Broadway Songs - Easy Piano

EASY PIANO
I III
BROADWAY SONOS
71 Songs from 56 Shows, including Annie Qet Your Qun -
Beauty and the Beast - Cabaret - Qrease - Jekyll & Hyde -
Les Misérables - The Music Man - Oklahomaî
budgetbooks
more^JjU^for your buck!
Si
EASY PIANO
budgetbooks
BROADWAY SONOS
ISBN D-bBM-aôabb-D
BHAL*LEONARD
CORPORAXIOIM
7777 W. BLUEMOUND RD. P.O. BOX 13819 MILWAUKEE, Wl 53213
For ail works contained herein:
,unaurnonze
monthori/ed copving,
py arranging, adapting, recording
Infringers or public
are liable performance
under the law. is an infringement of copyright,
\/ioit Uol I onnarH Onlinp at

CONTENTS
4 Ail Good Gifts 78 Gus: The Theatre Cat
Godspell Cats
8 Ail the Things You Are 82 Guys and Dolls
Ver y Warm for May Guys and Dolls
14 Alone at the Drive-In Movie 90 I Ain't Down Yet
Grease The Unsinkable Molly Brown
18 Along Came Bialy 94 I Don't Know How to Love Him
The Producers Jésus Christ Superstar
24 And Ail That Jazz 85 1 Dreamed a Dream
Chicago Les Misérables
28 Any Dream Will Do 98 I Enjoy Being a Girl
Joseph and the Amazing Flower Drum Song
Technicolor® Dreamcoat 102 1 Have Dreamed
32 Anything You Can Do The King and I
Annie Cet Your Gun 106 I Will Never Leave You
36 As Long As He Needs Me Side Show
Oliver! 112 l've Grown Accustomed to Her Face
11 Baubles, Bangles and Beads My Fair Lady
Kismet 115 If He Walked into My Life
38 Being Alive Marne
Company
118 If I Can't Love Her
42 The Best of Times Beauty and the Beast:
La Cage Aux Folles The Broadway Musical
50 Cabaret 126 The Impossible Dream (The Quest)
Cabaret Man of La Mancha
60 A Cock-Eyed Optimist 130 Kansas City

South Pacific Oklahoma!
64 Consider Yourself 134 Leaning on a Lamp Post

Oliver! Me and My Girl
45 Everything's Corning Up Roses 142 Love Changes Everything

Gypsy Aspects of Love
68 Falling in Love with Love 139 Love, Look Av/ay

The Boys from Syracuse Flower Drum Song
74 Footloose 148 Marna, l'm a Big Girl Now

Footloose Hairspray
71 Getting to Knov/ You 155 Marne

The King and I Marne
158 Maybe This Time 231 Sun and Moon
Cabaret Miss Saigon
162 Memory 236 The Surrey with the

Cats Fringe on Top
166 Movin' Out (Anthony's Song) Oklahoma!
Movin' Out 244 The Sweetest Sounds
170 My Cup Runneth Over No Strings
/ Do! I Do! 241 Ten Cents a Dance
178 No Other Love Simple Simon
Me and Juliet 248 There's a Small Hôtel
173 On Your Toes

Oklahoma
Oklahoma! 252 There's No Business
182 Like Show Business

01' Man River
Annie G et Your Gun
Show Boat
256 This Is the Moment

186 On Broadway
Jekyll & Hyde
Smokey Joe's Cafe
260 Thoroughly Modem Millie

188 One
Thoroughly Modem Millie
A Chorus Line
264 Till There Was You

194 People
The Music Man
Funny Girl
266 Turn Back, 0 Man
202 The Rain in Spain
Godspell
M y F air Lady
272 Who Will Love Me As I Am?
197 River in the Rain
S/de Show
Big River
277 Wish You Were Here
206 So in Love
Wish You Were Here
Kiss Me, Kate
280 V?ith a Song in My Heart
214 Some Snchanted Svening
Spring Is Here
South Pacific
286 With One Look
218 Someone Like You
Sunset Boulevard
Jekyll & Hyde
292 Without You
211 The Sound of Music
Rent
The Sound of Music
283 You'll Never Walk Alone
222 Stayin' Alive
Carousel
Saturday Night Fever
298 Younger Than Springtime
226 Summer Nights
South Pacific
Grease
4
ALL GOOD GIFTS
from the Musical GODSPELL
Words and Music by

STEPHEN SCHWARTZ
Moderately
D Ain
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We plow the fields an d SCJit - ter the
thank Thee then, ol t F:t - ther, for
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gO()d seed on the lan d, but it is fed and
al 1 things bright. and goc)d, the seed time and the
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wa tered by God's al might y hand. He

har vest, our life, our health, our food. No
o —ko
m o o
î
Copyright © 1971 by Range Road Music Inc., Quartet Music, Inc. and New Cadenza Music Corporation
Copyright Renewed
International Copyright Secured Ail Rights Reserved
Used by Permission
5
Am
É
£
I
sends the snow _ in win - ter, the warmth to swell _ the
gifts have we to of - fer for ail Thy love _ im
S
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/ grain, the breez - es and the sun - shine and

\ parts, but that which Thou _ de sir - est our
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~fx—'t - w ^ ^ ^ r \k
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soft re - fresh - ing rain.
hum - ble, thank - fui hearts
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/ Ail good gifts a round us
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aire sent from heav - en a -
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bove. So thank the Lord, oh
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thank the Lord, for ail His love.
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We real-ly want to thank you, Lord.
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thank you, Lord, thank you for ail of your love.

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Oh, thank you, Lord. I want to
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th ank y OU, Lord > thank you, Lord.

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ALL THE THINGS YOU ARE
from VERY WARM FOR MAY
Lyrics by OSCAR HAMMERSTEIN II

Moderately Slow ( J = 1 count) Music by JEROME KERN
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You are the prom - ised kiss of

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spnng - time That makes the lone ly wm - ter seem
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long. You f
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arc the breath - less hush of eve - ning That
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§ 2
Copyright © 1939 UNIVERSAL - POLYGRAM INTERNATIONAL PUBL1SHING, INC.

Copyright Renewed
Ail Rights Reserved Uscd by Permission
Bbmaj? Bm7-5 E7 Amaj7
f o
trem - bles on the bnnk of a love ly song
2
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You are the an gel glow that lights
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Amaj7 Gttm7-5
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star, The dear - est things know.
Db7 Gbmaj7 D7-9 D7
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are what you are.
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Gm7 Cm 7 F7
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Some day my hap - py arms will
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hold you. And some day ni
Bbsus2 Bb/F Bbdim Cm7
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know that mo - ment di - vine. When ail the things you
F7 F7-9 Bb Gb7 Bb6
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are. are mine.

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BAUBLES, BANGLES AND BEADS
from KISMET
Words and Masic by ROBERT WRIGHT

and GEORGE FORREST
'Mu-x Based or. TTiernes of A BORODIN)
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Bau - bles. ban - gles, Bright. shin y beads.
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Spar - kles, span - gles, My heart will sing, sing - a - ling - a,
♦
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Copyr/y • S 19'j3 Etar / M - wc Carp,

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Wear - ing bau - bles, ban - gles and beads.
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some day he may Buy me
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ring, ring - a - ling - a, l've heard that's where it
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leads, Wear ing bau bles,
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14
ALONE AT THE DRIVE-IN MOVIE
from GREASE
Lyric and Music by WARREN CASEY

and JIM JACOBS
Melancholy, slow ballad

C F Din7 G7
m
Fm ail a-
mf
rit.
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lone at the drive m

a tempo
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mov - ic. If s a feel - ing that ain't too
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groov - y, watch - ing were-wolves_ with-out
© 1971. 1972 WARREN CASEY and JIM JACOBS

© Renewed 1999, 2000 JIM JACOBS and THE ESTATE OF WARREN CASEY
Ail Rights Administered by EDWIN H. MORRIS & COMPANY, A Division of MPL Music Publishing, Inc.
Ail Rights Reserved
15
I
******
y ou. Gee, it's no
rit.
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fun drink - ing beer in the

a tempo
«—*- -igU- î S
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back - seat. Ail a - lone just ain't
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too neat, at the pas - sion pit want-ing

16
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you. And when the in - ter-mis - sion
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elf. moves the clock's hands, when he's eat - ing ev- ry -
ci
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thing sold at the stand, when there's one min-ute to
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go til the hghts go down low. Eli be hold-ing the speak - er
f i t
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17
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knobs, miss-ing you so. I can't be - lieve _ it,
rit. a tempo
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un - steamed win-dows _ I can see _ through,,
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heat-er does-n't work as good as you. (Ba-by, come back.)
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18
ALONG CAME BIALY
from THE PRODUCERS
Music and Lyrics by

MEL BROOKS
Tango
Dm A7 MAX:
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help less,_ they were hope - less then a long came Bi -
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al - y! They were joy - less,_ they were boy - less,_ then a -
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Em7b5 A13 Dm D7 Cm/I) D9 Gm6

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long came Bi - al - y! They're my an - gels,_ F m their
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Copyright © 2000 Mel Brooks Music (BM1)

Ali Rights Reserved Used by Permission
19
Dm/F Dm
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dev - il, and I keep those em - bers a - glow. When I
m
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woo 'em, I can't lose 'em^'cause I cast my spell 'n' they start yell- in'
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fire down be - low ! They were list - ing, they were sink - ing,_ then a-
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drink- ing,_ then a - long came Bi - al - y! So ro- man - tic,_ they were
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fran - tic, then their prayers were heard up a bove. Heav-en
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cel - e - bra-tion of love!.
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21
ModerateJv, in 4
SOLO 1:
G Em Am7 Cm6 G/D D7 G
SOLO 2:
y
Life had passed us by and love had sto - len a - way. Ai the
Melody in left hand
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G/F# Em Am7 Cm6 G/D D7 G

SOLO 3:
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end of our rope, we'd giv-en up hope of one last roll in the hay. Dis
±
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1 2 3
ALL 3:
Gdim7 G/D Gdim7 G Gdim7 G/D Gdim7 G/D Gm6/Bb
s f El g i
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card - ed dolls,a - ban - doned wrecks con demned to a life of sit-ting and knit- ting, when
y
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1 2 3
Faster, in 4
D/A A7sus A7Am D7 C/D
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ail wereal-ly want-ed was sex; cresc.
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22
LITTLE OLD LADIES:
Gm/C Am/C Gm7/C
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We were
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F F6 Fmaj7 F6 F Fdim7 C7
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list - ing, wewere sink - ing, then a long came Bi - al - y! We were
Gm7 C7 Gm7 Cl Grn7 C7
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F6 F7 Bb Bb6 Bbniaj7 Bb6 Bb A7

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al - y! So ro man - tic, we were fran - tic,_thenour prayers were heard up a

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23
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bove. It's Bi al - y, bail Bi - al - y! He's the
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24
AND ALL THAT JAZZ

from CHICAGO
Words by FRED EBB
Music by JOHN KANDER
Brightly
4^ / i *—*—*
ï i
m m
s t
1. Come on, babe, _ whydon't we paint the town.

2. Slick your hair and wear your buck - le shoes
3. (See additional lyrics)
S ? •/ h i î 5
G+
i
ï SÊÊ0Êl^
S s ■l' J J j J j J A
and ail that jazz! _ l'm gon-na rouge my knees _ and roll my
and ail that jazz! _ I hear that Fa - ther Dip is gon - na
i /- î X
p
s
t -1^
stock - ings down and ail that jazz!

blow the blues and ail that jazz!
7 J r f v itf
p r p y
Copyright © 1973, 1975 by Unichappell Music Inc. and Kander & Ebb, Inc.
Copyright Renewed
Ail Rights Administered by Unichappell Music Inc.
25
s m
îS ^0
i
Start the car, _ I know a whoop - ee spot where the gin is cold _ but the pi
Hold on, bon, _ we're gon-na bun - ny bug, 'bought some as - pi - rin down at U
•>: > T T =
T T T
To Coda^
Gm6/Bt) A7
± î
an o's bot. If s just a nois y hall where there's a night - ly brawl and
nit ed Drug. In case we shake a - part and want a brand new start and
1.
Ab7 G7
î
t S S—S—t
ail that jazz!

ail that
I ^ ,h i
C A7 D
î £
s s W
jazz! Oh,
3
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26
A+
£
m s
1
F m gon-na see my she-ba shim-my shake. .1 (And ail that jazz! _)
m mm
S
Œ
Oh she's gon-na shim-my till her gar-ters break. (And
t s * *
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ail that jazz! _ ) Show her where to park her gir - die.
Si
Bb7 D Db
r ^
oh. her moth-er's blood-'d cur-dle if she'd hear _ her
îl
27
B E7b9 A7
ba - by's queer for ail that
m te
D.S. al Coda CODA

D G7 Ab7 G7
/^F=~ ""
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jazz! i that
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Additional Lyrics
3. Find a flask, we're playing fast and loose

And ail that jazz!
Right up here is where I store the juice
And ail that jazz!
Come on, babe, we're gonna brush the sky.

I betcha Lucky Lindy never flew so high,
'Cause in the stratosphère how could he lend an ear to
Ail that jazz!
28
ANY DREAM WILL DO

from JOSEPH AND THE AMAZING TECHNICOLOR® DREAMCOAT
Music by ANDREW LLOYD WEBBER

i—0 —i Lyrics by TIM RICE
Moderately
c 5 Dm/C
^ ^ J t t =
m!/'
S o ja o
Em/G C Em G7
5
1
0 " m
—- 4—; p
9 é m * 8 #
I closed my eyes, drew b,ack the

coat with g;ol - den
m
4y— 1 S m
> w• ^ W w• ^ ^•
J— 1 • J
CE C
A
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eu r - tain, to see for ce r - tain

liii - ing, bright col - ours shi n - ing,
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— [—=
9
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what I thoiaght I km;w. Far, far a -
won - der - fial and ne w. And in the
2 i
» 9—
rJ —t——
© Copyright 1969 The Really Useful Group Ltd.

Copyright Renewed
International Copyright Secured Ail Rights Resetved
29
Em G7 C
0 ® 0 £
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way, se>me - o ne was we - mg,

East lie deiwn was bre ak - ing,
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but the world was sleep ing. An - y dream will

the world was wak ing. An - y dream will
1. 2.
Km/G Bb/C Gm7/C
do. I wore my do. A
D7
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$
crash of drums,_ flash of light,_ my gol - den coat flew
0 0
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2
30
C/G G C G7 C G C
5 5
c—c—s—f— * ' f
/ out of sight,_ the C-ol - ours fad - ed in - to dark - ness,
ê
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I was left a 1<3ne.
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UN
Ma y I re - tu m t0 t he be - gi n nii
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'he light is dirn - mi ng anc th(î dre am is
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tO(3. The world and i
i
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\ve aire still wa it - ing, still hes - i
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ta ting, an - y dream will do,
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ANYTH1NG YOU CAN DO
from the Stage Production ANNIE GET YOUR GUN
Words and Music by

IRVING BERLIN
Moderately
G7
■ • i
a0 i «te
1 <
mf
1
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-J 4_ i ZÀ —T ï
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2
G7 Cma>j7 G'1 Cm;aj7

Annie:
s f ► J- s,
•—«i———— é 0
9 m
4f J •
1. An - y - thi ng you ca n d o, 1 ca n do beît - ter,
2. An - y - thi ng you ca n btiy. I ca n buy che ap - er,
3. (See additional lyrics)
à► 0
m 0
s ■ 0 ■
à
G7 Cmaj7 G7
5. Frank:
I m
can do an y thing bet - ter than y ou. No you
can buy an y thing cheap - er than y ou. Fif ty
0
m
î
Annie. Frank. Annie. Frank: 3
i *
can t. Yes can. No you can t. Yes can No you

cents. For ty cents. Thir cents. Twen ty
ty cents No you
© Copyright 1946 by Irving Berlin

Copyright Renewed
33
G7 G7
Annie:
can t. Yes I can. Yes I can. An - y - thing you can be,

can't. Yes I can. Yes I can. An - y - thing you can dig,
£2
3ÉÊg ©
G7 G7
can be great er, soon er or lat er, l'm

can dig deep er, I can dig an y - thing
G7 G7
Frank: Annie: Frank:
|
( -M*—» .— — J J J ^^ é J
J great - er than you. No you're not. Yes I am. No you're

\ deep - er than you. Thir - ty feet. For - ty feet. Fif - ty
0
/ ~ -£ * 7
9
( F 1 * ^
G7 C G7
Annie: Frank: Annie:
0
m9 J j •
^ J
j not. Yes I am. No you're not. Yes I am, Yes I
\ feet. Six - ty feet. No you can't. Yes I can, Yes I
(2
f j.):—1 C » ^
\ y r r
1i
34
Em Em6
Frank:
iï
am. I can shoot a par-tridge with a sin - gle car-tridge.

can. I can drink my li - quor fast - er than a flick - er.
Dm Dm 6 Am D7
5
Annie: Frank:
3
ï t t S 4"
I can get a spar-row with a bow and ar - row. can do most

I can do it quick-er and get e - ven sick - er. can live on
G7
Annie: Frank: Annie:
(Spoken:)
an - y - thing. Can you bake a pie? No. Neith-er can I.

bread and cheese. _ And on - ly on that? Yes. So can a rat.
g'
C G7 C G7 C
r——— — K — 0 m
J
^ hW- J J
J=d 0 0
1 An - y-th ing you can sing, I can sing loiid- er, I can si ng an - y-thing
\ An - y n ote you can reach, I can go hig;h - er, I can siing an - y-thing
r "T" m
• I»
&
9 i ^—p r J
m *
5 5
35
G7 G7 G7 C
Frank: Annie: Frank: Annie: Frank:
*—S- •—^
loud - er than y ou. No you can't. Yes I can. No you can't. Yes I can. No you
high - er than you. No you can't. Yes I can. No you can't. Yes I can. No you
m = T
L, 2. 3.
G7 C C
Annie:
can't. Yes I can, Yes I can.

can't. Yes I can, Yes I can.
m i
Additional Lyrics
Annie: Anyone you can lick, Frank: I could be a racer quite a steeple chaser.
I can lick faster,
Annie: I can jump a hurdle even with my girdle.
I can lick anyone faster than you.
Frank: I can open any safe.
Frank: With your fist
Annie: Without being caught?
Annie: With my feet
Frank: (Spoken:) Yes.
Frank: With your feet
Annie: That's what I thought.
Annie: With an axe Any note you can hold,
I can hold longer,
Ff'ank: No you can't. I can hold any note longer than you.
Annie: Yes I can... Yes I can. Frank: No you can't.
Any school where you went,
I could be master, Annie: Yes I can.
I could be master much faster than you.
Frank: No you can't.
Frank: Can you spell?
Annie: Yes I can.
Annie: No I can't.
Frank: No you can't.
Frank: Can you add?
Annie: Yes I can, Yes I can.
Annie: No I can't.
Frank: Can you teach?
Annie: Yes I can, Yes I can.

AS LONG AS HE NEEDS ME
from the Broadway Musical OLIVER!
Words and Music by

Moderately LIONEL BART
2
«
/ uP 4—j t ^— i - 1 H •' ff «H :
f i 1
1 é ilÊà==id i d d H— $ -^|
As long as
m
\ p
2 —*—J—« 7 © J J J
(t): 4 ^ -f
\ y i ^^ c> J © 4>
2 1 1 4
C6 Crnaj? C6 C||dim
2
i
3
he needs me, _ know where I must
life is long, ['11 love him right or
m rv
î
2 11
5 4
Dm? G7 Dm Dm+5 Dm7 G7
i
î 1
be; Fil cling on stead fast ly as long as
wrong;. And some - how ru be strong as long as
i \>P
4
m
2
5
Dm7-5 G7-5
Cmaj7 Cmaj7
S® 3
he needs me As long as
he needs me. li you are
© .
»
§ ts
® Copyright 1960 (Rencwed), 1968 (Renewed) Lakeview Music Co., Ltd., London, England
TRO ■ Hollis Music, Inc., New York, controls ail publication rights for the U S A. and Canada
International Copyright Secured
Ail Rights Reserved Including Public Performance For Profit
Used by Permission
37
Em7 C 1 2 1 Am7 D7
i *
n m
'J
lone - ly. then you will know_ When some-one needs you,. you love them
1
À
i
<> 5
1 ?
5
A b7-5 C Cmaj7
s
i
S 5 «
so. I won t be tray trust, Tho peo - pie
S ; G
Q
2E3 * \ \ O
C6 C^dim Dm 7 Dm 7
2 1
i i 3
say must. l've got to stay true,
i i
i i
o
D7 Fm6 07 C
O
o
a
o
JUSt as as needs me
O
O
s o
3
38
BEING ALIVE
from COMPANY
Words and Music by

Slowly and Freely STEPHEN SONDHE1M
G
m
g: S
XE
C F/C c
4 4
Some - one to hold you too close, Some - one to hurt you too
»
j&Z
Fdim/C Cmaj7 A m?
0^
PP P
deep, Some - one to sit in your chair And ru - in your
fi XE
XE
XE
Em/F Em/D Dm?
5 S
I
1
sleep and make you a ware of be - ing a live.
S
XE
L
Copyright © 1970 by Range Road Music Inc., Jerry Leiber Music, Mike Stoller Music and Rilting Music Inc.
Copyright Renewed
Ail Rights Administered by Range Road Music Inc.
International Copyright Secured Ali Rights Reserved
Used by Permission
Moderately Fast, with a steady beat 39
Ddim C F/C
=5
-s- î
Some - one to need you too much,
o
!e
m
Fdim/C CmajT
s
î 5
Some - one to know you too well; Some - one to pull you up
m• V"
Ë
§
F
Am7 Fmaj7 C/D
5 1 S J <
s
short And put you through hell and give you sup port for be - ing a
m
V 2?
Dm7/G
8 I O
ive,. Be - ing a- live. Make me a
S S
i 3 Ab/Bb Bb
BEE
-Or
$ W
live,- Make me con - fused, Mock me with
S S
m s
#—m-
?
B Ab/Bb Bb
^3-
SE
ilï « $
praise, Let me be used, Var - y my
S S
f
G7sus
O'-
I > i ^r
days. But a lone. is
S S s s
?
Db
41
F/C Fdim/C
î î
I
Some - bod - y hold me too close. Some - bod - y force me to care,
tF
S
Cmaj7 A m? Fmaj'T C/D
"r"— \
« • •
• •
—0Q=p| n r \=% J r
p
0 ^ J JL. J # 1
l Se nie - bod - y ma ce me corne thre «gh, ri 1 al - ways be the re as fright-ened as y0u of be - ing a-
•
0•
*•
S-i « T—^7=:
\ ^— m ' m «
»• *
0 r pr 1
Dm7/G N.C.
gf-jr
H 3 à cr
I
live,. Be - ing a - live,- Be - ing a
r 3- i
5 î
ÏÏM
?
c
y"- 9
3 ? n: il
9 9
<[ liv
ai
f m a fl • « * -—Jh—r
«1* 0 0 Ï
è
v y • «I— 0
42
THE BEST OF TIMES
from LA CAGE AUX FOLLES
Music and Lyric by

JERRY HERMAN
Moderately
F C G^dim? Gm7
3E
tJ
m/The best of times is now. What'sleft of
im
C7 Fdim7 D7 5
3
fJT S
sum - mer but a fad - ed rose? The
te
m ï
Em7l>5 F^dim7 Gm^7 Gm7 Gm71J5

—
j J 1
*> * * * *
-p—^
best of times is now. As for to -
-fi L
y b — if—r—
C7 F F7 F6 F+ F ^
tihr-
\fL. ?—f C V ^
^ -
0 —v—y
/ / v—y O' 7 ^ / «
^^
nlor - row we 11, who knows? Who knows? Who knc)ws? So
(2 ; /TN
s»
n ^ 'r3 —P b-p
—i H
i
© 1983 JERRY HERMAN

Ail Rights Controlled by JERRYCO MUSIC CO.
Exclusive Agent. EDW1N H. MORRIS & COMPANY, A Division of MPL Music Publishing, Inc.
Ail Rights Reserved
43
C G#dim7 ^ G m7
A r\^\ 2
>
m —o i a
(pj—j— J J »
/ hold this nio - me nt fast and live and
1 rr\
>B HS
I^L ? ^ «
\ y b
Cl Fdim7 F D7
' \ d c» ^
^r—
lo ve as haï-d as yc)U kno w how. /md
n
^-Îg
2
^ a « &
r ^ i
Em7l>5 F#dim7 GinH Gm7 Gm71>5
-o-
JO î
p
make this mo - ment last be - cause the
^—«
Cl Bt/F Fine
5 5 5
best of times is now, is now, IS now.
JSl
m
44
Bl> B^+ Bt>6 C7

5
3
« « î
Now, not some for - got - ten
i=J
\> O -o tî?'- î
Ain Am^7 Am7 Am6
J? V
tx
o <v
^r
yes - ter-day.
é é
T T
Dm DmH Dm7 G7
i
H
^ ^ '
Now, to mor - row is too
i l
ï
T -f ? 4^=
D.S. al Fine
Ci m EIj/G C7 F C GMim
On O O
o
3
=3
far way. So hold this
O O
I
[222
q* t -
-o- -o-
45
EVERYTHING'S COMING UP ROSES

from GYPSY
Words by STEPHEN SONDHEIM

Music by JULE STYNE
Brightly, in 2 ( J = 1 beat)
4
2,
i
i
Things look
/
m £ L S
Dm7 G+ 4 Crnaj? C6 4
21 21
E5K O^ i
t
swell, - Things look great,_ Gon na
decks,. Clear the tracks,. We got
i. a -o-
&
ï—e- XE XE
w
Din7 Dm7/G B+
4
2
XE
in -O-
t
have the whole world. on a plate., Start ing
noth ing to do but re lax. _ Blow a
XE £
XE % J /
Em C7 Fmaj7 Bb7
5 S:
here,. Start mg now, hon ey,
kiss, - Take a bow,. hon ey,
Jî £1_
XE £
Copyright © 1959 by Stratford Music Corporation and Williamson Music, Inc.

