA MUSIC, pbtisher texemational Copyright Secure ALL RIGHTS RESERVED sneasng pubic pefrmance for fit Mae int Thor saving, arangng o adapting ofthis compotion sitot te coment othe owner is an iningeent of copyright Led by person151 Chorus 6 er a fe SHAKE —-RAT-TLE AND ROLL,— RAT-TLE AND ROLL,— a= ( Fo cs atm ae ei Bs SHAKE RAT-TLE AND ROLL,_ RAT-TLE AND ROLL;~ pt on ie Bl nev- er do noth- in’ to save your dog- gone soul opt ae a ‘Segue to 2nd Verse & f 1 Zoe Segue to rd Verse oF Fine 25492nd Verse ie er, hair done up Wear - inf those dress- es, your Wear- in’ those dress-es, your hair done up so Dp? oo cs. look so warm, tut your heart is cold as fe@—————— D.S. to Chorus % Cg B.S. to Chorus 3rd Verse a iy peep-in’ in 2 sea-food —store,— Im like a one-eyed cat, 2549)153 Fo iS & one-eyed cat, peep in’ a seafood starey— at you, tell you dont love me no I be- lieveyoutedo-in’ me wrong and now I know, I be ~ lieve you're do-in’ me wrong ce calm Dt Gr cs HR ae Be & Ee = and now 1 knows— The more I work, the fast-er mymoney goes. (a 2549154 Recorded by THE THREE DEGREES on ROULETTE Records MAYBE Words and Music by RICHARD BARRETT Moderately slow, with a beat Repeat as required under monologue, ©) Dhmajt cots Dbma}? = 2 & # @ #8 ‘Yrinow girls, it's hard to find a guy that really blows your mind, and you just dig everything he does, like when he gives you that great big special hug,and that, mimubl heavy Kiss, Gizls, you know the kind, the kind that's in the wrong place at the wrong me, It happens to all of us, we tad an argument, and Like all, { mean all of us girls, Tsaid some pretty dumb thing Hike, like "Get lost, Tdon't wanna ee you anymore! But he was cool, he just stood there looking so hurt, and he said, "If that's theway you want it," and he split, And 1 Just stood there lookin’ dumb and Jet that man walk right out of wy life, and I've been as evil as a wet hen ever since, told myself Twasn't gonna sweat it,but I did, Oh,he was inside of me, in my thoughts, in my dreams, Every place I went, saw his fce, and my friends,they Inew,1 know they new. ‘And thon ope evening Twas standing on the bua stop, and I heard a voice behind me say," baby." Ob, just fell all upast inside, because T hadn't hearé that voice In such a tong timet | turned around and there he was, lookin' good! Oh, I just can't tell you how good that man looked tome! ‘And as 1 stood there trying to maintain myself, he asked me if Thad @ few minutes, I really wanted to tell hhim that Thad a fifetime, but Teouldn’t blow my'cool! We stopped at 2 cozy Little place, and 1 guess the shock of secing him made me order a martini, because that's something that T've never done before, but I thought I acoded something stronger than cotfée to loan ‘Oh, the music was soft, and the lights were Tow, and that drink had started going to my head, He hadn't said anything about us,so I knew it was my move,and it had to be now! 1 could feel my nerve building, couldn't let him go,not this time! So {took his hand,looked him straight in the eyesyand 1 said, Tsaid... Laid Fmt Bbmt ze nm ae Mf I prayed ev'ry night — you'd come if Teould hold) your hand — you'd 2549 Copight © 1958, 1969, 1970 NOM MUSIC, INC., 7 West 60 Suet, Now Vouk, N.Y. 10023 Totematonal Copyright Seeued Mase