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Namdev Article
Namdev Article
By
Rupa Abdi
the One and only Murari** in every pore, the Eternal resides
Namdeva stands in the company of courageous revolutionary poets like Kabir, Raidas and
Nanak, who apart from being saints were also radical reformers who stood above caste and
organised religion, broke the bonds of ritual and ceremonies, denounced idolatry and
brushed aside the authority of religious scriptures. Being a Shudra, Namdeva had to face the
contempt of the Brahmins. He was also one of the pillars of the Warkari movement. He walks
among the few in the world who rose from the pits of sin to the realisation of the highest
principals of Nirguna bhakti and Advaita
Between the 13th and 17th century a religious and literary renaissance flooded the region of
Maharashtra. It was a spiritual awakening, the kind of which was never seen before or after.
It scarcely left a soul untouched.
Some even believe that this movement whose basis was Bhakti, which later came to be
known as the Warkari movement, was far more powerful than its counterpart in northern and
central India. In Maharashtra, this religious revival spanned over 500 years during which
more than 50 saints breathed life into it and left their mark. These saints came from all walks
of life: Marathas, kunbis, tailors, gardeners, potters, gold smiths, reformed prostitutes and
Muslims2p45.
Sant Namdeva was one of the saints under whose guidance the Warkari movement gathered
extraordinary saints in its fold. But apart from being one of the stalwarts of the Warkari
movement Namdeva is also known as the first major saint poet of Nirguna Bhakti. A
‘Chimpi’ or variously interpreted as a tailor, dyer-cloth printer by caste, he also stands among
those few saints who rose from the pit of evil doers 3p.16;4p.85to a Saguna bhakti saint and
ultimately reached the unfathomable heights of Nirguna bhakti. The 61 hymns of Namdeva,
which are included in the Guru Granth Sahib, pertain to the period when he had achieved
enlightenment through devotion to the formless Absolute – Nirguna Bhakti. This change in
the nature of his devotion and perception, from being a passionate devotee of Vithoba of
Pandharpur to a nirgunibhakta who considered Vithoba to be a symbol of the supreme Soul
that pervades the Universe is apparent in his Abhangs. Namadeva’s guru, Shri Visoba
Kechar, who himself was a disciple of Gyanadeva, is believed to have shown the path of
Nirguna bhakti to Namadeva4p.120. In his Abhangs one can see the synthesis of knowledge and
devotion.
Namadeva’s contribution to Bhakti literature is significant. Apart from bhajans (devotional
songs set to music), he is believed to have written over 2500 abhangs(a form of devotional
poetry sung in Marathi in the praise of Vithoba during pilgrimage to the temples of
Pandharpur, the centre of Warkari movement) and about 250 padavalis – simple passionate
lyrics in Hindi. These padavalis are beautiful syncretic lyrics in which Namadeva used
various dialects of northern India that he came across during his travels. These include Khadi
boli, Brajabhasha, Purvi Hindi, Punjabi, Arabic and Persian. In these Padvalis we get a
glimpse of this saint and his beliefs.
He ridiculed idol worship:
He was of the opinion that saguna bhakti i.e. the worship of God with attributes with its
rituals is only a ladder to be discarded once the goal of Nirgun bhakti, the worship and
oneness with the Formless Reality is achieved:
He was brutal in his criticism of the hypocrisy and façade among Hindus and Muslims alike:
It is obvious from Namdeva’s Padvalis that like, Kabir after him, Namdeva was well versed
in the ways of the Sahaj, Nath and Advaita panths:
According to the tradition available Namdev (1270-1350) was a close companion of Sant
Jnanesvar also known as Gyanadeva, another great Marathi saint and the author of
Gyaneshvari2p.43 Namdeva was a householder and a married man. After Gyanadeva’s death,
Namdeva moved to north India and settled in Punjab in a village called Ghuman in
Gurdaspur. Here he spent 20 years of his life spreading the message of devotion. However,
some scholars question whether Namdev was a contemporary of Gyanadeva and whether the
two came in contact with each other at all3p18.
Notes
*All English translations of the poetic compositions are by Rupa Abdi
** Govind, Hari, Murari, Ram etc. are various names, avatars and attributes of Vishnu,
however in case of Namdeva, they are the various names by which he addressed the Ultimate
Reality.
***A 14th century Bhakti saint who founded a new school of Vaishnavism based on love and
devotion