Copyright Renewed
Ail Rights Administered by Chappell & Co.
International Copyright Secured Ail Rights Rcserved
46
r Em
H— _• J®
c r^j i
thing's com - ing up

) Ev' ry up
thing's com - ing
( Ev' - ry
id ^
f <); ^ 4>
\| / AV —j ,
N.C. 4
Dm7 G7 2
ï
3
es! Clear the

ros
N.C^
2.
Gm7 C7
ros es!
î î î
F G/F Fm 7 Ani
4 4 4
2 2 2
H —1—
Now's our. in nmg,.
7^
47
Dm? 4 G? C
2
A ^ i ^ 1 T T t T
a
jé ^ j—
-v ^
' Stand the 3
wo rld on its ea r!
U , ^
0
\ r. ^J
—o rJ G
Am B/A Gmaj7+5 Em
4 5
2
dJ — .1
i
V-| Wl
Se t it spin n mg,
^ S"-
—(9 (9 ■ n.
,1 y
^
(-3 .
2
Am? D? Fji/Gi G-7 Ebdim

4 5
3 2 2 4
1 1 1
r= M
H
; F!F
fe j J J tf ^ $ r
"
S*—J
N
That - '11 be just the be - i - ni ng! Cur - tain
f): ^ 7(9 •
\*
—j
O "a-
Dm? G+ Cmaj? C6
oA
^8 o
zr~
i ?
up, Light the lights,- We got
J— <>
B
-O- O, -lO
m
5
48
Dm7/G B+
Dm?
4J
S 3 O $
1 W- f
but the heights! We'll be

noth - ing to hit.
o 4-
Q
o xe: î î==
M
Fmaj?
Em? Am D9 Fm6
-O-
o i #
$
tell,. Just y ou wait!. That
^8=
S i
C G/B Am Fm6 C/G
i H C r
< -4- ^6 —€? d
UNj J
/ lue k - y star 1 talk a bo ut is
f ^
^ r —P il ' "-1 p
(pM g H—^
49
N.C. Ddim D7 Ddim D7 5
o o S
£Y
V f $ S
due!. Hon ey,
O
S
2 1
5 4
Em
3
É
ev ry thing's com ing. up
o
*>: - XE :q
o
Dm? G?
3 i i S
ros es. for me and. for
o
o
m
C B C B C B C B C
50
CABARET
frotn the Musical CABARET
Words by FRED EBB

Music by JOHN KANDER
Moderately
G7#5
"4 h* FH—t—J—d—
? ;
tffly 1'?
f < ^ f=<M ^ « g T i i »
m
( f
^ i * -,—4 i
<9 «i
Dm? G7 G?
r\
i
S m
i
What good is sit - ting a

rit. Put /down the knit - ting, the
'a tempo
S î i î
G7|t5
4
2
^ j J
lone in your room? Come hear the

book and the broom. Time for a
5e
k G7|t5 C7
[1 \ \ |
——
^ ié
4ij J =
^ -z
mu - sic play.
hol - i day.
é
): o
^ — a Ci rri ^
* —
o-
3
Copyright © 1966, 1967 by Alley Music Corp. and Trio Music Company, Inc.
Copyright Renewed
Internationa! Copyright Secured Ail Rights Rcserved
Used by Permission
51
F F|tdim Em7 A7
5 2
3 1 1
J J:
I
ÏKz
Life is cab ret, old chum,
1.
Dm7/G G7 Dm G7b9
-«>-
come to the cab a ret.
2.
Fm
IDDC î
I -e-
ret. Come taste the wine, come hear the
Am Am/G^t Am/G D7/F|t
i
I
band. Come blow a hom, start cel - e - brat - ing:

52
G7 C G7
j
/r-fy■1 ^ 0
• ,
& lirj
! *
^ J
ta - ble's wait - ingN\^ No /use per - m t - ting some

( Ri,ght this way your
\/
>:—f «
11 -4/ ^ -r—^——*— -i , , ^
? m 1 1 ? r
S y J =j
G7tt5 F^dim
3
^ j M-
proph - et of doom to wipe ev ry smile
Gm7 C7 F|tdini
way. Life is cab
î
i
Em7 A7 Dm7 F m/G
ret, old chum, come to the cab
S
=P=
53
Slightly faster
C C+ Cl c+ c+ C7
jD
î >•- î î
^3â M S:
$
ret!
V: J ^ j T ^ J i i 1 ^ t j
G7^5
#-
5
j
used to have a girl - friend known as El - sie, with
S t t 3=3
G7jt5 C7
whom I shared four sor - did rooms in Chel - sea. She
J i
F6 Bm7 E7b9 Am
g
$
was - n't what you'd call a blush - ing flow - er. As a
3=
m
54
A m7 D7 G7
5 5
A 2 1 1 r r 4
V -—*—
• 0 —i—0—
_ # ^ 4*—J—±
n The
/ m at-ter of fact, she rent - ed by the hour. _L
f f" ^ \~m * r—r— ^^

? ? 1 —*—1
i
G7#5
-0 0- S
m
day she died the neigh-bors came to snick - er: 'Well,
J ^ l
G7#5 C7
i î
I te
*
that's what cornes of too much pills and liq - uor." But
F6 Bm7 E7 Am
^ i i 1 1=1 ^ «
IF «F
—J—^—«L J «5 J J—J— J ^ ^
/ when I saw her laid out h ke a que en, she was the
/^-8 f te
—9 P rJ if ^ - j
55
Dm? G?
3
t
il i
hap - pi - est corpse Fd ev er seen.

rit.
-o-
S î î i
Freely
B7 Em A?
4 4^
think of El - sie to this ver day. I re
•>: | ^
Slowly
G/D D7sus D7 G7 C
mem-ber how she'd turn to me and "What good is

rit.
g s»
G7 G7)i5
î î
4*
sit - ting lone in your room?
P ï
56
Cmaj? Cl
î
^-
$
Corne hear the mu sic play.
-W-
î i
F^dim Km 7 Al
Life is cab ret, old chum,.
7£L bs:
M r i i ï
Tempo I
Dm7 G7 C
I ■st -«i-
-e-
corne to the cab a ret.
-o-
7 r ? î
G7 G7
^=5 î
/
Put . down the knit - ting, the
S £ î: i £ £
i
3
57
G7tt5 G7tt5
« î
$ rsr
w
book and the broom. Time for hol
Cl F|tdim
o
77
Life is a cab
irer
P S S
Em7 A7 Dni7 G7
i
i
I i* ■C iS'-
ret, old chum, come to the cab a
Fm7 Bb7
i
i Hcc
"sr
$ &
ret.v And as for me, as for
S r
58
N.C. Em7 Am Am/Gtf A m/G D7/Ftt
i i i i (Î A J § 9
J f
l —<s? o 3
? »—J—j—
/ me, I made my mi nd . up back in C bel - sea
—f
P & -M is>
(k=i r < -
Freely Slower
G7 C G7
when I go Fm go-ing like El - sie. Start by ad - mit - ting, from
gradually faster
Q
m s
G7#5
î
1
cra - die to tomb is - n't that long
Tempo I
Gm7 C7 F|tdim
>o ZJ.
i
TJ
stay. Life is cab - a

gradually faster
\)v
59
Km? A? Dm7 D|tdim
ret, old chum,. on - ly cab
Km? A? Dm?
1.
r ^ ■■ <
1 ^=3 < —(S -4 ;K
#
/ ret, c)ld chum. arid I lewe t
M *
f -■
v
—IÎ? —p F?
F/G Fm/G C
<1
ïï 4w =d * ^ *
ir ret t
/ c ab a
p p
f *>: 1 >
m t
\ — « L_-1 (S J
G 7^5 C
i
i « ^ ' i
/ri" £
?
kl ^ J —
2 —1 1»—P
/ 4i: -i- î il ' k^ m: ^
r
* l —(. *
5 —
60
A COCK-EYED OPTIMIST
from SOUTH PACIFIC
Not too fast Lyrics by OSCAR HAMMERSTEIN II

C/D D7 Music by RICHARD RODGERS
5 G+
3 4 3 1
1 2
i
il
When the sky is a bright ca nar y

heard peo pie rant and rave and
mf
m: 33:
e-
§33
i 2 1
5 5 4
G6 Ctldim Dm7
3
i
yel low- for get ev ry

bel low. That we're done and we
&
g 5 te
Dm7 C
m o
o c i
cloud Eve ev er seen, So thev call me
might as well be dead, But m on ly
O i
□
o
Cdim Gmaj7
2
1 2,
i
p P
cock eyed op ti - mist,. Im ma
cock eyed op ti - mist,. And 1
&
m n
Copyright ® 1949 by Richard Rodgers and Oscar Hammerstein II

Copyright Renewed
WILLLAMSON MUSIC owner of publication and allied rights throughout the world
International Copyright Secured AH Rights Reserved
61
Ami 1
D7 G 07
0 a
4
1 2
. . l 1 =£=:
1 ^^ • •
<J
o K t *
y ture and in - cur - a - bly grfpn I bave
( can't gel it in - to my
o
0
fbii U . H o- - . ■
X j ... . ^_
I » J
r. Bm Bm + 5
É
l « l
hear the hu - man race is
<>!! ^
î
r îm? f :7 Bm
» « P
fall - ing on ils face And bas - n't ver - y
^ ;o
Cîm7 Fî7 B
.
/:> « : f ■ •
«-Jj r —t—*—
4-^=N
y far to go But ev - 'ry whip - poor -
\ -S8
Ifj —o
62
Bmaj7 C|m7 Ftl7
5
1
J J d ~é
:
W
7 will Is sell - ing me a bill, And tell - ing me it
A
/apj" © 8 |
\ ^ © ^
A7 Am7 D7 C/D D7
—yr î
ï
i
just ain't so.- could say life is
XE
m î
G+ G6 CJIdim
rO-H 1 1—
* m a J
IW 4
—J 2 —€J
just a bowl of jel - lo Aiid ap
9-
M" m
« *
fl^—jlr©
Dm 7 Dm 7
2
O 2
pear more in tel li - gent and smart. But l'm
<5 O
§ m g
Cdim G A7 63
4
3 1
1=^
i
stuck like dope With thing called hope, And I
i2L
XE 51
2
5
D D+ Bm G7
5
1
rH-^
XE XE tpr
can't get it out of my heart!.
XE
£
S
1
2
C D9
—
SJ ____J VJ
9—fc =3 ^ ^
Not thic
> > > >

2
? 9
s , —P [9
y * rJ
G6
CONS1DER YOURSELF
from the Broadway Musical OLIVER!
Words and Music by

LIONEL BART
Moderate march
C Cjtdim G7
£ £
te m 4
* Mi
G+
4
Con sid er your self at
sid er your self well
zt
G7
4*
home, Con sid - er your - self one of the
in: Con sid - er your - self part of the
ztz:
m
Dm G+
£
I *
4i
fam 1 iy- Fve tak - en to you so
fur ni ture. There is - n't a lot _ to
© Copyright 1960 (Renewed) Lakeview Music Co. Ltd., London, England

TRO - Mollis Music, Inc., New York, controls ail publication rights for the U.S.A. and Canada
International Copyright Secured
Ail Rights Reserved Including Public Performance For Profit
Used by Permission
65
Attdim G/B G|tdim

>
• ••
ti ^ à. 0- ^
• / 0^ 0-1 ?
-*il ?
>
s trong, I t's c lear we're

<
s pare: u'ho c ares? What
i
^ -f 0^ r* > -twr
f\ •• ^7^ p
s 7 w
1. 2.
Am D7 G+
^ J k
m
W
go - ing to get a long! Con
If it should
ev - er we've got we share!
No - bod - y
f =fi=
m 3±
C7 Bb/D Ebm C7
N Œ
M
É
P
chance to be we should see some hard er days, Emp ty

tries to be lah di - dah and up pi - ty,_ There's a
C+
S J ^ ^
-f* i
$
lard er days, Why grouse? Al - ways a
cup o' tea for ail On - ly it's
i-
m
-r
66
C/E Fm D7
E
y £ m
some - bod - y to foot the bill, Then the
chance we'll meet
han - dy with a roll - jng pin, When the
wise to be
C/E Eb7 D G7 G+
drinks are on the house!

Con
land lord cornes to call!
m 7 7
Al
11
sid - er your - self our mate, We
iei
m
Dm Bb G7 G7tf5
don't want to have no fuss For

67
Gm/Bb A7
î
I
$
;
af ter some con - sid er - a tion, we can state: Con
iei
S
1.
Dm Fm G7 C|tdim
M
£
sid - er your - self one of us.
l*
m 4
2.
71) Gr+ (Î7 C
m M'
V 4 * J-
0 ne of ns
jv * a»-
^ ~^—r——r—
12 3 13 1
-As"-
I
i t t
> > >
ff
*/ */
> > > >
3
68
FALLING IN LOVE WITH LOVE

from THE BOYS FROM SYRACUSE
Words by LORENZ HART

Moderate Waltz Tempo
Music by RICHARD RODGERS
C Cmaj7 C6 G7sus
2
î i
"ST,
Fall - ing in love with love is fall - ing for make be
mp
G7 Dm7 G7 G7sus G7
i i
i^n
lieve. Fall - ing in love with
IZI s:
§
3
2
G7sus G7 Cmaj7 C6 Cmaj7
|S^-
iS^
love is play - ing the fool:.
^7 • #
î
C6 Cmaj7 C6 Cmaj7 C6
î r >
Car - ing too much is such ju - ve - nile
Copyright ® 1938 (Renewed) by Chappell & Co.

Rights for the Extended Renewal Term in the U.S. Controlled by Williamson Music and WB Music Corp. oAi/o The Estate 0( Lorenz Hart
E7sus E7 G6 E7 Adim
—> —^ J'Xm f
(?— X
js4 t ptd
n cii- Learn - i ng to
\
<7
0 ^— ^ m —
» tp-
n
3 4
5
Am Dm7 D7 Dm7
É
?
trust is just for chil - dren in school.
m
1
G7 C Cniaj7 C6
2
i
5
1 fell in love with love one
(S—
G7sus G7 Dm 7 G7
~17^ i
i
night when the moon was full.
ZZl
3
70
G7sus G7 G7sus G7 Cmaj7 Cb
m j *
I was un - wise with eves un - a - ble to see
/ g / p 0=^ m m * »
î
Cmaj7 C6 Cmaj7 C6 Cmaj7 C6

4
2
I fell in love with love. with lo\e es - er
E7sus El Amaj7 A7 Dm Edim
M
W
last ing. But love tell

cresc.
t t
m
Dm 7 G7
—
s^
I
out with me.

ff rit.
GETTING TO KNOW YOU
from THE KING AND I
Lyrics by OSCAR HAMMERSTHN II

MrxJerately (%racefully and notfast)
C
3 3
<3
^ m * s : a -» * » «!■' " J!
Get tint to know yo Ll, get-ting to know ail a -
^ '
f . •
' # fl t 0 ï
« m
G7sus f;7 G7sus G7 Dm7 G7

i 3
—« «i—
:
il ^ —
C ^
l
•J -e- 3r * #
i
hfuit yon. Get-ting to like you,
iî1
W- * ?
Dm7 G7 C
0
é * * * »:• ê: [: * ' *
S
get-ting to hopc you like me. Get-ting to
[jy. * % 0 # ♦ ^
J * * 0
' 1 J
C F
: 0 0 K J
(1
7 7
C
f® ^ * 0 * * 0 0L Ji- r * «
know you, Fut-ling it my wa y, but ni ce - 1 y.
•> -g- zrz: i» —»

i -- -l 1 :: ?
^ * J. î— m. è— —1
L « 0
Oap/rtgi «. 1951 '/, yz/y-rt Bodgm «r/l Ov-ar Harfiinewteir. H

Copyrigf.' VjvahV.
-W/;* ■■f.: 'Â 'y.-y ■■■■■ ■ -'hi'/ryw'-■■■ '■■■•c
'tvwif/xs, 'yzv,-z;; ''y/-■■'y'- /• Righ". Rewr/ai
72
Am7 D7
2 3
*
rr
You are pre cise iy My cup of
cresc.
t-
î î
Dm7 G7 C
/ri i J r f • \ rj a
J
.--f—^ 1 ? 1 J J <9 «
/ tea! Jf Get-ting to knc)w yo a,
%
f "ï l - t r—ï—^—? 4 *
1 è m e è
\ '—^ ' * é «
G7sus G7
1
r r
get-ting to feel free and eas When I am
3=3 r i
Dm7 G7 Dm7 G7 C7
?
H « 4i >-— S—
(fi {J ' « 1
4 * 4 4 l'- «
V —O
» r r r
wnth yc u, g et-tin g te kn ow wl îat te say.
1^ 13§ 5
m 5> —g• *—f
i»
73
Fmaj? F6 Dm 7 G7
h
$
Have-n't you no ticed? Sud-den-ly l'm bright and
j j
-e-
î
Cmaj7 Cl C/G
a
■±.
$ / dP
breez y. Be - cause of ail the
S JOL
Dm 7 G7 Am7 D7
♦—0
t '
r r
beau-ti - fui and new things Fm leam-ing a-bout you
m î î
Dm7 G7
D
Q O
day by day.
/
FOOTLOOSE
from the Broadway Musical FOOTLOOSE
Words by DEAN PITCHFORD and KENNY LOGGINS

Music by KENNY LOGGINS
Fast
j. , N.C. G
/[P lt 4 -=q ——
S
o
< TUf
hj - l_i
-) «1 i—
i
C/G G G
1^ j i ■ 0
M ) m i
r * 1 1 f
p ?
iM M r
' » 9
I been work - in' se haï•d.

You're play - in' se CO(3l,
1 i —^ i
TT
^ ? > * s* —J' J j J
J
A m/G G
î î î '? i i .t
1 $
l'in punch - in' my card. Eight hours,

o - bey - in' ev-'ry rule. Dig way down
Copyright © 1984 by Famous Music Corporation and Ensign Music Corporation

75
*
î î ? i $
i i
for what? Oh, tell me what I got.

m your heart, you're bum - in', yeam - in' for some,
? î $
m
£
î î
i
l've got this feel m _ that time's just

some - body to tell you that life ain't
ÊÉ
C/G G
i
-O- î ?
i
~W
hold m me down.
pass in' you by._
J J ? ?
CUdim
/r^ J 1,
J =1~1 !
J J -4 J J ■—-
ô -
l — •—— —
) l'il hit the ceil - in', or else l'il

\ l'm tryin' to tell you it will if
(ry J J J J Ifi
76
G/A D Em7
XE
tear up this town.

you don't ven fly._
m
^ p r r f F r r
Fdim? D7/Ftt C/G
e
ma i I d
To-night I got - ta eut loose, foot

You can fly if you'd on - ly eut loose, foot
£
î
G C
loose; kick off your Sun day shoes.

loose; kick off your Sun day shoes. Ooh
S J J J J
?
C/G G C
fh- ■. . J Fdl=d
H
s -m » f -1 h
1 «J * 9
/ Pie ase, Lo u is<î, pull m(î off of m;y

| ee-, Ma ri(î, shake it shake _ it fo r
1 • w 1=1=1t=r
\ ^—:
M 0 J L-J =11=^
77
C/G G
iEE
sm î î
knees. Jack, get back;

me. Whoa, Mi lo,
C/G
lnJJ jjj $
te
come on be - fore we crack. Lose your

come on, come on let's go- Lose your
m i -i J
rr
F
$ «
Tr
blues, ev - 'ry - bod - y eut foot loose.

blues, ev' - ry - bod - y eut foot
1E
C/G
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f -J r
— 5
« î m
>
loo se.
1 i. «•
î 1 f
J-?-4 i J —J
78
GUS: THE THEATRE CAT
from CATS

Text by T.S. ELIOT
Moderately slow
C
C/E E Am
Gus is the cat at the the a tre door. His

coat's ver y shab - by. he's thin as a rake. And he
=f ♦
s
Dm G7
i s i
# *
name, as I ought to have told you be fore, Is
suf fers from pal sy that makes his paw shake. Yet he
Music Copyright © 1981 The Really Useful Group Ltd.