in US. AIIRighs Resendebr 155 i 1 cried ev — "xy day if [just kissed your sweotlips Ebr a” Db a” stay, om ~ mand) 2549156 Recorded by ELVIS PRESLEY on RCA Records DON’T BE CRUEL (To A Heart That’s True) Words and Music by OTIS BLACKWELL ELVIS PRESLEY Medium Bright (with good beat) You know I can be found- | sit-tinghome all a - tone Ifyou can't. come a+ Barby, if T made you mad for something I might have said Pleaselet'sfor-get the = = — ps === least, please tel - e-phone, DON'T BE CRUEL fartrefocksbright s-head,, DON'T RE CRUEL to a heart that's to a heart that's = Sp ee= anand ina z 34 SS S. NS Copyright © 956 by UNART MUSIC CORPORATION and ELVIS PRESLEY MUSIC Intemational Copia Secured Male in US. AIDRighs Reserved Used by permission 2549= F 157 Ee a Fe Don'tstopthink-ing of me, Don't make me feel this way. walk up. to Come on o-verhere nnd love me, You the preacher, and Tet us say, "I do: ‘Then you'll Enow you have me, And 1 = Ht af —— 7 aes SF kkoow what I want you to To to a heart that's know Tl have you " CRU! to a heart that's should we be a. part? 1 teat-ty tove you, baby, cross my want no oth-er love, Ba-by, ite just) you Pm think-iog ——— DON'T BE CRUEL —— to a heartthats HR eee158 Recorded by RICKY NELSON on IMPERIAL Records THAT’S ALL » ALAN BRANDT a BOB HAYMES a Slowly, with expression ae on - Ty give you love that lasts for - fon = ly give you coun-try walks in oe ‘and the promise to be near eneh time you call And the Sprine-times and a hand _lo__hold_when leaves. be pinto” fall = ae Amt bo Dpt Ffaim Ent ar pis gy a # ee Hof fie & on-iy heart Town, for you and you a-lone, That's all, tars all lovewhose burn-iag Hight will Warmthe Winter nigh, That's om? an, ‘There are Tam sure, who have they woul Cr ele ‘Copsrght ©) 1952 by UNART MUSIC CORPORATION 2549 Inteations) Copyright Seored Made is U.S.A All Righis Reserved Used by permissionemt os Fo ye Amt it You the world a ANT have po. fits Ent fal a you'll be glad to know that 4d Ant be ppt Ffatm i an ame that yovlt adore, for now and ev ~ er more, 2549 159 Gms? gg are thesearms my de = niands are That's Em? wr Dat 4 - fold you wall @,160 Words by EDDY RAY 2549 Recorded by THE CHARMS on DELUXE Records HEARTS OF STONE Music by RUDOLPH JACKSON Moderato (with after-tat, hand-clapping accompaniment) will nev-er _breaky ors fa ‘And all of your love is there to = i S ae % will cause you pain,—————__ F Copyright © 1984 REGENT MUSIC CORPORATION, £10 Ent Sh Stect, New York N.Y. 10622 Ioveratonal Copyright Seeves Made in USA All Righs Reserved Used by permission161 cr a You can usk them, —e im please, please, please break Pe FF : A jut they'll Say, 0, 80, 0, 20, No, no, 0, no, No, Ev-ry-bod-y knows, 2549162 Recorded by LITTLE RICHARD on SPECIALTY Records LONG TALL SALLY ENOTRIS JOHNSON RICHARD PENNIMAN Bright Rock Tempo ROBERT BLACKWELL a , rit 1. Gon = na 2. (well, 8 owen, Says he has the bles, But heats alot of fun, no |= bod-y cares if she's long and tall, saw Aunt Ma=ry com- int And he duckedback in the al ley, Ohy aS a % - = avy, aed = em aa oe se = Copyright © 1956 hy VENICE MUSIC, INC, #300 Suat Monica Bl. Holywood, Clifomia 0042 2549 Imemationsl Copit Secured Mids in U.S.A ‘AIIRiphs Resened sad by persion163 a9 F Be (eee Wa. feast x ba a = * es SS