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SELF-MADE MAN
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38 The First Industrialists
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The Myth of the Self-Made Man 39
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40 The First Industrialists
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The Myth of the Self-Made Man 41
From Wigan, Dodd added: 'On looking into the origins of manu-
facturing firms in this town, I find that the masters have almost to a
man, begun with nothing, and risen by little and little, till many of
them have got to be very wealthy.' And in his last letter he concluded,
again with an attempt at quantification which is praiseworthy but of
doubtful validity:
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42 The First Industrialists
I find, on looking over the list of firms which I have been able to analyse, and
which I have reason to believe is a fair specimen of the whole, that eight out
of every ten have begun business with little or nothing . . . although some of
them are now supposed to possess from half a million to two millions
sterling.26
Harold Perkin has written that the myth of the self-made man was
'one of the most powerful instruments of propaganda ever developed
by any class to justify itself and reduce others to its own ideal', which
assumed 'that both poverty and inequality were adequately com-
pensated by increased opportunities for improving one's standard of
living by social climbing'.27 Actually, the myth was not simply a
figment of the middle class's desire to satisfy both its moral self-
righteousness and its class interests: it was also much used by intel-
lectual and political Luddites to fight the middle class. However, it
appears, of course, in the writings of supporters of the factory
system: in 1835, Dr Ure stressed the many 'gratifying examples of
skilful workmen becoming opulent proprietors', through the stages
of 'overlooker, manager and partner in new mills'.28 A year earlier,
in his History of Leeds, E. Parsons had written: 'A very preponderat-
ing portion of the rich manufacturers and traders of the district, con-
sist of men who, much to their own honour, have risen by their own
exertions and diligence from the most humble circumstances to ease
and opulence.'29 And a number of industrialists boasted of their
family's humble background and professed, long before Smiles, the
self-help doctrine.
Samuel I Whitbread set himself up as a self-made man, and his
son, the Whig politician, maintained that every Englishman ought to
have the opportunity to raise himself through hard work and merit,
as his father had done.30 Shortly before his death in 1797, Jedediah
Strutt composed his own epitaph: 'Here lies J S — who, without
Fortune, Family or friends rais'd to himself a fortune, family and
Name in the World.'31
In 1842, Henry Ashworth, a famous cotton-spinner, wrote that
many great industrialists had been ordinary weavers thirty years
earlier; industry had been developed by the 'common mass' of the
people', 'possessing little or no outward property, but being richly
endowed with these valuable qualities, persevering industry, intelli-
gence and enterprise'.32 In 1847, during an entertainment given to
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The Myth of the Self-Made Man 43
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44 The First Industrialists
his father was the son of a gardener, but he was literate and would
have done better in life if he had not been impressed during the
American War.39 Even Robert Owen suggested that he might have
landed ancestors, as he had heard his father say 'that he lost an estate
of the value of five hundred pounds a year in a lawsuit'.40
In fact, it was fashionable in the nineteenth century to have a
yeoman ancestry,41 and any parvenu whose forebears had had some
title to some scrap of land did not hesitate to claim that they had
belonged to the 'proud yeomanry' of England. In the West Riding, as
late as the early twentieth century, there was a division among manu-
facturing families, between those of 'gentlemen manufacturers',
which had ancestors in the gentry and yeomanry, and those which
descended from clothiers and other craftsmen.42
It was also as self-made men that industrialists appeared most fre-
quently in English literature;43 and again, this was rarely presented
as a flattering trait. Neil McKendrick has rightly written of the 'liter-
ary Luddism' which prevails in English nineteenth-century novels,
which are hostile to business, to the businessman and to industrial-
ization, and which look back with nostalgia to pre-industrial
England.44
Yet, there are exceptions to the two rules which have just been
formulated. Such is Mr Cayenne, in The Annals of the Parish by John
Gait (1821); he is a loyalist refugee (the former owner of a plantation
in Virginia), who sets up as a country squire in Scotland in 1785 and
establishes a cotton mill, with the help of a great London merchant
house. Gait calls him one of the parish's 'greatest benefactors', as the
mill was 'a blessing to the country', which it made 'stirring with a
new life'.45 Quite different, but likewise not of proletarian extraction
are the two owners of cotton mills who figure in Benjamin Disraeli's
novels, Coningsby (1844) and Sybil (1845). The former book is not
clear about the origins of Millbank pere, but he was the 'youthful
friend' of the heir to a large fortune made in trade in Liverpool, and
the two men married two sisters; although he is said to be of 'humble
blood', one can postulate a middle-class background.46 In Sybil,
Disraeli portrays a model employer, Mr Trafford, whose inspector of
works is Walter Gerard, the heroine's father. Trafford was the
younger son of an old gentry family, but not satisfied with his
'entailed poverty', he entered industry, though with little capital, so
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The Myth of the Self-Made Man 45
that his operations were 'at first extremely limited'. However, 'with
gentle blood in his veins, and old English feelings, he imbibed, at an
early period of his career, a correct conception of the relations which
should subsist between the employer and the employed'. His energy
and his 'social views' interested a distant and childless relative, who
left him a considerable sum. He was thus able to carry out plans over
which he had brooded, i.e. to build a very large and modern cotton
mill, plus a model factory village.47 Reference may also be made to
Robert Moore, the hero of Charlotte Bronte's Shirley (1849). Trade
was his 'hereditary calling': on his mother's side, the Gerards of
Antwerp had been merchants for two centuries, but their already-
declining house was totally ruined by 'the shock of the French
Revolution'; its fall brought down the English firm of Moore, with
which it was closely connected, and one of whose partners, resident
in Antwerp, had married Hortense Gerard and was Robert's father.
In 1811, when the novel begins, Robert Moore, whose family had
thus been ruined, has been for two years leasing and operating a cloth
mill, 'in an out-of-the-way nook of an out-of-the-way district' in
Yorkshire; he is a 'poor man', endowed only with energy, industry
and talent, and the depression of 1811-12 brings him repeatedly to
the verge of bankruptcy. However, he survives, marries his beloved
and becomes the master of 'a mighty mill', with 'a chimney,
ambitious as the tower of Babel'.48
Millbank, Trafford and Moore did not have 'low' social origins
and did not conform therefore to the common idea of the self-made
man; nonetheless, each of them could have said, like Millbank: 'I am
. . . the maker of my fortunes.'49
Anyway, they are not repulsive, like the industrialists of Mrs
Trollope (Sir Matthew Dowling, proprietor of many cotton mills, is
described as 'hard-hearted, vicious, unprincipled, illiterate,
vulgar')50 and of Charles Dickens. Hard Times (1854) 'would prob-
ably win the competition for the novel which has most influenced
attitudes to early industry';51 it undoubtedly strengthened the image
of the 'ogre of the factory', and it made both odious and ridiculous
those who boasted about their humble origins. Mr Bounderby 'was
a rich man: banker, merchant, manufacturer, and what not . . . A
man who could never sufficiently vaunt himself a self-made man. A
man who was always proclaiming . . . his old ignorance and his old
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46 The First Industrialists
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The Myth of the Self-Made Man 47
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48 The First Industrialists
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The Myth of the Self-Made Man 49
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