Text Copyright © 1939 T.S. Eliot; this édition of the text © 1981 Set Copyrights Ltd.
Ail Rights in the text Controlled by Faber and Faber Ltd. and Administered for the United States and Canada by R&H Music Co.
International Copyright Secured Ail Rights Reserued
79
C/E E Am
S
I
real iy As par - a - gus, but that's such a fuss to pro
was, in his youth quite the smart est of cats; But no
1.
Dm7 Em7 Fmaj7 F/G C
I J i Ji
i # $
nounce that we u suai iy call him Just Gus. His

Ion ger a ter ror to mice and to
2.
C/E Dm7
rats. For he is n't the cat that he was in his

ev er he joins his friends at their
m £
C/E F C/E E
/r^ ^
m m
9 i*
J ^=j —A —J
J prime; Though his name was quite fam - ous, he sa ys in his

\ club (which takes place at the back of the ne igh - bour - ing
•e-'
1 ' — 5^ ri
f ^•
\ J
80
1. 2.
Am Am Dm G7
» -#
J J
/ tim e. And when pul ).) He kn/es tô re ga e them, if
gH <5
f ^ • •
\ ^ a« • UsJ •
c Dm G7
1 J h J ,
t f—* ^ ^ J
( some - one else pays, with an - ec - dotes dra^vn from his
r r ' -®-j —^ •
g- -g-:
\ _ —«g
C/E
$
palm - i est days. For he once was a star of the
likes to re late his suc
Dm? C/E C/E
i fi»-" :S
high est de gree: He has act ed with Irv mg, he's

cess on the Halls, Where the Gai 1er once
y gave him
-g-' ig-' Tg-'
7
s g'
81
E Am Dm7 Em7 Fmaj7 F/G

. i
$ j j j
î #*
act ed with Tree. And he
f
sev en cat calls. But his great est cre a as
Am Dm7 Em7 Fmaj7
\^r-h—^^
1 1
1
Fii■e fr*3 - re _
h(; loves to tel l, was -
\
rit.
. ■■
I ® i
\ y ~ - r-* F
<»
F/G B\>
m f
r
fid die the Fiend of the Fell.
15^-
m
c
'3.
-0 * m
J
i ^—#= 4J # / «ri
j/
1 J
/ jy 4I
I —j— _j
î f- f
82
GUYS AND DOLLS
from GUYS AND DOLLS
By FRANK LOESSER
Moderately Slow
Dm Dm/Ctf Um/C G7 G C
3! i
1
m When you
m m i
Dm7/G Dm7 G7
r
see a guy- reach for stars in the sky
see a dame change the shape of her frame
G7 G7
you can bet that he's do - ing it for some

you can bet she's re duc - ing it for some
C B7+5 Bb6 Dm Dm/C#

2
a
s?
doll; when you spot

guy; when you find
P a s & s
© 1950 (Renewed) FRANK MUSIC CORP.

Ali Rights Reserved
83
Dm/C B7 E7 E7/Bb A7
——
$
John wait - ing ont in the rain _ chan - ces

doll with her dia - mond in hock, rest as
Dm7 Dm7/C Bb7^11 A7 Dm7 G7
—w~ "o -
are he's in - sane as on - ly a John can be for a Jane.
sured that the rock has gone to re - stock some gen - tle - man jock.
Dm7/G
When you meet a gent pay ing

When you see a mouse hur ry
m
-<sr-
G7 G7
a Dni7
i kinds of rent _ for a flat that could

ont of the house and she runs twen - ty
m
84
G7 B7|t5 Bb6 A7
$ i*
flat - ten the Taj Ma hal, call it

blocks for ci gars and rye, call it
w-
Dm Dm/C B7 Bb6
i
i
$ it
sad, call it fun ny. but it's bet - ter than e ven
dumb, call it clev er, ah, but you can give odds for
A7 Dm Dm/C# Dm/C G7
mon ey that the guy s on iy do - ing it for some

ev er that the doll's on iy do - ing it for some
C Cpdim Dm7 G7
I ? S
doll. On the oth-er hand: vvhen you guy-

85
I DREAMED A DREAM
from LES MISERABLES
Music by CLAUDE-MICHEL SCHÔNBERG
Lyrics by ALAIN BOUBL1L,
JEAN-MARC NATEL and HERBERT KRETZMER
Slowly
F F/E Dm F/C Bb Bb/A Gm7 C9
2
3 5 5 S
3
i
mf
y h) h h
N N
r-
F F/E Dm F/C Bb Bb/A
FANTINE:
S
a î
f < < * *=*
I dreamed a dream in days gone by when hope was high and life worth
7 ") 7 S h
s
5:
3
2
G m? F/E Dm? F/C
± ± 5
î H
liv - ing. I dreamed that love would nev - er die.
y J J ^ j 3
Bt? Gm? C
K? «
I dreamed that God would be for giv- ing Then I was youngand un - a-
y h y b
\ b.
±
Music and Lyrics Copyright © 1980 by Editions Musicales Alain Boublil

Engiish Lyrics Copyright © 1986 by Alain Boublil Music Ltd. (ASCAP)
Mechanical and Publication Rights foi the U.S.A. Administered by Alain Boublil Music Ltd. (ASCAP) c/o Stephen Tenenbaum & Co, , Inc.,
1775 Broadway, Suite 708, New York, NY 10019, Tel. (212) 246-7204, Fax (212) 246-7217
International Copyright Secured. Ail Rights Reserved. This music is copyright. Photocopying is illégal.
86
Dm F/C Bb Bb/A Gm7
5
î 5
"Ç
fraid and dreams were made and used and wast - ed
h A
li
à
zz
m
F/E Dm? F/C Bb Bb/A
IzzE i: 6
"O"
There was no ran - som to be paid, no song un - sung, no wine un-
7 s h s } S h
\
±. ± ±.
Gm? C Gm
XT
tast - ed But the ti - gers come at night
M
o
D G
_L 2 1
with their voie-es soft as thun - der, as they tear your hope a -
■=h=^
m
87
Fm G m/F
î X
\>& TJ
part, as they tum your dream to shame..
2 1
m H
"O" E=£=£ï=2
F F F/E
5 s
S
S 0
He slept a sum-mer by my
rail a tempo
Q s» 2
m O
2 S 2
Dm F/C Bb Bb/A Gm
7 ^ y
î y
a
< < <
side. He filled my days with end - less won - der.
h \
y ±
± ±
iv y
§
F/E Dm? F/C Bb C6
y y
g—^ s
He took my child hood in his stride. But he was gone when au-tumn
? J 21 ? J J1 \)
ti.
sz
y
88
F C/E Cm6/Eb D G G/F#
hj h -< iJjjj i
> * *
/rAr=T=^''j
l^t, 1 J J J -
—»—J J J J—, #
Wëeîï [
H
/ came. And still I dreamed he' dconae to
t
J $ ♦
j:; p 71
.
'V ^
\ y \? ^^
M 4
Em G/D C C/B Am7 D7
^— v-
J -b
/ Çrs îr 7 ^ • •—< f
=fc= —«
1-
( 111ic, thcIt W(3 WOLild li\/e th<2 yea rs to - ge th- ei
^ 7 ^
h J «. h n
» i w i i i Y —7
i ^ L-fLj! J i i -—«—
> >
Em7 G/D
But there are dreams that can - not be,
h
7 y 7 y
4 * ^ *
zz L——s uJ
m
C/B A ni 7 D
and there are storms we can - not weath - er.

G G/F# Em G/D C C/B
^ _ m
r ^
3
I had a dream my life would be
7 7
bj h J
7 hJ—7 hJ
(^3 « m'
p—
A m? D G G/F#
4
-±
3
so dif-frent from this hell Fm liv - ing, so dif - f rent now from what it
h
7 h 7
—--fv-
S
TZ-
Em7 G/D D G G/F#
b;
z
i ±
~.
r" 7
seemed. Now life bas killed thedream I dreamed.

mp
N
7 7
S ^ ♦ * 7
* #
d L—iL-j 7 # si
Em G/D D7 G
90
1 AIN'T DOWN YET
from THE UNSINKABLE MOLLY BROWN
By MEREDITH WILLSON
March tempo Edim Bb7/F Edim

> >
fe- 4e e
y ^'L (h -
Bb7/F Bb7 B7
>
=k
-9—7 î
1V
te
î
Bh7 Eb
î î
$
Fm goan' to leam to
O:.!, h
■ ^ b li \> t î
F^dim Bb/F Edim Bb7/F
3
i 77
read and wnte, Fm goan' to
rt?
§ TM
© i960, 1961 (Renewed) FRANK MUSIC CORP. and MEREDITH WILLSON MUSIC
Ali Rights Reserved
91
Bb7 Bb7jt5 Eb
i^r o
I
17
see what there is to see,
è
): i k
G7
3?Ë
I
So if you go from no - where on the
M-
s
Cm Ebm/Gb Bb/F
(9
road to some - where and you meet an
î
ÊzE
F7 Bb Edim Bb7/F
srf-i, ' r==j a ^ m

r
g
("T ' ^^ ■
/ one you'11 kriow if s me Yc)U'll >ee rne
g;
) ■ h
f* —m— 0
fhn: i. ^9 bg g im
92
F|tdim Bb7/F Edim
Eb
I ■2?"
car ried shoul der high,
Ezzzziz:
Bb7/F Bb7 Bb7#5

i
i -77
By fa - mous peo pie l've nev er
Eb Eb7
\)o
met, but till leave the rear,
3E
o
1 m ■e-
it's from the rear you 11 hear,
© s
3 S
i.
Eb/Bb Bb7 Eb
p-e o
? , r—5 • i ^
2 5
((y ^ « — ?
down vet." To
, bo
—jS>
)' 'l iy— S i _
0 f
Edim Bb7/r Edim
o o
show that you know,
te- fe-
S
Bb7/F Edim Bb7/F Edim
4^
you got to show you know you
42.
tei- ie-
î
E±E>3r
2.
Bb7 Eb ^
a ,
Bb7/F
T « i i " r—t—
1 —t
W ' 1'
know! Fm goan' to yet."
•p- ^ 0
—-,—te» —— m
w p T—r F—i 1—:
te £ 1
t254-f
>
4
1 DONT KNOW HOW TO LOVE HIM
from JESUS CHRIST SUPERSTAR
Words by TIM RICE

Slowly and tenderly
F
V r v m
o
mp I don't know how to love. him What to do, how to
s o
With pedal
F/C F/A
5 m m
—r i
move him, l've been changed yes really changed In these
731 î
Am7 Dm Am7 Dm Gm
past few days when Fve seen my - self I seem like some - one
L |-
Copyright ® 1970, 1971 LEEDS MUSIC LTD.

au d*
Ail u, tfor a.
Rights the .to
U.S. and, Canada
„ , ConholledCopyrights Renewedby UNIVERSAL - MCA MUSIC PUBLISHING
and Administered
Ail Rights Rcserved Uscd by Permission
Csus C Bb F
o2
5>
1
else don't know how to take this.
P m
C F/A C
»
o
I don't see why he moves me, He s a man he's just a
> e S a s
s
F C Am7 Dm Am7 Dm
V-
i il. m A— mA
t b ^' m
—&? i J ' J- —<s) i Jv
\é—^
/ man An d Fve h:îd s(3 rrta - ny m<;n bc fc)re in
f » >
\ ^—j « J ^ iJ J ^
Bb Gm Csus
n
1
ve ry ma - ny ways He's just one more.
g i
96
B\> M Dm Dm/C
Et -0- m 1
$
P
w r
Should I bring him down, should I scream and shout? Should I speak of
m
P cresc. poco a poco
S j
Bb F/C Eb Bb
tl
love let my feel - ings out? I nev - er thought l'd corne to this
y dim. poco a poco

ff
i i
Bb F/A Gm Csus C
i
v-
;
T « ; —e — —G è
w- r ' * V- 1
f- r
i
( what's it a 1 a - bout?
f ^1= | N 1 J
<5^— —g J:- m a •
J J
i
Bb F Bb
■m g
i m m
mp Don't you think it's rath-er ny I should be in this po

Yet if he said he me l'd be lost l'd be
3
mra
5
97
F/C
'9 m
si tion? Fm the who's al - ways been So

fright ened I could-rTt just could-n't cope Fd
t G êi!
G
Ani7
Dm Am Dm Bb F Gm7 F
4
v m
r—r
rJ 1 m —«
If—- P— 1^=4^= #
/ cal m so cool no I ov - er's fool Riin - nirig ev' - r>i
\ tuiti my head Fd b ack a - way I WOIjld - n' t want te
f i* m m m 9
? d J_ f d d
V -^-9 J d . _i d—J
1.
Csus C Bb F/A Gm F Bb
î 9
=s£:
show He scares me so
know He scares me so I want him
^ J J
F/A Bb F/ A Gm7
5 r\
G
iszz: =1
-&■ -&■
so I love him so.
rit.
r\
m
o
98
I ENJOY BEING A GIRL
from FLOWER DRUM SONG
Brightly F Cl
5
1 4 1
m î 'r 11 ^
When I bave a brand new hair do.

men say l'm cute and fun ny.
mf
ci
Gm7
4
1
F f
With my eye lash - es ail in curl,_

And my teeth are - n't teeth but pearl,.
g
im
S
Cm D Gm
5 Si
1 2
ï î
0 - l5
float as the clouds on air do,.

just lap it up like bon ey_
ï
S
Bbm C7
i
i
en joy be ing a
en joy be ing a
Copyright © 1958 by Richard Rodgers and Oscar Hammerstein II

Copyright Renewed
WILL1AMSON MUSIC owner of publication and allicd rights throughout the world
F6 i. 2.
1 1
Lj?^, - H i i r i 1 1
• iJ r .
r
j
r 1
eirl! When
pirl! i
^ i * 1~ '— — * , —» > -j )—
y b ^ * c— c ' r • té?
1
Bbm Fm
5
1
g
W
flip when fel low sends me flow ers,
-Vi
te:
m9 î
Bbm
î g
drool o ver dress es made of
g -bi
Fm D>b
1 3
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100 Ab G7
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2
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ho urs. With pound and a half of
^^
îm
î
C7
5
3
ï s î
cream up - on my face!. l'm
JQ_
1
3
F Cl
4
î i
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i
stnct ly a fe male fe male. And my
Gm
101
Cm D Gm G13
5
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TT
home of brave and free maie Who'll en -
IQ-
m vm 3
m
3 Gm7 Cl 2 3
2 1
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joy be ing guy hav ing a
351
m 9 _
C7
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girl- like.
tzzz
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G7 C7 F
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f&¥= ir i q fi r
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102
I HAVE DREAMED
from THE KING AND I
Moderately 3 4 5
1 2 1
XE
S 5^-
Q. 'i 'J i J iTl

XL
Bb7/D Eb6
3
i:
-s»-1
lone and a - wake, l've looked at the stars, the
iz: :z:
S
3 1
Bb7/D Eb6
5
i:
(5^
same that smiled on you.. And
ZZl z:
m
i:
time and a - gain, l've thought ail the things that
ZI ZI
E
Copyright ® 1951 by Richard Rodgcrs and Oscar Hammerstein II

Copyright Renewed
WILUAMSON MUSIC owner of publication and allied rights throughout the world
International Copyright Secured Ail Rights Reserued
103
E7 Bb Eb/Bb Bb7
5 5
=t
?—7 €
I
^ r r
you were think ing too..
0^1/, i
î î ï
Slowly, very smoothly

Eb Bb Eb
3 5 4
5 4 5 1 2 2 2 1
i:
have dreamed- that your arms are love ly-
SF
-«i-
5
3 2
Br
È
I have dreamed- what a joy you'll
55 E
Bb9 Eb C7
4
-rf^—2 -q v~t'H R
t ^ ^ 11
tr ^ -à—
•
3
2 1 If sr i
) ^ tJ f r #
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I have dreamed ev- 'ry wo rd you'll
\ be.
f —
g
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cJ
104
F6 Bt>7 Et> Cm7 F7
4
5 5 5 1 5
b
''l' J -J J- ^
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f r f ïr f
whis - per. when you're close,. close to
S ZZJJO
D G
3 4
5 4 5
i=^
g
i i
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me. How you look.
9 P b Q
Gmaj7 G6 G
2 3 5 5-
i:
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in the glow of eve ning.
Gmaj7 Bb6/9
105
Eb/G G7
5 2
i:
-9~7- é
i
m
f
In these dreams Fve loved you so, that by
Cm F7 Eb/Bb
4
5 5 3 2
ir
m
2
f
now I think I know what it's like to be
m î
& 5
5
Ab G7 Cm F9
5
5 5
"Ht
loved by you. I will
my b &
Eb/Bb Gbdim Bb6/9 Eb

5
2 5
1 4 5 1
xc
i;
.5^ î
i
love be - ing loved by you.
-bf i i
?
1
C -f
106
I WILL NEVER LEAVE YOU

from SIDE SHOW
Words by BILL RUSSELL
Music by HENRY KRIEGER
Ballad
Gm F/A Bb C7sus
f-ii
m ■•tt
m Daisy: If we stood on our tip - toes,
o
S
F/C Bb Gm
^
nP- * _
9 e
— -tS*
J J ^
XT '
we could peek o - ver the sill. And
& <9 —e o
/ &
" —o
F/A Bb
r
once in a - while we would see a girl slow-ly walk-ing up the
o jQ
A ni Bb6
î
I 9
hill Violet: And we'd think what a sad sit - u a - tion, to
o —
o
© 1994 M1ROKU MUSIC (ASCAP)/Administered by A. Schroeder International LLC, 200 West 51st Street, Suite 1009, New York, NY 10019
and STILLB1LL MUSIC (ASCAP), 1500 Broadway, Suite 2001, New York, NY 10036
107
Bb Dm Bb
m
i
be out - side on your own, Daisy: to go through the town with no
F/A G7sus G7 C7sus C13
î
^ ^
play - mate, Violet: to go through life ail a lone. Both: I will nev - er
0
D
^ b o O
Eb/F
&
-&■' —
T r f
leave you. I will nev - er go a - way. _
m
o xy
Bb F/A
0 # 5
1
We were meant to share each mo - ment. Be - side you is
3^7 «
S } XE
rv
108
Gm A Dm
, 3- 1
(^F± II, I
^[ J J $ ^ J ^ J
i i -9r j. j
/ where I will stay. Ev - er-more and
f F»
\\ y ? 0 eJ
—S
Dm/C G7sus G7 Gm F/A
i
i | =q
\} * J m
& g
—J —J J M
-Gy
■©^ kp r r
al - ways, we'll be on e tho' we're two. For I will
v •
—* — &
> " L_J «
Us
Bb C F C7sus
«
A •
m 9rr
ne;v - ei lea ve you. Daisy: When the da y is fill ed with

\
— & <5 r.
\ ^ —
b g «d J * il
& J
F/C Bb Gm
î
ê
s ^ a TT
shad - ows that stretch in - to the night, Violet: I am filled with
m Q o
109
F/A G7sus G13 C7sus C13
I 5 i
your sweet com - fort, lik. morn - ing fill with light. Both: I will nev - er
o
m o
T3 t>
Eb/F
-0 0 0 0'
§
r ' r f
leave you. I will nev - er go a - way. _
m
o o
Bb F/A
Pi 0 0 i
-G-
We were meant to share each mo - ment. Be - side you is
o
m 3 o
o
Gm A Dm Dm/C
i
m
where I will stay. Ev-er-more and al - ways, wedl be
o o a
m o i
110
G7sus G7 Gm F/A Bb
i
I w w
r r
one tho' we're two. For will nev er
F/C Csus C/D
4
kirn
$
r r
leave you. Daisy: I will nev - er leave you.
F/G G
4^:
« 0 J:
i
31
f
fior/î; I will nev - er go a - way. We were meant to share each
O o
G/B Am
i
I
mo - ment. Daisy: Be - side you is where I will stay.