Hav- in! mesome un to- nigh yeahi—_ 2. Well, Hav- in’ mesomefin to- 3. Well, t Hay inv mesome fun yeah! We're gon na have some fun to-night, —— Gon-na have some fun Be a8 have some fun to-night Ev-‘rything will be all right, We're gon-na 7 Be F Fa have some fun, gon-na have some fun to-night!164 Recorded by BILL HALEY & HIS COMETS on DECCA Records SEE YOU LATER, ALLIGATOR Words and Music by ROBERT GUIDRY Medium shuffle 4. Well, I saw my ba- by walk-ing, With an-oth- er man Ww - day. @. — When I thought cf what she) told me, = Near-ly made me lose my head, (.She said, Tim sor~ ry, pret~ ty) dal dy, You know my love is just for you, @— I 'sald,wait a” minute) 'ga-ton T know you meant {t just for plugs Well 1 saw my da- by walk- ing, — With an-oth- er man to - day.. —When I thought of what she told me, = Near-ly made me lose my head. She said, Im sor ~ ry, prot- ty dad dy, ‘You know my love is just for you. = T' ssid,wait a minute, "gator, T know you meant it just for play. Ge ce ae When 1 asked ber whats the mat- ter, —This I fs what I heard ber say. (Po Refrain) But the next time that ‘saw hen Roetiind ed et of wat she sald, Go afrain) Walt you say that youll for give me, And say your love for ‘me Is (rue, Gopueosdlere) Dok you know you really hurt me? ‘Aud this “is what I) have to aay. @o Refrain) Copyright © 1955, 1856 by ARC MUSIC CORP. 10 Eas Hh Stet, New York NY. 102 poe Intemational Copyright Secured “Made in U.S.A. ATI Rights Reserved Used by pericton165 Refrain ce py SEE YOU LAT- ER, AL- Aft. er ‘while, eros- 0 - diles. cr Fo es ca way Cops © 1965 VOGLIE MUSIC, INC. Se Mote. Csi: 7545 sweatin Cony Secarst __“ALLRIOHTS RESERVED coon hic poten re Maden S.A Any copying. eluding posocopying, rangi 0: sng of this work hte he conten! oe ois 3 infingemen of sph167 re a0 Uke nee=dles and pi Peo-ple say why don’tyoustay. iis and let memake {twp to you, Stay, T_éo_ anything you want me to; ra ver BS MT aat Bit a = iy T can't let you go back to him. Pleasedon't go, please don't ee ee eet 2 Cae ‘Gat ay ey it ff HS Come back,tt hurts so bad, Don't make it hurt so tad, = cm eed eb mt Please don't go, please don't go. — hm beg etn’ you please. 2549168 Recorded by FATS DOMINO on IMPERIAL Records BO WEEVIL 5 AN TOINE DOMINO Moderate beat DAVE BARTHOLOMEW = On —sat-ur -day night, where I was born,— down on the farm, ‘ 7 Gult-ar plink-ing and we start-edsing-ing ‘til the break of dawn. * fd i twelve 0! - clock ev -'ry - thing gete hot, up steps old Jones. etree A Rp Reset Us permis169 mf We start -ed clap-pin’ and he start-ed sing-in’ yee lit -tle count-ry song, BO WEE ~ VIL, BO WEE - VIL, where've you been bob — mom-ma's been lock-in’, has-n't stopped look-in’ since you went a - way, WEE - VIL, BO WEE - VIL, where did You'll get a lick-in' as sure as I'm sit-tin' on this bale of hay. On hay. 2549Recorded by JERRY BUTLER on VEE JAY Records HE DON’T LOVE YOU (Like I Love You) Originally Recorded Under the Tile "HE WILL BREAK YOUR HEART Wor and Music by J. BUTLER ©. MAYFIELD Moderately © CARTER ERSE en c Ei if a hos i 8 Ese Fare - thee well 1 know you're leay-ing, He us-es all the grest quo - ta - tions, And when the fin - al act is 0 - ver, eae Amt a i s For the new love that you found. He says things 1 wish I could say. And