The document is a poem describing a post-apocalyptic future where humanity has destroyed the environment. The narrator is alone in a ruined city overgrown with newspapers and moss. Flocks of birds form hands gesturing in protest. Photographs come to life showing violence against protesters and the consequences of deforestation. The poem reflects on how humanity asked to grow up and distance themselves from nature, leading to this desolate future where the narrator walks alone on the ruined earth.
The document is a poem describing a post-apocalyptic future where humanity has destroyed the environment. The narrator is alone in a ruined city overgrown with newspapers and moss. Flocks of birds form hands gesturing in protest. Photographs come to life showing violence against protesters and the consequences of deforestation. The poem reflects on how humanity asked to grow up and distance themselves from nature, leading to this desolate future where the narrator walks alone on the ruined earth.
The document is a poem describing a post-apocalyptic future where humanity has destroyed the environment. The narrator is alone in a ruined city overgrown with newspapers and moss. Flocks of birds form hands gesturing in protest. Photographs come to life showing violence against protesters and the consequences of deforestation. The poem reflects on how humanity asked to grow up and distance themselves from nature, leading to this desolate future where the narrator walks alone on the ruined earth.
It is one of those places we see on Sci-Fi movies:
this district, its war-torn walls, even Pasig river, is shrouded in newspapers and moss, then took the ability of cement to build skyscrapers from our recklessness in the arresting hands of opulence. But I can lift one leaf and rummage its pages: “X Wins Presidency, 6-Month Clean-up Starts Tomorrow,” says the headline; “Save The Trees! Recycle!” says another, and other news which we excrete everyday.
The sky is an orange peel clouded with mold;
Half-dark, half-lit: day shifts between dusk and dawn. Flocks of mayas navigating on this wasteland align themselves into hands: all fingers curled, except the longest one, while screeching a dirge to what have we become: we fail to feel.
One must learn how to breathe the musk,
Carried by centuries’ worth of conquering.
Not to mention, Nowhere Man played in loop
in a clock tower nearby; I am the only human being left, the last to see this ruined soil yet, I am not alone.
Suddenly, the photographs unlearns inertia:
men and women in red cry for rice, and receive bullets as a token of appreciation for all their hard work, feeding the ones who gets more what can they chew; a tree slashes my other foot with what’s left of its leaves, blaming me for turning its ancestors into pencils, choking with lead; a white rabbit tries to hop away from electric snakes that came from fallen utility poles.
This place was once our Mother;
We, her sons and daughters, are busy growing up. This is the change we asked for: to be distant And here I am, walking on her, barely breathing. I watch every life form return to her womb: Mend in green. Rest in greed.
Siesta Lane: A Year Unplugged, or, The Good Intentions of Ten People, Two Cats, One Old Dog, Eight Acres, One Telephone, Three Cars, and Twenty Miles to the Nearest Town