111
B Em Em/D
Ev - er-more and al - ways we'll be
o:
m
A7sus A7 Am G/B
- i =t=q
a * r.
r »
UM f- 9
/ on e tho' we're two. For I wi 11
p
If ' K
\ ^ -n «
Dm C/E Hm/D Cmaj9 G/B
r
nev er, will nev er,
Am G/B Cmaj7 D G
<s —yÇ
-J M S
P r -^p— 0
/ I will ne v - ei lea've yo u.
m
1 ^ i H L
rJ
—L J ^•
112
l'VE GROWN ACCUSTOMED
TO HER FACE
from MY PAIR LADY
Words by ALAN JAY LERNER
Music by FREDERICK LOEWE
Gently Gm
E/Bb
8va
—0
J J J J ^ J J J J ® (-
/ j? L 4— r—# —
m 0 P —0—
P* ■■ i é
( PP ova -
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g g
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l've grown ac- cus-tomed to her face, She al-most
cus-tomedto her face. She al-most
On p
zt£
Gm7 Cl
i ë
7
makes the day be - gin l've grown ac
makes the day be - gin l've got - ten
m S
S
F/Bb Bdim F/C
1
É
m
eus - tomed to the tune, She whist - les night and noon, Her
used to hear her say: "Good morn - ing" ev - 'ry day, Her
—
;2:
Copyright ® 1956 by Alan Jay Lemer and Frederick Loewe

Copyright Renewed
Chappell & Co. owner of publication and allied rights throughout the world
International Copyright Secured Ail Rights Rcserved
113
F/Bb Adim Gm
f
smiles, her frowns, her ups, her downs are se - cond
joys, her woes, her highs, her lows are se - cond
j r g S ^ ï
. 9
f
g
na - ture to me now; Like breath - mg

na - ture to me now; Like breath - ing
mp
Gm C7 F
/(J
• j
s
r r * • 5 ' i
/ ou t and breath - ing ini 1 was se -
\ ou t and breath ■ ing ini l'm ver - y
f f):—jr 1 -4
- l P
^
V-d
j—• T
^ m
S'
Bdim F/C
ï e> «
P
rene - ly in - de - pen : dent and con tent fore we

grate - fui she's a wo - man and so eas to for
mf
q:
m
?
Gm7
ly I could al ways be that way a - gain and yet, l've grown ac

er like a ha bit one can al - ways break and yet, l've grown ac
£ ■M ¥ u-
S
¥
Bbm F/C Am7 D7
k
m S
$ ¥
r
eus - tomed to her looks; ac eus - tomed to her voice; ac
eus - tomed to the trace of some-thing in the air; ac
rit.
m i
-G- -G-
r
eus - tomed to her face I ve grown ac
eus - tomed to her face
rit. e dim. a tempo
Am7 Gm7 O
o-
m
G S
i m O
rit. o
PP
CL ■G-
T. CL
O O
C»
IF HE WALKED INTO MY LIFE
from M AME
Music and Lyric by

JERRY HERMAN
Slowly
2 1 3 2 1 3
£
^0 o g 1*
Did he need a strong - er hand? Did he need a light - er

dull? Were his nights a Ut - tle
mf fast? Was his world a lit - tle
1
2
Am7 D7 G7
3
£ Î2M I
i O
î
touch? Was I soft or was I tough? Did I give e -
wild? Did I o - ver - state my plan? Did I stress the
free? Was there too much of crowd? Ail too lush and
: « u
J
5 1
Gm7 C7 Fmaj7 Cm 6 D7
O
t î
i
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nough? Did I give too much? At the mo - mentthat he

man? And for - get the child. _ And there must have been a
loud and not e - nough of me Though l'II ask my - self my
%
m É
$
i
3
® 1966 (Renewed) JERRY HERMAN

Ali Rights Controlled by JERRYCO MUSIC CO.
Exclusive Agent: EDWIN H. MORRIS & COMPANY, A Division of MPL Music Publishing. Inc.
Ail Rights Reserved
116
Gm Gm7 Am7
9 &
ï »
need - ed me,— Did I ev - er turn* a way?-

mil - lion things. That my heart for - got to say. -
whole life long,- What went wrong a - long the way ;.
S
3
* F
To Coda
Fdim Gm7 G7
2 1 3P -0-
-H
tF 5
^0 0
i
Would I be there when he called,

Would I think of one or two, If He Walked In - to My
Would I make the same mis - takes,
-o-
î
trn -o-
i
5
1.
C7sus4 C7 Fmaj9 C7 N C
t - - 1 3
-&1-
S J
Life to - day. Were his days a lit - tle
v:b r hJ r ^ ?
2.
C7sus4 C7
i j ■'i'Ji S
Life to - day. Should I blâme the times I
i
Mi
1 s 'i
2 3 1
2
117
Ebm7
9 h
* 9* «
m
parn pered him, blarne the times bossed him;
9^ «
7<> 7o 70
A 9? D9
33 •—1#
# 9W M^ # >>
What a fjhame I nev -er real ly found the boy, be - fore I
o . m
7<> 7<>
m ^
ZJ-.S'. al Coda
" /m 7
O 3 9# 9
JO'-A him. Were the years ht tle

A
33
<>
I 5>: »
P
9-3
Oo 'ia
h D7
fil': rA Cl Ajtj7
y• 0 0 "
Life to day If that boy with the bu - gle
0 .
0 m 3
0
0
G7 4 B3m6 C7 F Ab6 Fmaj7

4 5
:
F=^ ar
9 93 * ï
g# # :• 3 32Z
O ^T"
walked in - to my hfe to - day.

rail. 9i
73- #—9# 1
4); ™ 90 1
/ H h
^ 7
1 2
3 4
5
118
IF I CAN'T LOVE HER
from Walt Disney's BEAUTY AND THE BEAST: THE BROADWAY MUSICAL
Music by ALAN MENKEN
Lyrics by TIM RICE
Freely
C Am
il S o
* v
mp
C/G G
5
v v # # i ^
3—*—*
Beasî: \nd in my twist-ed face
m D
Am
■±.
m *—* * * *
there's not the slight - est trace
m X3
O
C/G Fmaj7/G G Eb
S
$ i
of an - y - thing that e - ven hints at kind - ness. And from my tor-tured shape,_
m m:
-o-
© 1994 Wonderland Music Company Inc., Menken Music, Trunksong Music Ltd. and Walt Disney Music Company
Ail Rights Reserved Used by Permission
119
no com - fort, no es - cape
Ta &
P y* m
Cm
I w i ^
I see, but deep with - in is
S Ho: ipr
With more motion

Fm Gsus G7 Em Bb C/Bb
i -a
a- w
ut ter blind ness Hope less, as my
rail.
a:
S no
F/A C/G F6/9 C/E
dream dies. As the time Aies, love
JJ o
m jOI
(T
5
120
Dm/F Em/G F/A G/B Em C/Bb
s. -s>- S
17 -&
lost lu sion Help less. un for
rail. a tempo
2
P m
<s s
F/A C/G F6/9 C/E
giv en. Cold and driv en :o this
o
Pë
o
o
Moderately
Dm/F Em/G F/A G/B C Dm 7
r—-
1 77 ■9-
-9-
sad con clu sion. No beau - ty could
nî.
C/E Frnaj? F6 F/A G/B G/B

4
1 3
i
1 -9-
r
move me. no good - ness im prove me.
3
121
Am Dm? C/E Fmaj7/G Fmaj7/A
No pow - er on Earth, if I can't love
G/B F/A G7/B Dm? C/E Fmaj7 F6
her. No pas - sion could reach me,
S à
F/A G/B G/B Am Dm?
i—
■6Ï
no les - son could teach me how I could have
C/E F Am Em Bb
/[J N J I | i - -- J——
(S J J
I (h é' J- • s j
1 L
1 tl -e- -sr
/ loved her and make her lo^/e me tO(). If I
f 4): ri v >1 J
v f r — -WLr JJ—gJ
122
Agitated
F/A Fm/Ab G7 Am
2
ê ^ %
can't love her, then who?

rit.
/
TS
G Em Am
d a ~
1/rf — — smm 0 d d
é 0
—t—*—•— 4 j d
/ Long a - go, I should have seen
f m
i / §
\ ^ o o
Em Am
S I
ail the things I could have been.
S
r> D
Bb F/A Bb C/Bb Gm7 Asus A

5
<v r* ^ ii 1^
L « *— a a
/ Ca re - les s an d un - think - ing, I moved 011 - V.'ard!

ra II.
(U=d
\ f» m <5
—e — 0 N—p—J—J—1
3
123
Ft\m C D/C G /B D/'X

5 3
1 3 5 3
9- 1 ^^ 9- 1
y b^ , ^ 9 é9 -6J J ^ 1
(\tM 9 e,>
/ a te
Ci
n~
V -a9 «9 r.J C
G6/9 Dm Em/G Fttm/A G/B A/Cfl
2 5»
S"
rail.
D Km 7 Dm Gmaj7 G6 Dm G/B
5 (
1
No pain could be deep er. No life could be

a tempo
A/Cit D A/Cjt Bm Em7 Dm
cheap er. No point an more, if I can't
m
124
Gmaj7/A Gmaj7/B A/Cjt G/B A/C# F Gm7

v
5 "1
1
? éJ J i
1/ _ g>
_0
H
/ love her. Nlo sp ir - it could
Jff
g, 0
i
l ' Il ^ s» 2 0 m. -V-
5
F/A Bb F/C Bb/D C/E C/E

5
i
-G-
win me. No hope left with in me,
Dm Gm7 F/A Bb Dm Am
4 5 ^ i- , 3
1
i^r r
1
^ ^ J q #
• 0
r.
m
T
Dpe I could have lov ed her an d that she'd set me
\
90
(2
• -■9
\ ' b (2 «
<2
Eb Bb/D Bbm6/Db
-t- p-^-l
_ ^ 2
—€ ' —d—•—
free. But it's rlOt to be. If I
f2 r2 (2 [2
(U- 2 y .
?— s>
125
F/C C7sus C7 Bb/C C

4
2
3 i
w —_
J 'J
^ i
%
/ ca n't le)ve her,
9 s» o
v ' \> ■j v a
Gm/C Am/C Gm/C Am/C Bb/C
Cf
let the world be done with me.

rail. a tempo
o
"sr
5
Db F/C
f=di
o
S
# 8
« +>
1 >
m o
o
126
THE IMPOSSIBLE DREAM

(The Qucst)
from MAN OF LA MANCHA
Lyric by JOE DARION
Music by MITCH LEIGH
Moderately slow
Cmaj9 Fmaj9 Cmaj9
2
I
mp
i i
I
Dm! G7 „ Cmaj9
s s
To dream the im- pos - si - ble dream, to
î±
Fmaj9 Em
fight the un - beat - a - ble foe, to bear the un - bear - a - ble
F6 Dm
sor - row, to run where the brave dare not
Copyright © 1965 (Renewed 1994) Andrew Scott, Inc. and Helena Music Corp.
127
Cmaj9
&
w
go right the un - right - a - ble wrong,
Fmaj9 Em
4
* a m m
m
love pure and chaste from a - when your arms are too
F6 Dm G7 Dm7
3
5
«
wea-ry, to reach the un - reach - a - ble star! This is my
C Am
9■ P m
quest to fol - low that star, no mat - ter how
t S * P
S
1
128
Em F6 Am
hope-less,. no mat-ter how far; to fight for the right with-outques-tion or
Ab Ab + C+ Am Bb
<5^- # 0-
pause, to be will-ing to march in - to hell for a heav-en - ly cause! And I
tfc f f
4
Dm Bb E
m- 2
know if Fil on-ly be true to this glo-ri-ous quest that my
F6
heart will lie peace - fui and when Fm laid to my

129
Fm Cmaj9
3
va •
m
$
rest. r
And the world will be bet-ter for this: that one
\>i*
Fmaj9 Em
&
% i
man, scoraed and cov-ered with scars, still strove. with his last ounce of
F6 C/G Dm7/G
^ *
m. m ?
cour - âge to reach the un-reach -a - ble stars.
* # s
Am Fmaj9 Dm 7
gt m ?
%
S p
%
130
KANSAS CITY
from OKLAHOMA!
Lyrics by OSCAR HAMMERSTE1N II
Moderately, in 2 ( J- = 1 beat)
G D7
5
Ev 'ry - thin's up to date in Kan sas
mf
-9rr
m
1
3
D7 G
5
S
m
Cit y,- They've gone a - bout as
B7 El
i k
É S s
fur as they cn go!. They

They
n»—
ï i is
3 1
A7 D7 G B7
?
went and built sky scrap er sev en stor les
got a big the ay ter they call bur lee
19-
Copyright © 1943 by W1LL1AMSON MUSIC

Copyright Renewed
International Copyrigh' Secured Ail Rights Resetved
131
Em D/A Al
2
*
s g à k
$ £
high, A bout as high as a build in' ort a
que,. Fer fif ty cents you c'n see a dan dy
if
m
D C Al D7 G
> tL o
# =7 "I m
0^ S-*- *r-
7 • • J y y
^— • r—r—r—r—p—
gr ow. 1ïv - 'ry - thin's like a

sh ow. C>ne of the gais was
> •
^♦
f tt a
f
* ^— T'
1 ^ f 1 5—y—y-
D7 G F D7
t-
r r—* ^
«I. J. J* J
^ f—f
r dr eam in Kan - sas Cit - y, It's
at and pink and prêt - ty, As
(g-*
5^ —p
)tp-
(m
B7 E7
k g
J
i
bet ter than a mag ic lan tern show!.

round a - bove as she was round be low._
(g*
m $
132
A7 D7
k
g
$
Y' c'n turn the rad i a tor on when-

I could swear that she was pad ded from her
i 21 te-
m S
B7 Em A7
-« g g g
1
ev - er you want some heat.. With ev 'ry kind o
shoul der to her heel,. But lat er in the
4,
D7 B7 Em Em7
g
i
^ J
com fort ev ry house is ail com plete. You c'n
sec ond act when she be gan to peel,- She
Cm6
5 i
m
m
walk to pnv les m the ram and
proved that ev ry thin' she had was
133
G C G/B E+ Am
L...
^
m ?—^
r ev - er vêt your fe;et! Th ey've g<sne a - bout as

ib - so - hate - ly r(;al! she w ent a - bout as
>
6_*
m
n* î? —
1
—
rr *f
/ Y—
/
B7+5 E7+5
A ^
# & f* —
—
r—M—P-
■ur as they c'n go, (Yes, s r!) They've
?
ur as she could go, (Yes, s r!) She
i.
■tS^ —
k«F? r ip V
1 2 1
1,
Am7 D9 D7
i
? £ £ £
gone a bout as fur as they cn go!

went a bout as fur as she could
G G D7 G
i
? m
go!
LEANING ON A LAMP POST
from ME AND MY GIRL
By NOËL GAY
3 —'
Moderately ( =J )
F E7 Am Ab7b5 C/G G7
/ ^^^
1 jf-4 J J J J rrn^—
m
\ f
5^
2.
• •
f m 2
T—^1
[m8 —1T—
C Am Dm7 G7
r-i — f5 ^ ^ <^ ^ J h- f f^
Lean ing on a lamp, May - be you
f-
-—f—it T
J ^ A ^ f A ^ i
>
C6 C^dim Dm7 G7 C Am7
i s r- ■
TiH—i v— J ? 1 Jj
J ? 7 w
^ ^ J jL ^—é—J— —<
9-
think I look a tramp. Or you may th ink Fm hà ng - irig
s (fo -» <» ft
p r
=i=H
D7 G7 C Ebdim Dm7 G7
f-p ^
ri 1 j j ■]—| —S-=
^sL- .J——_—
p j i J ^— h|J. J
'round to steal a car. But
•»: p # i•
s F—-—P T
r r > zj
Copyright © 1937 (Renewed) Richard Armitage Ltd.

Ail Rights for the U.S. and Canada Controlled by Music Sales Corporation (ASCAP)
Reprinted by Permission
135
Am Dm? G? C6 Cjtdim
î S
^ 7 ? 7 ^
$
no, l'm not a crook, And if you think that's what I
t [h
S 1=---=EE
Dm7 G? C/B Am? D7
\ 7 ^
W
look. Fil tell you why Fm here and what my mo - tives
Dm? G? Cmaj?
«—m
are, Fm lean-ing on a lamp-post at the
C6 C Dm? G?
J J J
^ J J J J J J J J ((J *
cor - ner of the street, In case a c er - tain lit - tle la - dy cornes
j
^ «
s»
s>
T r——
136
Dm7 Em7 Ani7
i î
by. Oh me, Oh my,
f m f —m
S î î î î
T
G/D D7 I)ni7 G7 Cmaj7
î « 0 0
hope the lit - tle la - dy cornes by. don't know if she'll get a-way, She
S î
C6 Dm7
does - n't al - ways get a - way, But an - y - way I know that she'll
§E
Am
137
G/D D7 G7
hope the lit - tle la - dy cornes by. There's no oth - er girl I could
Dm7 G7 G+
î
i
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wait for. But this one l'd break an
A LUI
r
W m ^ 0 m M
m
if. ■
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ate for, I W(3n't bave to a sk what she's

d
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Dm7 Dm7b5
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late for, She'd nev er leave me flat, She not a
b#
if=
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138
Cmaj?
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1
girl hke that. She s ab so - lute - ly won - der - fui and
C6 C Dm7 E7
( J J J ^ j j j J •
/ mar - ve - lous and beau - ti - fui, And an - y - one can un - der - stand
5 i ^
f r f
\ s
Am C7 E7 Am Ab7b5
m m
Pi
why l'm lean-ing on a lamp-post at the cor - ner of the street, In case a
1 2
/G (*7 C C
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* « - a à o
0
c er - tîlin lit - le [a - ly co mes t'y- Frn t>y-

(
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139
LOVE, LOOK AWAY
from FLOWER DRUM SONG
Expressively, not fast Music by RICHARD RODGERS
Cmaj7 F6
5 5
1 1
—Wï-
Love, look a- way! Love, look a-way from
-o-
S
2 4 1
3
Eiti7 GUdim Am
5
1
i xr
• f
me. Fly, when you pass my door,
L
XX Se
S î
Dm7 Cdim Cmaj7

3 5 5
1 2 1 ^ 2
nri P
Fly and get lost at sea. Call it a day.
BP xx
m m
F6 Em7
m xr
Love, let us say we're through.
1
XX
Copyright ® 1958 by Richard Rodgers and Oscar Hammerstein II

Copyright Rcnewed
WILLIAMSON MUSIC owner of publication and allied rights throughout the world
140
G#dim A ni F6 F6/G
npHr
No good are you for me, No good am I for
î g
F6 Dm7 G7
5 1
-çh
you. Want ing you. so,

mf
|f): i
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try loo much.. Af ter you.
m
2
Dm7 G7 3 C G7
^ l 1 1^ m J & —a # G
m & •• —« -H ^
go, I cr y too much.
■ £r*\ • p p —
1 w M* O
~~3 —iS^
141
Cmaj7 F6
i 0 9
Love, look a - way. Lone ly though 1 may
JQZ
Em7 Gttdim Am Fm
4
1 1
g &
-o-
M o
be, Leave me and set me free,. Look a
mf
1.
zcc 4
m
2
5
C/G Dm 7 G7
way, look a- way, look a- way from me.
/ P
2.
F6 G 7+5 Cmaj9
freely _ \
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me.
PP
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f i 9 r p :
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5
142
LOVE CHANGES EVERYTH1NG
from ASPECTS OF LOVE

Lyrics by DON BLACK and CHARLES HART
Moderately
5 5 5
5 3 1 1 1 «
i i —' ' ', • • ^ a—* 0 m
| -à ^ *-à ^
m
\ f
i M r:
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M ^ o -L-e -1 -o
G D7 D7 G
5 ±. zt
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17
r
Love, love changes ev - ery-thing: hands and fac - es, earth and
5 5
With pedal
G D7 D7
i
—t—0 s
m 77
t
sky. Love, love changes ev - ery-thing: how you
m 5 5
II
G D7
□t m
m *
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live and how you die Love can make the
S
S
-r

143
G/B 4 G/D D7
5
Ppi
sum - mer fly or a night seem like a life - time. Yes
5 5 *—•
D7 D7
■± 5
i
1
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love, love chang-es ev - ery-thing: now I trem - ble at your
m 5
5
i m m
G7 C C/D D7
5
♦ m
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name. Noth-ing in the worldwill ev - er be the
j
±
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D7
If 7J
same. Love, love changes
m f' j û ~-T
144
D7 G
-± S
g
r
ev - ery-thing: days are long - er, words mean more.
S S
D7 D7
±
S
g m
w
i
r
Love, love chang-es ev - ery-thing: pain is deep - er than be -
S S g
D7
1 2
±
g g
=t i
m
fore. Love will tumyour world a-round and that
m g
G/B C G/D D7 G D7
4
3
■«
«— —f —« _ ' «Y =^= M
«—• -- S 1t —« r
i Jg- g ——1 i
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/ wor Id w ill la?>t ( or - îv - er Y es, lov e, love chuing-e?
1 *)•' fF m' ... iP C

* 9 = , ^ —ip
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145
D7 G7
S i i i
4'P
\
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ev - ery-thing: brings you glo - ry, brings you shame.
^ J- r" i u
C C/I) D7
5
♦—m
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Noth-ing in the world will ev - er be the same.
s i
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G7 Am7 G/1)
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2
D7 Ab Eb7 Ab Eb
3
i 5:
i:
i
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Off in - to the world we go, plan-ning
g g
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146
Ab Db Ab Eb7
i
g
r i
fu - tures, shap-ing years. Love bursts in and
g i g
Eb Ab Db Ab
±=k S î
l
r i
sud - den-ly, ail our wis - dom dis - ap - pears.
m g g g
Eb Eb7 Ab Db
2
3 5 ^
4
r
. a—... I % iJi j n HH 1l—
1 vT) ^ ® / ■ if 9
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/ Lo1ve makes fo ois of ev - ery-one; ail the ru les we m;ike are
f ^ k7 y t
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Ab/Eb Eb Eb7 Eb
3
m S
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bro - ken. Yes, love, love chang es ev - ery-one. Live or
Ab Eb Ab Db
2
H; i'> « 4J 9
m —é9
»- 1 # « « J f—m m —
fi <0
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pe r - is h in ts Haï ne. Le)ve will nev-e r, n ev- er î et y OU
f — t-.
y
5 s m W 1«\—
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Eb7 Ab A b 7/G b
ii. ^ i i 1 t « l m P 5
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be the sanle.
4V -k—i j S m i -1 h
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Db/F Eb7 Ab Eb7/Ab
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Lo vewill nev-er , ne v - er le t you be t lie same.
i- 0 0 4P
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Ab Eb/Ab Ab Db Ab
148
MAMA, l'M A BIG GIRL NOW

from HAIRSPRAY
Music by MARC SHAIMAN
Lyrics by MARC SHAIMAN and SCOTT WITTMAN
Freely
F Dm
MOTHERS PENNY MOTHERSAMBER
5
#=1
Stop! Stop tell-ing me what to do - oo— Don't! Don't treat me like a
ff
o
S
o
5
Bb
MOTHERSTRACY
i't
child of two - oo No! I know that you want what's best.
XX
S o x>
-
A fun shuffle ( J J J » )
TRACY, AMBER & PENNY C
MOTHERS TRACY I i
Please! But moth-er please, give it a rest!!!_
s
m xi ï
F MOTHERS GIRLS Dm
? ALL (D.S.) MOTHERS
i
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Stop! Don't! No! Please! Stop! Don't
-fW-
S
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Copyright © 2001 by Winding Brook Way Music and Walli Woo Entertainment
Ail Riohts Rp.sp.rvp.rl l NpH Hd Pprmiççion
149
Bb
GIRLS GIRLS
MOTHERS
=4^
±. 5= ± S
É
No! Please!. Stop! Don't No! Please!
5 s
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(1&3)TRACY (2)AMBER
1 4 13
± ±
S £ %
Onceup on a time when I was

Ma-ma, Fm a biggirl now! (Hey,ma ma, say, ma ma) Onceup-on a time I usedto
(D.S.) Onceup on a time I was a
y ^5
m ±
Dm
i
3
i s 5
f f
just a kid,_ you nev-er let me do just what the old - erkids did. But
play with toys,_ but now Fd rath - er play a - round with teen-age boys So,
shy young thing. Could bare-ly walkandtalk so much as danceand sing But
y
y y
g
2 ?
?
To Coda -0-
C7 F
«
»
losethatlaun-dry list of what you won't al- low,_
if I get a hick-ey, please don't have a cow,. cause ma - ma, Fm a big girl now!
let me hit the stage, I wan - na take my bow,.
y
y
y
m
150
1. 2.
Bb
PENNY1
î
i
Ma, I got - ta tell y ou that with-
y
y
2
y y X
± x ± X ±.
i
out a doubt I get my best danc-ing les-sonsfrom you oo.. You're-
y
m y
Bb
b: y
the one who taught me how to 'Twistand Shout,'^ be-causeyou shoutnon-stop andyou're so
m î
Dm C Dm C
1 TRACY
■J I 2 13 i 4 1 2
s:
î
twist - ed too - oo! Wo - oh - oh - oh - oh! Once I used to fid - get 'cause I

