Clair

de Lune


from “Suite Bergamasque” L. 75 Claude Debussy

  
(1862–1918)

 
3rd Movement

              

Andante très expressif


2

 
2


                 
Piano  con sordina


                  
                      
4

     
                


               
                  
8

 
      
              
         



2


                      
2 2


          
2 2

  
12


             
           
2

         


           2  
       
          
Tempo rubato

            
 
15 2
2

2  
  
                          
 m.g.

        
2

     
 


    
      6     
         
       
peu à peu cresc. et animé

        
18

           

            
2

        

     
2

   


6

       

 
                
           
21

 
      
 
     
  
  
    
    

 
  


               
 
              
24 







 
 
 
  
                     
dim. molto

         
     









 
    
  
  
Un poco mosso

        
  
 
27

  
          
      


 


 

          
     
 
 
  

29

 

     

         
 
    


2

 
   
        



  
31

     


     


  
         


     
           
       
33

    
     
       

       


 
   
           
      
     
cresc.

     
35

   
              

  

   
 
  


  
     
        
En animant

   
37

 
     
         
più cresc.


      



   
   
       
  
39

  
          
    
 
3

   
      
    
       
41
2


     
       
 


  
dim.

        
  


 
      
       
43 calmato

 
    
 
  
   



            
                
    
45


         
               
      


 
           
       
  
47

 
             
     
   


       
          
 
49


                

4

        
  

51 a Tempo I

             



          
   


         
    

53 2 2

              
        
   
   


               

     
55

    
    
                




          
  
      
57

  
   
 
          
      



                
            
59


             
   


       
  

5

        

     
                   

       
62


      
         
      


 
        
  
 morendo jusqu'à la fin

 
66

  
    
           
     
 


     

       
68

   
   
  
         
 
   



            
 
  

70

  
       
       
 
    
    


