Cymbals

LA CARENCIA
Arreglo: Luis Alberto Alarcón Betancourt
Percusión: Jesús E. Molina S.
   
q = 185
               

                   
mp

6     
q = 190

  
      
f

17 A
                       
                        
mp

23                    
                    

28                
                  

B
            

33

             
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44                    
                    

49                
                

53               
               
Copyright © Archivo propiedad de
Luis Alberto Alarcón Betancourt
Teziutlán, Pue. Mayo 2018
2 Cymbals
59    
C
               
                    
mp

     

64

        
f
75                        
D

                        

81                    
                    

86                
                 


91  
E
         
                        

           

97

                 
mf

102                    
                    

107                        
                        
mp

113                    
                    
 Cymbals 3
118                    
                    
cresc.
F
         

123

                     
f

129      
            

133
   
     