■3 i 3-
î î
2
151
Dm
AMBER
2 1 PENNY
* S
zt ±
S 5
J-
just sat home But now Fm just like Gid-get and I got-ta get to RomeL So
2 S
F F
Bb C7 F
TRACY AMBER GIRLS
2 4 1
±
i 5
F
say ar - ri - ve - der ci! Too-dle - oo! And ciao! 'Cause ma-ma, F m a big girl now!
s
m
CODA C
A AMBER
D.S. al Coda
r—3" ■3
ALL 5 3 2_ 1 2
[É 7 i
n n7 h
Oh oh oh! Wo-oh-oh-oh- oh! Once up-on a time I used to
r—i r—3—i
Ï5
Dm
2 I
E ±
El 5 ;s
f î
dress up "Ken,' but now that Fm a wom an I like big - ger men! And
5 -ir
m It5
f-
152
Cl F
Bb
3
2 4 1
*4 È s
± S
s
I don'tneed a Bar-bie doll to show me how, • 'cause ma-ma, F m a big girl now!
s s
Si
Am7/G F7/A H:>

GIRLS
g UJ y
y
î
Ma, you al-ways taught me what was rightfrom wrong, and now I
5
S
just wan-na give it a try y-- Ma ma, Fvebeen in the nest for
s
m y
y
Dm C Dm C
y h
far too long.. So please give a push, and ma - ma, watch me fly!
m £ £ J £
153
D G
CHORUS
PENNY
^ AMBER
1
S:
X
Watch me fly! (Hey ma- ma, say,ma ma) One day I will meet a man you
S
?
Em
AMBER TRACY
2 I 2
> f ^ *
t
won't con - demn And we will bave some kids and you can tor-ture them._ But
s s
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2 1
c D G
3 GIRLS
b:
5 5
t S ±
t % t
let me be a star be-fore I take that vow, 'cause ma-ma, F m a big girl now!
% *
m 5 *
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D/F# Em D G Em/G D/F# Em
■3 i 3-
AMBER ■5
5
± î
s m
É
Oh - oh - oh! Ma-ma, Fm a big girl now! Hey - hey - hey - hey - hey!
-3 1 —3 1
h. =^:
s î
154
C6 D
AMBER
GIRLS ■3 ■3
à $
Ma - ma,. l'm a big girl! > Ooh, such a big, big
i 3 1 i 3 i
■3
'pi É
girl! l'm a big girl now Oh - oh - oh -
m
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■3
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S
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oh oh.. Oh - oh - oh oh.
5
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D D7 G
mi h
5
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Please! Ma-ma, l'm a big girl now!
±
155
MAME
from MAME
Music and Lyric by

JERRY HERMAN
With a lilt
C C6 Cmaj7 C#dim Dm7
î
-m—0
1. You coax the blues right out of the horn,

2. You've brought the cake - walk back in - to style,
mf
d Ji -te
m
G7 Dm Dm+7 Dm7 G7
î
â
i
Marne, You charm the husk right off of the

Marne, You make the weep - in' wil - low tree
_p_
9-
g
Cmaj7 C6 Cniaj7 Am Am+7
corn, Marne;. You've got the

smile, Marne; Your skin is
É
m
® 1966 (Renewed) JERRY HERMAN

Ail Rights Controîled by JERRYCO MUSIC CO.
Exclusive Agent; EDWIN H. MORRIS & Ail COMPANY, A Division of MPL Music Publishing, Inc.
156
Am7 Am6 Em
0
É
ban joes strum min' and plunk - in' out a tune to beat the
Dix ie sat in, there's reb - el in your man - ner and your
d: n
A9 Dm Dm+7 Dm7 G7
band, whole ta - tion's hum - min' since

speech, may from Man- hat - tan, but
Cldi m Dm7
0' m- O
you brought Dix - ie back to Dix - ie land.

Geor - gja nev - er had a sweet - er peach.
li-
è
I
s î
4
2
4
C6 Cmaj7 C^dim Dm 7
7
o:
You make the cot ton eas - y to pick,

You make our black eyed peas— and our grits,
£: H-
m
2
5
G7 Dm Dm+7 Dm7 G7
î
É i i 0 0 0
Marne, You give my old mint ju - lep a

Marne, Seem hke the bill of fare— at the
4 -te-
157
E7 Am Am+7 Am7 Adim

4
kick, Marne You make the old mag - no - lia tree

Ritz, Mame,_ You came, you saw, you con - quered and
Dm Dm+7
0'
S f- m ■ J
blos - som at the men - tion of your name, You've made us

ab - so - lute - ly noth - ing is the same, Your spe - cial
^ tfr ^
êz 4
m
5
Dm7 G7 G7+5 Em 4 Em+7 Em7 A9
2,
î s i
I
feel a live— a - gain, You've gjv en us the drive— a - gain,
fas ci na - tion '11 Prove to be in spi - ra - tion - al,
4 W
m î
2
4
D7 Dm7 G7 C Cdim
4 3
0—0
\}0 j
A
To make the South re - vive— a - gain, Marne,

We think you're just sen - sa - tion - al,
2
3 S>
G7 2. G G7 3
Dm7
70 si
Marne
t
7 * 1»
3 3
g
158
MAYBE THIS TIME

from thc Musical CABARET
Words by FRED EBB
r-0 —i Music by JOHN KANDER
Moderately slowc/^ J
C C+ C6 C+
mp May-be this time_
O
SU B
C+ C6 Cl
i
7' j ji
^
Fil be luck - y. May-be this time he'll stay.
LO
>): %"■
J t> D
F+ F6
5
I
May-be this time, _ for the first time,. love won't hur - ry a -
4^1
cv
S
F^dim? G7 A7
o
V
f
way. He will hold me last.
l4 J
k o SS
e s o
P
Copyright © 1963, 1972 by Alley Music Corp. and Trio Music Company, Inc.
Copyright Renewed
Used by Permission
159
D7 G13 Cl
3-5
a=
$
\>TT
Fil be home at last. Not a los - er
M-
-o-
m
Fm C Bb Al D7 G7
3
1
5
m
r an - y - more, like the last time and the time be - fore
$
i
C+ C6 C7
Eeees i n ii s
J. * * J. J. J. é * J. J. Hi-—
Ev-'ry-bod-y loves a win-ner,. so no-bod-y loved me.
lgl
ia.
S CT □L
F+ F6 Fjtdim7
î CE
î
$
La - dy Peace-ful,. La-dy Hap - py, that's what I long to be.
i J j
k*
160
G7 Am
MIAA
o—
J—J J ^ i—«_J & •
r. J'N ^ -o m
Ail the odds are _ in my fa - vor;_ some-thing's boiand to be - in.

^
^
f
9>
^ '? 0 9 L •—lin0
s*- -■
Ml
C/G C+/G|t Dm 9 Dm7/G
! • . 0—
a M *
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? - li'?-• (2
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IIt's g □t to hap - pen, _ h<ap-pen some-time. _ IVIay-1 36 t !iis time F11
i i .2.
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C Gm7 C7 F F+ F6
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3
i i. n n im
M "H -h i Mfi
^—J J ^ - M • • 0^0 1 J J J
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7
f ^
( Wl n. Ev-'ry-bod-y loves a win-ner,_ so no-bod-y loved
/ TS?■
• f9 — 151 — F
-9
^^ 4^ <2 cJ fij
F7 Bb Bb+
J J-H 1 J ^^ t- m a 4W
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if ^ k F [P*
/ me. La - dy Peace - fui, La - dy H ap - py, —
r> >?
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161
Bb6 Bdim7 Cl
=fc= o
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that's what I long to be. Ail the odds are.
17m 4 p- i i ilT /
O
l J è J J
F#Hr* ",w J ^J
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^— F fr ■
in my fa - vor; some-thing's bound to be - ;in.
k* /? 0 b«
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f——
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F/C h J 1 J ! 1F+/cit j r i Dm
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It's got to hap - pen, _ hap-pen some-time._ May-be this time, _
g j It 5
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may-be this time l'il win.
«p=-^
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162
MEMORY
from CATS

Text by TREVOR NUNN after T.S. ELIOT
Andante C
4 ^
JL-H M. «•
—^ 4
m —
mp Mid - night,
Mem - 'ry.
g): (\l - jp] —r-T^—

——J—j ——J—
—^
Am
? È
Not a sound from the pave ment, Has the moon lost her
Ail a - lone in the moon light, I can smile at the
simile
F Em
É É
I
mem She is smil - ing a
old 1 was beau - ti - fui
r
g
Dm7
i s
$
In the lamp light the with ered leaves col -
re mem ber the time I knew what
Music Copyright ® 1981 The Really Useful Group Ltd.

Ail Rights
Ail D U,. in
. the text
, Controlled
„ , byText Copyright
Faber ® 1981
and Faber Treuor
Ltd. and Nunn and for
Administered Setthe
Copyrights Ltd and Canada by R&H Music Co
United States
163
-- 4^-4
Am7
o
3
ri r . . j •y i n
1
^
^ J J. 1
-r
lect at my feet And the wind
hap - pi - ness was Let the
4 r r rjp
)i p 'S f r J r r"-"
^ uj—
5 2 1
G7
1 i
-r
r
be-gins to moan. mem ry live
TZH
m
Faster, in two
C Em F Em
•
• 1 l
J Ji——.
2 1F • t- ^
gain. Ev - 'ry sir eet lamp seems to
Bu rnt oui en ds of smok - y
fM -m 1* W—F— ^
î ^^ fj *•
M =4
^ [>-J '
4
F Em CD G
fz 1 j
^ *' —»—v
"TÊ"* =îcd
beat a fa - tal is - tic warn - ing
stale cold empli of morn - ing
days, the
c '• ». ** (f • a-
5- — ^ 1 ^
9' r ^^
^| - r î=f
164
Dmaj?
Some one mut - ters, and street lamp

The street lamp dies, an - oth - er night is
if-
m
T
2
Original tempo
Gmaj7 Em A7 D
, Q i jr V ' N ^ .
—^
—f —é
'W 1— —
w ^
^
9*
V tf+
*
/ ut - ters and soon it will be morn
n - ver, An - otlr - er day is dawn
(?• ^ •
I 1—
-2 • r \ -"
L-/ ■H ^0 0
\ S 0 ?- f
1 A
ing. Day 1 must wait for tire

ing. Touch me. Ifs so eas - y to
m
m
Am
1 must think of a
al! a - lone with tire
w m
?
165
And 1 must - n't give in. When the

Of my days in the sun. If you
? ' ?
Dm? Am
ÉH s
7
1
dawn cornes night will be mem - o - ry too.
touch me un der - stand hap - pi - ness is,.
«
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1
r7 G? C
4
A 3
1 ^
r« • ^ — J t 1
'
i tr ♦—^ -ef*
v And a n PW day will be - gin.

1 Look. a
•—É^ —p —p-f—^ r -
s
2
^7 G? o
à
1
T-
f r
new day has be gun.
O
r-, .
=^=
MOVIN' OUT
(Anthony's Song)
from MOVIN' OUT
Words and Music by

BILLY JOËL
Moderate
5
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rfe=q t i t $ t 1=^ r r
H
2. ».
I
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1—f—f—c— B C f % 1 f f 1 \ p—1 \—p—

rV-1
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Dm Gm
H
f 1 * t t t t s^ mmm ^ S S—s
É
An- tho - ny works _ in the gro cer - y store.

Ser-geant 0'-Leary_ is walk-in'_ the beat _ At
CL
♦—k n•
5
E+
Sav - in' his pen nies for some day.

night he be-comes- a bar ten der He works at
1
3
© 1977, 1981 IMPULSIVE MUSIC

Ail Rights Reserved International Copyright Secured Used by Permission
167
Dm Gm
%=t \^
1 t i S s
Ma - ma Le - o - ne left a note on the door she said

Mis-ter Cac - cla - tor- es down on Sul - li - van street a
o
2_î_
m î
E+
É g ?
"Son- ny move out _ to the coun try'L Ah but
cross from the med i cal cen ter _ And he's
:
àe
5s
Dm G7
t t s t s t i t t i t t r
i
work-ing too hard can give you a heart at-tack ack ack ack ack ack
trad -in' in his Chev-y for a Cad- i - lac ack ack ack ack ack
You shouldnev- er ar -gue with a cra - zy mi, mi, mi, mi, mi, mind
o
m
o
Gm7 Dm
5
i
D
s
r ^
1
You ought-a know by now. Who needs a house_ out in

You ought-a know by now_ if he can'tdrive^ with a
You ought-a know by now. you can pay Un -cle Sam with the
168
G7 C7
-ÉEES^:
Hack - en - sack? Is that ail y ou get for your mon

brok - en back At least he can pol ish the fen
o -ver- time is that ail y ou get for your mon
Q -12-
5 b\>
3
ÈÊÊEE^ J l
P
ey ?. 1.2. And it seems such a waste of
ders 3. And if that's what you have in
ey ?.
m 32:
A7 Dm Dm/C
2
1 5
7* N X S
t t s
time If that's what it's ail a bout Ma- ma if
mind then that's what your ail a bout Good
^'9 ^ i
il
b1? Em7 A7
Él <>
that's mov - in' up then rm mov - in'

luck mov - in' up 'cause l'm. mov - in'
112
H-
1
2
169
Dm G ni 7 4
4 5 5 ^ i
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$ il
ont.
out.
C7 Fmaj7
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1. Fine
D. S. % al Fine
o o <>
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♦" • #
170
MY CUP RUNNETH OVER
from I DO! I DO!

Words by TOM JONES
Music by HARVEY SCHMIDT
Moderately
C Am Dm G7
-0 -
1=
il
L.HX5 1. Some
mp r
î
M
With pedal
Am7 Dm7
times in the mom ing when shad ows are

times in the ev 'ning when you do not
(See additional lyrics)
G7 C Em
3 3
$
deep, lie here be side you, just
see, stud y the small things you
Dm7 G7
$
watch ing you sleep. And some times I
do con stant iy. I mem o rize
Copyright © 1966 by Tojn Jones and Harvey Schmidt

Copyright Rencwed
Portfolio Music, Inc., owner. Chappell & Co., Administrator of publication and allied rights throughout the world
171
Em Dm7 Em7
$ "S»
whis per what Fm think mg of; my
mo ments that Fm fond est of; my
S
P
Dm? G7
$
t
cup run neth o ver with love,
cup run neth o ver with love.
l.,2.
A m? Dm? G7
î
$
t t
c Am7 Dm G7
E 3EE
m
2. Some
F
3. In
m
172
3.
G7 C Am7
V *
rf— J==d
J S « J J
3SL-* «
with lo1vc.
i J
•v— «
•
L p.
Dm7 G7 C
d* > r i J
-—J J #
^ J
T - *
-n ;
love,
t j
?
^ « «5
^^==dLpj:
A m7 Dm7 G7 C
® J— *—=q —<J ^ t
l i <
? :
TO !9 > J
f
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' f with letve.
[y-
r\
j
# m p
m -v •
j»
c resc. /
p # 0 p
kïf iJ
3 2
Additional Lyrics
In only a moment we both will be old;

We won't even notice the world tuming cold.
And so in this moment with sunlight above.
My cup runneth over with love, with love.
173
OKLAHOMA
from OKLAHOMA!
Spirited Music by RICHARD RODGERS
C G7 F G7
TU
Brand new state! Brand new

/
'i J i
i
?
i
state. gon - na treat you great!.
z—»
f î
Gon - na give you bar - ley. car - rots and per ta - ters,
5 î î £ î
Em A Em A
F= | ' N J
——«' —é1—£
i ^ j ^
"If fff
Pas - ture fer the cat ■ tle, Spin - ach and ter - may - ters!
—f r' b r
r^Tf—3^^~P
Copyright © 1943 by WILL1AMSON MUSIC

Copyrignt Renewed
International Copvriqht Secured AH Rights Reserved
174
Dm
3 «
i
prair - ie where the June bug zoom,
Flow - ers on the
î
m
9
49 J i9 J
!=^ =^=
r PI în - 'v ol ai and P en - 'y 0F room,
» F
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1 r
J —J i1 W' ^ ft-
ê é —^
-^3
) Pie n - 'y of room to sw ing a rope
I Ç\' M m m
\ f
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i r r i
Dm 7 Dm Am
23
É é
Rien - 'y of heart and plen - 'y of hope.
!2=2 S
175
Dm
54
M
-+1^ ?
0
0
W i
Gdim
9 ZJ. ïl
ma, where the wind cornes sweep - in' down the
ma, Ev - 'ry night my bon - ey lamb and
m à î ï
1 1
3 2
G sus
i S
i 1
plain. and the wav m wheat can sure smell
sit a lone and talk and watch
{M
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sweet when the wind cornes right be - hind the ram..
-9-9 — i
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176
l2 Fm C G7 C
2
A
|. p
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( -fo—* J—*— ni
y hawk mak - in' la cir - des in the sk y We

- zy
«
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( p rj # ^
4 1
know we be long to the land. And the
w È
D G7
I ?
land we be long to is grand ! And when we
£ ï
£
r- *
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9
ip=f '
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s ay Yeeow! A -
/ yip - i - o - ee
J * "î» ' r j H
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177
£
m * ¥
ay! We're on - ly say - in'
E7 Am D7 G7
:îz::
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you're do - in' fine, Ok - la ho ma! Ok - la - hom
¥
m î
D.S. al Coda
To Coda-0-
Am Ab G7 (lyric 1)
jz:
î î
i
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CODA
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178
NO OTHER LOVE
from ME AND JULIET

Slow Tango Music by RICHARD RODGERS
Play Right H and one octave lower-
F sus
m B=
¥
«
2 1
F sus
£
S
o-
No oth er iove have
mp 3 2 1
î
W
"cr
5
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Gm
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On-ly my love for you. On-ly the dream we
Gm Gb Gb
5
r 0
knew, No oth - er ove. ÎPfTT
1
j
s ^
o i
m a

Copyright Renewed
WILLIAMSON MUSIC owner o( publication and allied rights throughout the world
179
& w 1
Watch-ing the night go by, Wish-ing that you could
m i
o i
Gm
Gm
ra^r»S
V%19k*
m O
-à
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be Watch-ing the night with me
* n si ^
m
f
In - to the night cry, hur - ry home, corne

cresc.
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ho me to me. Set m(a
rrf
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: •——.
—
180
G/B
o
X- (to ^
1
free from doubt and
free,
m
? 77
il
C9
P-;
nrrr
free from long - ing. In - to your arms l'I
mp
m
t
O
I
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fly Locked in your arms l'I rrj
stay,
i
CT *
Gm D Gm Gb
=fsl 72
E
~çr
Wait - ing to hear you say No oth er love

181
(: c+ 1
Fmaj7 Fsus
SK*-?—^ A-T i
« - wr o
^ L==fi====d —# J " —5 é r: .
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have I.
•»
J
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é *
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> J S
-O-
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F7 Bbmaj7 Bbm
i g :2: o
i f
No oth - er love.
d/m. a rit.
Bb6/F Bbm/F Fmaj7

£L
(2
-o- =R=
i
g êe4 TV
OL' MAN RIVER
from SHOW BOAT
Lyrics by OSCAR HAMMERSTEiN II

Music by JEROME KERN
Slowly ( J = 1 count)
ri Q J | 1 1
1
j—j_
J
^—
m T K
/ f
rit.
5 ? —e
j O» fi ("l"'' §
r
[y-*- 5 —0 u
-9-
or man nv - er, dat ol' man nv - er. He

mp
J
must know sump - m , he don't say noth - in\ He
^ P
Copyright © 1927 UNIVERSAL - POLYGRAM INTERNATIONAL PUBL1SHING, INC.