you're left stand - ing all a - lone. is i 7 a The hand - some. Guy But he's had—— 80. macny When he takes his bow and makes his ex - it, 2549 Copyright © 1960, 1966 ny CONRAD MUSIC, a vision of ARC MUSIC CORP, Inematonsl Coppight Scared Made in USA AN Righs Reserved sed by permis: m1 Em ant Bp o Br iy feel-ing hes gon-na him i's just « Tit de" there to ai CHORUS Py 7 eae Es - al i sh Het don't love love you, break your heart, 2549Recorded by THE HEARTBEATS on RAMA Records A THOUSAND MILES AWAY : wana Slow beat Refrain fA Bi Youre A THOUSAND MILES A-WAY, But. = ; === ph emt Ea T still have your love to 7 Oh, my dar-ling, dry — your a om tae Ga am 2 | 30 8 ys | HB BES 7 On my knees evry day, é # @ & 8 # F EE dois pray, baby, just for Hope youll al-ways want me too, ‘De? Li 2549 Copyright © 1956 NOM MUSIC. INC.. 17 West Gh Soot, New York, N.Y. 10023 Intemational Copyright Secired Mads in US. AlLRigts Reserves Used by permissionGm ah Fy ae a p Gm? Film py b cr Fr FRIES REO Tiegh nan hee may be on Sunday morning, — a } F Ree corl rr Gn o «8 #8 8 may be on Tues-day after - noon; But no mat-ter what the day is, oo Easier TP Gr 7, Ftatm ca C7 F Dar Co = es 2 @ ‘muke it miy business to get Rome soon. Youle A THOU-SANDSILESA-WAY, Bul I still have your love to re- « & @ # ek & & @ Oh, my darling, dry your eyes, Dad-dy’s coming homeRecorded by SAM COOKE on SPECIALTY Records PLL COME RUNNING BACK TO YOU . BILL COOK stowiy = _ Tm not a= shamed, TU come runing back 10 When you were mine- 1 2549 Copyight © 1957 by BIG BILLY MUSIC CO. snd VENICE MUSIC, INC, #200 Sania Monica Bl. Holfywond, Cai Insemaonal Copyright Secured Mato in U.S.A ARs Rex Used By permissionTIL comerunningback_ at a to Just like a king who'sie Record by TOMMY EDWARDS on MM Reconés LOVE IS ALL WE NEED » BEN RALEIGH Introduction (Moderately Stow with Bea DON WOLF zn Dat ae ¢ Pp pt a ge bw 8 ‘Tell me well al-ways have each fo oth- er, "Cause that’s all eyaerwant to know SS Cony © 1958 UNART MUSIC CORPORATION 2549 Intemational Copyright Seo Mace in S.A All Rights Reseved Used by permisionDm? Gr, c Am. “a7 Ff as Hee = SS SS will always wantyou sol Love Is AllWe Need, so dar-tin aa yo . fs SSS J # = = es “hold me close to you —_and— love m3 oan Renee ev-'ey dream cometrue, So— 3 Ss. ‘= SS ss = E 2 = Dp? ua Osa Os Cs PE 2549178. ‘Recorded by THE FLEETWOODS on DOLPHIN & LIBERTY Records COME SOFTLY TO ME : GARY TROXEL GRETCHEN CHRISTOPHER Moderately, with a best BARBARA ELLIS Doo doo bee doc, dom dom | dom— doo dom— doo bee |doo Tom doo dom doo bee|doo dom dom, | Dom doo dom— doo bec |doo damdom | dom doo dom— doo bre Yous ge SSS ESS = SS 2 Come soft-ly, — dar-ling. Come softy, darling. Come soft- ty, dar-ling. 4 =i = eaten See = e# ree yt SS 2 ae Copyright © 1958, 1959 CORNERSTONE PUBLISHING CO., INC, New Yo. N.Y Lusraonal Coppi Served Maden USA ted by permirnon ‘Rights ReseredF aa Chorus T want, want you I've waited, wait -ed iE Please hold, hold me so. tight Please come, come to me Hoar what 1 Come soft - ly eed, need you $0 much____ one kiss, one 179 to know. so Tony. 1 love, Jove yon. 0 For your kisses and. your love all thre all thru the night T speak soft-ly dar-ting. fromone from up a - bove, Come softly dar. love you always, al-ways, D.S.ard fade out &