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  • Final Piano

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    Juan José García Sánchez
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    This document is a piano score titled "Piano Final" by Andrés Berrio. It contains musical notation across 25 measures, including indications of chords, key signatures, time signatures, and directives such as "To Coda". The score transitions between several musical keys and contains elements such as slurs and accents. It concludes with a directive to go to the coda section.

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    Final-Piano

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    This document is a piano score titled "Piano Final" by Andrés Berrio. It contains musical notation across 25 measures, including indications of chords, key signatures, time signatures, and directives such as "To Coda". The score transitions between several musical keys and contains elements such as slurs and accents. It concludes with a directive to go to the coda section.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    2 views1 page

    Final Piano

    Uploaded by

    Juan José García Sánchez
    This document is a piano score titled "Piano Final" by Andrés Berrio. It contains musical notation across 25 measures, including indications of chords, key signatures, time signatures, and directives such as "To Coda". The score transitions between several musical keys and contains elements such as slurs and accents. It concludes with a directive to go to the coda section.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
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    of 1

    Piano Final


    Andrés Berrio

         
       


             
     F#°/A
        
    Am/C B7/A Em7/B F#°7/A Em/G F7/A
    Gaug/B


               
         
          
    iv6 V11b i4 ii°6 i6 V5# ii°4 bII6
    ....7 .3 ....5 ....3


                                 

          
    To

      
    B7/F

         
    B7 F#°/A Em
    9 Caug Am To Coda

        
          
                     
     
         
    V7 VI5# iv ii°6 V4 i
    ...3,b5


            Dm7 
          
                     
    Em/G
    C7 F7 Bb7/F
    14 Bb7


    Gm7

                  
    FM

       
           
    I CT° I vi7 IV7 ii7
    vii°6
    ......5,b3/V


     Em/G
          Bb7/F   C7  Em/B
        
      
     
                           
    25 Dm7 Bb7 FM FM D.S. al Coda
    Em


       
                   
        
    vi7 IV7 I CT° I V7 i6 i i6
    ..4

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