Copyright Renewed
Ail Rights Rescrved Used by Permission
183
Dm7 3 Dm? G7
(9 <9
O
jus keeps roll - in', He keeps on roll - in'
■&- -O-
2
2
§
Am Dm7 G7
rit.
long He don't plant
a tempo
J i
m
?
'ta - ters, He don't plant cot - ton. An' dem dat
i-
a
Ebdim Dm7
1
i
plants 'em is soon for got - ten. But ol' man
XSL
4 5
184
G7 Dm 7
6»
m
nv er. ne jus keeps roll - m a - long.
-a
t s
g
B7 Em B7
? P
You an me, we
/
j
m. & ï
Em B7 Em B7 Em
î s
P P
sweat and strain, Bod - y ail ach in an racked with
Ti ZZ1
B7 Em Am/E Em Am/E
4
î
PE
If
pain. Tote dat barge!" "Lift dat baie,"

//
iSh' -Gh
Am/E Em D7 G7 C
(^J' J
''J- ^ c
1 Git a lit - tle drunk an' you land in Ah gits

t;
« tempo
rit.
(g (g o jg-
v 51
g— A rJ
g fi 9
— p •
\^- 9
y
g—
G7
wear - y an sick of try - in', / Ah'm tired of liv - in' an

cresc.
i
Am C/G Am Dm7
i E
—g—
& &
skeered of dy - in', But or man nv - er, he jus keeps
/ ff
~g^
3
i
=--|
rit.
long sempre ff
roll - in'
o iS-
s o
s
s
& ~o
I*
186
ON BROADWAY
from SMOKEY JOE S CAFE
Words and Music by BARRY MANN,

CYNTH1A WE1L, MIKE STOLLER and JERRY LEIBER
Moderately
F Et/F F Et/F F Et/F
/I V L 4
* J *!jè
) WJ
L L \ 1 L _L ^
X\l J 9 kr
^
L J ^ JL J J JL—J1 J—^
Eb/F Eb/F El>/F
They say the ne - on lights are bright. on

They say the wo - men treat you fine on
They say that I won't last too long _ on
, 1,
' J. JO =5
Et/F Et/F Et/F
5
i & *• *j&
Broad way; they say there's al - way s
Broad way, but look - in' at them
Broad way. Fil catch a Grey-hound
m
IJJ. JO
Et/F F Et/F Et/F
* TJB
mag ic in the air
just gives me the blues,
bus for home _ they say._
® 1962, 1963 (Renewed 1990. 1991) SCREEN GEMS-EMI MUSIC INC

AH Rights Reserved Internalional Copyrighl Secured Used by Permission
187
B\> Bl» At/Bt
g
^5
B
But when you're walk-in' down the street. and you ain't had e
'Cause how ya gon - na make some time _ when ail you got is
But they're dead wrong, I know they are, 'cause I can play this
m 5 J. ^1=5
ï
P
rui
Bl. EWF F Et/F
11
j 5É P
nough to eat, the glit - ter rubs right off and you're. no
one thin dime,. and one thin dime won't e - ven shine _ your
here gui - tar, and I won't quit till
S
ES m
1137
EI./F Et/F Et/F
15
where. l'm star on

shoes.
J'J'J JF m
Et/F EI./F F E1./F
J i1= pl jf
-r r
Broad - way..
i i L
0 J_[ J bj— J J
188
ONE
from A CHORUS LINE
Music by MARVIN HAMLISCH
Lyric by EDWARD KLEBAN
Moderately
Fmaj? B7
2 3
4 1 1
$ s;
te
S t
One sin - gu-lar sen - sa - tion ev-'ry lit-tlestep she takes._
mf
'.ht l » i » î t I ï
Fmaj7
b»itr r ^ $ 5
3 3
One thrill - ing com - bi - na - tion
Cm/A D7 Dm6/F
■5
5
5
î
o
ev - 'ry move that she makes. One smile and
î î î î
E7 Am E7 Am
é ry
i i
sud - den-ly no - bod - y r
else will do.
m î $ î
1 2
© 1975 (Renewed) MARVIN HAMLISCH and EDWARD KLEBAN

Ail Rights Controlled by WREN MUSIC CO. and AMERICAN COMPASS MUSIC CORP,
Ail RinhtQ Rocorworl
189
Dbm/Bb Eb? Ab m Eb7/G
$
ti 5
You know y ou'11 nev - er be lone - ly with you - know
m î i î î i î
im
Cb7/Gb Gb9 Fmaj7

5
3
27^
E 21
I ï ^ 5
2Z2
t
who. One mo - ment in her pres-ence
î ^ î
B7 Bbmaj7
4__
J ^
i
5 5
P
and you can for - get the rest, for the girl is sec - ond best.
% î î î î
g
Bm7b5 E7 Am A7
:o rr"
2^ É
T f T
i
J
to none, son.
î î î $ î î
m
190
D9 G7 C7#5 Am7
5 sr
h
l 'tr ï ?
1 Do
Ooooh! Sigh! Give her your at - ten tion.
iz
■4 2:
î î î
D7 G7 C7
To Coda
h
oz
T ?
real - ly bave to men - tion she's the
î î î î
C7 Cmaj7
one? She walks in - to a room_
S î î
Z2
F#7 5
5
and you know. she's un com -mon - ly rare, ver - y u - nique,
m i î î
ff
191
3 Cmaj7
Br w tir ttMi
1k B' " ^
3 3
per - i - pa - tet- ic, po - et - ic and chic. She walks in - to a room_
m i î î $
t'
Edim s
3
and you know_ from her mad-den-ing poise, ef-fort-less whirl,
m î î Êî
A7 F#d im
*> _
y
she's the spe - cial girl. S troll
m i î î
f
B7 Em B7/F# Em/G
5 3
ing, can't help ail of her qual-i-ties ex -
$ î m î
192
Fdim Bb7 Ebm Bb7/D
i
- o b J'
T T
toi ling. Load - ed with cha - ris - ma is my
r t ^ J i i
F$7/ctt C# Cmaj7
3 3 3
z±
3
jaun-ti - ly, saun-ter - ing, am - bl - ing sham-bl - er. She walks in - to a room_
î î ï $
F#7 3
1= 0- #
3
and you know_ you must shuf-fle a - long, join the pa - rade.
m î i $
*
Kl» m ilf
p î
i=i
w
3 3
She's the quin - tes-sense of mak-ing the grade. This is what - cha call
m i x X î
p
193
Fttdim B7 Em E7
m-" î i
A
trav 'ling! Oh, strut your stuff. Can't get e-nough
m î î i î î î
*
A7 D7 G7 Em7 A7
jl " -g— I/O- i- J' , 0 J

m !
l'g j f 1 f $ ItF ^ l|F

|Tt ^ ri
of her. Love her.
^ i i— ^ i ^^ i- \
i J—i ? ? ^ ^ , 1
^
D7 G C
nP-^
r nm • ll " ^ • m
" "
.0 • lu a * m' m
a <ir a 0 « m
fa fZ. tH *—-—^ —0
Fm a son of a gun,. she is one of a kin d.
u 0 }0 ^
* - m ~
y *—^ y
—0
CODA
F Fdim C7 F
-0-
D.C. al Coda
-10-
one
m m î î
t-
194
PEOPLE
from FUNNY GIRL
Words by BOB MERRILL

Music by JULE STYNE
Slowly
C
p 0
i 6^
T
peo - pie who need
3
-G-
G7 F/C
g
î
P
Are the luck - i - est peo - pie in the world.
:o -2^
ltè~- 351
Q :o
E7 Am
itdv i
v 3^* * g ^ $ ■o-
We're chil - dren. need - ing oth - er chil - dren.
1 -O-
S
î î
A Cm Cdim
i
«
And yet let - ting ourgrown up r r

pride 2 1 ide ail the need in -
Copyright © 1963, 1964 by Bob Merrill and Jule Styne

Copyright Renewed
Ail Rights Administered by Chappell & Co.
195
G/B Bbdiim Am D7 Ftt/G
i *■ j -
3 \**z.
Pï tt •
side, Act mg. more like chil dren than chil d en.
I
J2
m
•9 j
»-2
i TT 5
Lov - ers are ver - y spe - cial peo - pie,.
i 1
tt:
î
ï
C Gm7
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1 E
ï
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They're the luck - i - est peo - pie in the world..
J2a-
=S= Cf
fi ,Q
C7
H gs
9^ S
With one per - son one ver y spe -cial per - son
-9-
9-0
9
m
196
Gm7 G/F C/E
~p~
$ t '
A feel - ing deep in your soul says, "You were half, now you're whole.'I—
m i
Fjm7-5 C/E Am Dm 7
No more h un ger and thirst, but nrst be a per - son who needs
cresc.
£
C7
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£
do i:
î î
peo pie.. Peo - pie who need peo - pie Are the
J-* : J2£L
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j luck - i - est peo - pie in the world.
\
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____
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-
197
RIVER IN THE RAIN

from BIG RIVER
Words and Music by

ROGER MILLER
Slowly
D A7/D Gmaj7/D A/1) A 7/1)
8va loco
mp
m o
o
Gmaj7/D A/I)
Huck: Riv - er in the
. * o
o
m
rain, some-times at night you look like a

7 h i 7 h i
i
1
long white train wind-in' your way a - way_ some
7 7
h h
Copyright © 1985 Sony/ATV Songs LLC and Roger Miller Music

Ail Rights Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203
198
A7/E A7
6
m
where Riv-er I love you. Don't you
^ j i . J
D
h
care? If you're on the run
7 h 7 h
wind - in' some-place just tryin' to find the sun,
B7/D# A7/E
OL
m
Wheth-er the sun - shine,Wheth-er the rain.
7 7
à à
a
199
A7 G D
*
Èî
I =
riv - er, I love you just the same. Jim: But some-times in a
* J
S ¥ -iS^-
D/Fjt Em7
time of trou - ble when you're out of hand andyour mud - dy
D A7 D Em7 D/Ftl
1 • • « 0^ • rJ
lé^
b ub - bles roll a - cross my floor —-

\
f .• %—s
t
9 f
9- <5
v
D/Ftt Em7
zt
I
mf car-ryin'way the things I trea-sure; helfthere ain't no way to mea-sure
m
200
D A7
te
why I love _ you more than I did the day_ be - fore.
i_
o:
m œ:
F
r r I
<5 _
^ -.1-11.^.-111
J J ' ^
P
y Both: Riv - er in the rain, i i
7 i 7 i
/ • a o
^ ^
l-é-t
some-times at night you look like a long white train
7 7
iff
m
A7/E To Coda ^
■ J \ o—
—
/ wind-in ' your way a - way_ some - where.

| wind-in your way a - way _ from me. 1
7 7 ^ i
—0h J «
v
A7 G D D.S. al Coda
É
È£
I S m
Riv-er, I love you. Don't you care ! But some-times in a
CODA
A7 G D A 7/1)
8va
■
m—m 0
Huck: Riv-er,l've nev - er\seen the sea.
i J 1±
Si
Gmaj7/D A/I) D A 7/1)

/oco
• -0
m * m
* 9
F#î *
r—r—.—— \ L ■ — p-
p 75
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£2.
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Gmaj7 A(no 3rd) D(no 3rd)

THE RAIN IN SPAIN
from MY PAIR LADY
Words by ALAN JAY LERNER

Music by FREDERICK LOEWE
Moderately 5
3
î I
m
S
(spoken) The rain in Spain slays
mp
m
9
Gm Cl
5
1
î
P bjJ ^ ' _^L 9 ^j-
o •e^
main - ly in the plain. I think she's got it! I think she's
A Bb
4 5
,
2 1
m ipl
i
r ^
got it! (sung) The rain in Spain stays main ly in the
Copyright © 1956 by Alan Jay Lcmer and Frederick Loewe

Copyright Renewed
Chappell & Co. owner of publication and allied rights throughout the world
International Copyright Secured Ail Rights Resen/ed
203
F
5
1
i
?
plain.. r
Bb Am Gm C7 F
ic
5 î
#
Now once a - gain, Where does it rain? On the
Gm7 Cl G ml Cl Dm Gm
5
"Ti" i*
F
t-
plain! On the plain! And where's that sog - gy
r
i
1
2
Bm7 E7 Cl
2
plain? In Spain! In Spain The
i*— s;
I =?=
204
F Gm C F
[-fh •
H $ M
?—s \Hf i 9
tl H
—1 —é Ci •
—S « •
=P
«y
rai n in Sp<iin sta ys ma in - ly in th e P lain!
\
■ zTv • =4 .
■ 1* fF=
« * • m •
— •
x
•• —• 9•
Fm A Bfc
k
m
m m
b
r i
The rain in Spain stays main - ly in the
Bb Am Gm7 C7
y j j j m
é é—é-
i * ;
plain! r Now once a gain, where docs il
k
S î g
F Gm7 Cl F
4
l ^r-> i ; . cJ. rh
r ■ m -
9
« o
—y—
j f hr
h ^
/ raili? On the plain! On the plain! And
o
S 1
frT^— 1 ♦? 8=^ r p 1
V —t? * p / 7
9
205
G m7 Am Dm Gm A Bm7 E7
2
S î
~T~ * *
where's that blast - ed plain? In Spain! In
#-
m î S
C7 Gm c
3
S
l '1
P
ï
Spain! The rain in Spain stays main Iy in the
S*—
'n/f ? î
tP
r;., The rain in Spain stays
plain!
Gm C7 F
3
2
JEEEESz î
/
main Iy in the plain!
ÎE
6
206
SO IN LOVE
from KISS ME, KATE
Words and Music by

COLE PORTER
Expressively
Em B7/F#
& -5^
Strange, dear, but true. dear, When
With pedal
Em/G Am
£
(5^-
l'm close to you, dear, The
m
? tS1
4
D Am GmajT
<> 5
8
« .
stars fill the sky, So in
_o_
Am7/C Am7 B7
«
-o- î
W ?
love with you am i.
8 -o-
B
iz:
s>z
Copyright © 1948 by Cole Porter

Copyright Rcnewed, Assigned to John F. Wharton, Trustée of the Cole Porter Musical and Literary Property Trusts
Chappell & Co. owner o( publication and allied rights throughout the world
207
Em B7/F#
o "27 ■&
E ven. with out you,
m g
Em/G
*
My arms fold.
Am D
bout you. You know,
D7 Am7 Cm6
JP ^—»— « rt
?
fip 8 '•^L-
dar - ling, why, So in
iS»- —«
U f
^
—^—T+ 9 5?
*
208
GmajT D7sus D7 G
-o- —o—
1F
love wilh you am
a:
m
C/G mm
—
In love with the night mys -
G6 Em C/E
/ —^ a
" ^^
/ t er - i - (11IS, The n ight when you
Gh G-
(S?- ^
% ?
^ g
7
\
D7sus D7 C/E
M
s 13.
-i©--
first were there, In love with my
m S
209
D7 Em B7
*
te
joy de lir I - ous When
Em Fit? B9m Bim

*
nu
knew that you could care, So
4#-
é
W
Em B7/F#
m
~c
taunt me and huit me, De
Em/G Am
-iS^
77
ceive me, De sert me. l'm
Iggpi p
210
D Bm En»
* & fa
xn -o-
S
yours 'til die, So in
fi
Am7 Cm6 Gmaj7
M o: -o- fa
5 H
t) «
love, So in love, So in
_o_
311
Et9 D9
•5 O
love with you. my love am
TTZr
XL
m ?
211
THE SOUND OF MUSIC
from THE SOUND OF MUSIC
Moderately
F E/F
in
The hills are a - live with the sound of mus ic, with
mf
.A. o\ simile
Bt>/D
e
w o G
s *
songs they have sung for a thou - sand years. The
E/F
s
•>- ©
hills fill my heart with the sound of mu sic
4
m
C7
s;
D
I -e-
heart wants to sing ev-'ry song it hears. My heart wants to
42. 2
25

Copyright Renewed
WILL1AMSON MUSIC owner of publication and allied rights throughout the world
212
Bb F/A Bb_ F/A
$ * ' ' ' ' ' ir
beat like the wings of the birds that rise from the lake to the trees. My
-9-^0
F/A G7
s o
r
heart wants to sigh like a chime that flies from a church on breeze, To
iz:
Bb F/A Bb F/A
_ISZI
I
laugh like a brook when it trips and falls o-ver stones in its way, To
5»
«
Dm Am I)m7 G? C7
3 J
sing through the night like a lark who is leam - ing to pray.
.p.
;z- 2
m
213
E/F
go to the hills when my heart is lone iy.
* tf
lîb/L)
e
m 3 a
&
know I will hear what l've heard be - fore. My
F/C Fmaj7/C Gmv
a
3
&
heart will be blessed with the sound of mu - sic And Fil
C7
«
-&■
smg once more.

ri tard.
s;
9 s
s
214
SOME ENCHANTED EVENING

from SOUTH PACIFIC

Moderately
3
3 3jt
?
Some en-chant-ed eve - ning.

mp
Some en-chant-ed eve - ning.
O
jO
11 T S s
07
<>
-a*
You may see a stran - ger,.

Some-one may be laugh - ing,.
# # :^p
i o-
fr r r r
E+
É
I o
You may see a stran - ger. cross crowd ed room.
You may hear her laugh - ing. cross crowd ed room.
S fi
Dm7 07 Dm E7
i 3EEEEE3EEEp
$ M» • *^ o
And some - how you know,. you know e - ven

And night af ter night,. as strange as it
m ? te

Copyright Renewed
WILL1AMSON MUSIC owner of publication and allied rights throughout the world
215
Am C7/G C/E Dm
« e
F '
then that some - where you see lier

seems the sound of her laugh her will
m g
1 2
G C C
5
î
w** g
gain and a gain.

sing in your dreams
Jl
&
S ÎËËËê;
1
2
G7 G7
3 3
P5
Who can ex - plain it? Who can tell you why?
? ?
Am7
216
Bbdim G7/B
—Q-
«
Some en - chant - ed eve nmg
Jl O-
i
i
G7
J ^ ^ J ¥
?
when you find your true love,. when you feel her call you.
gan »
rv r r r
E+ C/E
5 î
— —# i
cross crowd ed room, Then fly to her
1
3
Dm Dm Am C7/G
o
o rJ o
side and make her your own
|3 g 9
S
217
Dm Dm 7 G7
É zz:
ICE
or ail through your life you may dream ail
&
1 '2
3 4
G7
j r~] j ^
lone.. Once you have found her,
G7 G7
^ .. . . .
nev - er let her go. Once you have found her nev er
Dm7/G
a s
o
a
go
J
218
SOMEONE LIKE YOU

from JEKYLL & HYDE
Words by LESLIE BRICUSSE

Music by FRANK WILDHORN
Slowly and freely
D A/D G/D
&
I peer through win - dows, watch life go by,
P
un
^2=
3
5
D A/D Gsus4
* ^
% 1-#
dream of to - mor - row. and won - der "why?"
331
C/F Bt/F
33Ë
% -# 1 -0- vé z-é ^ #
The past is hold - ing me. keep- ing life at bay,
2:
r
C/F A/CK Dm Dm/C
s
z: ?
I wan - der, lost in yes - ter day, want - ing to
Copyright © 1990 Stage & Screen Music, Ltd. (BMI), Cherry Lane Music Publishing Company, Inc. (ASCAP), DreamWorks Songs (ASCAP),
Les Etoiles De La Musique (ASCAP) and Scaramanga Music, Inc. (ASCAP)
Worldwide Rights (or Stage & Screen Music, Ltd. Administered by Cherry River Music Co.
Worldwide Rights for DreamWorks Songs, Les Etoiles De La Musique and Scaramanga Music, Inc. Administered by Cherry Lane Music Publishing Company, Inc.
219
b!» Gm7 Bl^/C
On
~T9
zP
"y. but scared to try. But if
/7N
-o-
XE
f
% F Gm7
-5-0
$ S
t-#
ÎH
some one like you found some one like me, then
-©-
§Ë
XT
1
5
F Gm7t5
9 0 XjE
i
$
f
sud - den iy noth - ing would ev - er be the same! My
xr
Gm F/A Gm7
? 5< rJ-
2*
$ \0- i
heart would take wing- and l'd feel so live,. if
M
m 3
To Coda
"0"
Dm7 Gm7 Dl^/Et Fadd2 Em7 G/A
9 0 1 n
J J ^
some-one like you. found me!
rit. a tempo
0- 0,
î à -JZ-
m
xr
5
L_
220
A/D Gadd2/D D A/D
Pi i-# 4 -Tjj<: JPJ J'fr*

¥ ¥ +r
So man - y se - crets I long to share! Ail I have need - ed
mp
M
g
Gsus4 G C/F
ë 5 *
%
is some - one there to help me see a world
b1>/f Asus4
i
» «
* 2^ 1. - " «:
Tve nev - er seen be - fore, a love to o - pen ev - 'ry
D.S. al Coda
Dm Dm/C B\> Gm7 BI>/C
%
$ ~zr
door, to set me free so I can. soar! If

cresc. mf
^=à= -+&
-HS»
g
Coda
^ Dt>maj7 C/D
i
-ir0
32: s
1 o Të -TM-
2* ■
me! Oh, some - one like you found
f a tempo
rit.
221
Am7 Gsus4 G
-e-#-
TW~ T9
some one like me, then sud - den - ly. noth - ing would
rrr
Cmaj? Am7l>5 Em Am7
SB
$ TB B ~9~
ev - er be the same! My heart would take wing,- and Td
Slower, freely
Bm7 D/E E7 Am7
On
TTfT -5-6»-
-&0—
xb:
T
feel so live,. if some one like
o
X -fiB- _z.
rxi
izz; ;2: X-
S
Dsus4 Gadd2 Cmaj7

&-1 z
§
i
you loved me, loved—
Z B B__A O
O
o
5 2
Gaddz Cmaj7 N.C. Gaddz

o 0 O
z Z
1-0
i
me, loved- me: — PP
nr O
O O a
i sS» z
o
222
STAYIN' ALÏVE
from the Broadway Musical SATURDAY NIGHT FEVER
Words and Music by ROBIN G1BB,

MAURICE GIBB and BARRY GIBBI
Médium Disco Beat
Em7
Well you can

m
Em
tell by the way I use my walk, l'in a wom-an's man no time to talk.
get low and I get high, and if I can't get either I real - ly try got the
Em7 D Em
Mus-ic loud and wom-en warm, Fve been kicked a-round since I was born and now it's
wings of heav-en on my shoes. l'm a danc-in' man and Ijust can't lose. You know it's
.s
»
F- ^ ^
ail right, it's O. K. And you may look the oth-er way.
We can try to un-der-stand the
ail right, it's O. K. Fil live to see an-other day.
Copyright © 1977 by Gibb Brothers Music, Wamer-Tamerlane Publishing Corp. and Crompton Songs LLC
r
an Rights
Ail o uS,for DBMCK!^bMusic
wBr0tti. e
S Music International
Publishing throughout the world
in the Administered
U.S. by by
Administered BMC Music Publishing
Careers-BMG Music International
Publishing, Inc
223
Emv
New York Times' ef-fect on man. Wheth-er you're a broth-er or wheth - er youTe a moth-er you're stay-
- in' a-live,_ stay-in'a-live._ Feel the cit-y break-in' and ev-'ry bod-y shak-in', and we're
&
* * s
stay-in' a-live,_ stay-in' a-live._ Ah, ha, ha, ha,
J J J J J
7
1
stay-in' a-live,_ stay-in' a-live._ Ah, ha, ha, ha,
m
224
Em D/E Em
M
«
tJ
stay-in' a-live.
9:|!
J J J JJjJi JJJ
1.
Bm7 Em7
2
1
M
2.
Em7 2
__ _ *
ad ^
if^= — ^5-. » î.
J. W _. J. ^ <0 • • J J) —^
Well now, I
f^Lq •
•
^ J
3 i A7
Life go - in' no - where.
m
i
225
Some-bod - y help me Some-bod - y help_ me yeah._
Em A7
P~* ^
Life goin' no - where
*
g î
Some-bod - y help_ me yeah._ Stay-in' a-live.
3-: s
* m
^ ^ Em 3 2 ^7N
1 2
-0
—•—— *—m
J 1 =
*>
SUMMER NIGHTS
from GREASE
Lyric and Music by WARREN CASEY

and JIM JACOBS
Moderately
N.C.
v- v- s.
v.—
^ « f « • m 4=
#
1 M
d
/ b d
J m 0
m
1 f
/ 4); : ^ \ s— \ hs, S,
l ^ # 4 4- ) 4- 4--
^ • 0 0 0-
»
5
D G A G
aM M t t* * 0 m à9
9
d S_,' d
^— — —J—'
Boy: Sum-mer le)v- in', h ad me a blast.

Boy: She swam b y me, siae got a cramj a.
Boy: Took her bo wl-ing in the ar - cade.
"f^ â^
^
v- Y ht f
m M
4
D G A G D G
<
J J *—J—*—k—tc9 9
— J J-*— ^
Girl: Sum-mer lov - in', h ap-pened so fast. _ Boy: Met a g irl
Girl: He ran by me, g ot my suit damp Boy: Saved herlilFe,
Girl: We went stroll-ing, dr ank lem - on - ade. _ Boy: We made 01at,
■f1 s^
^B
2
B E E
I
cra - zy for me Girl: Met a boy, cute as can be
she near iy drowned._ Girl: He showed off, splash-ing a round. _
un - der the dock. Girl: We stayed out 'til ten o 'clock..
te
S
© 1972 WARREN CASEY and JIM JACOBS

© Renewed 2000 JIM JACOBS and THE ESTATE OF WARREN CASEY
AH Rights Administered by EDWIN H, MORRIS & COMPANY, A Division of M PL Music Publishinq Inc.
Ail Rights Reserved
227
To Coda {[>
D B Em A7
î
i
Both: Sum-mer days drift - ing a - way, to uh, oh, those sum - mer nights.
Boîh: Sum-mer sun some-thing's be-gun, then _ uh, oh, those sum - mer nights.
Both: Sum-mer fling don't mean a thing, but
121
S
D E
à
$ t
CTzorw.sïWell-a, well-a, well-a, uh. Boys: Tell me more, tell me more, did you get ver - y
Chorus:We\\-a, well-a, well-a, uh. Girls: Tell me more, tell me more, was it love at first
m 5 1
? # I 5
D E D
5
* t* s s s
&
far? Girls: Tell me more, tell me more, like, does he have a car?
sight? Boys: Tell me more, tell me more, did she put up a
m
$ 5 i
2. CODA
D G D.S. al Coda ^ Em
à
t 5 m
S
I
fight? uh, oh, the sum - mer
m
S
S
228
Bb Eb Ab Bb
i —e- i P, >
a
ê
nights. Boys: Tell me more, tell me more, like you don't have to
\>p—
m S i
Ë=tl S
Eb Ab Bb7 Eb Ab Bb Ab
g ^ : ? -
brag. Girls: Tell me more, tell me more, 'cause hesoundslike a drag.
m S
S
Eb Ab Bb Ab Eb Ab
î # ,_,<y î « m
Girl: He got friend-ly hold-ing my hand. Boy: She got friend-ly
i i
Bb Ab Eb Ab Bb
♦ 0-
P
down on the sand.. Girl: He was sweet, just tumed eight - een.
P
229
Bb Bb Eb Ab
î g
$
Boy: She was good, you knowwhat I mean._ Both: Sum-mer beat,
Bb C Fm Bb7 Eb C7
~—^• v /■" 0 " «

7- 7 4J—•—« 0 *— 0— 0 0— -7-
—• 4pL i ^ ^1
^ d
b(Dy an d giirl rrieet. — then u h, ohi, those siam - n1er nights..
< y9-
LX O
9 -S ^—7^0
7- ) s» > -7-
Bb Bb
* * « F FF f F
Gir/s: Tell me more, tell me more, how much dough did he spend?5oy5; Tell me more, tell me
S
m 5
5 5 mm
Cl Bb Eb Ab
S -S
I
more, could she get me a friend? Girl: It turned cold-er,
î g î
S £ "^7
230
Bb Ab Eb Ab Bb
0—m
that's where it ends Boy: So I told her we'd still be friends..
% £
Eb Ab Bb E
*
te & :\r0
Girl: Then we made our true love vow. Boy: Won-der what
Lightly
E D B
4
0. ..a î
she's do - in' now. Both: Sum-mer dreams ripped at the seams, _ but
Em Db D D
-o-
î
s
m
oh, those sum - mer nights.. Chorus:Te\\ me more, tell me more.
m -e-
V•I
231
SUN AND MOON

from MISS SAIGON
Music by CLAUDE-MICHEL SCHÔNBERG

Lyrics by RICHARD MALTBY JR. and ALAIN BOUBUL
Adapted from original French Lyrics by ALAIN BOUBUL
Sweetly
N.C.
<5
m s i
KIM: F Bl,/F
k
Jm. .. 0
NLL/ ^ ^^ —
You are sun - light a nd I moon,_
-Sh
tTV. ^ A
b
B^/C Bl>/C
5 P
s g
joined by. the gods of for tune,_ mid night and
Am F/A Am Dm/A Bt>
high noon _ shar mg the sky.
Music3 and Lyrics Copyright ® 1987 by Alain Boublil Music Ltd. (ASCAP)
Enqlish Lyrics i Copyright
/-> ® 1988 by Alain Boublil Music
a Ltd.D^..uiil
(ASCAP)
Additlonal Music and. -Engfish
r. . Lyrics' Copyright © ,/<o<o
1989 andi t1991
nn i l..
by Alain Boublil Music Ltd (ASCAP)
Mechanlcal and Publication Rights for the U.S.A. Admlnistered by Alain Boublil Music Ltd_jASCAP)
c/o Stcphen Tenenbaum & Co., Inc., 1775 Broadway, Suite 708, New York, NY 10019. Tel. (212) 246-7204. Fax (212) 246-7217
International Cnnurlahl Secured. Ail Rlahls Rcserved. This music is copyright. Photocopymg Is illégal.
232
F/A Gm7 Csus
1 g
TT
We have been blessed, you and I. rit.
-o- -O-
Q
m xr
F/Bk Bl?
4
CHRIS:
5 g
É
You are here like mys t'ry.

a tempo
F/A Gm7
l'm from. world that's— so dif frent. from
m
s
C7 Dm Bl?
; ^
1 Ms ■ M
O —=*=i ^ j ' «•
al S that you are. Ho>•v in the

(
kP- ■ ■ r ^ HN —i— :
3
233
G m? 4 c
/ /£ b—
•
0^ 0' r—i
g -
lt
ligh
of the niglht did we conie so
1
(Ur- « « 8
^ m . ^ J —r—f—r—
r i ^
a F KIM: Cm Cm Bl> C
w
sb 103 s —
H
far? Ou t - side da;y starts _ to
44fr-n P r «s « s
y b ^ .... (Si J s" *
Am D/E E E7
CHRIS:
o M
o
dawn. Your moon still floats_ on
m
£
Am Csus C
KIM: CHRIS: KIM:
m s
? ^
0 i P
<5
high. The birds a-wake The stars shine, too My

building in excitement
m
234
Bl>7sus B1,7 Bl,7sus B^7 BOTH: Bl>

2 i B 7
2
CHRIS:
t
î
m
$
hands still shake. reach for you, and we meet in the
E\> , Al?/El>
2
_ 3
i
/r^Tb—B 1 J f r
f' ^ 5» m —- ip
tfh " 1' ^=f
t
) //
f —— F f m m p p
\ S <> y F J éh J » J J
Al>/Bl> Bl> A\>/B\> B\> Gm Cm/G Cm El>/Bl>
É l m m
\y
m
El?/G Fm 7 Bt7
B
S S
S
nî
F 8 o
235
Tran
KIM: quiI
El? Fi7 Ai?
^
5?
5
You are sun light and moon,_

J* a tempo
o bo
o
XE o
El?/G Fm7
i
i ?
joined here. bright - 'ning the sky with the
-o- JQ o
Bi? Cm Bi?/Al? Ab
3
1 BOTH:
O
r
flame of love. Made of
Fm El? /O
:Br S <>
O
XE
sun light, _ moon light.
/O
o
CE
XE -o-
S
O
236
THE SURREY WITH THE FRINGE
ON TOP
from OKLAHOMA!

Easily, with a bounce
G C
-8-6-
M 5^
C
mp
D D D
When take you out to - night with
§5
î î
1 1
3 2
U
î
t
me. Hon - ey here's the
m î
Copyright ® 1943 by WILL1AMSON MUSIC

Copyright Renewed
International Copyright Secured AU Rights Reserved
237
B
4 Db
5
rr
j ^ ij ^
way it's goin' to be;.
ii
iî
m'P i F ;
Ab Db Ab Bb
M
J ^
]t~iiJ B
m
You will set be hind a team of snow white
j & tre
î î î î
Cm7 F7 D D
m r j J
à
hors es, in the slick - est gig you ev - er
JL
. m ï î î ï i î
<>
r
see!.
£
m ^ i
238
C/D
î f
and geese bet -ter scur - ry When take you
Chicks and ducks
fringe and see how it flut - ters When drive them
Watch that
î î î î î
m
€J f t t t
out in the sur - rey When take you out in the sur - reywith the
high step-pin'strut - ters Nos ey pokes 'Il peek thru their shut - ters and their
m î î 3= î î
1 2
Em 7 A D Ani7 D7
• li J
TM— J ^ •
o
\ T
/ frin ge on top
\ eye!S will PC)p The
J =1^
f * • • - #
1 r 1
Dm G7 G sus G7
i
5 £
I ^ 1 é' 1
wheels are yel-ler the up hol-ster -y's brown, The dash - board's gen - u - ine
wind - 'Il whis-tle as we rat -tle a long, The cows - 'Il moo in the
m î î î î î
$
239
Em
3
$
leath er With n - glass cur tains can
clo ver The nv er will np pie out
is-
te
D Em7 A7 Am 7 D
M
1 g # 2 m:
i i
r#
roll right down, m case there's a change in the wea ther

whis pered song, and whis per it o - ver and ver
-1*- %-
m î £ £
m r
T wo bright side light's wink - in' and blink - in' Ain't no fin er
Don't you wish V'd go on for - ev - er Don't you wish y'd
gEHH £ £ £ £ £
M
S
t f r
F"
l'm a think - in' You c n keep your ng if your think - in' 'at l'd
ng
on for - ev - er Don't you wish y'd go on for - ev - er andyou'd
go
£ £ £ £ £ £
m
240
Am Am
M S
Keer to swap Fer that shin - y lit tle sur - rey with the
nev er stop In that shin - y lit tle sur - rey with the
î î
Am D7 G7
M
î
fringe on the top. The
Am D7
*
XE
o
1 XV
fringe. on the top
î
1
2
241
TEN CENTS A DANCE

from SIMPLE SIMON

Slowly with a jazz feel
Cl
J J J
-M
S m
G#dim7 Gm Cl
Ten cents a dance; That's what they pay me.
#- —
G7b9 C7sus Cl F Fm
S g
i
Gosh, how they weigh me down! Ten cents a dance,
^ J
C i ni 7 Cl Dm
S i
I
r
and rough guys, tough guys who tear my
pan - sies
Copyright © 1930 (Renewed) by Chappell & Co.

Rights for the Extended Renewal Term in the U.S. Controlled by Williamson Music and WB Music Corp, o/b/o The Estate Of Lorenz Hart
242
Em7 A7 D7 Gm
/ ^
[> m — S"
* \'.a m m-' •
1
o
r
Sev - en to mid - night I hear drums,
/ go wn!
f —» t—r
l s \}
D7 Gm Gm/F
—o
J J J J ■ - J" J ^
p -e- ■" o
Loud - ly the sax - o - phone blows,
f2 ^
3.
?
Esus E7 Am
I o
trum - pets are tear ing my ear dru m s.
Am7b5 D7 G7 C7b9 G|tdim
O i
$ i
eus - tom - ers crush my toes. Some-times I think
-9
m I
S}
243
Gm7 C7 Dm
S
i
$
r
l've found my he ro but it's a queer ro
JliS
S
Em7 Eb7
o
o ■
mance. Ail that you need is
o
m
Gm7 F F+ Bbmaj7 B7b5
J
3 ^ ^ !i^
r
tii<:k - et. Co me on b ig bc>y,
\
i ^ fr ^l
?
'm k
1. 2.
C7 Cl
î î
o
ten cents a dance! ten cents a dance!
m
>
THE SWEETEST SOUNDS
from NO STRINGS
Lvrics and Music bs'

RICHARD RODGERS
Moderately
Dm7 G7
e! i i i ij rs
—0—9—y 0 é
What do I real ly hear and what is in the e;ir of m\

mp
7C (Ma « m
Bb F6
^ 1 ^ fv
^ « 0 0 0 0 0 a ^ 0• 0
mind? What sounds are true and clear and
^ D i lio
A—Q 48
} o }
Gm/Bb A7sus A7 Dm
I sP—
which will nev - er be de fined? The sweet est
o o
P
D
Gm
h
1
sounds ri ev er hear are
Copyright j? 1%2 by Richard Rodgcirs

Copyright Reneroed
WILUAMSON MUSIC owncr o( publication and attied lights throughout the urarid
International Copyright Secured Ail Rights ResenCl
245
El Al Dm
g
$ G
"ff7
still in side my head.
4'
m
s
S i
The kind est words ni
Gm Gm7
S
?
ev er know are wait ing
Fmaj7 F6 Eni7b5 A7
^ ^ J
/rf- m
F• c i •
9 y —<» m i 0-
>aid. The
( to be
1
J _ —^9 9
f 61' - »
v — •
l ' \> ^
246
Dm Gm
I 1)— N ^
) w m
^ s
—4pb
r en tra ne in g si g ht oiF
m(DSt
f
t % #
i ') ^ — 1
^—'
F7 A
s s f
)
m )
7
- 0 4
pL J
-P
a 11 is y st fo r nle to
f -Af^
1r tfl
4» fr
?—
Cm? F7 Bb
see. And the dear est

crcsc.
"■/
G/B Bdim F/C
S
P
love in ail the world is

247
Gm7 C7 Fmaj7 F7
wait ing some - where for me. Is

Vp-
Bb6 Gm7 C7sus C7
wait ing some - where, some where for
1%
1.
Fmaj7 Gm A7
"IF
mp
me.
2.
Gb6 F6
me.
/
ife
i
i
248
THERE'S A SMALL HOTEL

from ON YOUR TOES

Moderately, Hghtly
Am7 D Am7
_(S
mrp
—
*
ïs i î
D7sus D7 Ginaj7 G6 GiTîaj7 G6
M
Q i
7 p Lj-; ^
There's small ho - tel
-O-
m
G6 Gmaj7 G6 Am7
j ZMZ
T>
7
with P Cf i p wish - ing well; I wish that we were
<>
D7 Gmaj7 G6 Gmaj7 G6
M
£
xr
7 7
i
there to geth

Rights for the Extended Renewal Term in the U.S. Controlled by Williamson Music and WB Music Corp. o/b/o The Estate Of Lorenz Hart
249
Gmaj7 G6 GmaJ7
M î
i
F Lr; p r 7
f Lf ' F r
There's brid - al suite; One room
Am7
M
xr
bright and neat, Com plete for us to
-a-s»
-o-
D7 Gmaj7 G6 Gmaj7 G6
ivM . ^ ^
% r
J. J 1 y ^ ^0
7
' p L/ ? r r
( share to - gp.th - er.
/
^ 3 r m—
1 V
1 F ™ —
\ ^ . b =:
C Dm7 G7
4
^
I J l =^=q M «
^^=-j 5> i
4]
wn
)ok - ing through the V.dn - dow yc)u can
L(
\
^ ,^
n —
fkirS"
\ J * r: 7
2
5
250
C E7 Am
4 • —i^^
^ J
9 0 J —« fâ9 *-—
/ se e a di s - ta nt SItee - p le; hlot a sign of
-1
% ff
9 * ^ r
(^=|9 S
3
E7 Am Am7l>5 D7
iH:
iSr^-
-o-
peo pie, Who wants peo - pie?
Gmaj7 G6 Gmaj7 G6 Gmaj7 G6
H ^
1 ®^ p «! s J
l
1 \
^ 7 ^ r
' f Lr ' p r
\ When the stee - pie bc;11 says, "Good
a *3
(^ ;
^f *r>
y
\ ?
L^sl
3
"27
Gmaj7 G6 Am7
i
night, sleep well," we'll thank the small ho
m
-o-
251
1.
D7 Gmaj? G6 Ani7 D7
<>
M
tel to geth er.
Am7 D7 B,.
*
¥ w
tel. We'll creep in to our lit tle
Cm7 F7
shell and we will thank the small ho
iL
pu
Am7 D7 Gmaj7
—« <5> — —<s . ^
J
? «
T «
w
tf
tel to - gel h - eT
*»
^ i —
W 1-
^^— —J —«s
. 5 1
1
252
THERE'S NO BUSINESS
LIRE SHOW BUSINESS

from the Stage Production ANNIE GET YOUR GUN
Words and Music by
IRVING BERLIN
Brightly
N.C. Bb7 A7
,. .
■ « F T ^—P
p—
J J 1
J J r*
mf
?lS^ p
^>4
^4 i f ^
With pedal
Ab7 G7
D
O
I
4):
JQ
^ » -0-
-e-
There's no bus 'ness like show bus
-&■
'ness like no bus ness I know.
a o o
m xc
© Copyright 1946 by Irving Berlin

Copyright Renewed
253
$ ♦ '
Ev 'ry - thing a bout it is ap peal mg.

You get word be - fore the show has start ed.
Ting through the coun - try will be thrill ing.
o
o
G7
I ^g. 9
Ev - 'ry - thing the traf - fie will al low. _

That your fav - 'rite un - cle died at dawn.
Stand - ing out in front on open - ing nights.
*> o»
Am
jD
^ #
I
No - where could you get that hap - PY feel ing

Top of that your Pa and Ma have part ed, _
Smil - ing as you the thea - tre fill ing,
s:
D7sus D7 G7sus
S
I
when you are steal ing that ex - tra bow. _
you're brok - en heart ed _ but you go on.
and there's your bill ing out there in lights.
-o-
o
254
G7 C
/pg-l 1 —1 1° '
^ —&-1
-0-
| There's no peo pie like show peo -
/ There's no peo pie like show peo -
j There's no peo plè like show peo -
f?-
1 m n
rJ- r " ^
\ ^
C7sus Fmaj7
o
-o
mm
pie. They smile when they are low. _
pie. They don't run ont of dough.
pie. They smile when they are low. _
-Wj1 ^ -
o — 9- — o -e
m
F6 Dm 7 Bb7 A7
=pa=
zia-
m
E - ven with a tur - key that you know will fold..
An - gels corne from ev - 'ry - where with lots of jack. _
Yes - ter - day they told you you would not go far. _
iêL_
o
m
Ab7
You may be strand ed out

And when you lose it there's
That night you o pen and
m
255
A7 Dm
$
in the cold. Still you would - n't
no at tack. Where could you get
there you are. _ Next day on your
Bb7 Al
change it for a sack of gold.

mon ey that you don't get back. Let's
dress - mg room they've hung a star. _
:q
m D
l.,2.
Ab7 G7 C
jd
:o
go on with the show. There's
D 3X
3.
D TU
show.
i- -e^
TE
XE
256
THIS IS THE MOMENT

from JEKYLL & HYDE
Words by LESLIE BRICUSSE

Music by FRANK W1LDHORN
Slowly
B^/C Fmaj7/C
1 1
li t#
This is the mo ment! This is the day when I send

mo ment, this is the time when the mo
p
1 O
Bt/C Fmaj7
S
i ~?W~
-6^
ail my doubts and dè - mons on their way! Ev - ry en

men - tum and the mo - ment are in rhyme! Give me this
S
ï
-f-- m
Dmadd2 Am Gm F/A
~Z.
5 î
r
deav - our I have made ev - er is corn - ing in - to play, is
mo - ment, this pre - cious chance. ni gath - er up my past and
zz;
S
1. 2.
b\> Csus4 B\>
J
1
tzzzê î
here and now to - day! This is the make some sense at
P■
m î
Copyright © 1990, 1995 Stage & Screen Music, Ltd. (BMI), Cherry Lane Music Publishing Company, Inc. (ASCAP), DreamWorks Songs (ASCAP)
Les Etoiles De La Musique (ASCAP) and Scaramanga Music, Inc. (ASCAP)
Worldwide Rights (or Stage & Screen Music, Ltd. Administered by Cherry River Music Co,
Worldwide Rights (or DreamWorks Songs, Les Etoiles De La Musique and Scaramanga Music, Inc. Administered by Cherry Lane Music Publishing Company Inc
International Copyright Secured Ail Rights Reserued h y. •
257
BkC G m/F
last! This is the mo ment when ail Fve

mo ment, my fi - nal
Gm7l>5/F Dm
$
donc, ail of the dream - ing, schem- ing and scream - ing be - corne
test. Des - ti - ny heck - oned, I nev - er reck - oned sec - ond
Btrnaj? C/B \> Gm C/B^
■P—T FlS»- f
$
one! This is the day,— see it spar - kle and
best! I won't look down. I must not
+0 za
m
To Coda
Am Dm Gm Bt/C
-h~0-
shine, when ail Tve lived for be - cornes

fall! This is the
3Z
EEEtzi:
F C/B\> Bt» Am7 F/A

h9-^
m
mine For ail these years Tve

258
C/Bt F/A Gm F/A
IZZ y-0-
xac
faced the world a - lone, and now the time has come to
f
D.S. al Coda
%
B\> m Csus4 bI^/C
3
m
Lr r r r
$
prove to them I made it on my own! This is the
-o- ^2-
S9 o-
Coda Gm F/A Gm Bt/C
mo - ment. the sweet - est mo - ment of them
P Z2
J2
D7 G A m/G
m
xar
$
f
ail! This is the mo - ment! Damn ail the
i n
Am7t5/G Em
* &0~
rar i» 0-
$
odds! This day or nev - er, F11 set for - ev - er with the
1 3
259
Cmaj7 D/C Am D/C
's 4-#
gods! When I look back, i will al - ways re
Bm Em Am G/B
I -9l^
î $
call mo - ment for mo - ment, this was the
G/B Am C/D D7
E -air
$
m
mo ment, the great - est mo - ment of them
C/G A7/G
4O.
*
$
ail!
S
5
A m/G C/D D7 G
" THOROUGHLY MODERN MILLIE
from THOROUGHLY MODERN MILLIE
Words by SAMMY CAHN

Music by JAMES VAN HEUSEN
Moderate Swing (J ] " J J^)
mf
C7 N.C. F
5
But the fact is: Ev ry thing to day is thor ough - ly

Ev 'ry thing to day is thor ough - ly
G7 C7 G m7
5
m [?* Hzme
R^7
mod ern. (Check your per - son - al - i - ty) Ev - 'ry - thing to
mod ern. (Bands are get - ting jazz - i - er) Ev - 'ry - thing to
3
aTrIh ^
Ail Rights r6^ M
for Cahn
neW
r 1995 CAdmimstered
Music Company
a n MusiC
A !;
(ASCAP) and Universal Northem Music
by Cherry Lane Music Publishing" Company, Inc. and
Company, Inc. (ASCAP)
DreamWorks Sonqs
261
Djfdim Cl F7
1
J J bJ J TJ J
I
day makes yes - ter - day slow, (Bet - ter face re - al - i - ty)
day is start - ing to go. (Cars are get - ting snaz - zi - er)
^
m
Bb Bbm6 F/A Cttdim
WÊÊÊ î î i
It's not in - san i - ty says Van i - ty

Men say, it's crim i - nal, what wom en - 'Il
Dm G7 Bbm G7
/^r- 1 —> i MM
c »
S 8 > J J
—e
) Pair; In fact, it's styl ish to

\ do; What they're for - get ting is
Cl Gm7-5 ci c
8va
1 1
à
i ?
raise your skirts and bob your hair!

this is nine teen twen - ty two! —
8va
b#.-
262
Gm7-5 C7 F
loco
5
k
In a ru m ble seat, the world is so

Have you seen the way they kiss_ in the
~l
bV
m
loco
/rg-L h 1
1 §—& — tiW 1|3!—bJ J
J :os - y. (If the boy is kiss - a - ble)

\ rnov - les. (Is - n't it de - lect - a - ble)
1 C\' m m m w
-» —«
« 0
Cl Gm7 Dltdim Cl
5
and that Tan go dance they would n't al

paint ing lips and pen cil lin ing your
A7 D7
2
m m
1 €M
—j/i——'—•——^ J
/ low. (Now is quite per - mis - sa - ble)

\ brow? (Now is quite res - pect - a - ble)
/ -çy, J— 0 tj-*
263
Bb Bbm6 F/A
Good bye,
Good bye, Good- good y girl, l'm chang - ing and
M. S
m
Ddim El Gm7 C7 Gm7 Cl
pï
how. So beat the drums! 'Cause here come thor ough - ly
Vf
0 p *
§
Gm7 Cl
□31 1 1
mod ern Mil lie now.
I I
g
Gm7 Gb F C7 F
i
î
^-1) J ji i
1
now!
ce
^—g iê
~0
TILL THERE WAS YOU
from Mcredith Willson's THE MUSIC MAN
By MEREDITH WILLSON
Moderately
C#dim
i
£ 3
There were bells on the hill, but

birds in the sky, but
mf
b.
") '■ c i i
Dm7 Fm6 Ebdim

3 s
t
•—
Z2
nev er heard them nng mg, No, nev - er heard them at

nev er saw them wing ing, No, nev - er saw them at
i m
Dm G7 Fmaj7 G7
__j s
& . W
al Till There Was You There were

ail
« i
You And there was mu - sic and
s
S
© 1950, 1957 (Renewed) FRANK MUSIC CORP and MEREDITH WILLSON MUSIC
AH Rights Reserved
265
F|dim c A7
2 1 3 4
i
i
there were won - der - fui ros es, they tell me in
fa-
2
4
Dm D7 Dm 7
3 2
i
-9- i
sweet fra - grant mea - dows of dawn, and
m i
m
2
4
G+ C|di m
i ii —s m
m- - fi^ , a—
«i—«—
— # —
dew. There was lov e ail a - roiind, but I
« - hp
4' i;— " * i » m
r*— mr _ .
^ J
i
Dm7 Fm6 E^dim

3 i s
i*—Pi
i
—W i
nev er heard it sing - ing, No, I nev - er heard it at
m
i
s
Dm G7 C Cmaj7 O
l_ _1_ 4:
ail Till There Was You.

rit.
zat zs=
3331
m
^7
266
TURN BACH, O MAN
from the Musical GODSPELL
Words and Music by

r—O —1 STEPHEN SCHWARTZ
Swing a la Mae West (Jl-l h
ri
J
p ^4^
f
1
f f f J
*
r
4
Gm Gm/F Gm/E D7
^ Gm 5 Gdim/F Gm/E Ebmaj? Gm/D A7

4
. 0—
l— ^^ 1
• r —t— ^ dl_ ^^ —i
i-«—W-
—r—
H
T urn back,. 0 man, _ for - sw'ear thy f ool-ish
Elirth might 3e four __ and £ill men g lad and
* f n
* 74 f '
— nb# ^
n tu
Copyright © 1971 by Range Road Music Inc., Quartet Music, Inc. and New Cadenza Music Corporation
Copyright Renewed
Used by Permission
267
D G7 Ab7
I
I VtL
ways old now is Earth and none may

wise âge af - ter âge, their tra - gic
l.kg
}
Cm 6 D7 Gm Gdim/F
-±
t
r
count her days._ Yet thou,.

Da da da da da
em-pires rise Built while
■Sh'
m 8 '
t
Gm/E Ebmaj7 Gm/D A7 D
her child, _ whose head is crowned with flame

they dream, and in that dream - ing weep
—n®
k f L bm &
y i,1,
G7 Ab7 D7sus D7tt5
/liii- i y ftp f "T ■

(-&J?—l—1 ^ r—r—4-—é
—^—r. rT—r~
/ still walk not hear thine in - r1er God p ro - claim: _
-tÀT® ^ p
([^l. ^ -|»
268
To Coda
Gm Am7b5 D7
1=
o S
4
ê
Turn back, O man
^ t ~
Am7b5 D7 Am7b5 D7
m
* m
W H ~s^- PS
turn back. O man turn back, _ O man _
1.
D7 Gm G m/F
x
k
S
W'-
for swear thy fool-ish ways.
>
Gm/E D7 Gm Gm/F Gm/E D7

1
l-_ h
P m * m 0 _ hm
— pp -y- m g r--
P-^— - J ^ •MjJ—
-H ^
F
f f *
0 _j# I»
( M • a—
\ - b r——r—^ M
269
2. Soft, Folk style

Gm Gm/F Gm/E Dm Dm/C
o
o o JD
ways. Earth
42.
4r
grLk
G/B Gm/Bb Dm E7
5 S o
shall be fair, and ail her peo - pie one.
£L
fe-
Eb Edim
Nor till that hour shall God's whole will be done.
l>e-
Sa»-
o XE
m
Asus Dm Dm/C G/B Gm/Bb
o
cr 1 ï S
o
Now, e - ven now, once
â 42-
<>
m
270
Dm E7 D
S S n i
— w^— -#
$
earth to sky. Peals forth in

more from
42. xi
» ftt
te
m
Eb A7sus Dm
?—m
5> O
joy man s o d un daunt-ed cry
a.
te
Em7b5 A7 A7|t5
$3: 5
XT W "te7
Earth shall be fair, and ail her peo - pie
o X3
s->— Q
Tempo I (Mae West style) D.S. al Coda

Dm D7 (Ist verse)
3 i 3 i
-9-
J =
( one.
■0- »
^4r ^
HM r r ^ r—— ;
(brrffef
271
CODA
Am7b5 137
^ ^ ' * H
Turn back. (3 nan.
|r—|
l^r-
[r r r v
\ —
Am7t)5 D7 D Eb7/Db
<n
F7 J' t ■ 6
m m m j m
6^ — 9 - -ï.t - M 9
Tum b ack, _ ( nan fo r - sw ear hy
""ij k
P-"—
f m Ph#
1^^
C7 D7 Gm Gm/F Gm/E Ebmaj7

2
#
/rtrHf «
m
—h9 m —
s»
19
y
r
)0l i sh w ays.
fc
{
^
1 r— tr9— 8=K?
« w
\ ^
R
ii
3
Gm/D 07(15 D7 Gm
i4 3 ►
i( P 0
0 0 —^ -v— 19
/ri# p i8 ^
r—r— 4 »L-! 49
T
' ft0- i l
r r i
[/ j^=J
J
272
WHO WILL LOVE ME AS I AM?

from SÏDE SHOW
Words by BILL RUSSELL
Music by HENRY KRIEGER
Ballad
G G/F
o
3:
s
Em7 D7sus
Like
G/B D/A
i
i- - Y
5
fish plucked from the o -\ cean tossed in - to a for - eign
± o
o Q
Bm Ani/C
-e-
r
stream, al - ways knew that I was dif - frent of - ten
m o o
o
© 1994 MIROKU MUSIC (ASCAP)/Administered by A. Schroeder International LLC, 200 West 51st Street, Suite 1009, New York NY 10019
and STILLBILL MUSIC (ASCAP), 1500 Broadway, Suite 2001, New York, NY 10036
273
Am7 Dsus D
I:
ï
$ -o- 2?
fled in - to a dream. I ig - nored the rag - ing
a
m —o S
o
G/B D/A
F
i
f
cur rents. right a - gainst the tide I swam. But I
o
§ e o o
Bb Am7 Dsus
r r
float - ed with the ques - tion who will love me
o
m
I 3r
am? Like an
as
-e- o
274
G/B D/A
odd ex - ot - ic créa ture on dis - play in - side a

clown whose tears cause laugh ter trapped in - side the cen ter
s
m S XE
G Bm A m/G
J. $J J ^H . >
5 " ^^JM
J J
* à r
zoo. Hear - ing chil - dren ask - ing ques - tions makes me
ring. E - ven see - ing smil - ing fa - ces I am
j
n ... -o
A7sus Al D7 D7sus
i
I î^" w
r
ask some ques - tions too. Could we bend the laws of
lone ly pon - der ing. Who would want to join this
m
m
G C D7sus G
/rH—
4i j j J fi
r ^ (S fin Ji—J—
r
mi - ture? Could a 1 - on love a lanib? Who could
(
\ maid - ness? Who would cha nge my mon - o - gra m? Who will
r-» rv
\r)^- ém .. . -0
y ——- A
■y— —0
275
Am7 G DTsus
a1 p J U 1 1-n M J ^—K J -1
é —é
p
f
r r fJ
se e be - yond thi s sur - face? Who will love me as I
btî part of my cir - eus? Who will love me as I
( •)■■■■ —13
\ hS
i -o
D DTsus
TJ
r
am?
Who will e - ver call to say "I love you?" Send me
am?
D D
flow - ers or a tel - e gram? Who could proud - ly stand be
1.
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Who will love me as I am? Like a

side me?
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C I)7s us D G
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Who could
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\ pro ud - ly stand bti _ side me? Who will love me
«J •
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277
WISH YOU WERE HERE

from WISH YOU WERE HERE
Words and Music by

HAROLD ROME
Dreamily
C7 F6
Pi
They're not mak - ing the skies as blue this

mp
j i j
T-e-
m
5
3 r 3
A 1 —1 r
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year. Wish you were here! As blue as they used to when
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mom - ings don't seem as new, Brand new as they did with
_j2
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Copyright © 1952 by Harold Rome

Coppyright Renewed, Assigned to Chappell & Co.
278
Gm7 Cl
you. Wish you were here! Wish you were
C+ ? F6 Fmaj7 F6
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F he re! W ish you were here! Some-one's
f 4*.—M^êïr s^————-——— i
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paint - ting the leaves ail wrong this year. Wish you were
J ï J
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/ he re! And wh y did the bir ds change their son

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year? Wish y ou were here! They're not shin - ing the stars as
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bright. They've sto - len the joy from the night! Wish you were
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here! Wish you were here! Wish you were here!
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They're not here!

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280
WITH A SONG IN MY HEART
from SPR1NG IS HERE

Slowly
C/G Am7 Dm 7 G7
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With a song in my heart.
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I be-hold your a dor - a - ble face, Just a song at the
Bm7b5 E7 Am7 Bm7b5 E7b5
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start,. But it soon is a hymn to your grâce.
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q:

Rights for the Extended Renewal Term in the U.S. Controlled by Williamson Music and WB Music Corp. o/b/o The Estate Of Lorenz Hart
281
Am A m/G F|tm7b5 Fmaj7
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When the mu sic swells Fm touch - ing your
WL
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hand. It tells that you're stand mg near,
-e-
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Dm7 G7b9 Gsus
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and At the sound of your voice
□D
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Dm7 G7 Cmaj7
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( ^^ • « # 6 —J—J—J—
por - tais to m( Can I help but re -

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/ ^ i j o
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282
Bm7b5 \ni7 Bm7b5
joice That a song such as ours came to be?
o
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I
But I al ways knew I would live life
te
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through, With a song in my heart for
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you. you.
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283
YOU'LL NEVER WALK ALONE
from CAROUSEL

Moderately flowing
mp \ery smoothly When you walk through a
Z_
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5
G/B F/A
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storm hold your head up high And don't be a
7^
C/G Gm Dm
5
W
fraid of the dark. At the end of the
m
5 2
Bb Dm
is gold en sky And the

storm
s 0
m
*Played j6)1 J throughout
Copyr ight © 1945 by WILUAMSON MUSIC

Copyright Renewed
International Copyright Secured Ail Rights Rescrved
284
Gm
sweet sil ver song of lark..
zn
m
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€7 Fdim
î -is^-
i
Walk on through the wind, Walk
C/E Fm6
Em G7
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tossed and blown. Walk

cresc.
285
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on, walk on with hope m your
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heart and you'll nev er walk lone,.
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You'll nev er walk
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WITH ONE LOOK
from SUNSET BOULEVARD
Lyrics by DON BLACK and CHR1STOPHER HAMPTON,
with contributions by AMY POWERS
Slowly
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Norma: whth o ne lo ok I can bre ak yo ur he art,
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with one look I play ev ery part.
C/E Gm
can make your sad heart smg, with one

International Copyright Sccured Ail Rights Reserved
287
C/E Dm?
look you'll know ail y ou need to know. With one smile Fm the
Am Dm?
2
s
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girl next door or the love that you've
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hun gered for. When I speak it's with my
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SOIal I can pl ay an - y rôle. No
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words can tell the stor - les my eyes tell, watch me
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when frown, you can't write that down. You
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know l'm right. it's there in black and white, when I
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look/ your way you'll hear what say. Yes, with one look I put
289
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words to shame, just one look sets the screen a-flame.
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Dm? G? Am
whole world cry. With one look they'll for - give the past,
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they'll re - joice Fve re tumed at last to my peo-ple in the
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dark. still out there in the dark.
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look you'll know ail you need to know. With one look l'il ig
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nite a blaze, ni re - turn to my glo ry days.
Si
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They'll say Nor-ma's back at last. This time I am stay-ing, l'm

mf
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stay - ing for good, Fil be back where I was born to be,
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WITHOUT YOU
from RENT Words and Music by
JONATHAN LARSON
Moderately flowing
Fsus2 F Fsus2
m
^—
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mf
m #— m— m
w —m— —m— —m— -m— f— frl
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5 1 4
Fsus2
With out you the

out you the
out you the
Fsus2 Fsus2
ground thaws, _ the ram falls, _

breeze warms, the girl smiles,
hand gropes, the ear hears, _
>
Fsus2
the grass grows. . With

the cloud moves. With
the puise beats. _ With
© 1996 F1NSTER & LUCY MUSIC LTD. CO.

AH Rights Controlled and Administered by EM1 APRIL MUSIC INC.
AH Rights Reserued International Copyright Secured Used by Permission
Fsus2 Fsus2
out you the seeds root,

out you the tides change,
out you the eyes gaze, _
Fsus2
5
P ■é-' -é-'
the flow-ers bloom, the

the boys rnn, the
the legs walk, the
Fsus2 Dm7
chil-dren play, _ the stars gleam,.

o-céans crash, _ the crowds roar,
lungs breathe, the mind churns,
B b sus2 Dm7 B b sus2
—^—* =1
I
r
the po - ets dream, the
the days soar, _ the
the heart yearns, the
m
294
Am B b sus2
i ♦
gles fly.. With out

ea
ba bies cry. With out
tears dry. With out
i o
Fsus2
you the
you the
you life
ici
3 1
Dm? Bbsus2 To Coda ^
—^ ♦—
-&■
earth turns,. _ the

moon glows, _ the
goes on, _ but
Dm? Bbsus2
sun burns,
but
riv-er flows,
S
295
Ain Bb Fsus2
die with - out you.
m o
5 1
1.
Fsus2
^ 7
With
2.
F Dbsus2/F 3 Fsus2
/ —
ij. A
j—i J •• -J-i
i ^he world "e - vives,
kf
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Fsus2 Dbsus2/F
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zt
&
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re new. But I know

col - ors _
•k,
m
296
C/E Cm/Eb Bb/D
tu
blue, on iy blue,
S
4 1 5 2
Bbm/Db F/C Bbm/Db
î y
love iy blue, with-in me
Csus C Fsus2
1
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11 -o
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/ blue with -
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(W
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D.S. al Coda
2 o
1
OUI you.
With-
m
3 1
297
CODA Dm7
Bb Am Bbsus2
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i m gone cause die
e <9
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with - out you. with - out
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you, with-out you,
t
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with-out you.
rail.
s m
298
YOUNGER THAN SPRINGTIME

from SOUTH PACIFIC

Slow 4 (Flowing)
Am
C F/G G7
19- 19
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tu
P
poco rit.
à
î
m ^ r i r;
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CmajT Dm 7
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Youn-ger than spring time are you, Soft - er than star - light
a tempo
w
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Am7
Dm 7 G7 Cmaj7
m
r
î i B
are you, Warm - er than winds of June are the gen tle
cresc.
m C2C
CZi
D7 Cmaj7
5o_
i 4
lips you gave me. Gay - er than laugh - ter

dim. mp
m —
w Sj
f
Copyright ® 1949 by Richard Rodgers and Oscar Hammerstein 11
Copyright Renewed
WILUAMSON MUSIC owner of publication and allied rights throughout the world
International Copyright Secured Ail Rights Rescrved
299
Dm 7 Dm 7 G7
=£=:
î I
are you, Sweet-er than mu ■ sic are you,
At
w
?
Am7 m.
CmajT^-
i
0m Si
An - gel and lov - er heav - en and earth are you to
p*
Am D
» ^ ^—
• «y v \ ■
■ j'^ y = -sj-—: 4ji
r P L r ïr
1 me And when your you th and jo y in -
f —-1 > = /F .. , .... . .g»

\-2^—j 1 €J p
D7 Am D
Am
î
$
■*
r u r
vade my arms And fill my heart as

cresc.
î
m
300
G Dm/
o
z
O
now they do, then,
G
Cmaj 7^-—" DmT^—
*
4i
r; -Zll «
'd?—r^T f—f 1 O f m
—^ 1 i
LJ
Y □ung-er than spring - time ain i, Ciay -er than laijgh • ter
/
j ^"f
m w-f ] t
r f # 9
(M m
J
Ami
Dm7 Gr7 ClnajT^.—
#
^ r f—r— 11
| ^ • tj" F
^ 0 ——|
m d—i S l
< arn 1t kn - gel and lov - er, he■av - en and earth am

cresc.
9
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C/D G7 Cmaj?
/ -(£ ^ n —o G r r
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/ i with y ou !
9
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301
Am F/G G
4
fp*m
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r
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i r.
BB
dim.
•
m— \—* P i ?—
\ -**-— . r 0 ^ --
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Am D7 G Am D7
^
0
ifi' + * 0~r— —
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cresc.
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dim. e rit.
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1 --
m o rs
¥
cresc. np
m
/
O
a
m & o
7a o
Ail Good Qifts Marne
AU the Things You Are Maybe This Time
Alone at the Drive-In Movie Memory
Along Came Bialy Movin' Out (Anthony's Song)
And Ail That Jazz My Cup Runneth Over
Any Dream V?ill Do No Other Love
Anything You Can Do Oklahoma
As Long As He Needs Me 01' Man River
Baubles, Bangles and Beads On Broadway
Being Alive One
The Best of Times People
Cabaret The Rain in Spain
A Cock-Eyed Optimist River in the Rain
Consider Yourself So in Love
Everything's Corning Up Roses Some Enchanted Evening
Falling in Love with Love Someone Like You

Footloose The Sound of Music
Qetting to Know You Stayin' Alive
Cusî The Theatre Cat Summer Nights
Guys and Dolls Sun and Moon
I Ain't Dov/n Yet The Surrey with the Fringe on Top
I Don't Know How to Love Him The Sweetest Sounds
I Dreamed a Dream Ten Cents a Dance
I Enjoy Being a Qirl There's a Small Hôtel
I Have Dreamed
There's No Business Like Show Business
I Will Never Leave You This Is the Moment
l've Qrown Accustomed to Her Face
Thoroughly Modem Millie
If He Walked into My Life
Till There Was You
If I Can't Love Her
Turn Back, 0 Man
The Impossible Dream (The Quest)
Who Will Love Me As I Am?
Kansas City
Wish You Were Here
Leaning on a Lamp Post
With a Song in My Heart O =
Love Changes Everything i
With One Look
O
Love, Look Av/ay Ti
Without You
H
Marna, l'm a Big Qirl Now •
You'll Never Walk Alone 00
^vl
Younger Than Springtime
ISBN ^fl-O-baM-OôDbb
U.S. $12.95
5 129
o 73999 93952 i Distributed By
HL00311123 S
HAU-LEONARD" 9 78 634 8 661

Broadway Songs - Easy Piano

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Broadway Songs - Easy Piano

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EASY PIANO

71 Songs from 56 Shows, including Annie Qet Your Qun -

Beauty and the Beast - Cabaret - Qrease - Jekyll & Hyde -

Les Misérables - The Music Man - Oklahomaî

\/ioit Uol I onnarH Onlinp at

4 Ail Good Gifts 78 Gus: The Theatre Cat

8 Ail the Things You Are 82 Guys and Dolls

Ver y Warm for May Guys and Dolls

14 Alone at the Drive-In Movie 90 I Ain't Down Yet

Grease The Unsinkable Molly Brown

18 Along Came Bialy 94 I Don't Know How to Love Him

The Producers Jésus Christ Superstar

24 And Ail That Jazz 85 1 Dreamed a Dream

Chicago Les Misérables

28 Any Dream Will Do 98 I Enjoy Being a Girl

Joseph and the Amazing Flower Drum Song

Technicolor® Dreamcoat 102 1 Have Dreamed

32 Anything You Can Do The King and I

Annie Cet Your Gun 106 I Will Never Leave You

36 As Long As He Needs Me Side Show

Oliver! 112 l've Grown Accustomed to Her Face

11 Baubles, Bangles and Beads My Fair Lady

Kismet 115 If He Walked into My Life

38 Being Alive Marne

42 The Best of Times Beauty and the Beast:

La Cage Aux Folles The Broadway Musical

50 Cabaret 126 The Impossible Dream (The Quest)

Cabaret Man of La Mancha

60 A Cock-Eyed Optimist 130 Kansas City

64 Consider Yourself 134 Leaning on a Lamp Post

45 Everything's Corning Up Roses 142 Love Changes Everything

68 Falling in Love with Love 139 Love, Look Av/ay

74 Footloose 148 Marna, l'm a Big Girl Now

71 Getting to Knov/ You 155 Marne

162 Memory 236 The Surrey with the

166 Movin' Out (Anthony's Song) Oklahoma!

Movin' Out 244 The Sweetest Sounds

170 My Cup Runneth Over No Strings

/ Do! I Do! 241 Ten Cents a Dance

178 No Other Love Simple Simon

Me and Juliet 248 There's a Small Hôtel

173 On Your Toes

182 Like Show Business

256 This Is the Moment

260 Thoroughly Modem Millie

264 Till There Was You

Words and Music by

wa tered by God's al might y hand. He

/ grain, the breez - es and the sun - shine and

/ Ail good gifts a round us

aire sent from heav - en a -

bove. So thank the Lord, oh

Gmaj7 F|tm D/F|t Em D D/C

thank the Lord, for ail His love.

We real-ly want to thank you, Lord.

D Gmaj7 Cmaj7 Fmaj7

thank you, Lord, thank you for ail of your love.

Oh, thank you, Lord. I want to

th ank y OU, Lord > thank you, Lord.

Lyrics by OSCAR HAMMERSTEIN II

You are the prom - ised kiss of

spnng - time That makes the lone ly wm - ter seem

Gm7 C7-9 Fmaj7